The Best Love Ever

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Angels
programmazione:
Steve Power e Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
produttore:
Guy Chambers (English songwriter and record producer) e Steve Power
tecnico di missaggio:
Steve Power
basso :
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
batteria :
Chris Sharrock
chitarra :
Andre Barreau, Chester Kamen e Gary Nuttall
percussione :
Andy Duncan (UK drummer and producer)
tastiera :
Guy Chambers (English songwriter and record producer) e Steve Power
voce di accompagnamento:
Andre Barreau, Gary Nuttall, Nicole Patterson e Robbie Williams
voce principale:
Robbie Williams
orchestra:
The London Session Orchestra
arrangiatore:
Guy Chambers (English songwriter and record producer)
primo violino:
Gavyn Wright (UK violinist, conductor)
registrata presso:
Matrix Maison Rouge in London (Greater London), England, Regno Unito
mixata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
edit di:
Angels (album version) di Robbie Williams
registrazione di:
Angels
autore:
Guy Chambers (English songwriter and record producer) e Robbie Williams
editore:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) e Kobalt Music Publishing Ltd. (UK)
Robbie Williams33:59
2It’s Been Done
Angela McCluskey3:54
3Come Undone
registrazione di:
Come Undone
paroliere e compositore:
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes e John Taylor (UK bassist for Duran Duran)
Duran Duran3:57
4Shape of You
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2002)
Beverley Knight4:25
5We Have All the Time in the World
produttore:
John Barry (English score composer) e Phil Ramone
voce principale:
Louis Armstrong
direttore d'orchestra:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
registrazione di:
We Have All the Time in the World (from the film "On Her Majesty’s Secret Service")
paroliere:
Hal David
compositore:
John Barry (English score composer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI United Partnership Ltd.
parte di:
James Bond themes
parte di:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:12
6Never Ever
produttore:
Magnus Fiennes e Cameron McVey
produttore aggiunto:
Mystro (US DJ and producer Sean Mather) e Rickidy Raw
tecnico di missaggio:
Niven Garland
diritti fonografici (℗) detenuti da:
London Records (UK, 1947–1999, re-launched 2011–present) (nel 1997)
registrazione di:
Never Ever
autore:
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis e Sean Mather (US DJ and producer Sean Mather)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. e STL Songs Ltd.
All Saints3.86:24
7Sorry Seems to Be the Hardest Word
voce:
Antony (English singer-songwriter & actor), Duncan (English singer and actor, member of “Blue”), Elton John (English singer, songwriter, pianist, and composer), Lee (Blue) e Simon
esecutore ospite:
Elton John (English singer, songwriter, pianist, and composer)
video musicali:
Sorry Seems to Be the Hardest Word (studio version) di Blue (UK boy band) featuring Elton John (English singer, songwriter, pianist, and composer)
registrazione cover di:
Sorry Seems to Be the Hardest Word
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd (publisher), Chappell & Co Inc. (USA), Happenstance Limited (record and publishing company), Intersong U.S.A. Inc. (publisher), Muziekuitgeverij Artemis B.V., Rouge Booze, Inc., Universal–Songs of PolyGram International, Inc., Warner Chappell Music (publisher as Warner/Chappell Music), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Blue3.753:27
8Thank You
registrazione di:
Thank You
paroliere:
Jamelia Davis
compositore:
Peter Biker, Carsten Schack e Jamelia Davis
editore:
BMG Music, EMI Blackwood, EMI Casadida e Full of Soul Music
Jamelia2.53:12
9Trouble
tecnico:
Ken Nelson (UK record producer)
tecnico aggiunto:
Simon “Barny” Barnicott, Jon Coles, Paul Read (UK engineer) e Andrea Wright
