Lady Sings the Blues, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1All Night Long
registrata a:
New York, New York, Stati Uniti (il 1960-11-17)
produttore:
John Hammond (producer)
basso :
Bill Lee (bassist, composer, father of Spike Lee) (il 1960-11-17)
batteria :
Sticks Evans (il 1960-11-17)
chitarra :
Lord Westbrook (il 1960-11-17)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1960-11-17)
sassofono tenore :
Al Sears (il 1960-11-17)
trombone :
Quentin Jackson (il 1960-11-17)
arrangiatore:
J. Leslie McFarland (composer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrazione di:
All Night Long (il 1960-11-17)
autore:
Curtis Reginald Lewis (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!), Six Continents Music Publishing e Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Aretha Franklin33:06
2As Time Goes By
sassofono contralto :
Benny Carter (il 1961-06-22)
voce:
Peggy Lee (jazz vocalist) (il 1961-06-22)
arrangiatore:
Quincy Jones (il 1961-06-22)
registrazione cover di:
As Time Goes By (the song from “Casablanca”) (il 1961-06-22)
paroliere e compositore:
Herman Hupfeld
editore:
WB Music Corp. (1929–2019) (conclusa), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Bros., Inc. (not for release label use!) (nel 1931)
sub-editore:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
parte di:
Casablanca (original soundtrack of the 1942 American film)
Peggy Lee2:52
3I Wish I Knew (How It Would Feel to Be Free)
registrazione cover di:
I Wish I Knew How It Would Feel to Be Free
autore:
Billy Taylor (jazz/bop pianist) e Richard Lamb
editore:
Duane Music Inc. e Westminster Music Ltd.
parte di:
The Real Book (compilation of jazz standards, Volume I)
Nina Simone3:05
4Lover Man (Oh Where Can You Be)
registrazione cover di:
Lover Man
paroliere:
Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
compositore:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (conclusa), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (conclusa) e Universal Music Corp. (USA, affiliated with ASCAP)
Sarah Vaughan3:58
5Go Slow
produttore:
Bobby Troup
voce:
Julie London
orchestra:
Russ Garcia & His Orchestra
direttore d'orchestra:
Russell Garcia
arrangiatore:
Russell Garcia
registrazione di:
Go Slow
paroliere:
Ned Kronk
compositore:
Russell Garcia
Julie London42:14
6The Nearness of You
registrazione cover di:
The Nearness of You
paroliere:
Ned Washington (nel 1938)
compositore:
Hoagy Carmichael (nel 1938)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK e Sony/ATV Music Publishing LLC (1995–2020)
Nancy Wilson2:58
7Georgia on My Mind
registrazione cover di:
Georgia on My Mind
inno di:
Georgia, Stati Uniti (dal 1979 a oggi)
paroliere:
Stuart Gorrell (nel 1930)
compositore:
Hoagy Carmichael (nel 1930)
editore:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (dal 1930 a oggi) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (dal 1930 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangiamento di:
Georgia on My Mind (Solo piano arrangement)
Billie Holiday3:18
8Baby Won’t You Please Come Home
registrazione cover di:
Baby Won’t You Please Come Home
autore:
Charles Warfield e Clarence Williams (US jazz pianist, composer, singer and bandleader)
editore:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) e Universal/MCA Music Ltd. (not for release label use!)
Dinah Washington2:07
9You Don’t Have to Say You Love Me
produttore:
John Franz
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 491)
registrazione di:
You Don’t Have to Say You Love Me
paroliere:
Simon Napier-Bell, Vito Pallavicini (Lyricist) e Vicki Wickham
compositore:
Pino Donaggio (Italian singer‐songwriter and score composer)
editore:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. e Miller Music Corp.
versione tradotta di:
Io che non vivo (senza te)
Dusty Springfield3.72:49
10The First Cut Is the Deepest
produttore:
Mike Hurst (musician and record producer from London, England)
voce:
P.P. Arnold
arrangiatore:
Art Greenslade
registrazione di:
The First Cut Is the Deepest
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. e Salafa Ltd.
