Disco Party, Vol. 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1I Want to Break Free
additional recording engineer:
Mike Beiriger (from 1983-08 until 1984-01)
assistant recording engineer:
Eddie DeLena (engineer) (from 1983-08 until 1984-01) and Stephan Wissnet (from 1983-08 until 1984-01)
recording engineer and programming:
Reinhold Mack (German rock producer/engineer Reinhold Mack) (from 1983-08 until 1984-01)
additional engineer:
Mike Beiriger
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack) and Queen (UK rock group)
acoustic guitar, bass guitar and synthesizer:
John Deacon (from 1983-08 until 1984-01)
electric guitar:
John Deacon (from 1983-08 until 1984-01) and Brian May (Queen guitarist) (from 1983-08 until 1984-01)
electronic drum set:
Roger Taylor (Queen drummer) (from 1983-08 until 1984-01)
guest solo synthesizer:
Fred Mandel (from 1983-08 until 1984-01)
lead vocals:
Freddie Mercury (from 1983-08 until 1984-01)
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) and Raincloud Productions Ltd. (in 1984, in 2011)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1983-08 until 1984-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
music videos:
I Want to Break Free (music video) by Queen (UK rock group)
recording of:
I Want to Break Free (from 1983-08 until 1984-01)
lyricist and composer:
John Deacon
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen4.254:18
2Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:53
3Midnight Man
recording of:
Midnight Man
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
Flash and the Pan3:32
4Locomotion
recording of:
Locomotion (OMD)
writer:
Paul Humphreys (Orchestral Manoeuvres in the Dark), Andy McCluskey and Gordian Troeller (band manager)
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark3:35
5Sounds Like Melody
recording of:
Sounds Like a Melody
lyricist:
Marian Gold
composer:
Marian Gold, Bernhard Lloyd and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4:18
6Break My Stride
drums (drum set) programming:
John Gilston (in 1983)
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) and Matthew Wilder (in 1983)
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta (in 1983)
guitar:
Dennis Herring (in 1983)
background vocals:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) and Matthew Wilder (in 1983)
lead vocals:
Matthew Wilder (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
recording of:
Break My Stride (in 1983)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.42:55
7Smalltown Boy
recording of:
Smalltown Boy
writer:
Steve Bronski, Jimmy Somerville and Larry Steinbachek
publisher:
BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
Gotcha! (1985 film soundtrack)
Bronski Beat4:54
8Can't Take My Eyes Off You
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Boys Town Gang3:37
9Love Is in the Air
producer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
phonographic copyright (℗) by:
Albert Productions (in 1977, in 1978), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (in 1978) and Volcano Entertainment III, L.L.C. (in 1998)
recording of:
Love Is in the Air (in 1978)
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
John Paul Young33:23
10In the Navy
engineer:
Michael Hutchinson (engineer)
executive producer:
Henri Belolo
producer:
Jacques Morali
lead vocals:
Victor Willis (Victor Edward Willis, member of the Village People)
conductor:
Horace Ott
brass [horns] arranger and strings arranger:
Horace Ott
phonographic copyright (℗) by:
Metronome GmbH (Manufacturing department of Metronome Records GmbH — not a label) (in 1979)
produced for:
Can’t Stop Productions, Inc.
recorded at and mixed at:
Sigma Sound Studios (New York) in New York, New York, United States
recording of:
In the Navy
lyricist:
Henri Belolo and Victor Willis (Victor Edward Willis, member of the Village People)
composer:
Jacques Morali
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group and Scorpio Music (French label and publisher) (in 1979)
Village People43:40
11Abba (medley)
Stars on 453:52
12Belfast
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett, Frank Farian and Liz Mitchell
recording of:
Belfast (English version)
lyricist and composer:
Jimmy Bilsbury, Drafi Deutscher and Joe Menke (schlager songwriter & producer)
Boney M.3.53:27
13Call Me
engineer:
Harold Faltermeyer
producer:
Giorgio Moroder
additional synthesizer:
Giorgio Moroder (in 1980-01)
bass guitar [bass]:
Nigel Harrison (in 1980-01)
drums (drum set) [drums]:
Clem Burke (in 1980-01)
electric piano:
Jimmy Destri (in 1980-01)
guitar:
Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
lead vocals:
Debbie Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979) and The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 157)
recording of:
Call Me (in 1980-01)
lyricist:
Deborah Harry
composer:
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:26
14You Make Me Feel (Mighty Real)
recording of:
You Make Me Feel (Mighty Real)
writer:
Sylvester (US disco and soul singer-songwriter) and James Wirrick
Sylvester3:40
15I'm Still Standing
recording engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
drums (drum set):
Nigel Olsson
electric bass guitar:
Dee Murray
electric guitar:
Davey Johnstone
piano, synthesizer and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
background vocals:
Davey Johnstone, Dee Murray and Nigel Olsson
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1983)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (on 1983-06-26)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
music videos:
I’m Still Standing by Elton John (English singer, songwriter, pianist, and composer)
recording of:
I’m Still Standing
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) and Universal–Songs of PolyGram International, Inc.