produttore:
Coldplay e Ken Nelson (UK record producer)
tecnico di missaggio:
Michael Brauer (engineer)
batteria e percussione :
Will Champion
chitarra acustica , pianoforte , tastiera e voce principale:
Chris Martin (lead singer of Coldplay)
chitarra basso :
Guy Berryman
chitarra elettrica :
Jonny Buckland
voce di accompagnamento:
Jonny Buckland e Will Champion
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2000) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2000)
mixata per:
MHB Productions
video musicali:
Trouble (music video) di Coldplay
registrazione di:
Trouble
autore:
Guy Berryman, Jonny Buckland, Will Champion e Chris Martin (lead singer of Coldplay)
editore:
BMG Music Publishing Ltd. e EMI (EMI Records, or EMI Music only if there is no other imprint)
Coldplay3.44:29
10Perfect Moment
registrazione cover di:
Perfect Moment
autore:
Jim Marr e Wendy Page
Martine McCutcheon23:48
11Maybe
edit di:
Maybe (album edit) di Prāta vētra (Brainstorm, Latvian pop/rock band, aka Brainstorm)
registrazione di:
Maybe
paroliere:
Renārs Kaupers
compositore:
Prāta Vētra (Brainstorm, Latvian pop/rock band, aka Brainstorm)
Brainstorm3:57
12Never Be the Same Again
tecnico di registrazione:
Will Catterson
produttore:
Rhett Lawrence
tecnico di missaggio:
Dave Pensado (mixer) e Rhett Lawrence
voce principale [lead rap]:
Lisa 'Left Eye' Lopes
diritti fonografici (℗) detenuti da:
Virgin Records Limited (not for release label use! for company relationships only) (nel 2000)
mixata presso:
O’Henry Sound Studios in Burbank, California, Stati Uniti
registrazione di:
Never Be the Same Again
autore:
Rhett Lawrence, Lisa Lopes, Lorenzo Martin, Melanie Chisholm e Paul F Cruz
editore:
BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Max Hill Music Publishing e UNI Music Publishing
Melanie C3.254:12
13Supergirl
registrazione di:
Supergirl
autore:
Uwe Bossert, Rea Garvey, Mike Gommeringer, Sebastian Padotzke e Philipp Rauenbusch
editore:
Arabella Musikverlag GmbH e B612 Publishing
Reamonn4:01
14Freelove
tecnico:
Gareth Jones (UK producer/engineer) e Rob Kirwan
produttore:
Mark Bell (LFO member)
produttore aggiunto:
Paul Freegard e Gareth Jones (UK producer/engineer)
tecnico di missaggio:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
percussione :
Airto Moreira (percussionist)
remixer:
Flood (British producer Mark Ellis)
remix di:
Freelove (album version) di Depeche Mode
registrazione di:
Freelove
paroliere e compositore:
Martin L. Gore
Depeche Mode4.53:58
15Breathe
voce ospite:
Angela McCluskey
registrazione di:
Breathe
paroliere e compositore:
Fabrice Dumont, Stéphan Haeri e Angela McCluskey
arrangiatore:
Christophe Hétier
editore:
China Records (UK label founded by Derek Green)
Télépopmusik4.54:37
16All I Need
voce principale ospite:
Beth Hirsch
registrazione di:
All I Need
paroliere:
Beth Hirsch
compositore:
Jean-Benoît Dunckel e Nicolas Godin
Air23:56
17Un‐Break My Heart
assistente tecnico di registrazione:
Brandon Harris (US engineer) (nel 1995)
tecnico di registrazione:
Felipe Elgueta (nel 1995)
programmazione degli strumenti:
David Foster (Canadian music producer, arranger and composer) (nel 1995) e Simon Franglen (English score composer) (nel 1995)
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Marnie Riley
tecnico di missaggio:
Mick Guzauski
chitarra acustica :
Dean Parks (American session guitarist) (nel 1995)
chitarra elettrica :
Michael Thompson (session guitarist) (nel 1995)
voce di accompagnamento:
Toni Braxton (nel 1995) e Shanice (nel 1995)
voce principale:
Toni Braxton (nel 1995) e Shanice Wilson (nel 1995)
arrangiatore:
David Foster (Canadian music producer, arranger and composer), L.A. Reid e Tim Thomas (from Tim & Ted)
diritti fonografici (℗) detenuti da:
LaFace Records, Inc. (nel 1996)
arrangiata per e è stato produttore per:
Chartmaker, Inc.
