Singers & Songwriters: Troubadours

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Longer
engineer:
Jeff Guercio and Marty Lewis (engineer)
producer:
Dan Fogelberg, Marty Lewis (engineer) and Norbert Putnam
mixer:
Marty Lewis (engineer)
acoustic guitar:
Dan Fogelberg
harp:
Gayle Levant (American studio musician, harpist)
solo flugelhorn:
Jerry Hey
vocals:
Dan Fogelberg
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) and Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1980)
mixed at:
Quadrafonic Sound Studios in Nashville, Tennessee, United States
recording of:
Longer
lyricist and composer:
Dan Fogelberg
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Hickory Grove Music
Dan Fogelberg3.153:14
2Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-01-20)
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-01-20)
bass guitar:
Chris Hillman (on 1965-01-20)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-01-20)
guitar:
David Crosby (on 1965-01-20)
tambourine:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
cover recording of:
Mr. Tambourine Man (on 1965-01-20)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
The Byrds4.152:31
3Lotta Love
recording of:
Lotta Love
lyricist:
Neil Young (Canadian singer, songwriter & musician)
composer:
Frank Sampedro and Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson3:08
4My Maria
recording of:
My Maria
writer:
Daniel Moore (producer, songwriter and vocalist) and B.W. Stevenson
B.W. Stevenson2:31
5Amie
phonographic copyright (℗) by:
BMG Music (in 1975)
recording of:
Amie
lyricist and composer:
Craig Fuller
publisher:
Unichappell Music, Inc.
Pure Prairie League44:21
6Sunshine Superman
recording of:
Sunshine Superman
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. and Peer International Corporation (BMI)
Donovan3:23
7I Need You
engineer:
Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
12 string guitar:
Dan Peek
acoustic guitar:
Dewey Bunnell
bass guitar and piano and lead vocals:
Gerry Beckley
drums (drum set):
Dave Atwood
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
I Need You
lyricist and composer:
Gerry Beckley
live recording of:
I Need You
lyricist and composer:
Gerry Beckley
America3.553:07
8Do You Believe in MagicThe Lovin’ Spoonful2:03
9Rich Girl
phonographic copyright (℗) by:
BMG Entertainment (in 1976), BMG Music (in 1976) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 14)
recording of:
Rich Girl
lyricist and composer:
Daryl Hall (in 1976)
publisher:
Unichappell Music, Inc. and Warner Chappell Music (publisher as Warner/Chappell Music)
Daryl Hall & John Oates4.152:23
10Get Together
recorded in:
New York, New York, United States (in 1966-11)
producer:
Felix Pappalardi
bass and lead vocals:
Jesse Colin Young (in 1966-11)
drums (drum set):
Joe Bauer (founding member of ''The Youngbloods'') (in 1966-11)
guitar and background vocals:
Jerry Corbitt (in 1966-11) and Lowell Levinger (in 1966-11)
keyboard:
Lowell Levinger (in 1966-11)
cover recording of:
Let’s Get Together (in 1966-11)
lyricist and composer:
Chet Powers
publisher:
Irving Music (BMI) and Irving Music, Inc.
The Youngbloods3.754:37
11Make It With You
bass guitar, guitar, strings, background vocals and lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Michael Botts
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) and Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 13)
recording of:
Make It With You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
12It’s All Over Now, Baby Blue
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass guitar:
John Sebastian (in 1965-01)
drums (drum set):
Bobby Gregg (in 1965-01)
guitar:
Bob Dylan (in 1965-01), Al Gorgoni (in 1965-01), John Hammond (blues singer and guitarist) (in 1965-01), Bruce Langhorne (in 1965-01) and Kenny Rankin (in 1965-01)
harmonica:
Bob Dylan (in 1965-01)
keyboard:
Bob Dylan (in 1965-01) and Paul Griffin (American pianist, session musician) (in 1965-01)
piano:
Paul Griffin (American pianist, session musician) (in 1965-01) and Frank Owens (American pianist) (in 1965-01)
vocals:
Bob Dylan (in 1965-01)
remixer:
Michael Brauer (engineer)
recording of:
It’s All Over Now, Baby Blue (on 1965-01-15)
lyricist and composer:
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
Bob Dylan4.54:15
13Turn! Turn! Turn! (To Everything There Is a Season)
producer:
Terry Melcher
arranger:
Pete Seeger
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season) (on 1965-09-10)
lyricist:
[traditional] (special purpose artist)
composer:
Pete Seeger (in 1959)
publisher:
Melody Trails and TRO Essex Music Ltd.
The Byrds4.653:55
14The Weight
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
The Band (Canadian-American rock band) and John Simon (US producer, arranger, composer, songwriter and musician)
acoustic guitar:
Robbie Robertson (on 1968-01-12)
bass guitar:
Rick Danko (on 1968-01-12)
drums (drum set):
Levon Helm (on 1968-01-12)
piano:
Garth Hudson (on 1968-01-12)
background vocals:
Rick Danko (on 1968-01-12), Levon Helm (on 1968-01-12) and Richard Manuel (on 1968-01-12)
lead vocals:
Rick Danko (on 1968-01-12) and Levon Helm (on 1968-01-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1968-01-12)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 80) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
The Weight (on 1968-01-12)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.14:37
15Mellow Yellow
recorded in:
London (Greater London), England, United Kingdom (in 1966)
producer:
Mickie Most (English record producer)
acoustic guitar:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1966)
drums (drum set):
Bobby Orr (in 1966)
horn [horns]:
Danny Moss (in 1966) and Ronnie Ross (in 1966)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
