Songs From the 100 Best Australian Albums

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Beds Are Burning
artist & repertoire support:
S. Ralbovsky
assistant engineer:
Kathy Naunton (editor)
engineer:
Guy Gray
producer:
Warne Livesey and Midnight Oil (Australian rock band)
bass:
Peter Gifford
cello:
John Ockwell (Cello Artist)
drums (drum set) [drums]:
Rob Hirst
French horn:
Jeremy Smith (Horns)
guitar:
Jim Moginie and Martin Rotsey
keyboard:
Warne Livesey and Jim Moginie
trombone:
Glad Reed
phonographic copyright (℗) by:
Midnight Oil (Australian rock band) (in 1987)
phonographic copyright (℗) by:
Midnight Oil Ents Pty Ltd (in 1987) and Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1987)
recorded at:
Alberts Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 18) and VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 95)
recording of:
Beds Are Burning
writer:
Peter Garrett, Rob Hirst and Jim Moginie
publisher:
Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Sprint Music Pty. Ltd.
Midnight Oil4.54:16
2Weather With You
producer:
Neil Finn and Mitchell Froom
mixer:
Bob Clearmountain
drums (drum set) and percussion:
Ricky Fataar
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1991)
music videos:
Weather With You by Crowded House (Australian rock group)
part of:
triple j’s Hottest 100 of Australian Songs (number: 69)
recording of:
Weather With You
writer:
Neil Finn and Tim Finn
publisher:
Mushroom Music Pty. Ltd., Rebel Larynx Music and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 16)
Crowded House3.83:42
3Forever Now
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999)
recording of:
Forever Now
publisher:
Steve Prestwich
lyricist and composer:
Steve Prestwich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
Cold Chisel4:26
4Wide Open Road
recording engineer:
Nick Mainsbridge (in 1985-08)
engineer:
Nick Mainsbridge
producer:
Gil Norton (British record producer) and The Triffids (Australian rock band)
bass:
Martin Casey (in 1985-08)
drums (drum set):
Alsy MacDonald (in 1985-08)
guitar:
Evil Graham Lee (Australian rock musician) (in 1985-08), David McComb (in 1985-08) and Rob McComb (in 1985-08)
organ:
Jill Birt (in 1985-08)
pedal steel guitar:
Evil Graham Lee (Australian rock musician) (in 1985-08)
synthesizer:
David McComb (in 1985-08)
synthesizer [emulator]:
Adam Peters (in 1985-08)
vocals:
David McComb (in 1985-08)
arranger:
The Triffids (Australian rock band)
phonographic copyright (℗) by:
Liberation Music (Australian, big L logo or “Liberation” on one line) (in 2010)
recorded at:
Mark Angelo Studios in Acton, Ealing, London (Greater London), England, United Kingdom (in 1985-08)
mixed at:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, United Kingdom (in 1985-09)
recording of:
Wide Open Road (in 1985-08)
lyricist and composer:
David McComb
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
The Triffids34:06
5Friday on My Mind
producer:
Shel Talmy
phonographic copyright (℗) by:
Albert Productions (in 1966, in 1967)
produced for:
Albert Productions
recording of:
Friday on My Mind
writer:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. and Unart Music Corporation (in 1973)
The Easybeats3.52:41
6Before Too Long
phonographic copyright (℗) by:
Paul Kelly (Australian singer/songwriter) (in 1986)
recording of:
Before Too Long (Paul Kelly song)
lyricist and composer:
Paul Kelly (Australian singer/songwriter)
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing and Sony/ATV Music Publishing Australia Pty Ltd.
Paul Kelly & the Coloured Girls3.53:22
7How Much Is Enough
phonographic copyright (℗) by:
rooArt (in 1995)
recording of:
How Much Is Enough?
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
Festival Music Pty, Ltd.