P.P. Arnold43:05
11I Can’t Stand the Rain
parte di:
Cachitos Nochevieja 2022 (numero: 24) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 197)
registrazione di:
I Can’t Stand the Rain (nel 1973)
autore:
Don Bryant, Bernard Miller (US 1970s songwriter) e Ann Peebles
editore:
Irving Music, Inc. e JEC Publishing (nel 1977)
Ann Peebles4.252:28
12Time Is on My Side
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione cover di:
Time Is on My Side
paroliere aggiunto:
Jimmy Norman
compositore:
Norman Meade
editore:
Rittenhouse Music Corp., TRO Essex Music Ltd. e ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
versione di:
Time Is on My Side (original version, only lyrics are “Time Is on My Side” and “You’ll Come Runnin’ Back”)
Irma Thomas42:52
13How Blue Can You Get
tecnico:
Rudy van Gelder
produttore:
Creed Taylor
voce:
Esther Phillips (Little Esther)
arrangiatore:
Pee Wee Ellis
registrazione cover di:
How Blue Can You Get?
autore:
Jane Feather
compositore:
Leonard Feather
editore:
Burlington Music Co., Ltd., Melva Pub. Co. e Modern Age Music
Esther Phillips5:09
14At Last
Lou Rawls & Dianne Reeves3:39
15In the Wee Small Hours of the Morning
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London (nel 1960-08)
direttore d'orchestra:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (nel 1960-08)
arrangiatore:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1960-08)
registrazione cover di:
In the Wee Small Hours of the Morning (nel 1960-08)
paroliere:
Bob Hilliard
compositore:
David Mann (American songwriter)
editore:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company e Rytvoc, Inc. (ASCAP)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Julie London2:50
16Paper Moon
registrata a:
New York, New York, Stati Uniti (il 1945-03-27)
batteria :
George Wettling
chitarra :
Hy White
contrabbasso [string bass] :
Haig Stephens
pianoforte :
René DeKnight
voce:
The Delta Rhythm Boys (vocal harmony group) (il 1945-03-27) e Ella Fitzgerald (American jazz singer) (il 1945-03-27)
registrazione cover di:
It’s Only a Paper Moon (il 1945-03-27)
paroliere:
E.Y. Harburg (nel 1933) e Billy Rose (lyricist and Broadway producer) (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. e Warner Bros. Music (publisher; do NOT use as release label)
Ella Fitzgerald & The Delta Rhythm Boys2:36
17Need Your Love So Bad
basso :
Chris Biondo (guitarist, producer with Eva Cassidy Band)
batteria :
William 'JuJu' House
chitarra [soloist] :
Keith Grimes
chitarra pedal steel e voce principale:
Eva Cassidy
corno , sassofono baritono e sassofono tenore :
Leigh Pilzer
organo :
Lenny Williams (pianist, keyboardist)
pianoforte elettrico :
Kent Wood
tromba :
Chris Walker (trumpet)
trombone :
Dan Haverstock
voce ospite:
Chuck Brown (jazz guitarist/singer "The Godfather of Go-Go")
arrangiatore:
Eva Cassidy
registrazione cover di:
Need Your Love So Bad
paroliere e compositore:
Little Willie John e Mertis John Jr. (older brother of Little Willie John)
editore:
Carlin Music Corporation, Fort Knox Music Co, Fort Knox Music Inc., Lark Music Ltd., Peter Maurice Music, Peter Maurice Music Co. e Trio Music Co., Inc.
Eva Cassidy duet with Chuck Brown44:39
18The Chokin’ Kind
diritti fonografici (℗) detenuti da:
EMI Music North America (not for release label use!) (nel 2003)
registrazione cover di:
The Chokin’ Kind
paroliere e compositore:
Harlan Howard
editore:
Sony/ATV Songs (SOCAN) e Wilderness Music Publishing Co.
