| # | Title | Artist | Rating | Length |
|---|
| 1 | We Said We Wouldn’t Look Back (Salad Days) | The Hey Mr Producer Orchestra | | 0:44 |
| 2 | Cats Overture (Cats) | The Hey Mr Producer Orchestra | | 2:08 |
| 3 | Food Glorious Food (Oliver!) | The Children's Company | | 3:35 |
| 4 | Wouldn’t It Be Loverly? (My Fair Lady) | Gillian Lynne, Liz Robertson & The Hey Mr Producer Company | | 1:55 |
| 5 | Quit Professor Higgins (My Fair Lady) | The Hey Mr Producer Company | | 0:39 |
| 6 | The Rain in Spain (My Fair Lady) | Donald Sinden, Jonathan Pryce & Liz Robertson | | 1:47 |
| 7 | Get Me to the Church on Time (My Fair Lady) | Peter Bayliss & The Hey Mr Producer Company | | 3:47 |
| 8 | I’ve Grown Accustomed to Her Face (My Fair Lady) | Jonathan Pryce & Liz Robertson | | 5:37 |
| 9 | Introduction (1) | Julie Andrews | | 1:04 |
| 10 | One Two Three (The Fix) | John Barrowman | | 1:20 |
| 11 | Little Shop of Horrors | Dawn Hope, Femi Taylor & Wendy Mae Brown | | 0:48 |
| 12 | Somewhere That’s Green (Little Shop of Horrors) | Ellen Greene | | 3:42 |
| 13 | Suddenly Seymour (Little Shop of Horrors) | Ellen Greene & Teddy Kempner | | 2:15 |
| 14 | Day by Day (Godspell)- programming:
- André Horstmann
- assistant engineer:
- Meredith Leung
- engineer and mixer:
- David Hunt (in 1998-07)
- orchestra:
- City of London Philharmonic (from 1998-06-07 until 1998-06-08)
- conductor:
- Martin Koch (from 1998-06-07 until 1998-06-08)
- phonographic copyright (℗) by:
- Exallshow Ltd. (in 1998)
- recorded at:
- Lyceum Theatre in London , England, United Kingdom (from 1998-06-07 until 1998-06-08)
- mixed at and engineered at:
- The Pierce Room in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom (in 1998-07)
- live recording of:
- Day by Day (from 1998-06-07 until 1998-06-08)
- lyricist, composer and arranger:
- Stephen Schwartz
- publisher:
- New Cadenza Music Corp., Range Road Music Inc., Valando Music, Inc. and Warner Chappell Music
- part of:
- Godspell
| The Hey Mr Producer Company | | 1:45 |
| 15 | I Get a Kick Out of You (Anything Goes)- programming:
- André Horstmann
- assistant engineer:
- Meredith Leung
- engineer and mixer:
- David Hunt (in 1998-07)
- piano:
- Laurie Holloway (from 1998-06-07 until 1998-06-08)
- vocals:
- Marion Montgomery (from 1998-06-07 until 1998-06-08)
- orchestra:
- City of London Philharmonic (from 1998-06-07 until 1998-06-08)
- conductor:
- Martin Koch (from 1998-06-07 until 1998-06-08)
- phonographic copyright (℗) by:
- Exallshow Ltd. (in 1998)
- recorded at:
- Lyceum Theatre in London , England, United Kingdom (from 1998-06-07 until 1998-06-08)
- mixed at and engineered at:
- The Pierce Room in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom (in 1998-07)
- live recording of:
- I Get a Kick Out of You (from 1998-06-07 until 1998-06-08)
- lyricist and composer:
- Cole Porter (in 1934)
- publisher:
- Chappell Music , Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. , Warner Chappell and Chappell (in 1974)
- part of:
- Anything Goes
| Laurie Holloway & Marion Montgomery | | 1:39 |
| 16 | Variations (Song & Dance) | Julian Lloyd Webber & The Hey Mr Producer Company | | 1:29 |
| 17 | Unexpected Song (Song & Dance) | Bernadette Peters | | 4:52 |
| 18 | Nicer in Nice (The Boy Friend) | Jasna Ivir & The Hey Mr Producer Company | | 3:14 |
| 19 | I Love a Lassie (Lauder) | Jimmy Logan & The ScottishPower Pipe Band | | 3:58 |