You Am I3:41
8Living in the 70’s
engineer:
John French (Australian producer/engineer)
producer:
Ross 'The Boss' Wilson (Australian singer-songwriter, guitarist and producer)
bass guitar:
Greg Macainsh
drums (drum set):
Fred Strauks
guitar:
Bob “Bongo” Starkie and Redmond Symons
lead vocals:
Graeme 'Shirley' Strachan
vocals:
Fred Strauks, Greg Macainsh, Bob “Bongo” Starkie and Redmond Symons
phonographic copyright (℗) by:
Mushroom Records (in 1990)
recorded at:
T.C.S. Studios in Richmond, Melbourne, Victoria, Australia (in 1974)
recording of:
Living in the 70's
lyricist and composer:
Greg Macainsh
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Skyhooks33:42
9Since I Left You
mixer:
Tony Espie
phonographic copyright (℗) by:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 2001)
samples:
By the Time I Get to Phoenix by Jimmy Webb (US songwriter, composer, producer, pianist & singer), Everyday by The Main Attraction (60s US pop/psychedelic band) and Let's Do the Latin Hustle by Klaus Wunderlich
music videos:
Since I Left You (Official Video) by The Avalanches (Australian electronic music group)
part of:
triple j’s Hottest 100 of Australian Songs (number: 93)
recording of:
Since I Left You
writer:
Robbie Chater, James De La Cruz, Dexter Fabay (Dexter Fabay), Antony Di Blasi, Gordon McQuilten and Darren Seltmann
publisher:
EMI Music Publishing (do not use as a release label!) and Mushroom Music (Mushroom label’s publishing company)
The Avalanches44:21
10Streets of Your Town
assistant engineer:
Colin Simkins
engineer and producer:
Mark Wallis
bass:
John Willsteed (in 1988-05)
drums (drum set):
Lindy Morrison (in 1988-05)
guitar:
Robert Forster (Australian singer-songwriter & guitarist) (in 1988-05), Grant McLennan (in 1988-05) and John Willsteed (in 1988-05)
violin and background vocals:
Amanda Brown (Australian musician) (in 1988-05)
lead vocals:
Grant McLennan (in 1988-05)
phonographic copyright (℗) by:
Beggars Banquet (in 1988), Beggars Banquet Ltd. (publisher, copyright company) (in 1988), Mushroom Records Pty. Ltd. (in 1988) and Tag 5 (in 1988)
recorded at:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (in 1988-05)
part of:
triple j’s Hottest 100 of Australian Songs (number: 84)
recording of:
Streets of Your Town (in 1988-05)
writer:
Robert Forster (Australian singer-songwriter & guitarist) and Grant McLennan
publisher:
Complete Music, Complete Music Ltd., Incomplete Music Inc., Universal Music Publishing MGB Australia and Wintrup Music
The Go‐Betweens53:35
11New Race
recording of:
New Race
lyricist and composer:
Deniz Tek (2007 inductee, Australian Music Hall of Fame (Radio Birdman))
Radio Birdman2:43
12Eagle Rock
bass:
Wayne Duncan (Australian musician)
drums (drum set):
Gary Young (Australian drummer)
guitar:
Ross Hannaford and Ross Wilson (Australian singer-songwriter, guitarist and producer)
vocals:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1971), Sparmac (in 1971), Wizard (Australian rock) (in 1971), Wizard Records (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1998)
part of:
triple j’s Hottest 100 of Australian Songs (number: 45)
recording of:
Eagle Rock
writer:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
Daddy Cool4:09
13Deep Water
phonographic copyright (℗) by:
Festival Records (Australian) (in 1977)
recording of:
Deep Water
writer:
Richard Clapton
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Richard Clapton5:28
14Spicks & Specks
phonographic copyright (℗) by:
Barry Gibb (in 1966) and Robin Gibb (in 1966)
phonographic copyright (℗) by:
The Estate of Maurice Gibb (in 1966)
recording of:
Spicks and Specks
lyricist and composer:
Barry Gibb
publisher:
BMG Music, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Unichappell Music, Inc. and Warner/Chappell Music Australia Pty. Ltd.
Bee Gees2:51
15Big Jesus Trash Can
recording engineer and engineer:
Tony Cohen
bass:
Tracy Pew (from 1981-12 until 1982-01)
drums (drum set):
Phillip Calvert (from 1981-12 until 1982-01)
electric guitar:
Rowland S. Howard (Australian rock musician) (from 1981-12 until 1982-01)
guitar, percussion and saxophone:
Mick Harvey (from 1981-12 until 1982-01)
vocals:
Nick Cave (Australian singer‐songwriter, musician and score composer) (from 1981-12 until 1982-01)
phonographic copyright (℗) by:
The Birthday Party Pty Ltd. (in 1981)
recorded at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia (from 1981-12 until 1982-01)
recording of:
Big‐Jesus‐Trash‐Can (from 1981-12 until 1982-01)
lyricist:
Nick Cave (Australian singer‐songwriter, musician and score composer)
composer:
Mick Harvey
publisher:
The Birthday Party Pty Ltd.
The Birthday Party3:01
16Throw Your Arms Around Me
phonographic copyright (℗) by:
Human Frailty Pty. Ltd. (in 2006)
recording of:
Throw Your Arms Around Me
writer:
John Archer (guitarist in Hunters & Collectors), Geoff Crosby, Doug Falconer, Jack Howard (trumpeter), Robert Miles (recording/mixing engineer), Mark Seymour and Michael Waters
publisher:
IRS Music, Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Hunters & Collectors3:53
17We Won’t Run
phonographic copyright (℗) by:
Dew Process (in 2009) and Universal Music Australia (see annotation before using) (in 2009)
recording of:
We Won’t Run
lyricist and composer:
Sarah Blasko
Sarah Blasko3.54:00
18(I’m) Stranded
producer:
Rod Coe
bass guitar:
Kym Bradshaw
drums (drum set):
Ivor Hay
guitar:
Ed Kuepper
lead vocals:
Chris Bailey (Irish punk vocalist, member of The Saints)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1976) and EMI Music Australia (defunct holding company, not for release label use!) (in 1977)
recording of:
(I’m) Stranded
lyricist and composer:
Chris Bailey (Irish punk vocalist, member of The Saints) and Ed Kuepper
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
The Saints43:30
19Jezebel
phonographic copyright (℗) by:
The Drones (Australian rock band) (in 2006)
recording of:
Jezebel
writer:
The Drones (Australian rock band)
publisher:
Mushroom Music (Mushroom label’s publishing company)
The Drones7:54
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#TitleArtistRatingLength
1I Got You
engineer and producer:
David Tickle
bass:
Nigel Griggs
drums (drum set):
Malcolm Green (UK/Australian drummer)
guitar:
Neil Finn
keyboard:
Tim Finn and Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
percussion:
Noel Crombie
vocals:
Neil Finn and Tim Finn
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1980) and Mushroom Records (in 2006)
recording of:
I Got You
lyricist and composer:
Neil Finn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Mushroom Music (Mushroom label’s publishing company)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 11)
Split Enz3.53:29
2Power and the Passion
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1982)
recording of:
Power and the Passion
writer:
Peter Garrett, Rob Hirst and Jim Moginie
publisher:
Sony/ATV Music Publishing and Sprint Music Pty. Ltd.