Joss Stone3.53:36
2CD
#TitoloArtistaValutazioneDurata
1My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.853:37
2You’re the Best Thing That Ever Happened to Me
registrazione cover di:
Best Thing That Ever Happened to Me
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
registrazione di:
Best Thing That Ever Happened to Me
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:44
3I’ll Never Fall in Love Again
registrazione cover di:
I’ll Never Fall in Love Again (Promises, Promises)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS‐affiliated), JAC Music Co., Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Sony/ATV Harmony, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Bobbie Gentry2:52
4The Way You Look Tonight
registrazione di:
The Way You Look Tonight (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
Billie Holiday3:05
5Unforgettable
registrata a:
New York, New York, Stati Uniti (il 1964-02-10)
produttore:
Robert Mersey
vibrafono :
Teddy Charles (il 1964-02-10)
voce principale:
Aretha Franklin (il 1964-02-10)
arrangiatore:
Robert Mersey
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1964) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1964)
registrazione cover di:
Unforgettable (il 1964-02-10)
paroliere e compositore:
Irving Gordon (US songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Bourne Music Ltd.
Aretha Franklin43:41
6All or Nothing
produttore:
Teddy Reig
basso e contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
chitarra :
Barney Kessel (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione cover di:
All or Nothing at All (dal 1962-08-07 al 1962-08-08)
paroliere:
Jack Lawrence (US songwriter)
compositore:
Arthur Altman e Jack Lawrence (US songwriter)
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. e Universal‐MCA Music Publishing (US)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sarah Vaughan3:12
7Oh No Not My Baby
Maxine Brown2:35
8Every Little Bit Hurts
Peggy Scott3:23
9Here’s That Rainy Day
produttore:
Brad Benedict
direttore d'orchestra:
Sid Feller
remixer:
Bob Norberg
registrazione cover di:
Here’s That Rainy Day
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Jimmy Van Heusen
editore:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nancy Wilson2:28
10September in the Rain
Sue Raney2:36
11The Thrill Is Gone
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London
orchestra:
The Jimmy Rowles Orchestra
registrata presso:
Julie London’s living room
registrazione cover di:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931)
paroliere:
Lew Brown
compositore:
Ray Henderson
editore:
DeSylva, Brown and Henderson, Inc. e Redwood Music Ltd. (Carlin)
Julie London3:20
12Someone to Watch Over Me
produttore:
Voyle Gilmore
voce:
Keely Smith
orchestra:
Nelson Riddle and His Orchestra
direttore d'orchestra:
Nelson Riddle
arrangiatore:
Nelson Riddle
registrazione cover di:
Someone to Watch Over Me (Oh, Kay!) (nel 1959)
paroliere:
Ira Gershwin (nel 1926)
compositore:
George Gershwin (composer) (nel 1926)
editore:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28), Harms, Inc. (nel 1926) e WC Music Corp. (dal 2019-05-28 al 2022-01-01)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Crazy for You (1992 musical)
parte di:
Oh, Kay! (1926 musical)
Keely Smith3:00
13I Cry by Night
Kay Starr2:51
14Hit the Road to Dreamland
registrazione di:
Hit the Road to Dreamland
paroliere:
Johnny Mercer
compositore:
Harold Arlen
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Betty Hutton1:57
15Love Me or Leave Me
registrazione di:
Love Me or Leave Me
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
Billie Holiday & Teddy Wilson Orchestra3:20
16Looking for a Boy (Tip‐Toes)
registrazione di:
Looking for a Boy
paroliere:
Ira Gershwin (nel 1925)
compositore:
George Gershwin (composer) (nel 1925)
editore:
WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al ????)
parte di:
Tip-Toes
June Christy2:37
17In a Sentimental Mood
registrazione cover di:
In a Sentimental Mood
paroliere:
Manny Kurtz e Irving Mills
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1935)
editore:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music e Sony/ATV Harmony
Sarah Vaughan5:17

Accreditamenti

Gruppo di pubblicazioni

parte di:Lady Sings the Blues (numero: 2) (ordine: 2)
Allmusic:https://www.allmusic.com/album/mw0002006090 [info]