registrata presso:
Chartmaker Studios in Malibu, California, Stati Uniti (nel 1995) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1995)
mixata presso:
Barking Doctor in Mount Kisco, New York, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 16)
registrazione di:
Un-Break My Heart (nel 1995)
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Realsongs
Toni Braxton3.954:28
18You Are So Beautiful
produttore:
Don Was
basso :
Hutch Hutchinson (American bassist)
batteria e percussione :
Kenny Aronoff e Jim Keltner
chitarra acustica :
Dean Parks (American session guitarist)
chitarra resofonica [dobro] :
Greg Leisz
organo Hammond [Hammond B3 organ] :
Billy Preston
pianoforte :
Chris Stainton (keyboard player, session musician and songwriter)
sintetizzatore :
Jamie Muhoberac
viola :
Denyse Buffum e Evan Wilson (viola player)
violino :
Peter Kent (violinist) e Sid Page
violoncello :
Suzie Katayama e Rudy Stein
voce di accompagnamento:
Merry Clayton, Portia Griffin, Maxine Sharp e Myrna Smith
direttore d'orchestra:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
registrazione cover di:
You Are So Beautiful
autore:
Bruce Fisher e Billy Preston
editore:
Almo Music Corporation (USA, affiliated with ASCAP) e Preston Songs (ASCAP)
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.752:44
2▼CD
#TitoloArtistaValutazioneDurata
1Missing You
registrazione cover di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
Tina Turner4:36
2Mercy Mercy Me / I Want You (medley)
produttore:
Teo Macero (American jazz saxophonist and composer) e Robert Palmer (English singer‐songwriter)
medley che comprende una registrazione cover di:
I Want You
paroliere:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
compositore:
Arthur “T‐Boy” Ross e Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Jobete Music Co., Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
medley che comprende una registrazione cover di:
Mercy Mercy Me (The Ecology)
paroliere e compositore:
Marvin Gaye
editore:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
Robert Palmer3.55:50
3Love Changes (Everything)
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
chitarra :
Neil Taylor (guitarist)
percussione aggiunto:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
voce di accompagnamento:
Coral Gordon e The Soultana's
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.854:25
4It Started With a Kiss
registrazione di:
It Started With a Kiss
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate3:47
5Dancing With Tears in My Eyes
registrazione di:
Dancing With Tears in My Eyes
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) e Sing Sing Songs Ltd.
Ultravox44:05
6I Wanna Be the Only One
tecnico di missaggio:
Andy Bradfield
voce ospite:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1997)
registrazione di:
I Wanna Be the Only One
paroliere:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
compositore:
Rhett Lawrence e BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
editore:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. e Rhettrhyme Music
Eternal feat. BeBe Winans2.653:33
7Over My Shoulder
registrazione di:
Over My Shoulder
autore:
Paul Carrack e Mike Rutherford
editore:
EMI Music Publishing (do not use as a release label!), Hit & Run Music (Publishing) Ltd e Plangent Visions Music Ltd.
Mike & the Mechanics3:23
8Something’s Gotten Hold of My Heart
produttore:
Bob Kraushaar
esecutore:
Gene Pitney
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1988)
video musicali:
Something’s Gotten Hold of My Heart di Marc Almond (English pop singer and songwriter) feat. Gene Pitney
registrazione cover di:
Something’s Gotten Hold of My Heart
paroliere e compositore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Marc Almond & Gene Pitney2.54:37
9Slave to Love
assistente tecnico:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs e Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Rhett Davies
tecnico aggiunto:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita e Bryan McGee (sound engineer)
produttore:
Rhett Davies e Bryan Ferry
tecnico di missaggio:
Bob Clearmountain
voce principale:
Bryan Ferry
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1985) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985, nel 1999, nel 2004)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Stati Uniti, RPM Studios in New York, New York, Stati Uniti, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e The White House in Nashville, Tennessee, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
Slave to Love
paroliere e compositore:
Bryan Ferry
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (nel 1985), E.G. Music Ltd. (publisher) (nel 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1985) e Virgin EG Records Ltd. (nel 1985)
Bryan Ferry3.854:21
10Eyes Without a Face
produttore:
Keith Forsey (drummer, producer and songwriter)
basso :
Sal Cuevas (nel 1983) e Steve Stevens (US guitarist and songwriter) (nel 1983)
batteria :
Thommy Price (nel 1983)
chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1983) e Steve Stevens (US guitarist and songwriter) (nel 1983)
tastiera :
Judi Dozier (nel 1983) e Steve Stevens (US guitarist and songwriter) (nel 1983)
voce di accompagnamento:
Perri Lister (nel 1983)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1983)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983) e Chrysalis Records, Inc. (not for release label use!) (nel 1984)
edit di:
Eyes Without a Face di Billy Idol (English rock singer‐songwriter)
registrazione di:
Eyes Without a Face (nel 1983)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol3.354:08
11Jealous Guy
produttore:
Rhett Davies, Bryan Ferry e Roxy Music
tecnico di missaggio:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1981), Virgin EG Records Ltd. (nel 1981) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1981, nel 2000)
registrazione cover di:
Jealous Guy
paroliere e compositore:
John Lennon (The Beatles)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-editore:
Fujipacific Music, Inc. Division 2
revisione di:
Child of Nature
Roxy Music4.54:51
12All Out of Love
Andru Donalds4:07
13True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:25
14Just Another Day
Jon Secada5:22
15Would I Lie to You
registrazione di:
Would I Lie to You?
