The Rock 'n' Roll Era: Buddy Holly

~ Release by Buddy Holly (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
4.52:32
2Heartbeat
producer:
Norman Petty
bass:
George Atwood (from 1958-05-25 until 1958-05-26)
drums (drum set):
Jerry Allison (from 1958-05-25 until 1958-05-26)
guitar:
Tommy Allsup (from 1958-05-25 until 1958-05-26) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-05-25 until 1958-05-26)
recording of:
Heartbeat (from 1958-05-25 until 1958-05-26)
writer:
Bob Montgomery and Norman Petty
publisher:
Melody Lane Publications Inc. and Peermusic (UK) Limited
4.652:10
3Raining in My Heart
producer:
Dick Jacobs
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
Raining in My Heart (on 1958-10-21)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC and Sony/ATV Music Publishing (UK) Ltd.
52:50
4Everyday
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-05-29)
celesta:
Vi Petty (on 1957-05-29)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-29)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 236)
recording of:
Everyday (on 1957-05-27)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:09
5Midnight Shift
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar:
Sonny Curtis (on 1956-01-26), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-01-26) and Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-01-26)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
cover recording of:
Midnight Shift (on 1956-01-26)
writer:
Jimmie Ainsworth and Earl Lee (Luke McDaniel, track "Midnight Shift")
publisher:
Good Music (UK Publisher (1950s - 1970s)) and Sony Tree Publishing Co., Inc.
42:12
6Peggy Sue Got Married
recorded in:
New York, New York, United States (on 1958-12-05, on 1959-06-30)
producer:
Jack Hansen
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-05)
bass:
Sanford Bloch (Bass player) (on 1959-06-30)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-06-30)
guitar:
Donald Amone (on 1959-06-30)
piano:
Andrew Ackers (on 1959-06-30)
background vocals:
The Ray Charles Singers (on 1959-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-05)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959) and UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1959)
recording of:
Peggy Sue Got Married (from 1958-12-05 until 1959-06-30)
composer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
2:06
7Bo Diddley
recorded in:
Clovis, New Mexico, United States (from 1956-12 until 1957-01, from 1962-05 until 1963-02)
producer:
Norman Petty
bass:
Larry Welborn (from 1956-12 until 1957-01) and Stan Lark (from 1962-05 until 1963-02)
drums (drum set):
Jerry Allison (from 1956-12 until 1957-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01), Keith McCormack (from 1962-05 until 1963-02) and George Tomsco (from 1962-05 until 1963-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963)
cover recording of:
Bo Diddley (from 1956-12 until 1963-02)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (until 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Good Music Ltd.
2:21
8Valley of Tears
producer:
Norman Petty
bass:
Joe B. Mauldin
drums (drum set):
Jerry Allison
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter)
organ:
Norman Petty
piano:
Vi Petty
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958) and UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
recording of:
Valley of Tears
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
EMI Unart Catalog Inc., Francis, Day & Hunter (publisher) and Travis Music Co.
42:09
9Reminiscing
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1958-09-10)
drums (drum set):
Jerry Allison (on 1958-09-10)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10)
tenor saxophone:
King Curtis (saxophonist) (on 1958-09-10)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10)
performer:
The Fireballs (USA 1960s surf rock band) (in 1962)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1958-09-10)
recording of:
Reminiscing (from 1958-09-10 until 1962)
lyricist and composer:
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) and Nor-Va-Jak Music, Inc
42:00
10Ready Teddy
producer:
Norman Petty
bass:
Joe B. Mauldin (from 1957-05 until 1957-07)
drums (drum set):
Jerry Allison (from 1957-05 until 1957-07)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-05 until 1957-07) and Niki Sullivan (from 1957-05 until 1957-07)
piano:
Vi Petty (from 1957-05 until 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-05 until 1957-07)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1957-05 until 1957-07)
cover recording of:
Ready Teddy (from 1957-05 until 1957-07)
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
51:33
11That's My Desire
recording of:
That’s My Desire
lyricist:
Carroll Loveday
composer:
Helmy Kresa
publisher:
Mills Music, Inc.
2:26
12Brown Eyed Handsome Man
recording engineer:
Norman Petty (from 1956-12 until 1957-01)
producer:
Norman Petty
bass:
Larry Welborn (from 1956-12 until 1957-01)
drums (drum set):