| 20 | Five Guys Named Moe / Is You Is or Is You Ain’t My Baby? (Five Guys Named Moe)- programming:
- André Horstmann
- assistant engineer:
- Meredith Leung
- engineer and mixer:
- David Hunt (in 1998-07)
- vocals:
- Kye Brackett (from 1998-06-07 until 1998-06-08), Trent Kendall (from 1998-06-07 until 1998-06-08), Monroe Kent III (from 1998-06-07 until 1998-06-08), Jason Pennycooke (from 1998-06-07 until 1998-06-08), Clarke Peters (from 1998-06-07 until 1998-06-08) and Richard D Sharp (from 1998-06-07 until 1998-06-08)
- orchestra:
- City of London Philharmonic (from 1998-06-07 until 1998-06-08)
- conductor:
- Martin Koch (from 1998-06-07 until 1998-06-08)
- phonographic copyright (℗) by:
- Exallshow Ltd. (in 1998)
- recorded at:
- Lyceum Theatre in London , England, United Kingdom (from 1998-06-07 until 1998-06-08)
- mixed at and engineered at:
- The Pierce Room in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom (in 1998-07)
- live medley including a recording of:
- Five Guys Named Moe (from 1998-06-07 until 1998-06-08)
- writer:
- Jerome Jerry Bresler and Larry Wynn
- live medley including a recording of:
- Is You Is or Is You Ain’t My Baby? (from 1998-06-07 until 1998-06-08)
- writer:
- Bill Austin (in 1944) and Louis Jordan (in 1944)
- publisher:
- Universal‐MCA Music Publishing
- part of:
- The Real Book
| Clarke Peters, Jason Pennycooke, Kevyn Brackett, Monroe Kent III, Richard D Sharp & Trent Kendall | | 5:14 |
| 21 | Pick a Pocket (Oliver!) | Russ Abbott & The Children's Company | | 4:23 |
| 22 | As Long as He Needs Me (Oliver!) | Sonia Swaby | | 3:46 |
| 23 | Introduction (2) | Julie Andrews | | 0:34 |
| 24 | I’m Martin Guerre (Martin Guerre) | David Campbell | | 1:42 |
| 25 | How Many Tears? (Martin Guerre) | Maria Friedman | | 3:41 |
| 26 | The Heat Is on in Saigon (Miss Saigon) | David Campbell, Lea Salonga & The Hey Mr Producer Company | | 1:41 |
| 27 | The Wedding (Miss Saigon) | Female Company | | 1:08 |
| 28 | Last Night of the World (Miss Saigon) | David Campbell, Lea Salonga | | 1:48 |
| 29 | This Is the Hour (Miss Saigon) | The Hey Mr Producer Orchestra | | 1:27 |
| 30 | American Dream (Miss Saigon) | Jonathan Pryce & The Hey Mr Producer Company | | 5:17 |
| 31 | The Phantom of the Opera | Colm Wilkinson & Lisa Vroman | | 3:01 |
| 32 | Music of the Night (The Phantom of the Opera) | Colm Wilkinson | | 4:36 |
| 33 | Broadway Baby (Follies) | Bernadette Peters, Julia McKenzie & Maria Friedman & The Broadway Babies | | 3:53 |
| 34 | Oh, What a Beautiful Mornin’ (Oklahoma!)- programming:
- André Horstmann
- assistant engineer:
- Meredith Leung
- engineer and mixer:
- David Hunt (in 1998-07)
- vocals:
- Hugh Jackman (from 1998-06-07 until 1998-06-08)
- orchestra:
- City of London Philharmonic (from 1998-06-07 until 1998-06-08)
- conductor:
- Martin Koch (from 1998-06-07 until 1998-06-08)
- phonographic copyright (℗) by:
- Exallshow Ltd. (in 1998)
- recorded at:
- Lyceum Theatre in London , England, United Kingdom (from 1998-06-07 until 1998-06-08)
- mixed at and engineered at:
- The Pierce Room in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom (in 1998-07)
- live recording of:
- Oh, What a Beautiful Mornin’ (from 1998-06-07 until 1998-06-08)
- orchestrator:
- Robert Russell Bennett
- lyricist:
- Oscar Hammerstein II
- composer:
- Richard Rodgers
- publisher:
- EMI Music , EMI Music Publishing Ltd. , Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
- part of:
- Oklahoma!
