The Rock Collection: Rock Inferno

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Anniversary Waltz, Part I
Status Quo5:32
2Don’t Be Cruel
engineer:
Phil Kaffel
producer:
Richie Zito
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
cover recording of:
Don’t Be Cruel
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. and Williamson Music Company
Cheap Trick43:12
3Heart of Lothian
producer:
Chris Kimsey
bass guitar:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
recording of:
Heart of Lothian (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
Marillion3:43
4Not a Minute Too Soon
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1990)
edit of:
Not a Minute Too Soon by Vixen (all‐female rock/glam band)
recording of:
Not a Minute Too Soon
writer:
Janet Gardner and Share Pedersen
publisher:
EMI Songs Ltd. (ended), Garloney Music, The Other Share and Vix Songs
Vixen3:56
5Lovely Money
recording of:
Lovely Money
writer:
Chris Millar, Paul Gray (of Eddie & The Hotrods / The Damned), Randy Macdonald, Ray Burns and Dave Vanian
The Damned5:25
6Iron Fist
recording engineer:
Charles Harrowell
co-producer:
Eddie Clarke (Motörhead guitarist)
producer:
Will Reid-Dick
drums (drum set):
Phil “Philthy Animal” Taylor (former Motörhead drummer) (from 1982-01-26 until 1982-01-28)
electric bass guitar and lead vocals:
Ian Fraser Kilmister (“Lemmy” from Motörhead) (from 1982-01-26 until 1982-01-28)
electric guitar:
Eddie Clarke (Motörhead guitarist) (from 1982-01-26 until 1982-01-28)
recorded at:
Ramport Studios in Battersea, Wandsworth, London (Greater London), England, United Kingdom (from 1982-01-26 until 1982-01-28)
music videos:
Iron Fist by Motörhead
recording of:
Iron Fist (from 1982-01-26 until 1982-01-28)
writer:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) and Phil Taylor (former Motörhead drummer)
Motörhead32:52
7Bed of Nails
recording engineer:
Sir Arthur Payson
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional guitar:
Kane Roberts
additional keyboard:
Paul Chiten (songwriter and producer) and Gregg Mangiafico
additional other instruments [special effects]:
Gregg Mangiafico
bass guitar:
Hugh McDonald (bassist)
drums (drum set):
Bobby Chouinard
guitar:
John McCurry
keyboard:
Alan St. John
background vocals:
Alan St. John, Michael Anthony (US bassist, formerly of Van Halen), Desmond Child, Diana Grasselli, Jango (backing vocalist on “Trash” by Alice Cooper), Louie Merlino, Hugh McDonald (bassist), Jamie Sever, Bernie Shanahan, Stiv Bator, Tom Teeley, Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz), Myriam Valle and Maria Vidal (American singer-songwriter)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States, Blue Jay Recording Studios in Carlisle, Massachusetts, United States, Grog Kill Studio in Woodstock, New York, United States, Mediasound Studios in New York, New York, United States, Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Right Track Recording in Manhattan, New York, New York, United States, Sigma Sound Studios (New York) in New York, New York, United States, The Complex Studios in Los Angeles, California, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Bed of Nails
writer:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Kane Roberts and Diane Warren (US songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Ezra Music, Realsongs (, from 1989 to present), SBK April Music Inc. (, from 1989 to ????), Sony/ATV Music Publishing Scandinavia, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Desmobile Music Co., Inc. (from 1989 to present) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Alice Cooper4.14:23
8Don’t Let Me Be Misunderstood
producer:
Chris Tsangarides
cover recording of:
Don’t Let Me Be Misunderstood (in 1980)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
Gary Moore43:38
9United
recording of:
United
writer:
Kenneth Downing, Rob Halford and Glenn Tipton
Judas Priest3:29
10Power and the Glory
phonographic copyright (℗) by:
Trigon Services Limited (in 1983) and Union Square Music Limited (for copyright use only, holding company of Union Square Music) (in 1983, in 1999, in 2009)
recording of:
Power and the Glory
writer:
Biff Byford, Steve Dawson (UK bassist for Saxon), Nigel Glockler, Graham Oliver (blues rock, hard rock, UK) and Paul Quinn (Saxon guitarist)
Saxon3.55:58
11Rockin’ Chair
Magnum4:11