Epic (US label founded by CBS in 1953, now owned by Sony) (in 1966)
recording of:
Mellow Yellow (in 1966)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd.
Donovan43:45
16Whenever I Call You “friend”
producer:
Bob James (US jazz keyboardist, arranger and producer)
guest vocals:
Stevie Nicks
vocals:
Kenny Loggins
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
produced for:
Tappan Zee Productions
recorded at:
Sound Mixers in New York, New York, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 83)
recording of:
Whenever I Call You “Friend”
lyricist:
Ken Loggins and Melissa Manchester
composer:
Ken Loggins
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Milk Money Music (in 1978) and Rumanian Pickleworks Company (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Loggins53:58
17San Francisco (Be Sure to Wear Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.752:59
2CD
#TitleArtistRatingLength
1Bad, Bad Leroy Brown
vocals:
Jim Croce (on 1972-06-02)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1972-06-02)
recording of:
Bad, Bad Leroy Brown (on 1972-06-02)
lyricist and composer:
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce53:01
2Diamond Girl
recording of:
Diamond Girl
lyricist:
James Seals
composer:
Dash Crofts and James Seals
Seals & Crofts54:13
3Rocket Man
engineer:
Ken Scott (UK record producer & engineer)
producer:
Gus Dudgeon
bass guitar:
Dee Murray
drums (drum set):
Nigel Olsson
guitar:
Davey Johnstone
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
synthesizer:
David Hentschel
background vocals:
Davey Johnstone, Dee Murray and Nigel Olsson
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder) (in 1972)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 92), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 149) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 242)
recording of:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
Elton John4.054:44
4You Wear It Well
producer:
Rod Stewart
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
recording of:
You Wear It Well
writer:
Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), G.H. Music Ltd, Three Bridges Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Windswept Pacific Music Ltd. (publishing company)
Rod Stewart4.54:23
5Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:27
6Garden Party
recording of:
Garden Party
lyricist and composer:
Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
publisher:
Matragun Music Inc.
Rick Nelson & The Stone Canyon Band3:47
7California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:41
8Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
live recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America43:32
9Ode to Billie JoeBobbie Gentry54:17
10Drift Away
recording engineer:
Gene Eichelberger
producer:
Mentor Williams (songwriter & producer)
acoustic guitar and electric guitar [Gibson Les Paul]:
Reggie Young (guitarist and songwriter)
bass:
Mike Leech
drums (drum set), handclaps and tambourine:
Kenny Malone (session drummer/percussion)
electric guitar [Fender Telecaster]:
Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
piano:
David Briggs (US producer and musician)
strings arranger:
Mike Leech
orchestrator:
Mike Leech
recorded at and mixed at:
Quadraphonic Sound Studios in Nashville, Tennessee, United States
cover recording of:
Drift Away
lyricist and composer:
Mentor Williams (songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray4.653:56
11Operator (That’s Not the Way It Feels)
producer:
Terry Cashman and Tommy West
vocals:
Jim Croce (on 1971-10-11)
phonographic copyright (℗) by:
R2M Music (BMI) (in 1972)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1971-10-11)
recording of:
Operator (That’s Not the Way It Feels) (on 1971-10-11)
lyricist and composer:
Jim Croce
publisher:
DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.753:46
12Goodbye Yellow Brick Road
engineer:
David Hentschel
producer:
Gus Dudgeon
bass guitar:
Dee Murray (in 1973-05)
drums (drum set):
Nigel Olsson (in 1973-05)
electric guitar:
Davey Johnstone (in 1973-05)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
background vocals:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) and Nigel Olsson (in 1973-05)
orchestrator:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder) (in 1973)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 380)
recording of:
Goodbye Yellow Brick Road (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.853:16
13Monday, Monday
engineer:
Bones Howe
producer:
Lou Adler
performer:
The Mamas & the Papas (American folk rock vocal group) (on 1965-12-16)
phonographic copyright (℗) by:
Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-12-16)
recording of:
Monday, Monday (on 1965-12-16)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music and Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:28
14(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song
cover recording of:
(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song (1974 song)
writer:
Larry Butler (US country music producer, songwriter & pianist) and Chips Moman
B.J. Thomas3:23
15Eve of Destruction
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
lyricist and composer:
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:37
16Society’s Child (Baby I’ve Been Thinking)
recording of:
Society's Child
lyricist and composer:
Janis Ian
publisher:
Dialogue Music, Inc and Taosongs Two
Janis Ian3:15
17Baby, I Love Your Way
live recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Peter Frampton4:42

Credits

Release group

part of:Singers and Songwriters (Time-Life Music) (number: 25747-D) (order: 32)