The Asylum Albums (1976–1980)

~ Release by Joni Mitchell (see all versions of this release, 3 available)

Tracklist

| |
1Digital Media
#TitleRatingLength
1Coyote
assistant recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears)
recording engineer:
Henry Lewy
producer:
Joni Mitchell
mixer:
Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
guitar:
Larry Carlton and Joni Mitchell
percussion:
Bobbye Hall
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Coyote
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
45:01
2Amelia
assistant recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears)
recording engineer:
Henry Lewy
producer:
Joni Mitchell
mixer:
Henry Lewy and Joni Mitchell
guitar:
Larry Carlton and Joni Mitchell
vibraphone:
Victor Feldman (jazz musician)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Amelia
lyricist and composer:
Joni Mitchell
5:59
3Furry Sings the Blues
assistant recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears)
recording engineer:
Henry Lewy
producer:
Joni Mitchell
mixer:
Henry Lewy and Joni Mitchell
bass:
Max Bennett (US jazz bassist and session musician)
drums (drum set):
John Guerin
guitar:
Joni Mitchell
harmonica:
Neil Young (Canadian singer, songwriter & musician)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Furry Sings the Blues
lyricist and composer:
Joni Mitchell
5:06
4A Strange Boy
assistant recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears)
recording engineer:
Henry Lewy
producer:
Joni Mitchell
mixer:
Henry Lewy and Joni Mitchell
guitar:
Larry Carlton and Joni Mitchell
percussion:
Bobbye Hall
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
A Strange Boy
lyricist and composer:
Joni Mitchell
3.44:18
5Hejira
assistant recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears)
recording engineer:
Henry Lewy
producer:
Joni Mitchell
mixer:
Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
clarinet:
Abe Most
guitar:
Joni Mitchell
percussion:
Bobbye Hall
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Hejira
lyricist and composer:
Joni Mitchell
36:44
6Song for Sharon
assistant recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears)
recording engineer:
Henry Lewy
producer:
Joni Mitchell
mixer:
Henry Lewy and Joni Mitchell
bass:
Max Bennett (US jazz bassist and session musician)
drums (drum set):
John Guerin
guitar:
Joni Mitchell
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Song for Sharon
lyricist and composer:
Joni Mitchell
38:38
7Black Crow
assistant recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears)
recording engineer:
Henry Lewy
producer:
Joni Mitchell
mixer:
Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
guitar:
Larry Carlton and Joni Mitchell
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Black Crow
lyricist and composer:
Joni Mitchell
54:22
8Blue Motel Room
assistant recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears)
recording engineer:
Henry Lewy
producer:
Joni Mitchell
mixer:
Henry Lewy and Joni Mitchell
acoustic guitar:
Larry Carlton
bass:
Chuck Domanico (American bassist)
drums (drum set):
John Guerin
electric guitar:
Joni Mitchell
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Blue Motel Room
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
5:03
9Refuge of the Roads
assistant recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears)
recording engineer:
Henry Lewy
producer:
Joni Mitchell
mixer:
Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
drums (drum set):
John Guerin
guitar:
Joni Mitchell
horn:
Chuck Findley (trumpet, trombone, horn player) and Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Refuge of the Roads
lyricist and composer:
Joni Mitchell
6:40
2Digital Media
#TitleRatingLength
1Overture
recording engineer and mixer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
bass:
Jaco Pastorius (in 1977)
drums (drum set):
John Guerin (in 1977)
guitar:
Joni Mitchell (in 1977)
vocals:
Joni Mitchell (in 1977)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1977)
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Overture / Cotton Avenue (in 1977)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
36:42
2Talk to Me
recording engineer and mixer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
bass:
Jaco Pastorius (in 1977)
guitar:
Joni Mitchell (in 1977)
vocals:
Joni Mitchell (in 1977)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1977)
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Talk to Me (in 1977)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
43:46
3Jericho
recording engineer and mixer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
bass:
Jaco Pastorius (in 1977)
bongos:
Don Alias (in 1977)
drums (drum set):
John Guerin (in 1977)
guitar:
Joni Mitchell (in 1977)
soprano saxophone:
Wayne Shorter (US jazz saxophonist and composer) (in 1977)
vocals:
Joni Mitchell (in 1977)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1977)
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Jericho (in 1977)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
33:26
4Paprika Plains
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears), Frank Laico and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
bass:
Jaco Pastorius (in 1977)
drums (drum set):
John Guerin (in 1977)
piano:
Joni Mitchell (in 1977)
soprano saxophone:
Wayne Shorter (US jazz saxophonist and composer) (in 1977)
vocals:
Joni Mitchell (in 1977)
conductor:
Michael Gibbs (in 1977)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1977) and Columbia Studios in New York, New York, United States (in 1977)
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Paprika Plains (in 1977)
orchestrator:
Michael Gibbs
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
416:22
5Otis and Marlena
recording engineer and mixer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
acoustic guitar:
Joni Mitchell (in 1977)
electric guitar:
Larry Carlton (in 1977)
piano:
Michel Colombier (French score composer) (in 1977)
snare drum:
John Guerin (in 1977)
vocals:
Joni Mitchell (in 1977)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1977)
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Otis and Marlena (in 1977)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
33:58
6The Tenth World
recording engineer and mixer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
bongos:
Jaco Pastorius (in 1977)
claves and congas:
Don Alias (in 1977)
congas and lead vocals:
Manolo Badrena (in 1977)
congas and cowbell:
Alex Acuña (in 1977)
surdo:
Airto Moreira (percussionist) (in 1977)
vocals:
Alex Acuña (in 1977), Don Alias (in 1977), Chaka Khan (in 1977) and Joni Mitchell (in 1977)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1977)
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
The Tenth World (in 1977)
composer:
Alex Acuña, Don Alias, Manolo Badrena, Joni Mitchell, Airto Moreira (percussionist) and Jaco Pastorius
publisher:
Crazy Crow Music
36:57
7Dreamland
recording engineer and mixer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
congas:
Manolo Badrena (in 1977)
cowbell:
Jaco Pastorius (in 1977)
shakers:
Alex Acuña (in 1977)
snare drum:
Don Alias (in 1977)
surdo:
Airto Moreira (percussionist) (in 1977)
vocals:
Chaka Khan (in 1977) and Joni Mitchell (in 1977)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1977)
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Dreamland (in 1977)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
44:39
8Don Juan’s Reckless Daughter
recording engineer and mixer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
ankle rattlers:
Alex Acuña (in 1977)
bass:
Jaco Pastorius (in 1977)
guitar:
Joni Mitchell (in 1977)
shakers:
Don Alias (in 1977)
vocals:
Joni Mitchell (in 1977)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1977)
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Don Juan’s Reckless Daughter (in 1977)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
36:37
9Off Night Backstreet
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears), Frank Laico and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
bass:
Jaco Pastorius (in 1977)
drums (drum set):
John Guerin (in 1977)
vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (in 1977), Joni Mitchell (in 1977) and J.D. Souther (in 1977)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1977) and Columbia Studios in New York, New York, United States (in 1977)
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Off Night Backstreet (in 1977)
orchestrator:
Michael Gibbs
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
33:21
10The Silky Veils of Ardor
recording engineer and mixer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
guitar:
Joni Mitchell (in 1977)
vocals:
Joni Mitchell (in 1977)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1977)
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
The Silky Veils of Ardor (in 1977)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
34:05
3Digital Media
#TitleRatingLength
1Happy Birthday 1975 (Rap)
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Happy Birthday 1975 (rap)
publisher:
Jazz Workshop, Inc. (in 1978)
0:57
2God Must Be a Boogie Man
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
God Must Be a Boogie Man
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music (in 1979)
4:36
3Funeral (Rap)
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Funeral (rap)
publisher:
Jazz Workshop, Inc. (in 1978)
1:07
4A Chair in the Sky
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Chair in the Sky
lyricist:
Joni Mitchell
composer:
Charles Mingus
publisher:
Crazy Crow Music (in 1978) and Jazz Workshop, Inc. (in 1978)
version of:
Chair in the Sky
6:42
5The Wolf That Lives in Lindsey
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
The Wolf That Lives in Lindsey
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music (in 1979)
6:36
6I’s a Muggin’ (Rap)
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
I’s a Muggin’ (rap)
publisher:
Jazz Workshop, Inc. (in 1978)
0:08
7Sweet Sucker Dance
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Sweet Sucker Dance
lyricist:
Joni Mitchell
composer:
Charles Mingus
publisher:
Crazy Crow Music (in 1978) and Jazz Workshop, Inc. (in 1978)
version of:
Sweet Sucker Dance
8:04
8Coin in the Pocket (Rap)
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Coin in the Pocket (rap)
publisher:
Jazz Workshop, Inc. (in 1978)
0:12
9The Dry Cleaner From Des Moines
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
horn arranger:
Jaco Pastorius
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
The Dry Cleaner from Des Moines
lyricist:
Joni Mitchell
composer:
Charles Mingus
publisher:
Crazy Crow Music (in 1978) and Jazz Workshop, Inc. (in 1978)
3:22
10Lucky (Rap)
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Lucky (rap)
publisher:
Jazz Workshop, Inc.