Midnight Oil5:40
3A Pub With No Beer
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1957) and EMI Music Australia (defunct holding company, not for release label use!) (in 1958)
recording of:
A Pub With No Beer
lyricist and composer:
Gordon Parsons
publisher:
EMI Music Publishing (do not use as a release label!)
Slim Dusty3:00
4Ana’s Song (Open Fire)
recording engineer, producer and mixer:
Nick Launay
assistant engineer:
Steve Baughman (mix/recording engineer), Daniel Gilliland and Matt Lovell
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1999)
recording of:
Ana’s Song (Open Fire)
lyricist and composer:
Daniel Johns
Silverchair4.23:40
5Into My Arms
assistant recording engineer:
Paul Hicks and Paul Wright (UK recording engineer)
recording engineer:
Paul Corkett
producer:
Nick Cave & the Bad Seeds and Flood (British producer Mark Ellis)
assistant mixer:
Chris Scard
mixer:
Flood (British producer Mark Ellis)
bass:
Martyn P. Casey
piano:
Nick Cave (Australian singer‐songwriter, musician and score composer)
vocals:
Nick Cave (Australian singer‐songwriter, musician and score composer)
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1997)
additionally recorded at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
mixed at:
The Church Studios in London (Greater London), England, United Kingdom (in 1996-09)
part of:
triple j’s Hottest 100 of Australian Songs (number: 44)
recording of:
Into My Arms
lyricist and composer:
Nick Cave (Australian singer‐songwriter, musician and score composer)
publisher:
Mushroom Music Pty. Ltd., Mute Song (international) and Mute Song Ltd.
Nick Cave & the Bad Seeds4.154:13
6Polyester Girl
assistant recording engineer:
Argonaut (Australian engineer Jason Gendrolious)
recording engineer:
Magoo (Australian producer Lachlan Goold) and Regurgitator
phonographic copyright (℗) by:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1997)
recorded at:
The Dirty Room in Fortitude Valley, Brisbane, Queensland, Australia
music videos:
Polyester Girl (music video) by Regurgitator
recording of:
Polyester Girl
lyricist and composer:
Quan Yeomans
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
Regurgitator33:31
7My Girl
phonographic copyright (℗) by:
Hoodoo Gurus Pty Ltd (in 1983)
recording of:
My Girl
composer:
Dave Faulkner (David Faulkner)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Hoodoo Gurus2:40
8Walking on a Dream
additional recording engineer:
Chris Vallejo
recording engineer and mixer:
Peter Mayes
co-producer:
Peter Mayes
producer:
Donnie Sloan
phonographic copyright (℗) by:
Nick Littlemore (in 2008)
phonographic copyright (℗) by:
The Sleepy Jackson Pty Ltd. (in 2008)
music videos:
Walking on a Dream by Empire of the Sun
part of:
triple j’s Hottest 100 of Australian Songs (number: 24), triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (number: 4), Pitchfork Presents: The 100 Best Tracks of 2008 (number: 96) and Indie 88: Top 500 Indie Rock Songs (number: 146)
recording of:
Walking on a Dream
lyricist:
Nick Littlemore and Jonathan Sloan
composer:
Jonathan Sloan and Luke Steele
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing Australia Pty Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Empire of the Sun3.73:17
9Gurrumul History (I Was Born Blind)
recording engineer:
Craig Pilkington
producer:
Michael Hohnen
mixer:
Matthew Cunliffe
acoustic guitar:
Geoffrey Gurrumul Yunupuyŋu,
vocals:
Geoffrey Gurrumul Yunupuyŋu,
phonographic copyright (℗) by:
Skinnyfish Music Pty Ltd (in 2008)
recorded at:
Audrey Studios in Coburg, Melbourne, Victoria, Australia
recording of:
Gurrumul History (I Was Born Blind)
writer:
Geoffrey Gurrumul Yunupingu
publisher:
Sony/ATV Music Publishing
Geoffrey Gurrumul Yunupingu5:53
10Not Pretty Enough
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 2001)
recording of:
Not Pretty Enough
lyricist and composer:
Kasey Chambers (Australian country singer‐songwriter)
publisher:
Mushroom Music Pty. Ltd. and Sony/ATV Music Publishing Australia Pty Ltd.
