Kantaten: Christ lag in Todesbanden / O ewiges Feuer

~ Release by J. S. Bach; Claudia Hellmann, Helmut Krebs, Jakob Stämpfli, Chœur Schütz et Orchestre de chambre, Fritz Werner (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#	Title	Artist	Rating	Length
1	Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": I. Sinfonia orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) part of: Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)	Johann Sebastian Bach		?:??
2	Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": II. Vers 1 (Chor) choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) librettist: Martin Luther (German theologian of the Reformation) (in 1524) part of: Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)	Johann Sebastian Bach		?:??
3	Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": III. Vers 2 (Sopran, Alt) alto vocals: Claudia Hellmann (contralto) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) librettist: Martin Luther (German theologian of the Reformation) (in 1524) part of: Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)	Johann Sebastian Bach		?:??
4	Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": IV. Vers 3 (Tenor) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) librettist: Martin Luther (German theologian of the Reformation) (in 1524) part of: Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)	Johann Sebastian Bach		?:??
5	Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": V. Vers 4 (Chor) choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) librettist: Martin Luther (German theologian of the Reformation) (in 1524) part of: Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)	Johann Sebastian Bach		?:??
6	Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": VI. Vers 5 (Bass) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) librettist: Martin Luther (German theologian of the Reformation) (in 1524) part of: Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)	Johann Sebastian Bach		?:??
7	Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": VII. Vers 6 (Sopran, Tenor) alto vocals: Claudia Hellmann (contralto) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) librettist: Martin Luther (German theologian of the Reformation) (in 1524) part of: Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)	Johann Sebastian Bach		?:??
8	Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": VIII. Vers 7 (Chor) choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) librettist: Martin Luther (German theologian of the Reformation) (in 1524) part of: Breitkopf 389 Choralgesänge (number: 41) part of: Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)	Johann Sebastian Bach		?:??
9	Kantate zum Pfingstfest, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": I. Chor choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": I. Coro "O ewiges Feuer, o Ursprung der Liebe" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)	Johann Sebastian Bach		?:??
10	Kantate zum Pfingstfest, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": II. Rezitativ (Tenor) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Tenore) "Herr, unsre Herzen halten dir" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)	Johann Sebastian Bach		?:??
11	Kantate zum Pfingstfest, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": III. Arie (Alt) alto vocals: Claudia Hellmann (contralto) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)	Johann Sebastian Bach		?:??
12	Kantate zum Pfingstfest, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": IV. Rezitativ (Bass) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": IV. Recitativo (Basso) "Erwählt sich Gott die heilgen Hütten" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)	Johann Sebastian Bach		?:??
13	Kantate zum Pfingstfest, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": V. Chor choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": V. Coro "Friede über Israel" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)	Johann Sebastian Bach		?:??

Credits

Release

cello [Violoncello continuo]:	Jakoba Muckel (cellist)
flute:	Maxence Larrieu (flautist) Hartmut Strebel
organ:	Eva Hölderlin (organist)

licensed from:	Erato

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Release information

Barcode:: [none]
Format:: 12" Vinyl

Additional details

Type:: Album
Packaging:: Cardboard/Paper Sleeve
Status:: Official
Language:: German
Script:: Latin
Data quality:: Normal

Labels

Christophorus
CGLP 75766

Release events

Germany

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Last updated on 2025-03-19 16:23 UTC