| Hugh Jackman | | 2:45 |
| 35 | Carousel Waltz – Ballet (Carousel) | Dana Stackpole, Vadim Bondar & The Hey Mr Producer Company | | 5:33 |
| 36 | Porch Scene (Carousel) | Barbara King, Dana Stackpole, Hal Fowler & Joanna Riding | | 3:14 |
| 37 | You’ll Never Walk Alone (Carousel)- programming:
- André Horstmann
- assistant engineer:
- Meredith Leung
- engineer and mixer:
- David Hunt (in 1998-07)
- vocals:
- Joanna Riding (from 1998-06-07 until 1998-06-08)
- orchestra:
- City of London Philharmonic (from 1998-06-07 until 1998-06-08)
- conductor:
- Martin Koch (from 1998-06-07 until 1998-06-08)
- phonographic copyright (℗) by:
- Exallshow Ltd. (in 1998)
- recorded at:
- Lyceum Theatre in London , England, United Kingdom (from 1998-06-07 until 1998-06-08)
- mixed at and engineered at:
- The Pierce Room in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom (in 1998-07)
- live recording of:
- You’ll Never Walk Alone (from 1998-06-07 until 1998-06-08)
- lyricist:
- Oscar Hammerstein II
- composer:
- Richard Rodgers
- publisher:
- Chappell Music Ltd., EMI Music Publishing , EMI Music Publishing Ltd. , T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
- part of:
- Carousel
| Joanna Riding & The Hey Mr Producer Company | | 1:55 |
| 38 | Introduction (3) | Ned Sherrin | | 0:50 |
| 39 | Side by Side (Company) | David Kernan, Julia McKenzie, Millicent Martin, Ned Sherrin & Stephen Sondheim | | 1:10 |
| 40 | You Could Drive a Person Crazy (Company) | Lea Salonga, Maria Friedman, Millicent Martin & Ruthie Henshall | | 2:45 |
| 41 | Send in the Clowns (A Little Night Music)- programming:
- André Horstmann
- assistant engineer:
- Meredith Leung
- engineer and mixer:
- David Hunt (in 1998-07)
- vocals:
- Judi Dench (from 1998-06-07 until 1998-06-08)
- orchestra:
- City of London Philharmonic (from 1998-06-07 until 1998-06-08)
- conductor:
- Martin Koch (from 1998-06-07 until 1998-06-08)
- phonographic copyright (℗) by:
- Exallshow Ltd. (in 1998)
- recorded at:
- Lyceum Theatre in London , England, United Kingdom (from 1998-06-07 until 1998-06-08)
- mixed at and engineered at:
- The Pierce Room in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom (in 1998-07)
- live recording of:
- Send In the Clowns (from 1998-06-07 until 1998-06-08)
- lyricist and composer:
- Stephen Sondheim
- publisher:
- Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. , Warner/Chappell and Warner/Chappell North America
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- A Little Night Music
| Judi Dench | | 4:34 |
| 42 | Losing My Mind (Follies) | Michael Ball | | 3:32 |
| 43 | Being Alive (Company) | Bernadette Peters | | 2:35 |
| 44 | You Gotta Get a Gimmick (Gypsy)- programming:
- André Horstmann
- assistant engineer:
- Meredith Leung
- engineer and mixer:
- David Hunt (in 1998-07)
- vocals:
- Michael Ball (from 1998-06-07 until 1998-06-08), Judi Dench (from 1998-06-07 until 1998-06-08), Maria Friedman (from 1998-06-07 until 1998-06-08), Ruthie Henshall (from 1998-06-07 until 1998-06-08), David Kernan (from 1998-06-07 until 1998-06-08), Millicent Martin (from 1998-06-07 until 1998-06-08), Julia McKenzie (from 1998-06-07 until 1998-06-08), Bernadette Peters (from 1998-06-07 until 1998-06-08) and Lea Salonga (from 1998-06-07 until 1998-06-08)
- orchestra:
- City of London Philharmonic (from 1998-06-07 until 1998-06-08)
- conductor:
- Martin Koch (from 1998-06-07 until 1998-06-08)
- phonographic copyright (℗) by:
- Exallshow Ltd. (in 1998)
- recorded at:
- Lyceum Theatre in London , England, United Kingdom (from 1998-06-07 until 1998-06-08)
- mixed at and engineered at:
- The Pierce Room in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom (in 1998-07)
- live recording of:
- You Gotta Have a Gimmick (from 1998-06-07 until 1998-06-08)
- lyricist:
- Stephen Sondheim
- composer:
- Jule Styne
- part of:
- Gypsy
| Bernadette Peters, David Kernan, Judi Dench, Julia McKenzie, Lea Salonga, Maria Friedman, Michael Ball, Millicent Martin & Ruthie Henshall | | 4:18 |
| 45 | Introduction (4) | Stephen Sondheim | | 0:42 |
| 46 | Duelling Pianos | Andrew Lloyd Webber & Stephen Sondheim | | 3:10 |
| 47 | Poisoning Pigeons in the Park (Tomfoolery) | Tom Lehrer | | 3:37 |