Kasey Chambers3:18
11The Wild One
phonographic copyright (℗) by:
Festival Records (Australian) (in 2001)
recording of:
Wild One (Real Wild Child)
writer:
Johnny Greenan, Johnny O’Keefe and Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Southern Music (publisher)
Johnny O’Keefe2:16
12Under the Milky Way
assistant engineer:
Duane Seykora
engineer:
Shep Lonsdale
producer:
The Church, Greg Ladanyi and Waddy Wachtel
mixer:
Greg Ladanyi, Shep Lonsdale and Waddy Wachtel
bass and lead vocals:
Steve Kilbey
drums (drum set):
Richard Ploog
guitar:
Peter Koppes and Marty Willson-Piper
keyboard:
Greg Kuehn
synclavier:
Awesome Welles
phonographic copyright (℗) by:
The Church (in 2009)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987, in 1988) and The Church Pty Limited (in 1988, in 2005)
part of:
triple j’s Hottest 100 of Australian Songs (number: 29) and VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 84)
recording of:
Under the Milky Way
writer:
Karin Jansson and Steve Kilbey
publisher:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) and Universal/MCA Music Publishing Pty Ltd
The Church4.354:57
13Quasimodo’s Dream
phonographic copyright (℗) by:
Dave Mason (lead singer of The Reels) (in 2007)
recording of:
Quasimodo's Dream
writer:
Dave Mason (lead singer of The Reels)
publisher:
Mushroom Music Publishing
The Reels4:09
14Wars or Hands of Time
phonographic copyright (℗) by:
Masters Apprentices Pty Limited (in 1967)
recording of:
Wars, or Hands of Time
writer:
Mick Bower
publisher:
Universal/MCA Music Publishing Pty Ltd
The Masters Apprentices42:50
15To the Moon & Back
producer:
Charles Fisher (Australian producer)
mixer:
Chris Lord‐Alge
phonographic copyright (℗) by:
JWM Productions (John Woodruff Management) (in 1997)
mixed at:
Gotham Audio in Melbourne, Victoria, Australia
recording of:
To the Moon and Back
writer:
Darren Hayes and Daniel Jones (Australian singer/producer of Savage Garden)
publisher:
EMI (EMI Records, or EMI Music only if there is no other imprint)
Savage Garden5:40
16Alone With You
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1981)
recording of:
Alone With You
writer:
Jeremy Oxley (Australian singer, songwriter & guitarist)
publisher:
Mushroom Music Publishing
Sunnyboys4:01
17Cannot Buy My Soul
phonographic copyright (℗) by:
Song Cycles (in 1991)
recording of:
Cannot Buy My Soul
lyricist and composer:
Kev Carmody
publisher:
Song Cycles Pty Ltd.
Kev Carmody2:33
18Monsters (album version)
phonographic copyright (℗) by:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 2001)
recording of:
Monsters
writer:
Something for Kate
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Something for Kate3:39
19She Set Fire to the House
phonographic copyright (℗) by:
Stephen Cummings (in 2006)
recording of:
She Set Fire to the House
writer:
Stephen Cummings and Andrew Pendlebury
publisher:
Orient Pacific Music Pty. Ltd.
Stephen Cummings4:52
3▼CD
#TitleArtistRatingLength
1Swing for the Crime
recording of:
Swing for the Crime
lyricist and composer:
Chris Bailey (Irish punk vocalist, member of The Saints) and Ed Kuepper
publisher:
Mushroom Music Pty. Ltd.
The Saints3:39
2These Days
phonographic copyright (℗) by:
Grudge Records Australia (in 2000)
part of:
triple j’s Hottest 100 of Australian Songs (number: 14), Triple J’s Hottest 100: Twenty Years (2013) (number: 8) and triple j’s Hottest 100 (Australian annual music listener poll) (number: 1999)
recording of:
These Days
writer:
Jon Coghill, John Collins (Australian rock guitarist), Bernard Fanning, Ian Haug, Darren Middleton and Powderfinger (Australian rock band)
publisher:
Mushroom Music (Mushroom label’s publishing company)
Powderfinger44:58
3If You Leave Me Can I Come Too?
engineer:
Bruce Brown (Australia producer & engineer; bass player) and Russel Dunlop (Australian drummer, singer, composer, producer, engineer)
recorded at:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia
recording of:
If You Leave Me Can I Come Too
lyricist and composer:
Martin Plaza (Australian musician)
Mental as Anything32:54
4I Got a Feeling
phonographic copyright (℗) by:
Suppression Records (defunct Australian hardcore punk record label) (in 2010)
recording of:
I Got a Feeling
writer:
Eddy Current Suppression Ring (Australian garage rock band)
publisher:
Mushroom Music (Mushroom label’s publishing company)
Eddy Current Suppression Ring2:36
5I Hear Motion
phonographic copyright (℗) by:
Mushroom Records (in 1983)
recording of:
I Hear Motion
writer:
Andrew Duffield, James Freud, Sean Kelly (Australian, member of Models) and Barton Price
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
Models5:32
6One Crowded Hour
producer:
Eric Drew Feldman and Glenn Richards
mixer:
Mark Howard (producer/recording engineer, New Orleans/Los Angeles based)
guitar, keyboard and lead vocals:
Glenn Richards
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 2006)
part of:
triple j’s Hottest 100 of Australian Songs (number: 33) and triple j’s Hottest 100 (Australian annual music listener poll) (number: 2006)
recording of:
One Crowded Hour
writer:
Glenn Richards
Augie March34:46
7Wild About You
recording of:
Wild About You
lyricist and composer:
Andy Anderson (Andy James)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Missing Links2:36
8The Way I Made You Feel
phonographic copyright (℗) by:
Bayzare Pty. Ltd. and Beyond the Sea Pty. Ltd.
recording of:
The Way I Made You Feel
composer:
Ed Kuepper
publisher:
Universal Music (plain logo: “Universal Music”)
Ed Kuepper5:17
9Who Listsns to the Radio
producer:
Pete Solley (English pianist, songwriter and producer)
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1978), Mushroom Records (in 1979, in 1996) and Stiff Records (in 1979)
recording of:
Who Listens to the Radio?