autore:
Michael Leeson e Peter Vale (writer/arranger)
editore:
EMI Virgin Music Publishing Australia P/L e BMG VM Music Ltd. (dal 2013-05-16 a oggi)
Charles & Eddie34:12
16Do You Really Want to Hurt Me
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:25
17Lovin’ You
tecnico di mastering:
Kent Duncan
tecnico:
Malcolm Cecil e Robert Margouleff
tecnico aggiunto:
Gary Olazabal
chitarra :
Michael Sembello
chitarra basso :
Reggie McBride
congas :
Rocki Dzidzornu
grancassa, piatti, armonica (a bocca), membranofono e pianoforte :
El Toro Negro
membranofono :
Ollie E. Brown (US drummer, session musician & record producer)
voce di accompagnamento:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) e Yvonne Wright
voce principale:
Minnie Riperton
arrangiatore:
Wonderlove (Stevie Wonder alias used to do work outside of Motown)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton23:44
3▼CD
#TitoloArtistaValutazioneDurata
1My Funny Valentine
basso :
Jimmy Bond
batteria :
Peter Littman, Lawrence Marable e Bob Neel (il 1954-02-15)
celesta :
Russ Freeman (pianist)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
registrazione di:
My Funny Valentine (from “Babes in Arms”) (il 1954-02-15)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, Volume I)
parte di:
Waiting to Exhale (1995 film)
Chet Baker2:17
2When I Fall in Love
voce:
Nat King Cole (il 1956-12-28)
direttore d'orchestra:
Gordon Jenkins (il 1956-12-28)
arrangiatore:
Gordon Jenkins
registrazione cover di:
When I Fall in Love (il 1956-12-28)
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
registrazione di:
When I Fall in Love
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole1.53:08
3Let There Be Love
registrazione cover di:
Let There Be Love
paroliere:
Ian Grant (lyricist)
compositore:
Lionel Rand
editore:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Matt Monroe3:12
4Fly Me to the Moon
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
diritti fonografici (℗) detenuti da:
Liberty (a division of UMG Recordings, Inc.) (nel 1964)
registrazione cover di:
Fly Me to the Moon
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Julie London42:32
5And I Love You So
registrazione di:
And I Love You So
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Welk Music Group, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean34:14
6(Where Do I Begin) Love Story
produttore:
Johnny Harris (Scottish composer, conductor)
voce:
Shirley Bassey (Welsh singer)
direttore d'orchestra:
Johnny Harris (Scottish composer, conductor)
arrangiatore:
Johnny Harris (Scottish composer, conductor)
registrazione di:
(Where Do I Begin?) Love Story (Love Story)
paroliere:
Carl Sigman
compositore:
Francis Lai (French composer)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Melodie der Welt (publisher), Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony, Sony/ATV Music Publishing LLC (1995–2020), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
versione di:
Theme From Love Story (Instrumental)
Shirley Bassey3:12
7I Can’t Make You Love Me
produttore:
George Michael
voce:
George Michael
arrangiatore:
George Michael
registrazione cover di:
I Can’t Make You Love Me
autore:
Mike Reid (US country artist & former football player) e Allen Shamblin
editore:
Universal Music–MGB Songs, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1991), Brio Blues Music (nel 1991) e Hayes Street Music, Inc. (nel 1991)
sub-editore:
環球音樂出版股份有限公司 (Universal Music Publishing Co., Ltd.)
