Rock & Pop Diamonds 1971

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Where Do the Children Play
producer:
Paul Samwell-Smith
bass guitar:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
drums (drum set):
Harvey Burns (in 1970-07)
guitar and keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
guitar [2nd]:
Alun Davies (in 1970-07)
solo violin:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
strings arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) and Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Where Do the Children Play? (in 1970-07)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Cat Stevens3.93:54
2After Midnight
bass guitar:
Norbert Putnam (on 1971-06-09)
drums (drum set):
Chuck Browning (on 1971-06-09)
guitar:
J.J. Cale (on 1971-06-09)
piano:
Jerry Whitehurst (session pianist) (on 1971-06-09)
vocals:
J.J. Cale (on 1971-06-09)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1971-06-09)
recording of:
After Midnight (on 1971-06-09)
lyricist and composer:
J.J. Cale
publisher:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
J.J. Cale3.62:25
3American Pie
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
electric guitar:
David Spinozza (from 1971-05 until 1971-06)
piano:
Paul Griffin (American pianist, session musician) (from 1971-05 until 1971-06)
vocals:
Don McLean (from 1971-05 until 1971-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971, in 2000)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 131)
recording of:
American Pie (from 1971-05 until 1971-06)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.38:34
4Lady in Black
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
producer:
Gerry Bron
mixer:
Peter Gallen
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970-10 until 1970-11)
recording of:
Lady in Black (from 1970-10 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG, S. Bron Music Co. Ltd. and Sidney Bron Music (also spelled "Sydney")
Uriah Heep44:49
5Locomotive Breath
engineer:
John Burns (engineer/producer for Genesis)
executive producer:
Terry Ellis (UK producer & band manager)
producer:
Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager)
acoustic guitar and flute and lead vocals:
Ian Anderson (of Jethro Tull) (on 1971-02-12)
bass guitar and treble recorder / alto recorder:
Jeffrey Hammond Hammond (on 1971-02-12)
drums (drum set) and percussion:
Clive Bunker (on 1971-02-12)
electric guitar and soprano recorder:
Martin Barre (on 1971-02-12)
Hammond organ, piano, piano accordion and synthesizer and mellotron, organ and piano:
John Evan (on 1971-02-12)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (on 1971-02-12)
remixer:
Robin Black (engineer)
orchestrator:
Dee Palmer (aka David Palmer, of Jethro Tull)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1971)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1971-02-12)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Locomotive Breath (on 1971-02-12)
lyricist and composer:
Ian Anderson (of Jethro Tull)
Jethro Tull4.454:26
6Every Picture Tells a Story
producer:
Rod Stewart
acoustic guitar:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) and Rod Stewart (in 1971-01)
bass:
Andy Pyle (in 1971-01)
bass guitar, guitar and pedal steel guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
double bass:
Danny Thompson (English double bass player) (in 1971-01)
drums (drum set):
Micky Waller (in 1971-01)
organ:
Ian McLagan (in 1971-01)
piano:
Pete Sears (in 1971-01)
slide guitar:
Sam Mitchell (in 1971-01)
violin:
Dick Powell (Violinist and double-bass player) (in 1971-01)
lead vocals:
Rod Stewart (in 1971-01)
vocals:
Long John Baldry (in 1971-01), Madeline Bell (in 1971-01) and Mateus Rosé (in 1971-01)
recording of:
Every Picture Tells a Story (in 1971-01)
writer:
Rod Stewart and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
Unichappell Music and Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label)
Rod Stewart45:58
7No Mule's Fool
Family3:23
8Ain't No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:05
9Witch Queen of New Orleans
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
The Witch Queen of New Orleans (1971 song)
writer:
Lolly Vegas and Pat Vegas
publisher:
EMI Songs Ltd.
Redbone4.252:44
10Don't Knock My Love
recording engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) and Brad Shapiro (Producer, arranger, bass player and songwriter)
drums (drum set):
Roger Hawkins (on 1971-01-27)
electric bass guitar [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1971-01-27)
guitar:
Tippy Armstrong (on 1971-01-27) and Dennis Coffey (on 1971-01-27)
percussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1971-01-27)
tenor saxophone:
Andrew Love (on 1971-01-27)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1971-01-27)
vocals:
Wilson Pickett (on 1971-01-27)
conductor:
Wade Marcus (on 1971-01-27)
arranger:
Wade Marcus
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1971-01-27)
recording of:
Don’t Knock My Love (on 1971-01-27)
composer:
Wilson Pickett and Brad Shapiro (Producer, arranger, bass player and songwriter)
Wilson Pickett2:15
11Get Up (I Feel Like Being a) Sex Machine
drums (drum set):
John 'Jabo' Starks (on 1970-04-25)
electric bass guitar [bass]:
William 'Bootsy' Collins (US funk musician & songwriter) (on 1970-04-25)
electric piano:
James Brown (The Godfather of Soul) (on 1970-04-25)
guitar:
Phelps 'Catfish' Collins (on 1970-04-25)
organ and background vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (on 1970-04-25)
tenor saxophone:
Robert McCollough (on 1970-04-25)
trumpet:
Clayton 'Chicken' Gunnels (on 1970-04-25) and Darryl 'Hasaan' Jamison (on 1970-04-25)
vocals:
James Brown (The Godfather of Soul) (on 1970-04-25)
recorded at:
Starday-King Studios in Nashville, Tennessee, United States (on 1970-04-25)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (on 1970-04-25)
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown45:06
12The Harder They Come
producer:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Island Music (Island Music Ltd.)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 342) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 361)
recording of:
The Harder They Come
lyricist and composer:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Ackee Music Inc., Island Music Ltd., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Jimmy Cliff4.653:42
13Theme From Shaft (vocal)
producer:
Isaac Hayes
bass guitar:
James Alexander (US soul bassist, singer and songwriter)
bongos and congas:
Gary Jones (percussionist)
electric piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
electric piano, organ, piano and vibraphone and lead vocals:
Isaac Hayes
guitar:
Charles Pitts and Michael Toles
membranophone and tambourine:
Willie "Too Big" Hall
phonographic copyright (℗) by:
Stax Records (not for release) (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 303)
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes3.554:38
14Legend in Your Own Time
Carly Simon3:42
15MockingbirdBarclay James Harvest46:37
16Child in Time
engineer:
Andy Knight (UK engineer)
producer:
Deep Purple
drums (drum set):
Ian Paice (from 1969-10 until 1970-04)
electric bass guitar:
Roger Glover (from 1969-10 until 1970-04)
electric guitar:
Ritchie Blackmore (from 1969-10 until 1970-04)
Hammond organ:
Jon Lord (from 1969-10 until 1970-04)
lead vocals:
Ian Gillan (from 1969-10 until 1970-04)
phonographic copyright (℗) by:
HEC Enterprises Ltd. (in 1995)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1969-10 until 1970-04)
part of:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 3), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 6), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 5), SWR1 Hitparade 2006 (Baden-Württemberg) (number: 6), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 4), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2018 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2020 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2021 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 3) and SWR1 Hitparade 2023 (Baden-Württemberg) (number: 3)
recording of:
Child in Time (from 1969-10 until 1970-04)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Bombay Calling
Deep Purple4.5510:16