lyricist and composer:
Stephen Cummings and Andrew Pendlebury
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Pty. Ltd., EMI Music (do not use as release label! this is a music publisher) (in 1979) and Street Music Ltd. (in 1979)
The Sports3:14
10The Carnival Is Over
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recording of:
The Carnival Is Over
writer:
[traditional] (special purpose artist), Catherine Courage, Frank Farian and Tom Springfield
publisher:
Warner/Chappell Music Australia Pty. Ltd.
is based on:
Из-за острова на стрежень (Stenka Razin)
The Seekers3:08
11Cheap Wine
engineer:
Mark Opitz and Neil Rawle
producer:
Cold Chisel
bass:
Phil Small
drums (drum set):
Steve Prestwich
guitar:
Ian Moss
piano:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
vocals:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) and Ian Moss
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999) and Cold Chisel Pty Ltd (in 2011)
recording of:
Cheap Wine
lyricist and composer:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor and Rondor Music (Australia) Pty Ltd
Cold Chisel33:24
12Promenade
phonographic copyright (℗) by:
Polydor Records (a J-Pop division of Universal Music Japan, 2023–present) (in 1993)
recording of:
Promenade
writer:
Glenn Bennie and Vincent Giarrusso
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Underground Lovers4:36
13Good Mornin’
phonographic copyright (℗) by:
rooArt (in 1996)
recording of:
Good Mornin’
lyricist and composer:
Tim Rogers
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
You Am I4:10
14Prisoner of Society
assistant recording engineer and assistant engineer:
Matt Voight
recording engineer and engineer:
Lindsay Gravina (engineer & guitarist)
producer:
Lindsay Gravina (engineer & guitarist) and The Living End (Australian punk band)
mixer:
Jerry Finn
phonographic copyright (℗) by:
The Living End Pty. Ltd. (in 1997, in 1998)
recorded at:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
music videos:
Prisoner of Society (US version) (film clip) by The Living End (Australian punk band)
part of:
triple j’s Hottest 100 of Australian Songs (number: 41) and Triple J’s Hottest 100: Twenty Years (2013) (number: 20)
recording of:
Prisoner of Society
lyricist and composer:
Chris Cheney (The Living End frontman)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. and EMI Music Publishing (do not use as a release label!)
The Living End3.653:52
15Working Class Man
phonographic copyright (℗) by:
Freight Train Music (in 2010)
recording of:
Working Class Man
lyricist and composer:
Jonathan Cain
publisher:
Chappell & Co., Inc. (USA), Frisco Kid Music (publisher), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Australia Pty. Ltd.
Jimmy Barnes4:10
16The Real Thing
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) and EMI Music Australia Pty. Limited (not for release label use!) (in 1969)
recording of:
The Real Thing
lyricist and composer:
John B. Young (Australian singer)
writer:
Johnny Young (Australian singer)
publisher:
Chappell/Morris Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Russell Morris6:20
17Like Wow‐Wipeout!
engineer:
John Bee
producer:
Charles Fisher (Australian producer)
bass guitar:
Clyde Bramley
cymbal and drums (drum set):
Mark Kingsmill
lead vocals:
Dave Faulkner (David Faulkner)
phonographic copyright (℗) by:
Hoodoo Gurus Pty Ltd (in 1985)
mixed at:
Studio 301 (Studios 301, 301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (in 1985-05)
recording of:
Like Wow -- Wipeout
lyricist and composer:
Dave Faulkner (David Faulkner)
publisher:
Best of All Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Publishing
Hoodoo Gurus53:11
18My People
mixer:
John Fields (“Strawberry” – producer)
phonographic copyright (℗) by:
Modular Recordings (Australian label) (in 2007, in 2008)
mixed at:
Seedy Underbelly in Los Angeles, California, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 55)
recording of:
My People
lyricist and composer:
Julian Hamilton (Austrailian singer-songwriter and keyboardist) and Kim Moyes
publisher:
EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Presets4.354:28
19Way Out West
phonographic copyright (℗) by:
A&M Records (in 1977)
recording of:
Way Out West
writer:
Michael Bois, John Lee (Australian drummer, songwriter and singer), Broderick Smith, Chris Stockley (The Dingoes) and Kerryn Tolhurst (Australian musician)
publisher:
Cellar Music Co Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
The Dingoes3:32
4▼CD
#TitleArtistRatingLength
1The Honeymoon Is Over
phonographic copyright (℗) by:
Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1993) and Polydor Records Australia (in 1993)
recording of:
The Honeymoon Is Over
writer:
James Cruikshank, Tex Perkins (Australian singer-songwriter Greg Perkins) and Dan Rumour
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Cruel Sea2.53:08
2Take a Long Line
phonographic copyright (℗) by:
Albert Productions (in 1978)
recording of:
Take a Long Line
writer:
John Brewster, Rick Brewster and Doc Neeson
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Mushroom Music International and J. Albert & Son Pty. Ltd. (in 1978)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
The Angels53:01
3Blush
assistant engineer:
Jim "The Royster" Perry
engineer and producer:
Mitch Easter
bass:
Robyn St. Clare
drums (drum set):
Mark Temple
phonographic copyright (℗) by:
rooArt (in 1989)
recording of:
Blush
writer:
Simon Holmes (Australian musician and founder of The Hummingbirds) and Robyn St. Clare
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hummingbirds3:16
4They Thought I Was Asleep
phonographic copyright (℗) by:
Paul Kelly (Australian singer/songwriter) (in 2005)
recording of:
They Thought I Was Asleep (Paul Kelly song)
writer:
Paul Kelly (Australian singer/songwriter)
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Paul Kelly & The Stormwater Boys3:35
5Black and Blue
phonographic copyright (℗) by:
Festival Records (Australian) (in 1971)
recording of:
Black and Blue
writer:
Barry Harvey, Phil Manning, Barry Sullivan (Chain bass guitarist) and Matt Taylor (Australian blues musician)
publisher:
Festival Music Pty, Ltd. and Mushroom Music Publishing
Chain3:50
6Are You Old Enough
bass:
Todd Hunter (Todd Stuart Hunter of Dragon)
drums (drum set):
Kerry Jacobson
guitar:
Robert Taylor (Singer-songwriter and guitarist)
keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
vocals:
Marc Hunter
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1976, in 1978)
recording of:
Are You Old Enough
lyricist and composer:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
EMI Songs and EMI Songs Australia Pty. Ltd.