0:04
11Goodbye Pork Pie Hat
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Goodbye Porkpie Hat (Joni Mitchell lyrics)
lyricist:
Joni Mitchell
composer:
Charles Mingus
publisher:
Crazy Crow Music (in 1979) and Jazz Workshop, Inc. (in 1979)
version of:
Goodbye Pork Pie Hat (instrumental)
5:39
4Digital Media
#TitleRatingLength
1Introduction
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
drums (drum set):
Don Alias (on 1979-09-09)
fretless bass [Fender Jazz]:
Jaco Pastorius (on 1979-09-09)
guitar:
Pat Metheny (on 1979-09-09) and Joni Mitchell (on 1979-09-09)
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1979-09-09)
additional vocals:
The Persuasions
vocals:
Joni Mitchell (on 1979-09-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
Introduction (on 1979-09-09)
writer:
Joni Mitchell
1:52
2In France They Kiss on Main Street
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
drums (drum set):
Don Alias (on 1979-09-09)
fretless bass [Fender Jazz]:
Jaco Pastorius (on 1979-09-09)
guitar:
Pat Metheny (on 1979-09-09) and Joni Mitchell (on 1979-09-09)
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1979-09-09)
vocals:
Joni Mitchell (on 1979-09-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
In France They Kiss on Main Street (on 1979-09-09)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
4:13
3Edith and the Kingpin
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
drums (drum set):
Don Alias (on 1979-09-09)
fretless bass [Fender Jazz]:
Jaco Pastorius (on 1979-09-09)
guitar:
Pat Metheny (on 1979-09-09) and Joni Mitchell (on 1979-09-09)
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1979-09-09)
vocals:
Joni Mitchell (on 1979-09-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
Edith and the Kingpin (on 1979-09-09)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
4:10
4Coyote
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
drums (drum set):
Don Alias (on 1979-09-09)
fretless bass [Fender Jazz]:
Jaco Pastorius (on 1979-09-09)
guitar:
Pat Metheny (on 1979-09-09) and Joni Mitchell (on 1979-09-09)
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1979-09-09)
vocals:
Joni Mitchell (on 1979-09-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
Coyote (on 1979-09-09)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
4:56
5Goodbye Pork Pie Hat
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
drums (drum set):
Don Alias (on 1979-09-09)
fretless bass [Fender Jazz]:
Jaco Pastorius (on 1979-09-09)
guitar:
Pat Metheny (on 1979-09-09) and Joni Mitchell (on 1979-09-09)
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1979-09-09)
vocals:
Joni Mitchell (on 1979-09-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
Goodbye Porkpie Hat (Joni Mitchell lyrics) (on 1979-09-09)
lyricist:
Joni Mitchell
composer:
Charles Mingus
publisher:
Crazy Crow Music (in 1979) and Jazz Workshop, Inc. (in 1979)
version of:
Goodbye Pork Pie Hat (instrumental)
6:05
6The Dry Cleaner From Des Moines
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
drums (drum set):
Don Alias (on 1979-09-09)
fretless bass [Fender Jazz]:
Jaco Pastorius (on 1979-09-09)
guitar:
Pat Metheny (on 1979-09-09) and Joni Mitchell (on 1979-09-09)
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1979-09-09)
vocals:
Joni Mitchell (on 1979-09-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
The Dry Cleaner from Des Moines (on 1979-09-09)
lyricist:
Joni Mitchell
composer:
Charles Mingus
publisher:
Crazy Crow Music (in 1978) and Jazz Workshop, Inc. (in 1978)
4:34
7Amelia
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
drums (drum set):
Don Alias (on 1979-09-09)
fretless bass [Fender Jazz]:
Jaco Pastorius (on 1979-09-09)
guitar:
Pat Metheny (on 1979-09-09) and Joni Mitchell (on 1979-09-09)
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1979-09-09)
vocals:
Joni Mitchell (on 1979-09-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
Amelia (on 1979-09-09)
lyricist and composer:
Joni Mitchell
6:41
8Pat’s Solo
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell, Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
drums (drum set):
Don Alias
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
solo electric guitar:
Pat Metheny (on 1979-09-09)
vocal:
The Persuasions
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
recording of:
Pat's Solo (on 1979-09-09)
composer:
Pat Metheny
3:05
9Hejira
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
drums (drum set):
Don Alias (on 1979-09-09)
fretless bass [Fender Jazz]:
Jaco Pastorius (on 1979-09-09)
guitar:
Pat Metheny (on 1979-09-09) and Joni Mitchell (on 1979-09-09)
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1979-09-09)
vocals:
Joni Mitchell (on 1979-09-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
Hejira (on 1979-09-09)
lyricist and composer:
Joni Mitchell
7:45
5Digital Media
#TitleRatingLength
1Black Crow
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
drums (drum set):
Don Alias (on 1979-09-09)
fretless bass [Fender Jazz]:
Jaco Pastorius (on 1979-09-09)
guitar:
Pat Metheny (on 1979-09-09) and Joni Mitchell (on 1979-09-09)