George Michael3.355:20
8What a Wonderful World
registrazione cover di:
What a Wonderful World
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Stacey Kent4:24
9Tonight, I Celebrate My Love
tecnico di registrazione:
Alan R. Hirshberg (nel 1983)
tecnico:
Howard Wolin e Jeremy Smith (producer/engineer)
produttore:
Michael Masser
tecnico di missaggio:
Dick Bogart (Recording and mixing engineer) e Russ Terrano
batteria :
Carlos Vega (nel 1983)
chitarra :
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (nel 1983)
chitarra basso [bass] :
Nathan East (nel 1983)
pianoforte :
Randy Kerber (nel 1983)
voce:
Peabo Bryson (nel 1983) e Roberta Flack (nel 1983)
arrangiatore:
Michael Masser e Gene Page
orchestratore:
Gene Page
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
A&M Records Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983) e Studio Sound in North Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
mixata presso:
Motown Hitsville in West Hollywood, California, Stati Uniti
registrazione di:
Tonight, I Celebrate My Love (nel 1983)
paroliere:
Gerry Goffin
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-editore:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:28
10Fragile
assistente tecnico:
Kent Bruce (engineer) e Peter Doris
tecnico:
Sean Macke (dal 2002-12 al 2003-03)
produttore:
Fabrizio Sotti e Cassandra Wilson
tecnico di missaggio:
Eric Butler
basso :
Reginald Veal (dal 2002-12 al 2003-03)
batteria :
Terri Lyne Carrington (dal 2002-12 al 2003-03)
chitarra :
Fabrizio Sotti (dal 2002-12 al 2003-03)
percussione :
Jeffrey Haynes (dal 2002-12 al 2003-03)
voce:
Cassandra Wilson (dal 2002-12 al 2003-03)
mixata presso:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 2003-04)
registrazione cover di:
Fragile (dal 2002-12 al 2003-03)
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
EMI Blackwood Music Inc. e Magnetic Publishing Ltd.
Cassandra Wilson34:35
11Then I Kissed Her
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1965-05-03)
chitarra :
Glen Campbell (US country singer, guitarist & actor) (il 1965-05-03), René Hall (il 1965-05-03), Al Jardine (il 1965-05-03) e Carl Wilson (Beach Boys) (il 1965-05-03)
chitarra basso :
Carol Kaye (il 1965-05-03) e Brian Wilson (Beach Boys co‐founder) (il 1965-05-03)
contrabbasso [upright bass] :
Jimmy Bond (il 1965-05-03)
nacchere :
Frank Capp (il 1965-05-03)
organo :
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (il 1965-05-03) e Leon Russell (il 1965-05-03)
pianoforte :
Brian Wilson (Beach Boys co‐founder) (il 1965-05-03)
strumenti:
Bill Pitman (il 1965-05-03)
tamburello :
Ron Swallow (il 1965-05-03)
voce:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (il 1965-05-03), Mike Love (Beach Boys) (il 1965-05-03), Brian Wilson (Beach Boys co‐founder) (il 1965-05-03), Carl Wilson (Beach Boys) (il 1965-05-03) e Dennis Wilson (Beach Boys) (il 1965-05-03)
voce principale:
Al Jardine (il 1965-05-03)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1965-05-03)
registrazione cover di:
And Then I Kissed Her (il 1965-05-03)
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
revisione di:
Then He Kissed Me
The Beach Boys42:12
12If You Leave Me Now
Ive Mendes3:55
13This Will Be (an Everlasting Love)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 4) (numero: 3) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 316)
registrazione di:
This Will Be (an Everlasting Love)
autore:
Chuck Jackson (songwriter/producer) e Marvin Yancy (R&B/soul singer and pastor)
editore:
Chappell & Co., Inc. (USA) e Jay’s Enterprises Inc.