Dragon4:06
7Most People I Know (live at Sunbury)
phonographic copyright (℗) by:
Havoc Records (in 1972)
live recording of:
Most People I Know Think That I’m Crazy
lyricist and composer:
Billy Thorpe
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Billy Thorpe & the Aztecs6:57
8Revhead
phonographic copyright (℗) by:
The Scientists (post‐punk band from Perth, Australia) (in 1983)
recording of:
Rev Head
writer:
Boris Sujdovic
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing (use ONLY if no country‐specific information is available)
The Scientists4:41
9Better Be Home Soon
recording engineer:
Tchad Blake
producer:
Mitchell Froom
mixer:
Bob Clearmountain
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric bass guitar [bass]:
Nick Seymour (Nicholas More Seymour)
guitar and lead vocals:
Neil Finn
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1988)
mixed for:
Fast Forward Productions, Ltd.
part of:
triple j’s Hottest 100 of Australian Songs (number: 38)
recording of:
Better Be Home Soon
lyricist and composer:
Neil Finn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia P/L, Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing and Roundhead Music (BMI) (Neil Finn)
Crowded House3.53:08
10Sweetheart
phonographic copyright (℗) by:
Died Pretty (in 1991)
recording of:
Sweetheart
composer:
Brett Myers and Ron Peno
publisher:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
Died Pretty54:10
11A Little Ray of Sunshine
producer:
Axiom (Australian 70's rock band) and Roger Savage (Australian sound engineer)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1970)
recording of:
A Little Ray of Sunshine
writer:
Brian Cadd and Don Mudie
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Universal/MCA Music Publishing Pty Ltd
Axiom3:29
12Don’t You Think It’s Time
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 2006)
recording of:
Don't You Think It's Time?
writer:
Bob Evans (Australian singer/songwriter A.K.A. Kevin Mitchell)
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Bob Evans53:17
13Sirena
phonographic copyright (℗) by:
Dirty Three (in 1998)
recording of:
Sirena
writer:
Dirty Three
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dirty Three4:04
14Heading in the Right Direction
phonographic copyright (℗) by:
Mushroom Records (in 1975)
recording of:
Heading in the Right Direction (Renée Geyer song)
writer:
Garry Paige and Mark Punch
publisher:
Chappell and J. Albert & Son Pty. Ltd.
Renee Geyer4:01
15Almost With You
co-producer:
The Church
producer:
Bob Clearmountain
12 string guitar and electric guitar:
Marty Willson-Piper
bass guitar, keyboard and slide guitar and lead vocals:
Steve Kilbey
drums (drum set) and percussion:
Richard Ploog
guitar, percussion and tubular bells and background vocals:
Peter Koppes
arranger:
The Church
phonographic copyright (℗) by:
Sony/ATV Northern Productions Pty Limited (in 1982)
recording of:
Almost With You
lyricist and composer:
Steve Kilbey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Church54:13
16Get Free
recording engineer:
Doug Boehm (from 2001-07 until 2002-02)
producer:
Rob Schnapf (producer and audio engineer)
mixer:
Rob Schnapf (producer and audio engineer) and Andy Wallace (engineer) (in 2001)
bass:
Patrick Matthews (from 2001-07 until 2002-02)
drums (drum set):
Joey Waronker (from 2001-07 until 2002-02)
electric guitar, tambourine, background vocals and lead vocals:
Craig Nicholls (from 2001-07 until 2002-02)
phonographic copyright (℗) by:
Engine Room Music Pty Limited (in 2002)
recorded at:
The Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States (from 2001-07 until 2002-02)
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States (in 2001)
recording of:
Get Free (Vines song) (from 2001-07 until 2002-02)
lyricist and composer:
Craig Nicholls
writer:
The Vines (Australian alternative rock band)
publisher:
Mushroom Music Pty. Ltd.