| 48 | Jellicle Songs (Cats) | Brian Blessed, Paul Nicholas & The Hey Mr Producer Company | | 5:15 |
| 49 | Memory (Cats)- recording engineer:
- David Hamilton-Smith
- programming:
- André Horstmann
- assistant engineer:
- Meredith Leung
- engineer and mixer:
- David Hunt (in 1998-07)
- producer:
- Andrew Lloyd Webber
- lead vocals:
- Elaine Paige
- vocals:
- Elaine Paige (from 1998-06-07 until 1998-06-08)
- orchestra:
- City of London Philharmonic (from 1998-06-07 until 1998-06-08)
- conductor:
- David Firman and Martin Koch (from 1998-06-07 until 1998-06-08)
- orchestrator:
- David Cullen and Andrew Lloyd Webber
- phonographic copyright (℗) by:
- The Really Useful Company Limited (in 1981) and Exallshow Ltd. (in 1998)
- recorded at:
- Lyceum Theatre in London , England, United Kingdom (from 1998-06-07 until 1998-06-08)
- mixed at and engineered at:
- The Pierce Room in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom (in 1998-07)
- live recording of:
- Memory (from 1998-06-07 until 1998-06-08)
- lyricist:
- T. S. Eliot and Trevor Nunn
- additional writer:
- Trevor Nunn
- composer:
- Andrew Lloyd Webber
- publisher:
- Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. and Universal Music Publishing
- sub-publisher:
- フジパシフィックミュージック and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- Cats
- recording of:
- Memory
- lyricist:
- T. S. Eliot and Trevor Nunn
- additional writer:
- Trevor Nunn
- composer:
- Andrew Lloyd Webber
- publisher:
- Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. and Universal Music Publishing
- sub-publisher:
- フジパシフィックミュージック and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- Cats
| Elaine Paige | | 4:10 |
| 50 | At the End of the Day (Les Misérables) | The Hey Mr Producer Company | | 1:36 |
| 51 | Stars (Les Misérables) | Philip Quast | | 2:05 |
| 52 | Do You Hear the People Sing? (Les Misérables) | Hal Fowler | | 1:16 |
| 53 | On My Own (Les Misérables) | Lea Salonga | | 2:00 |
| 54 | Bring Him Home (Les Misérables) | Colm Wilkinson | | 1:43 |
| 55 | One Day More (Les Misérables)- programming:
- André Horstmann
- assistant engineer:
- Meredith Leung
- engineer and mixer:
- David Hunt (in 1998-07)
- vocals:
- Michael Ball (from 1998-06-07 until 1998-06-08), Hal Fowler (from 1998-06-07 until 1998-06-08), Ruthie Henshall (from 1998-06-07 until 1998-06-08), Tammi Jacobs (from 1998-06-07 until 1998-06-08), Teddy Kempner (from 1998-06-07 until 1998-06-08), Philip Quast (from 1998-06-07 until 1998-06-08), Lea Salonga (from 1998-06-07 until 1998-06-08), Colm Wilkinson (from 1998-06-07 until 1998-06-08) and Marie Zamora (from 1998-06-07 until 1998-06-08)
- orchestra:
- City of London Philharmonic (from 1998-06-07 until 1998-06-08)
- conductor:
- Martin Koch (from 1998-06-07 until 1998-06-08)
- phonographic copyright (℗) by:
- Exallshow Ltd. (in 1998)
- recorded at:
- Lyceum Theatre in London , England, United Kingdom (from 1998-06-07 until 1998-06-08)
- mixed at and engineered at:
- The Pierce Room in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom (in 1998-07)
- live recording of:
- One Day More (from 1998-06-07 until 1998-06-08)
- lyricist:
- Alain Boublil and Herbert Kretzmer
- composer:
- Claude‐Michel Schönberg
- publisher:
- Alain Boublil Music Ltd. and Faber Music
- version of:
- Demain
- part of:
- Les Misérables
| Colm Wilkinson, Hal Fowler, Lea Salonga, Marie Zamora, Michael Ball, Philip Quast, Ruthie Henshall, Tammi Jacobs & Teddy Kempner & The Hey Mr Producer Company | | 3:22 |
| 56 | We Said We Wouldn’t Look Back (Salad Days) | Cameron Mackintosh | | 1:30 |
| 57 | Looking for a Piano (Salad Days) | Julian Slade | | 0:25 |
| 58 | Turn Back O Man (Godspell) | Alan Love & Su Pollard | | 3:39 |
| 59 | I’d Do Anything (Oliver!) | David Cooper, Jackie Marks, Nicola Stapleton, Ross McCall & Roy Hudd | | 2:44 |
| 60 | As Long as He Needs Me (Oliver!) | Patti LuPone | | 3:21 |
| 61 | Show Me (My Fair Lady) | Liz Robertson & Robert Meadmore | | 3:22 |
| 62 | Lullaby (After Shave) | Caroline Noh | | 2:40 |
| 63 | There’s No Harm in Asking (Just So) | Anthony Barclay & Martin Smith | | 4:27 |
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