Natalie Cole3.52:48
14Where the Wild Roses Grow
tecnico di registrazione:
Tony Cohen e Victor van Vugt
produttore:
Nick Cave & the Bad Seeds, Tony Cohen e Victor van Vugt
tecnico di missaggio:
Gregg Jackman
basso :
Martyn P. Casey
batteria :
Thomas Wydler
campana :
Jim Sclavunos
chitarra :
Blixa Bargeld (German musician)
chitarra acustica e chitarra :
Mick Harvey
pianoforte :
Nick Cave (Australian singer‐songwriter, musician and score composer)
viola :
Kerran Coulter
violino :
Jen Anderson e Sue Simpson
violoncello :
Helen Mountfort
voce di accompagnamento:
Mick Harvey e Conway Savage
voce principale:
Nick Cave (Australian singer‐songwriter, musician and score composer) e Kylie Minogue
arrangiatore archi :
Nick Cave (Australian singer‐songwriter, musician and score composer) e Mick Harvey
diritti fonografici (℗) detenuti da:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1995, nel 1996)
mixata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
video musicali:
Where the Wild Roses Grow di Nick Cave (Australian singer‐songwriter, musician and score composer) & Kylie Minogue
registrazione di:
Where the Wild Roses Grow
paroliere e compositore:
Nick Cave (Australian singer‐songwriter, musician and score composer)
editore:
Mute Song (international) e Mute Song Ltd.
Nick Cave & Kylie Minogue4.453:55
15Trouble Sleeping
registrazione di:
Trouble Sleeping
compositore:
Corinne Bailey Rae, John Beck (Writer, producer & musician) e Steve Chrisanthou
Corinne Bailey Rae3:25
16Angel of Mine
registrazione di:
Angel of Mine
autore:
Rhett Lawrence e Travon Potts
editore:
Polygram Music, Rhettrhyme Music e Warner Chappell Music, Inc.
Eternal2.754:17
17You Don’t Know Me
assistente tecnico:
Ken Desantis, Andrew Felluss, Steve Genewick e Bill Kaylor
basso :
Tom Fowler (bass)
chitarra :
George Doering e Irv Kramer
membranofono :
Raymond Brinker
tastiera :
Ray Charles (soul musician, singer and songwriter)
tastiera e pianoforte :
Randy Waldman
viola :
Miguel Atwood‐Ferguson, Suzanna Giordono, Shawn Mann (violist), Andrew Picken (violist), Raymond Tischer e David Walther (Viola player)
violino :
Brian Benning, Daphne Chen, Ron Clark (violinist), Kirsten Fife, Ronald Folsom, Berj Garabedian, Raymond Kobler (violinist), Johana Krejci, Songa Lee‐Kitto, Jennifer Munday (violinist), Julie Rogers (violinist), David Stenske, Irina Voloshina, Jennifer Walton (violinist), Dynell Weber, North Wood e Margaret Wooten
violoncello :
Stefanie Fife, Trevor Handy, John Krovoza e Timothy Landauer
esecutore:
Diana Krall
arrangiatore archi :
David Blumberg
arrangiatore tastiera :
Randy Waldman
registrazione cover di:
You Don’t Know Me
autore:
Eddy Arnold e Cindy Walker (US songwriter, singer and dancer)
editore:
J. Albert & Son, Unichappell Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Unichappell Music, Inc. (nel 1955), Hill and Range Songs, Inc. (publisher) (il 1955-08-19) e Mijac Music (nel 2006)
sub-editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 2006)
Ray Charles feat. Diana Krall33:52
18Come Away With Me
assistente tecnico:
Dick Kondas
tecnico:
Jay Newland (producer, engineer and mixer)
produttore:
Arif Mardin
tecnico di missaggio:
Arif Mardin e Jay Newland (producer, engineer and mixer)
batteria :
Dan Rieser
chitarra acustica :
Jesse Harris
chitarra basso :
Lee Alexander (US bassist, songwriter & producer)
chitarra elettrica :
Adam Levy (jazz guitarist)
pianoforte e voce principale:
Norah Jones
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2002)
registrata presso:
Allaire Studios in Bearsville, New York, Stati Uniti e Sorcerer Sound in New York, New York, Stati Uniti
mixata presso:
Sear Sound in New York, New York, Stati Uniti
registrazione di:
Come Away With Me
paroliere e compositore:
Norah Jones
Norah Jones3.83:16
19Moon River
voce:
Danny Williams
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961)
registrazione cover di:
Moon River
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
Danny Williams3.52:34
20Wish I Didn’t Miss You
produttore:
Swizz Beatz (US hip hop producer)
diritti fonografici (℗) detenuti da:
J Records (US R&B) (dal 2001 a oggi)
campionamenti:
Back Stabbers di The O’Jays
