The Complete Candid Recordings of Cecil Taylor and Buell Neidlinger

~ Release by Cecil Taylor and Buell Neidlinger (see all versions of this release, 5 available)

Tracklist

| |
1▼12" Vinyl
#TitleRatingLength
A1Air (take 5)
10:31
A2Number One (take 1)
recording engineer:
Bob d’Orleans (from 1960-10-12 until 1960-10-13)
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Sunny Murray (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
phonographic copyright (℗) by:
Candid Productions Ltd. (in 1990)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Number One (from 1960-10-12 until 1960-10-13)
composer:
Cecil Taylor
12:29
B1Number One (take 3)
8:35
B2This Nearly Was Mine (take 2)
instrumental recording of:
This Nearly Was Mine (South Pacific) (in 1960-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
10:47
2▼12" Vinyl
#TitleRatingLength
CAir (take 9)
recording engineer:
Bob d’Orleans (from 1960-10-12 until 1960-10-13)
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
phonographic copyright (℗) by:
Candid Productions Ltd. (in 1990)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Air (from 1960-10-12 until 1960-10-13)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp. and Syndicore
17:30
D1E.B. (take 2)
9:55
D2Lazy Afternoon (take 1)
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
cover recording of:
Lazy Afternoon (The Golden Apple, 1954) (in 1960-12)
orchestrator and composer:
Jerome Moross (American composer and conductor)
lyricist:
John Latouche
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC (ASCAP) and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
14:46
3▼12" Vinyl
#TitleRatingLength
E1Air (take 21)
recording engineer:
Bob d’Orleans (from 1960-10-12 until 1960-10-13)
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
phonographic copyright (℗) by:
Candid Productions Ltd. (in 1990)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Air (from 1960-10-12 until 1960-10-13)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp. and Syndicore
11:25
E2Air (take 28)
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Air (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp. and Syndicore
8:45
F1Air (take 29)
10:20
F2Port of Call (take 2)
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Port of Call (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp.
4:15
F3Port of Call (take 3)
recording engineer:
Bob d’Orleans (from 1960-10-12 until 1960-10-13)
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
phonographic copyright (℗) by:
Candid Productions Ltd. (in 1990)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Port of Call (from 1960-10-12 until 1960-10-13)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp.
4:21
4▼12" Vinyl
#TitleRatingLength
G1Davis (take 1)
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Davis (in 1961-01)
composer:
Buell Neidlinger
3:07
G2Davis (take 3)
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Davis (in 1961-01)
composer:
Buell Neidlinger
5:13
G3O.P. (take 1)
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Buell Neidlinger (on 1961-01-09)
drums (drum set):
Dennis Charles (drums) (on 1961-01-09)
piano:
Cecil Taylor (on 1961-01-09)
tenor saxophone:
Archie Shepp (on 1961-01-09)
recorded at:
Nola Penthouse Sound Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-01-09)
recording of:
O.P. (on 1961-01-09)
composer:
Buell Neidlinger
7:25
H1Cell Walk for Celeste (take 1)
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
membranophone:
Dennis Charles (producer, songwriter) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Cell Walk for Celeste (in 1961-01)
composer:
Cecil Taylor
11:24
H2Cell Walk for Celeste (take 3)
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
membranophone:
Dennis Charles (producer, songwriter) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Cell Walk for Celeste (in 1961-01)
composer:
Cecil Taylor
9:43
5▼12" Vinyl
#TitleRatingLength
I1Cell Walk for Celeste (take 8)
double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Denis Charles (drums) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
11:38
I2I Forgot (take 1)
engineer:
Bob d’Orleans
producer:
Nat Hentoff
baritone saxophone:
Charles Davis (saxophone player) (on 1961-01-09)
bass:
Buell Neidlinger (on 1961-01-09)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1961-01-09)
piano:
Cecil Taylor (on 1961-01-09)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1961-01-09)
tenor saxophone:
Archie Shepp (on 1961-01-09)
trombone:
Roswell Rudd (American jazz trombonist and composer) (on 1961-01-09)
trumpet:
Clark Terry (American swing trumpeter) (on 1961-01-09)
recorded at:
Nola Penthouse Sound Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-01-09)
recording of:
I Forgot (on 1961-01-09)
composer:
Cecil Taylor
8:28
J1Section C (take 1)
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
membranophone:
Dennis Charles (producer, songwriter) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Section C (in 1961-01)
composer:
Cecil Taylor
10:14
J2Jumpin’ Punkins (take 4)
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
baritone saxophone:
Charles Davis (saxophone player) (from 1961-01-09 until 1961-01-10)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1961-01-09 until 1961-01-10)
trumpet:
Clark Terry (American swing trumpeter) (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Jumpin' Punkins (in 1961-01)
composer:
Mercer Ellington
8:10
6▼12" Vinyl
#TitleRatingLength
K1Things Ain’t What They Used to Be (take 1)
producer:
Nat Hentoff
baritone saxophone:
Charles Davis (saxophone player) (from 1961-01-09 until 1961-01-10)
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
soprano saxophone:
Steve Lacey (from 1961-01-09 until 1961-01-10) and Steve Lacy (jazz saxophonist and composer 1934–2004) (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1961-01-09 until 1961-01-10)
trumpet:
Clark Terry (American swing trumpeter) (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
instrumental recording of:
Things Ain’t What They Used to Be (in 1961-01)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
10:04
K2Things Ain’t What They Used to Be (take 3)
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Buell Neidlinger (on 1961-01-10)
drums (drum set):
Dennis Charles (drums) (on 1961-01-10)
piano:
Cecil Taylor (on 1961-01-10)
tenor saxophone:
Archie Shepp (on 1961-01-10)
recorded at:
Nola Penthouse Sound Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-01-10)
instrumental recording of:
Things Ain’t What They Used to Be (on 1961-01-10)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
8:53
L1Jumpin’ Punkins (take 6)
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Buell Neidlinger (on 1961-01-10)
drums (drum set):
Dennis Charles (drums) (on 1961-01-10)
piano:
Cecil Taylor (on 1961-01-10)
tenor saxophone:
Archie Shepp (on 1961-01-10)
recorded at:
Nola Penthouse Sound Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-01-10)
recording of:
Jumpin' Punkins (on 1961-01-10)
composer:
Mercer Ellington
8:10
L2Cindy’s Main Mood (take 1)
producer:
Nat Hentoff
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set) and timpani:
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Cindy’s Main Mood (in 1961-01)
composer:
Billy Higgins (US jazz drummer), Buell Neidlinger and Cecil Taylor
5:08
L3O.P. (take 2)
producer:
Nat Hentoff
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set) and timpani:
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
O.P. (in 1961-01)
composer:
Buell Neidlinger
9:09