Ö3 Greatest Hits, Volume 7

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1If You Could Read My Mind
co-produttore:
Lati Kronlund
produttore:
The Berman Brothers
voce:
Amber (Dutch vocalist Marie-Claire Cremers), Jocelyn Enriquez e Ultra Naté
versioni strumentali:
If You Could Read My Mind (Instrumental) di Ultra Naté, Amber & Jocelyn Enriquez
parte di:
Canada’s Drag Race Lip Sync Performances (season 1) (numero: 2)
registrazione cover di:
If You Could Read My Mind
paroliere e compositore:
Gordon Lightfoot
editore:
ATV Kirshner (publisher) (conclusa), Early Morning Music (conclusa), Laetrec Music (conclusa), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Stars on 5433:26
2If You Believe
produttore:
Di Lorenzo e Michael B (Grant Michael B. aka Michael Kersting)
diritti fonografici (℗) detenuti da:
Warner Music Germany GmbH (nel 1998) e WEA Records (imprint of Warner Records International: lower‐case “wea” with “records” below) (nel 1998)
registrazione di:
If You Believe
paroliere:
Grant Michael B (producer & composer), Pomez di Lorenzo e Pet Smith
compositore:
Grant Michael B (producer & composer) e Pomez di Lorenzo
editore:
BMG UFA-Musikverlage (nel 1998), Click Musik Musikverlag (nel 1998) e Musik-Edition Discoton GmbH (nel 1998)
Sasha4:00
3This Kiss
produttore:
Byron Gallimore e Faith Hill (country pop singer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1998) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
video musicali:
This Kiss di Faith Hill (country pop singer)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 118)
registrazione di:
This Kiss
autore:
Beth Nielsen Chapman (American singer and songwriter), Robin Lerner e Annie Roboff (American songwriter, musician and producer)
editore:
Almo Music Corp (USA, affiliated with ASCAP) (nel 1997), Anwa Music (nel 1997), BNC Songs (nel 1997), Nomad-Noman Music (nel 1997), Puckalesia Songs (nel 1997) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1997)
Faith Hill3.853:15
4Don't You
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:20
5Believe
produttore:
Brian Rawling e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
tecnico di missaggio:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1998)
è stato produttore per:
Metro (production company) e Rive Droite Music Productions
registrata presso e mixata presso:
Dreamhouse Studios in London (Greater London), England, Regno Unito
parte di:
Grammy Award: Best Dance/Electronic Recording nominees (numero: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (numero: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 159) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 337)
registrazione di:
Believe
paroliere:
Brian Higgins (British producer and song writer) e Matt Gray (UK techno DJ/producer, former video game composer)
compositore:
Brian Higgins (British producer and song writer) (nel 1998), Matt Gray (UK techno DJ/producer, former video game composer) (nel 1998), Stuart McLennan (nel 1998), Paul Michael Barry (songwriter/musician) (nel 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (nel 1998) e Steve Torch (nel 1998)
editore:
Rive Droite Music e Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.73:58
6Wish I Could Fly
registrazione di:
Wish I Could Fly
paroliere e compositore:
Per Gessle (Swedish singer and guitarist)
editore:
HipHappy
Roxette23:59
7No Regrets
registrazione di:
No Regrets
autore:
Guy Chambers (English songwriter and record producer) e Robbie Williams
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Kobalt Music Publishing Ltd. (UK)
Robbie Williams4:01
8There Must Be an Angel
assistente tecnico:
Jay Willis
tecnico:
Don Smith (producer, engineer and mixer) e Adam Williams
produttore:
Dave Stewart (UK guitarist/singer for Eurythmics)
tecnico di missaggio:
Dave Stewart (UK guitarist/singer for Eurythmics) e Adam Williams
archi :
Michael Kamen (American score composer)
armonica (a bocca) ospite :
Stevie Wonder
batteria :
Olle Romo (Swedish music producer, songwriter, and drummer)
chitarra basso :
Dean Garcia (English multi-instrumentalist; Curve)
tastiera :
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
voce di accompagnamento:
Angel Cross
voce principale:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1991)
remaster:
There Must Be an Angel (Playing With My Heart) di Eurythmics
registrazione di:
There Must Be an Angel (Playing With My Heart)
autore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
BMG Music Publishing Ltd., D’n’A Ltd., Universal Music Publishing MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics45:22
9Miami
tecnico di registrazione:
Ken "DURO" Ifill (mix engineer Ken Ifill)
programmazione degli strumenti:
L.E.S. (QB hip hop producer)
produttore:
L.E.S. (QB hip hop producer) e Poke and Tone
assistente tecnico di missaggio:
Robert Burnette
tecnico di missaggio:
Rich Travali
tastiera [keyboards] :
Keith Winfield
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1997)
registrata presso e mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
campionamenti:
And the Beat Goes On di The Whispers (US R&B/dance vocal group)
registrazione di:
Miami
paroliere:
Will Smith (US actor aka The Fresh Prince)
compositore:
Leon Sylvers III, Samuel J. Barnes, William Shelby, Stephen Shockley e Ryan Toby
editore:
DP JJ Publishing Co., Jelly’s Jams LLC, Pladid Music, Portrait (publisher), Slamuwell Productions, Solar Songs Inc. e Treyball Music
Will Smith4.453:18
10Goodbye
produttore:
Richard Stannard e Matt Rowe
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1998)
registrazione di:
Goodbye
autore:
Victoria Beckham (née Adams), Melanie Brown (Mel B), Emma Bunton, Melanie C, Matt Rowe e Richard “Biff” Stannard
editore:
PolyGram Music Ltd. (nel 1998) e Windswept Pacific Music Ltd. (nel 1998)
Spice Girls24:20
11Missing You
tecnico e tecnico di missaggio:
David Thoener
basso elettrico [bass] :
Donnie Nossov
batteria :
Curly Smith (Jo Jo Gunne musician)
chitarra :
Gary Myrick
percussione :
Steve Scales
tastiera :
Bruce Brody
voce principale:
John Waite
diritti fonografici (℗) detenuti da:
EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (nel 1984), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1984)
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite3.754:25
12Back for Good
programmazione:
Gary Barlow e Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistente tecnico:
Steve McNichol
produttore:
Gary Barlow e Chris Porter (engineer and producer)
chitarra :
Phil Palmer (guitarist)
voce:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e Robbie Williams
voce principale:
Gary Barlow
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1995) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1995)
registrazione di:
Back for Good
paroliere e compositore:
Gary Barlow
editore:
EMI Virgin Music Australia Pty Ltd e EMI Virgin Music Ltd. (do not use this as a release label!)