registrazione di:
Wish I Didn’t Miss You
autore:
Leon Huff II (hip hop producer, aka Pop Trax, son of Leon Huff), Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Gene McFadden e John Whitehead
Angie Stone44:30
4▼CD
#TitoloArtistaValutazioneDurata
1Woman
registrazione di:
Woman
autore:
Neneh Cherry, Cameron McVey e Jonathan Sharp (UK producer aka Jonny Dollar)
editore:
EMI Music (do not use as release label! this is a music publisher)
Neneh Cherry4:27
2Don’t Give Up
produttore:
Peter Gabriel (formerly of Genesis) e Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
basso :
Tony Levin (US rock bassist/Chapman Stick)
batteria :
Manu Katché
famiglia delle chitarre :
David Rhodes (guitarist, singer, and songwriter)
pianoforte :
Richard Tee
pianoforte e sintetizzatore [Fairlight] , sintetizzatore [Linn] e sintetizzatore [Prophet] :
Peter Gabriel (formerly of Genesis)
sintetizzatore [CS80] :
Simon Clark (UK keyboard and synthesizer player)
voce:
Peter Gabriel (formerly of Genesis)
voce ospite:
Kate Bush
esecutore:
Kate Bush
registrazione di:
Don’t Give Up
paroliere e compositore:
Peter Gabriel (formerly of Genesis)
editore:
Cliofine Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Real World Music, Ltd.
Peter Gabriel3.85:52
3It Must Have Been Love
programmazione:
Clarence Öfwerman (dal 1987 al 1990)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Humberto Gatica
batteria :
Pelle Alsing (dal 1987 al 1990)
chitarra elettrica [electric guitars] :
Jonas Isacsson (dal 1987 al 1990)
synclavier e tastiera [keyboards] :
Clarence Öfwerman (dal 1987 al 1990)
voce:
Marie Fredriksson (dal 1987 al 1990) e Per Gessle (Swedish singer and guitarist) (dal 1987 al 1990)
diritti fonografici (℗) detenuti da:
EMI Svenska AB (not for release label use!) (nel 1990) e Parlophone Music Sweden AB (not for release label use, for copyrights use only) (nel 1990)
registrata presso:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990) e EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990)
mixata presso:
Ground Control Studios in Santa Monica, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 466)
registrazione di:
It Must Have Been Love (dal 1987 al 1990)
paroliere e compositore:
Per Håkan Gessle (Swedish singer and guitarist)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jimmy Fun Music
Roxette3.154:17
4I Would Anything for Love (but I Won’t Do That)
registrazione di:
I’d Do Anything for Love (but I Won’t Do That)
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (nel 1993)
Meat Loaf5:21
5China in Your Hand
tecnico:
Jerry Napier
produttore:
Roy Thomas Baker (producer)
altri strumenti [other bits] e chitarra [guitar solos] solista :
Taj Wyzgowski
altri strumenti [some bits] e chitarra [rhythm guitar] :
Ron Rogers (Ronald Phillip Rogers, T'Pau)
basso :
Paul Jackson (T'Pau bassist)
batteria [drums] e percussione :
Tim Burgess (T'Pau drummer)
tastiera [keyboards] :
Michael Chetwood
voce:
Carol Decker
diritti fonografici (℗) detenuti da:
Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1987)
è stato produttore per:
RTB Audio Visual Productions USA (Also credited as R.T.B. Audio Visual Productions Inc., RTB Audio Visual Productions (USA) Inc. and other similar variants)
registrazione di:
China in Your Hand
autore:
Carol Decker e Ron Rogers (Ronald Phillip Rogers, T'Pau)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. e Virgin Music (Publ.) Ltd. (publisher) (nel 1987)
T’Pau4.254:59
6Right Here Waiting
tecnico e tecnico di missaggio:
David Cole (American recording engineer and producer)
produttore:
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) e Richard Marx
chitarra :
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
tastiera :
Jeffery (C. J.) Vanston
voce principale:
Richard Marx
arrangiatore:
Jeffery CJ Vanston e Richard Marx
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1989)
video musicali:
Right Here Waiting di Richard Marx
registrazione di:
Right Here Waiting
paroliere:
Richard Marx
compositore:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) e Richard Marx
editore:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. e EMI Songs Ltd.