The Vines42:05
17You’re the Voice
recording engineer and mixer:
Doug Brady (engineer)
drum machine programming and synthesizer [Fairlight] programming:
Dave (Australian score composer), Jack and Ross
assistant engineer:
Michael Wickow (engineer)
producer:
Ross Fraser
fretless bass:
Roger McLachlan
guitar:
Brett Garsed
keyboard and synthesizer [Fairlight]:
David Hirschfelder (Australian score composer)
background vocals:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton and Sandy Weekes
lead vocals:
Whispering Jack
arranger:
John Farnham, Ross Fraser and David Hirschfelder (Australian score composer)
phonographic copyright (℗) by:
BMG Arista / Ariola Limited (not for release label use! manufacters and distributors operating in Australasia) (in 1986), BMG Australia Limited (not for release label use!) (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
recorded at and mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 15)
recording of:
You’re the Voice
writer:
Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson (vocalist with Manfred Mann’s Earth Band)
publisher:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing AB (Sweden)
John Farnham4.15:03
18The Loved One
phonographic copyright (℗) by:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1965), PolyGram Pty Ltd. (AU subsidiary of PolyGram, fka PolyGram Records Pty Ltd.) (in 1965) and Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 1967)
recording of:
The Loved One
writer:
Ian H. Clyne, Gerry Humphreys and Robert John Lovett
publisher:
Chris Gilbert Pty. Ltd., Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
The Loved Ones2:52
19Good Dancers
assistant engineer:
Tamlin Tregonning
engineer, producer and mixer:
Jonathan Burnside
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 2003)
recorded at:
Razor's Edge in Sydney, New South Wales, Australia (in 2003)
recording of:
Good Dancers
lyricist and composer:
Luke Steele
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
The Sleepy Jackson4:12
5▼CD
#TitleArtistRatingLength
1The Sea Is Rising
phonographic copyright (℗) by:
Creative Canopy (in 2008) and Illusive Sounds (in 2008)
recording of:
The Sea Is Rising
writer:
Noam Dishon, Max Donald Mackinnon and Jonathan Notley
publisher:
Mushroom Music Publishing
Bliss n Eso3:33
2The Mercy Seat
recording engineer:
Flood (British producer Mark Ellis)
engineer:
Tony Cohen and Flood (British producer Mark Ellis)
producer:
Nick Cave & the Bad Seeds, Tony Cohen and Flood (British producer Mark Ellis)
mixer:
Tony Cohen
bass, guitar and piano and background vocals:
Mick Harvey
drums (drum set):
Thomas Wydler
guitar:
Roland Wolf
Hammond organ and lead vocals:
Nick Cave (Australian singer‐songwriter, musician and score composer)
slide guitar:
Blixa Bargeld (German musician)
strings:
Gini Ball, Audrey Riley and Chris Tombling (violinist)
phonographic copyright (℗) by:
Mute Records (not for release label use! early 80s copyright for Mute) (in 1988)
recording of:
The Mercy Seat
lyricist:
Nick Cave (Australian singer‐songwriter, musician and score composer)
composer:
Nick Cave (Australian singer‐songwriter, musician and score composer) and Mick Harvey
publisher:
Mushroom Music Pty. Ltd. and Mute Song (international)
Nick Cave & the Bad Seeds5:06
3Sitting in a Bar
phonographic copyright (℗) by:
Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1993)
recording of:
Sitting at the Bar
lyricist and composer:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
Tex, Don & Charlie4:17
4Walls
phonographic copyright (℗) by:
Diva Records Pty Ltd. (in 1980)
recording of:
Walls
lyricist and composer:
Iva Davies
publisher:
EMI Songs Australia Pty. Ltd.
Flowers4:23
5Scar
acoustic guitar:
Jay Newland (producer, engineer and mixer)
drums (drum set):
Dean Butterworth
electric bass guitar:
Keith Christopher (American bassist)
electric cello:
Martin Tillman
flugelhorn:
Darrell Leonard
guitar:
Stuart Mathis (guitarist)
guitar [electric & acoustic guitars]:
John Porter (producer and musician US and UK)
keyboard:
Jamie Muhoberac
percussion:
Debra Dobkin
vocals:
Missy Higgins
phonographic copyright (℗) by:
Eleven: A Music Company (in 2004)
part of:
triple j’s Hottest 100 of Australian Songs (number: 4)
recording of:
Scar
publisher:
Missy Higgins
writer:
Kevin Griffin (member of Better Than Ezra) and Missy Higgins
publisher:
Mushroom Music Pty. Ltd.
