My Baby Just Cares for Me

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1My Baby Just Cares for Me
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
edit of:
My Baby Just Cares for Me (special extended version) by Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
3.853:35
2Mood Indigo
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1966)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
53:59
3Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
4.052:41
4I’m Blessed
recorded in:
New York, New York, United States (in 1964-06)
producer:
Hal Mooney
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
I Am Blessed (in 1964-06)
writer:
Bennie Benjamin and Sol Marcus
42:53
5Our Love
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Our Love (Will See Us Through) (in 1964-06)
writer:
Bennie Benjamin
42:51
6The Laziest Gal in Town
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
orchestra:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
The Laziest Gal in Town (in 1964)
lyricist and composer:
Cole Porter (composer) (in 1927)
42:12
7Night Song
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
orchestra:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
Night Song (from "Golden Boy") (in 1964)
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
librettist:
William Gibson (playwright) and Clifford Odets (US playwright)
part of:
Golden Boy (The Musical)
32:59
8Don’t Take All Night
recording of:
Don’t Take All Night
writer:
Bennie Benjamin and Sol Marcus
3:31
9How Can I Make Him Love Me
4:42
10Nobody
cover recording of:
Nobody
lyricist:
Alex Rogers (songwriter, 1876-1930)
composer:
Bert Williams
part of:
Abyssinia (1906 musical)
3:54
11I Loves You Porgy
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3.54:07
12Love Me or Leave Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
4.653:20
13One More Sunday in Savannah
bass:
Chris White (jazz bassist)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
guitar:
Al Schackman
recorded at:
CBS Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (on 1961-08-13)
live cover recording of:
Sunday in Savannah (on 1961-08-13)
lyricist and composer:
Hugh M. MacKay
publisher:
Irving Music (BMI)
part of:
Martin Luther King Suite
22:26
14I’ll Look Around
bass:
Chris White (jazz bassist)
double bass:
Chris White (jazz bassist) (on 1961-08-13)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1961-08-13)
electric guitar:
Al Schackman (on 1961-08-13)
guitar:
Al Schackman
phonographic copyright (℗) by:
Colpix Records (a/k/a Colpix Records) (in 1961)
recorded at:
CBS Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (on 1961-08-13)
live cover recording of:
I’ll Look Around (on 1961-08-13)
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Northern Music Corp. and Universal/MCA Music Ltd. (not for release label use!)
2:47
15Blues
edit of:
Backlash Blues (live, 1985: USA, with Nina Simone addressing the crowd at the end) by Nina Simone
live recording of:
Backlash Blues (in 1985)
lyricist:
Langston Hughes
composer:
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) and Rolls Royce Music (publisher; do NOT use as release label)
2:49
16Zungo
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (in 1961-04)
live cover recording of:
Zungo (Olatunji) (in 1961-04)
lyricist and composer:
Babatunde Olatunji
publisher:
Thandewye Music (publisher; do NOT use as release label)
2:01
17For All We Know
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
For All We Know (1934 song) (in 1957-12)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
2:34
18Cotton‐Eyed Joe
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
live cover recording of:
Cotton‐Eyed Joe (traditional song)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 942)
cover recording of:
Cotton‐Eyed Joe (traditional song)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 942)
3:47
19Sugar In My Bowl (live)
phonographic copyright (℗) by:
BMG Entertainment (in 1974)
live cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (in 1985)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
3:39
20To Be Young, Gifted & Black (live)
lead vocals:
Nina Simone
recorded at:
University of California, Berkeley in Berkeley, California, United States (on 1969-04-26)
edit of:
To Be Young, Gifted and Black (live, 1969‐04‐26: University of California, Berkeley, CA, USA) by Nina Simone
live recording of:
To Be Young, Gifted and Black (on 1969-04-26)
lyricist:
Weldon Irvine
composer:
Nina Simone
6:19