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.754:22
7I’ll Stand by You
registrazione di:
I’ll Stand by You
autore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) e Billy Steinberg
editore:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L e Kobalt Publishing Ltd.
The Pretenders3:14
8(I Just) Died in Your Arms
diritti fonografici (℗) detenuti da:
Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew34:22
9Rush, Rush
produttore:
Peter Lord Moreland e V. J. Smith (Vernon Jeffrey Smith, producer, writer, musician)
registrazione di:
Rush Rush
paroliere e compositore:
Peter Lord Moreland
editore:
EMI April Music Inc.
Paula Abdul44:18
10The Power of Love
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2)
parte di:
Back to the Future: the Musical
Huey Lewis and the News3:42
11Again
tecnico:
Henry Hirsch
produttore:
Lenny Kravitz
voce principale:
Lenny Kravitz
esecutore:
Lenny Kravitz
arrangiatore:
Lenny Kravitz
video musicali:
Again di Lenny Kravitz
registrazione di:
Again
paroliere e compositore:
Lenny Kravitz
editore:
Miss Bessie Music
Lenny Kravitz33:46
12Candy
tecnico di registrazione e tecnico di missaggio:
Ed Cherney
produttore:
Don Was
batteria :
Kenny Aronoff
chitarra basso :
Charley Drayton
chitarra elettrica :
Iggy Pop e Waddy Wachtel
tastiera :
Jamie Muhoberac
voce e esecutore:
Kate Pierson
voce principale:
Iggy Pop
voce principale ospite:
Kate Pierson
registrazione di:
Candy
paroliere e compositore:
James Osterberg, Jr.
registrazione di:
Candy
paroliere e compositore:
James Osterberg, Jr.
traduttore:
Wolfgang Niedecken
versione tradotta di:
Candy
Iggy Pop & Kate Pierson4.354:14
13Is This Love
produttore:
Keith Olsen (US producer and engineer) e Mike Stone (producer and engineer, 1960s–80s)
tecnico di missaggio:
Keith Olsen (US producer and engineer)
batteria e percussione :
Aynsley Dunbar
chitarra e voce di accompagnamento:
John Sykes
chitarra basso :
Neil Murray (British bass guitar player)
tastiera :
Don Airey
tastiera ospite :
Don Airey e Bill Cuomo
voce principale:
David Coverdale
diritti fonografici (℗) detenuti da:
Whitesnake Productions (Overseas) Ltd. (nel 1987, nel 2008) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2008)
mixata presso:
Goodnight LA Studios in Van Nuys, California, Stati Uniti
registrazione di:
Is This Love (Whitesnake song)
autore:
David Coverdale e John Sykes
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4.24:41
14I Miss You
voce principale:
Beverley Craven
registrazione di:
I Miss You
Beverley Craven4:34
15Ain’t No Sunshine
tecnico di registrazione:
Bill Halverson (nel 1971) e Bill Lazarus (nel 1971)
produttore:
Booker T. Jones
tecnico di missaggio:
John Golden (mastering engineer)
basso elettrico :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1971)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1971)
chitarra acustica :
Stephen Stills (nel 1971)
voce principale:
Bill Withers (nel 1971)
arrangiatore archi :
Booker T. Jones
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1971) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972)
parte di:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 280) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 309)
registrazione di:
Ain’t No Sunshine (nel 1971)
paroliere e compositore:
Bill Withers
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Bill Withers4.52:02
16Nothing Compares 2 U
tecnico:
Chris Birkett
produttore:
Nellee Hooper e Sinéad O’Connor (Irish singer‐songwriter)
tecnico di missaggio:
Chris Birkett, Fachtna Ó Ceallaigh e Sinéad O’Connor (Irish singer‐songwriter)
voce:
Sinéad O’Connor (Irish singer‐songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1990) e Ensign Records Ltd. (company; do NOT use as release label) (nel 1990)
video musicali:
Nothing Compares 2 U (music video) di Sinéad O’Connor (Irish singer‐songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 184) e Indie 88: Top 500 Indie Rock Songs (numero: 413)
registrazione cover di:
Nothing Compares 2 U
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing e Warner Chappell (Warner/Chappell Music, Inc.)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:09

Accreditamenti

Gruppo di pubblicazioni

Wikidata:Q7716737 [info]