Missy Higgins33:34
6Cattle and Cane
recording engineer, producer and mixer:
John Brand (engineer)
bass and lead vocals:
Grant McLennan
drums (drum set):
Lindy Morrison
guitar:
Robert Forster (Australian singer-songwriter & guitarist)
organ and piano:
Bernard Clarke (keyboard / producer)
background vocals:
Robert Forster (Australian singer-songwriter & guitarist) and Lindy Morrison
phonographic copyright (℗) by:
Tag 5 (in 1983)
recorded at and mixed at:
ICC Studios in Eastbourne, East Sussex, England, United Kingdom
recording of:
Cattle and Cane
lyricist:
Grant McLennan
composer:
Robert Forster (Australian singer-songwriter & guitarist) and Grant McLennan
publisher:
Cherry Red Music (publisher), Complete Music Ltd., Complete Music USA Inc, Incomplete Music Inc. and Mushroom Music (Mushroom label’s publishing company)
The Go‐Betweens4:17
7Shakin’ All Over
phonographic copyright (℗) by:
Sunshine Records (60s Australia) (in 1974)
cover recording of:
Shakin’ All Over
lyricist and composer:
Frederick Heath and Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Normie Rowe & The Playboys2:33
8Are You Gonna Be My Girl
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:35
9My Canary Has Circles Under His Eyes
phonographic copyright (℗) by:
Fable Records (in 1973)
recording of:
My Canary Has Circles Under His Eyes
writer:
Edward Pola, Jack Golden and Ted Koehler
Captain Matchbox Whoopee Band3:36
10Catch My Disease
phonographic copyright (℗) by:
Inertia Recordings (Australian electronic label/publisher) (in 2005)
recording of:
Catch My Disease
writer:
Ben Lee (Australian singer/songwriter) and Markey Southworth McGowan
publisher:
BMG Music Publishing Australia Pty Ltd, McGowan Music, Songs for the World Music, Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Group
Ben Lee4.54:14
11Bad Boy for Love
producer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
bass:
Ian Riland
drums (drum set):
Dallas Royal (Digger)
guitar:
Michael Cocks and Peter Wells (Rose Tattoo guitarist)
vocals:
Angry Anderson
phonographic copyright (℗) by:
Albert Productions (in 1977, in 1978) and J. Albert & Son Pty. Ltd. (in 1977)
recording of:
Bad Boy for Love
lyricist and composer:
Ian Rilen
publisher:
J. Albert & Son and J. Albert & Son Pty. Ltd.
Rose Tattoo3:05
12Trust Me
phonographic copyright (℗) by:
Regular Records (Australian label) (in 2007)
recording of:
Trust Me
writer:
Kate Ceberano, Stephen Charlesworth (I'm Talking), Ian Cox, Robert Goodge, Barbara Hogarth and Cameron Newman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Mushroom Music Publishing
I’m Talking3:46
13I Don’t Wanna Go Out
recording of:
I Don’t Wanna Go Out
writer:
Steve Lucas (Australian musician, member of X) and Ian Rilen
publisher:
EMI Music Publishing (do not use as a release label!)
X2:02
14Free Way
phonographic copyright (℗) by:
Mistletone (in 2008)
recording of:
Free Way
writer:
Alison Bolger, Ali McCann, Antonia Sellbach, Gillian Tucker and Karla Way
publisher:
Mushroom Music Publishing
Beaches4:10
15Rush You
engineer:
Kevin Shirley (producer & mixer)
producer:
Mike Chapman (Australian producer and songwriter)
mixer:
Mike Chapman (Australian producer and songwriter) and Kevin Shirley (producer & mixer)
bass guitar [bass]:
Eddie Parise
drums (drum set) [drums]:
Frank Celenza
guitar:
Suze DeMarchi and Dave Leslie
lead vocals [vocals]:
Suze DeMarchi
vocals:
Dave Leslie and Eddie Parise
phonographic copyright (℗) by:
The Imago Recording Company (in 2007)
recording of:
Rush You
writer:
Suze DeMarchi, Dave Leslie and Eddie Parise
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Mushroom Music Publishing
Baby Animals4:10
16Wish You Well
assistant engineer:
Claire Lewis (mostly credited as assistant engineer)
engineer and mixer:
Tchad Blake
producer:
Tchad Blake and Bernard Fanning
guitar:
Bernard Fanning
vocals:
Bernard Fanning
phonographic copyright (℗) by:
Dew Process (in 2005) and Universal Music Australia (see annotation before using) (in 2005)
mixed at and engineered at:
Real World Studios in Box, Wiltshire, England, United Kingdom
part of:
triple j’s Hottest 100 of Australian Songs (number: 57) and triple j’s Hottest 100 (Australian annual music listener poll) (number: 2005)
recording of:
Wish You Well
lyricist and composer:
Bernard Fanning
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) and Universal Music Publishing MGB Australia
Bernard Fanning32:31
17Love at First Sight
recording engineer and programming:
Martin Harrington, Ash Howes (British mixer, writer and musician) and Alvin Sweeney
producer:
Julian Gallagher (songwriter, producer) and Richard “Biff” Stannard
mixer:
Ash Howes (British mixer, writer and musician)
guitar:
Martin Harrington
keyboard:
Martin Harrington and Ash Howes (British mixer, writer and musician)
Rhodes piano:
Julian Gallagher (songwriter, producer)
background vocals:
Kylie Minogue and Richard “Biff” Stannard
lead vocals:
Kylie Minogue
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) and Kaydeebee Pty Ltd (in 2001)
mixed at:
Biffco Studios (Dublin) in Dublin, County Dublin, Leinster, Ireland
recording of:
Love at First Sight
writer:
Julian Gallagher (songwriter, producer), Martin Harrington, Ash Howes (British mixer, writer and musician), Kylie Minogue and Richard “Biff” Stannard
publisher:
Biffco Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Mushroom Music International and Sony Music Publishing (1995–2020)
Kylie Minogue3.73:58
18Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 21) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work3.953:38
19Open Up Your Heart
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 2009)
recording of:
Open Up Your Heart
writer:
G. Wayne Thomas
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
G Wayne Thomas3:42

Credits

Release

distributed by:Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009)
copyrighted (©) by:Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 2010)
licensed to:EMI Music Australia Pty. Limited (not for release label use!)
Liberation Music (Australian, big L logo or “Liberation” on one line)
Rhino Entertainment Company (not for release label use!)
Universal Music Australia (see annotation before using)
Discogs:https://www.discogs.com/release/11292639 [info]
ASIN:US: B004708J0W [info]