12Send Me an Angel
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar, electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs and Rudolf Schenker
bass guitar:
Francis Buchholz
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany)
electric guitar and slide guitar:
Matthias Jabs
guest keyboard:
Jim Vallance
background vocals:
Francis Buchholz, Matthias Jabs, Klaus Meine, Herman Rarebell (drummer, Germany) and Rudolf Schenker
lead vocals:
Klaus Meine
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Send Me an Angel (Scorpions song)
lyricist:
Klaus Meine
composer:
Rudolf Schenker
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present))
Scorpions44:31
2▼CD
#TitleArtistRatingLength
1Broken Down Angel
recording of:
Broken Down Angel
writer:
Pete Agnew, Manny Charlton, Dan McCafferty and Darrell Sweet
publisher:
Carlin Music Corporation and Mountain Music Ltd.
Nazareth3:36
2Gypsy
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Gypsy (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
Uriah Heep4.156:38
3Mean Man
W.A.S.P.4:47
4Riding With the Angels
Samson4:04
5Sweet Danger
keyboard programming:
Sev Lewkowicz (keyboard player)
assistant engineer:
Jools Cooper (engineer) and Nick Rogers (engineer/mixing)
engineer:
Mark Dearnley, John Gallen (UK music producer, recording & mix engineer.) and Ashley Howe
producer:
Martin Smith (UK musician, producer and engineer, b. 1945)
bass guitar, keyboard and background vocals:
Kevin Riddles
drums (drum set) and percussion:
Dave Hogg
guitar and lead vocals:
Kevin Heybourne
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom
recording of:
Sweet Danger
lyricist and composer:
Kevin Heybourne
publisher:
Hit Songs Ltd.
sub-publisher:
EMI Music Publishing France
Angel Witch33:07
6Woman From Tokyo
engineer:
Martin Birch
producer:
Deep Purple
mixer:
Roger Glover and Ian Paice
drums (drum set):
Ian Paice (in 1972-07)
electric bass guitar:
Roger Glover (in 1972-07)
electric guitar:
Ritchie Blackmore (in 1972-07)
Hammond organ and keyboard:
Jon Lord (in 1972-07)
lead vocals:
Ian Gillan (in 1972-07)
recording of:
Woman From Tokyo (in 1972-07)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp. and HEC Music Ltd.
Deep Purple3.85:48
7Turn Up the Night
recording of:
Turn Up the Night
lyricist:
Ronnie James Dio
composer:
Geezer Butler, Ronnie James Dio and Tony Iommi
publisher:
Carlin Music Corporation, Essex Music International, Inc., Muggins Music Inc., Niji Music, TRO Essex Music International, Inc. and Westminster Music Ltd.
Black Sabbath3:44
8Hit and Run
recording of:
Hit & Run
writer:
Kelly Johnson and Kim McAuliffe
Girlschool3:06
9Urban Guerrilla
Hawkwind5:38
10Smokin’ in the Boys Room
engineer:
Michael Delugg
producer:
Doug Morris (record executive) and Eric Stevens (producer active in the 1970s)
phonographic copyright (℗) by:
Big Tree Records (1970s/80s US) (in 1973) and Warner Music International (trademark of Warner Music International the company) (in 1973)
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
Smokin’ in the Boys Room
writer:
Cub Koda and Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing and Walden Music, Inc.
Brownsville Station53:00
11Warm Ride
recording of:
Warm Ride
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
Graham Bonnet43:22
12Epic
engineer:
Jim “Watts” Vereecke and Matt Wallace (US producer & engineer)
producer:
Faith No More and Matt Wallace (US producer & engineer)
mixer:
Matt Wallace (US producer & engineer)
bass guitar:
Billy Gould
drums (drum set):
Mike Bordin (American drummer)
guitar:
Jim Martin (ex-Faith No More guitarist)
keyboard:
Roddy Bottum
lead vocals:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
phonographic copyright (℗) by:
Slash Records (company, do not use as release label!) (in 1986)
music videos:
Epic by Faith No More
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 54) and Indie 88: Top 500 Indie Rock Songs (number: 483)
recording of:
Epic
lyricist:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
composer:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould and Jim Martin (ex-Faith No More guitarist)
publisher:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Vomit God Music (Mike Patton’s music publishing company)
Faith No More4.254:52

Credits

Release group

part of:The Rock Collection (Time-Life Music) (number: 28) (order: 28)