Take That34:00
13Tuesday Afternoon
Jennifer Brown4:07
14No Matter What
registrata a:
London (Greater London), England, Regno Unito e Los Angeles, California, Stati Uniti
programmazione:
Simon Franglen (English score composer)
programmazione degli strumenti:
Lee McCutcheon
assistente tecnico:
Alex Black (engineer) e Tom (assistant engineeer)
tecnico:
Simon Franglen (English score composer), Steve Rinkoff e Robin Sellars (British recording engineer)
produttore:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman e Nigel Wright (British producer, orchestrator and songwriter)
produttore aggiunto:
Simon Franglen (English score composer) e Lupino
produttore esecutivo:
Andrew Lloyd Webber (English composer and impresario of musical theatre) e Jim Steinman
tecnico di missaggio:
Mick Guzauski e Steve Rinkoff
basso :
Angela Lupino
chitarra :
Fridrik Karlsson
chitarra acustica [acoustic guitars] e chitarra elettrica [electric guitars] :
Michael Thompson (session guitarist)
tastiera [keyboards] :
Simon Franglen (English score composer) e Nigel Wright (British producer, orchestrator and songwriter)
voce:
Keith Duffy (Member of Boyzone), Mikey Graham e Shane Lynch
voce di accompagnamento [backing vocals]:
Tracy Ackerman e Andy Caine
voce principale:
Stephen Gately e Ronan Keating
arrangiatore:
Simon Franglen (English score composer) e Lupino
diritti fonografici (℗) detenuti da:
Polydor Ireland (nel 1998)
registrata presso:
FLM Studios in Hollywood, Los Angeles, California, Stati Uniti, Metropolis Studios (London) in London (Greater London), England, Regno Unito, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e Skratch Studios in Surrey, England, Regno Unito
lavorazione tecnica effettuata presso:
Barking Dog Studios in New York, New York, Stati Uniti
video musicali:
No Matter What di Boyzone
registrazione cover di:
No Matter What
paroliere:
Jim Steinman
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (conclusa), Universal–Songs of PolyGram International, Inc. (conclusa), Lost Boys Music Inc. (BMI affiliated) e The Really Useful Group Limited (not for release label use!)
parte di:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:33
15Senza Una Donna
produttore:
Corrado Rustici
arrangiatore:
Corrado Rustici
registrazione di:
Senza una donna (Spanish version)
versione tradotta di:
Senza una donna (Without a Woman)
registrazione di:
Senza una donna (Without a Woman)
autore:
Frank Musker e Zucchero
editore:
Warner Chappell Music Italiana S.r.l.
Zucchero & Paul Young3.654:27
16Red Red Wine
produttore:
Ray “Pablo” Falconer e UB40
arrangiatore:
UB40
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983) e DEP International (UB40) (nel 1983)
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB403.83:02
17Big Big World
produttore:
Urban "Hurb" Eriksson e Yogi (producer Günter Lauke)
diritti fonografici (℗) detenuti da:
Rodeo Records (Swedish label) (nel 1998)
registrazione di:
Big Big World
autore:
Emilia Rydberg (Swedish singer Emilia Rydberg (Mitiku), “Big Big World”, “Twist of Fate”) e Yogi (producer Günter Lauke)
editore:
Anderson Music e EMI Music Publishing Sweden AB
Emilia2.653:22
18Daysleeper (live aus Wien)
registrazione dal vivo di:
Daysleeper
autore:
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
editore:
Temporary Music
R.E.M.3:15
19When U Leave
Tinka3:49

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parte di:Ö3 Greatest Hits (numero: 7) (ordine: 7)