More Adventures in Modern Sounds

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Self Control
executive producer:
Jack White (German producer Horst Nußbaum)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) and Harold Faltermeier
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
music videos:
Self Control by Laura Branigan
cover recording of:
Self Control (in 1984)
lyricist:
Steve Piccolo
additional writer:
Harro Steffen
composer:
Giancarlo Bigazzi and Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) and Sugarmusic Spa (publisher, do NOT use as label)
version of:
Self Control
Laura Branigan4.654:08
2Stay the Night
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
Stay the Night (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Songs, Inc., Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
Chicago43:50
3Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
4Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 1979) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Christopher Cross4.14:31
5Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Yes3.954:27
6What Is Love
recording engineer, engineer and mixer:
Stephen W. Tayler (UK engineer)
producer:
Rupert Hine
recording of:
What Is Love?
lyricist:
William Bryant (UK lyricist, writer and speaker) and Howard Jones (English singer, songwriter)
composer:
Howard Jones (English singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group and Warner Chappell Publishing
Howard Jones4.56:33
7Allergies
engineer and mixer:
Roy Halee
co-producer:
Lenny Waronker
acoustic bass guitar [contrabass guitar]:
Anthony Jackson (US bassist)
acoustic guitar:
Paul Simon (of Simon & Garfunkel)
drums (drum set):
Steve Ferrone and Steve Gadd (drummer)
electric guitar:
Dean Parks (American session guitarist)
percussion:
Airto Moreira (percussionist)
Rhodes piano:
Greg Phillinganes
solo guitar:
Al Di Meola
synthesizer:
Rob Mounsey and Rob Sabino
horn arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
mixed at:
Regent Sound Studios in New York, New York, United States
recording of:
Allergies
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music
Paul Simon4:39
8Maxine
alto saxophone:
David Tofani
baritone saxophone:
Ronnie Cuber
bass:
Marcus Miller (jazz musician)
drums (drum set):
Ed Greene (drummer)
electric piano and organ and lead vocals:
Donald Fagen
euphonium:
Dave Bargeron (US trombonist & tubist)
flugelhorn:
Randy Brecker
guitar:
Larry Carlton
piano:
Greg Phillinganes
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
arranger:
Donald Fagen
recording of:
Maxine
composer:
Donald Fagen
Donald Fagen3:50
9The Real End
engineer:
Mark Linett
producer:
James Newton Howard (American score composer) and Rickie Lee Jones
mixer:
Lee Herschberg and Mark Linett
bass guitar:
Nathan East
drums (drum set):
Steve Gadd (drummer)
guitar:
Buzz Feiten
organ:
Neil Larsen
percussion:
Lenny Castro
vocals:
Rickie Lee Jones
brass [horns] arranger:
Jerry Hey
arranger:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
The Real End
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones5:02
10Down in Hollywood
bass:
Tim Drummond
drums (drum set):
Jim Keltner
guitar:
Ry Cooder and David Lindley
organ:
Ronnie Barron
percussion:
Milt Holland
vocals:
Ry Cooder, Chaka Khan and Bobby King (American gospel‐style, R&B and soul singer)
recording of:
Down in Hollywood
writer:
Ry Cooder and Tim Drummond
Ry Cooder4:18
11Boogie Down
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
drums (drum set):
Steve Gadd (drummer)
percussion:
Victor Feldman (jazz musician)
synthesizer:
Michael Omartian
trombone:
Bill Reichenbach (jazz trombonist) and Lew McCreary
trumpet:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass) and Jerry Hey
background vocals:
Bill Champlin, Vennette Gloud and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Boogie Down
writer:
Al Jarreau and Michael Omartian
publisher:
AlJarreau Music, See This House Music, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Jarreau4:13
12Come Morning
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
mixer:
Richard Alderson (Producer and engineer), Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1981-06 until 1981-09)
congas and percussion:
Ralph MacDonald (from 1981-06 until 1981-09)
drums (drum set):
Steve Gadd (drummer) (from 1981-06 until 1981-09)
guitar:
Eric Gale (from 1981-06 until 1981-09)
Rhodes piano:
Richard Tee (from 1981-06 until 1981-09)
saxophone:
Grover Washington, Jr. (from 1981-06 until 1981-09)
synthesizer:
Paul Griffin (American pianist, session musician) (from 1981-06 until 1981-09)
background vocals:
Vivian Cherry (from 1981-06 until 1981-09), Frank Floyd (US soul disco funk singer) (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
conductor:
William Eaton (US producer & arranger) (from 1981-06 until 1981-09)
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at and mixed at:
Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
recording of:
Come Morning (in 1981)
composer:
Grover Washington, Jr.
Grover Washington, Jr.4:54
13Sounds Like a Melody
recording engineer and mixer:
Wolfgang Loos (from 1984-07 until 1984-08)
assistant programming:
Boris Balin and Thomas Beck (technical assistant, likely German)
programming:
Wolfgang Loos
producer:
Andreas Budde, Wolfgang Loos and Colin Pearson (producer and violinist)
additional keyboard:
Wolfgang Loos (from 1984-07 until 1984-08)
drum machine:
Bernhard Lloyd (from 1984-07 until 1984-08)
keyboard:
Bernhard Lloyd (from 1984-07 until 1984-08) and Frank Mertens (German synthpop keyboardist Frank Sorgatz) (from 1984-07 until 1984-08)
strings:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (from 1984-07 until 1984-08)
lead vocals:
Marian Gold (from 1984-07 until 1984-08)
arranger:
Alphaville (German synth pop band) and Wolfgang Loos
recorded at and mixed at:
Studio 54 (Berlin recording studio) in Germany (from 1984-07 until 1984-08)
recording of:
Sounds Like a Melody (from 1984-07 until 1984-08)
lyricist:
Marian Gold
composer:
Marian Gold, Bernhard Lloyd and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville54:45

Credits

Release

part of:Target CDs (NOT for Target exclusives, read annotation) (order: 114)