Jerry Allison (from 1956-12 until 1957-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963) and UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1956-12 until 1957-01)
cover recording of:
Brown Eyed Handsome Man (from 1956-12 until 1957-01)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
3.352:06
13Rave On
recorded in:
New York, New York, United States (on 1958-01-25)
producer:
Milton DeLugg, Norman Petty and Bob Thiele (producer & songwriter)
bass:
Joe B. Mauldin (on 1958-01-25, on 1958-01-26)
drums (drum set):
Jerry Allison (on 1958-01-25, on 1958-01-26)
guitar:
Donald Amone (on 1958-01-25), Al Caiola (on 1958-01-25) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-26)
piano:
Norman Petty (on 1958-01-25, on 1958-01-26)
background vocals:
Robert Bollinger (on 1958-01-25), Robert Harter (on 1958-01-25), Abby Hoffer (on 1958-01-25), William Marine (on 1958-01-25) and Merril Ostrus (on 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-25, on 1958-01-26)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1958-01-26)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 154)
recording of:
Rave On (on 1958-01-25)
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
cover recording of:
Rave On (on 1958-01-26)
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
4.21:51
14True Love Ways
producer:
Dick Jacobs
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1960) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
True Love Ways (on 1958-10-21)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.52:52
15Baby I Don't Care
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-12-19)
drums (drum set):
Jerry Allison (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-12-19)
cover recording of:
(You’re So Square) Baby I Don’t Care (on 1957-12-19)
lyricist:
Jerry Leiber (in 1957)
composer:
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
recording of:
(You’re So Square) Baby I Don’t Care
lyricist:
Jerry Leiber (in 1957)
composer:
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
51:38
16You've Got Love
recording of:
You’ve Got Love
writer:
Roy Orbison, Norman Petty and Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
2:08
17Lonesome Tears
recorded in:
Clovis, New Mexico, United States (on 1958-05-25)
bass:
Joe B. Mauldin (on 1958-05-25)
drums (drum set):
Jerry Allison (on 1958-05-25)
guitar:
Tommy Allsup (on 1958-05-25) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-05-25)
background vocals:
The Roses (on 1958-05-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-05-25)
recording of:
Lonesome Tears (from 1958-05-25 until 1958-05-27)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
1:48
18Listen to Me
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
Listen to Me (from 1957-06-29 until 1957-07-01)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
writer:
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
3.52:23
19Wishing
recorded in:
Clovis, New Mexico, United States (on 1958-06-02)
producer:
Norman Petty
bass:
George Atwood (on 1958-06-02)
drums (drum set):
Bo Clarke (on 1958-06-02)
guitar:
Tommy Allsup (on 1958-06-02) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-02)
performer:
The Fireballs (USA 1960s surf rock band) (in 1963)
recording of:
Wishing (from 1958-06-02 until 1963)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
2:04
20Early in the Morning
cover recording of:
Early in the Morning
writer:
Bobby Darin and Woody Harris
publisher:
Good Music Ltd., Royalty and United Artists Music Co., Inc.
2:09
21Love's Made a Fool of You
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recording of:
Love’s Made a Fool of You
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery
publisher:
Southern Music Ltd. (publisher) (in 1981)
2:01
22Learnin' the Game
recording of:
Learning the Game
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Southern Music Pub. Co. Ltd.
2:03
23What to Do
recorded in:
New York, United States (in 1959-01)
producer:
Norman Petty
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
instruments:
The Fireballs (USA 1960s surf rock band)
background vocals:
The Fireballs (USA 1960s surf rock band)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960) and UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
recording of:
What to Do (from 1959-01 to ????)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
3.51:53
24It Doesn't Matter Anymore
producer:
Dick Jacobs and Norman Petty
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
It Doesn’t Matter Anymore (on 1958-10-21)
lyricist and composer:
Paul Anka
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Robert Mellin Ltd.
2.752:03

Credits

Release

manufactured in:Germany
manufactured by:Warner Music Manufacturing Europe (manufacturing company; not for release label use!)
copyrighted (©) by:Time‐Life Books B.V. (in 1992)
phonographic copyright (℗) by:PolyGram International Music B.V. (not for release label use!) (in 1991)

Release group

part of:The Rock 'n' Roll Era (Time-Life Music) (number: TL516/15) (order: 71)