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1979-09-09)
vocals:
Joni Mitchell (on 1979-09-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
Black Crow (on 1979-09-09)
lyricist and composer:
Joni Mitchell
3:52
2Don’s Solo
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell, Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias (on 1979-09-09)
electric guitar:
Joni Mitchell
guitar [lead guitar]:
Pat Metheny
keyboard:
Lyle Mays
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
vocal:
The Persuasions
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
recording of:
Don's Solo (on 1979-09-09)
composer:
Don Alias
3:56
3Dreamland
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
drums (drum set):
Don Alias (on 1979-09-09)
fretless bass [Fender Jazz]:
Jaco Pastorius (on 1979-09-09)
guitar:
Pat Metheny (on 1979-09-09) and Joni Mitchell (on 1979-09-09)
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1979-09-09)
vocals:
Joni Mitchell (on 1979-09-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
Dreamland (on 1979-09-09)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
4:50
4Free Man in Paris
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
drums (drum set):
Don Alias (on 1979-09-09)
fretless bass [Fender Jazz]:
Jaco Pastorius (on 1979-09-09)
guitar:
Pat Metheny (on 1979-09-09) and Joni Mitchell (on 1979-09-09)
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1979-09-09)
vocals:
Joni Mitchell (on 1979-09-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
Free Man in Paris (on 1979-09-09)
lyricist and composer:
Joni Mitchell
live recording of:
Free Man in Paris (in 1979-09)
lyricist and composer:
Joni Mitchell
recording of:
Free Man in Paris
lyricist and composer:
Joni Mitchell
3:22
5Band Introduction
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
bass:
Jaco Pastorius
drums (drum set):
Don Alias
guitar [lead guitar]:
Pat Metheny
keyboard:
Lyle Mays
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
spoken vocals:
Joni Mitchell (on 1979-09-09)
vocal:
The Persuasions
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
0:50
6Furry Sings the Blues
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell, Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
drums (drum set):
Don Alias
electric guitar:
Joni Mitchell
guitar [lead guitar]:
Pat Metheny
keyboard:
Lyle Mays
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
vocal:
The Persuasions
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
Furry Sings the Blues (on 1979-09-09)
lyricist and composer:
Joni Mitchell
5:18
7Why Do Fools Fall in Love?
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell, Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
drums (drum set):
Don Alias
electric guitar:
Joni Mitchell
guitar [lead guitar]:
Pat Metheny
keyboard:
Lyle Mays
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
vocal:
The Persuasions
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
Why Do Fools Fall in Love (on 1979-09-09)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
2:46
8Shadows and Light
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
drums (drum set):
Don Alias (on 1979-09-09)
fretless bass [Fender Jazz]:
Jaco Pastorius (on 1979-09-09)
guitar:
Pat Metheny (on 1979-09-09) and Joni Mitchell (on 1979-09-09)
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1979-09-09)
choir vocals:
The Persuasions (on 1979-09-09)
vocals:
Joni Mitchell (on 1979-09-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
Shadows and Light (on 1979-09-09)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
5:28
9God Must Be a Boogie Man
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
drums (drum set):
Don Alias (on 1979-09-09)
fretless bass [Fender Jazz]:
Jaco Pastorius (on 1979-09-09)
guitar:
Pat Metheny (on 1979-09-09) and Joni Mitchell (on 1979-09-09)
keyboard:
Lyle Mays (on 1979-09-09)
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1979-09-09)
vocals:
Joni Mitchell (on 1979-09-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
God Must Be a Boogie Man (on 1979-09-09)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music (in 1979)
5:03
10Woodstock
art direction:
Glen Christensen (art director/designer/photographer)
engineer:
Andy Johns and Henry Lewy
mixer:
Skip Cottrell and Henry Lewy
bass:
Jaco Pastorius
drums (drum set):
Don Alias
electric guitar:
Joni Mitchell (in 1979-09)
guitar [lead guitar]:
Pat Metheny
keyboard:
Lyle Mays
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
vocals:
Joni Mitchell (in 1979-09)
recorded at:
Santa Barbara County Bowl in Santa Barbara, California, United States (on 1979-09-09)
live recording of:
Woodstock (on 1979-09-09)
lyricist and composer:
Joni Mitchell
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
5:13

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 2024)
part of:Qobuz: Best Pop/Rock reissues of 2024 (order: 10)
stream for free:https://open.spotify.com/album/15hrv0OsgCCsBU2CPqTtwv [info]
https://www.deezer.com/album/598373322 [info]
streaming page:https://music.apple.com/us/album/1742022683 [info]
https://tidal.com/album/368166226 [info]