Elton John3.82:59
16The Race
producer:
Yello (Swiss electronica duo)
recording of:
The Race
lyricist:
Dieter Meier (member of Yello)
composer:
Boris Blank
publisher:
Bavaria Sonor Musikverlag, Datasound AG, Warner Bros. Music (publisher; do NOT use as release label) and Warner Chappell
Yello3.653:15
17Camillo
partial recording of:
Camillo
lyricist and composer:
Kurt Hauenstein
Supermax1:15
18Swing Moods
recording of:
Swing the Mood
writer:
Jive Bunny (Jive Bunny)
medley of:
Let’s Twist Again
medley of:
In the Mood
medley of:
Rock Around the Clock (Bill Haley’s version)
medley of:
Rock‐a‐Beatin’ Boogie
medley of:
Tutti Frutti
medley of:
Wake Up Little Susie
medley of:
C’mon Everybody
medley of:
Hound Dog
medley of:
Shake, Rattle and Roll
medley of:
All Shook Up
medley of:
Jailhouse Rock
medley of:
At the Hop
Jive Bunny & the Mastermixers24:18
19Puttin' on the Ritz
tap dance:
Taco (Dutch singer)
music videos:
Puttin’ On the Ritz by Taco (Dutch singer)
cover recording of:
Puttin’ On the Ritz
lyricist and composer:
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
Idiot’s Delight (film)
Taco44:37
20Bird of Paradise
phonographic copyright (℗) by:
Snowy White (guitarist) (in 1984)
recording of:
Bird of Paradise
lyricist and composer:
Snowy White (guitarist)
publisher:
Campbell Connolly Ltd. and Novello & Co. Ltd.
Snowy White4.54:58
2▼CD
#TitleArtistRatingLength
1Flashback
recording of:
Flashback
writer:
Ashley Ingram, Leee John, Steve Jolley, Errol Kennedy and Tony Swain (songwriter, producer)
publisher:
Sony/ATV Tunes LLC (ASCAP) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Imagination34:22
2Let It All Blow
recording of:
Let It All Blow
writer:
Robert Harris (saxophonist, producer and songwriter) and Keith Harrison (US funk keyboardist/vocalist for Heatwave/Dazz Band)
Dazz Band23:56
3Keep on Dancing
recording of:
Keep on Dancin’
composer:
Eric Matthew (songwriter, engineer, producer, record label owner, = Joe Tucci) and Gary R. Turnier
Gary’s Gang5:21
4Let's Start to Dance
recording of:
Let’s Start the Dance
writer:
Hamilton Bohannon
Hamilton Bohannon5:50
5Jump (for My Love)
recorded in:
Los Angeles, California, United States (in 1983)
drum machine and synthesizer programming:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
electronic drum set programming:
Reek Havoc (in 1983)
engineer:
Gary Skardina
associate producer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) and Gary Skardina
producer:
Richard Perry (producer)
additional synthesizer and Minimoog and electronic drum set:
Howie Rice (in 1983)
bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1983)
drum machine and synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1983)
lead vocals:
June Pointer (in 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) and James C. Tract
phonographic copyright (℗) by:
Planet Records Inc. (in 1983)
recording of:
Jump (for My Love) (in 1983)
writer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron and Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Songs LLC
The Pointer Sisters3.354:20
6Dance Dance Dance (Yowsah.Yowsah.Yowsah)
edit of:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (LP / 12″ version) by Chic (US disco group)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 20)
recording of:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (in 1977)
writer:
Bernard Edwards (American bassist and record producer), Kenny Lehman and Nile Rodgers
Chic3.53:40
7We Are Family
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (from 1978 to present)
recording of:
We Are Family
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:10
8Shake Your Groove Thing
recording of:
Shake Your Groove Thing
writer:
Dino Fekaris and Freddie Perren
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Peaches & Herb3:51
9Stomp
recording of:
Stomp!
writer:
George Johnson (member of Brothers Johnson, guitar), Louis Johnson (bass, member of Brothers Johnson), Valerie Johnson and Rod Temperton
The Brothers Johnson4:04
10Best of My Love
producer:
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 334)
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:37
11I'm Coming Out
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1980)
recording of:
I’m Coming Out
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs and Tommy Jymi Inc.
Diana Ross43:53
12Get Down Saturday Night
recording of:
Get Down Saturday Night
composer:
Oliver Cheatham and Kevin McCord
publisher:
Songs of Universal, Inc. (BMI)
Oliver Cheatham4:01
13Get Down
recording of:
Get Down
writer:
James Allen Thompson, Jr. (songwriter)
Gene Chandler3:20
14Ladies Night
producer:
Eumir Deodato and Kool & the Gang
recording of:
Ladies’ Night
writer:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens and Claydes Smith
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang4.253:24
15Last Night a DJ Saved My Life
recording of:
Last Night a D.J. Saved My Life
lyricist and composer:
Mike Cleveland (80's dance)
publisher:
Windswept Pacific Music Ltd.
Indeep44:41
16What's Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
What’s Love Got to Do With It (Kygo version)
writer:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) and Graham Lyle
publisher:
Kobalt Music (publisher) (from 2020 to present) and WC Music Corp. (from 2020 to present)
is based on:
What’s Love Got to Do With It
Tina Turner4.053:46
17Bensonhurst Blues
recording of:
Bensonhurst Blues
writer:
Artie Kaplan and Artie Kornfeld
Oscar Benton3:52