Prima Voce: Caruso In Ensemble

~ Release by Enrico Caruso (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1La Forza del Destino: Solenne in quest' ora
baritone vocals [Carlo]:
Antonio Scotti (Italian baritone)
tenor vocals [Alvaro]:
Enrico Caruso (tenor)
recording of:
La forza del destino: Atto III, scena 1. “Solenne in quest’ora” (Alvaro, Don Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
4:26
2Rigoletto: Bella figlia dell' amore
baritone vocals [Rigoletto]:
Antonio Scotti (Italian baritone) (in 1908)
mezzo-soprano vocals [Maddalena]:
Gina Severina (mezzo-soprano) (in 1908)
soprano vocals [Gilda]:
Marcella Sembrich (Polish coloratura soprano, Prakseda Marcelina Kochańska) (in 1908)
tenor vocals [Duca]:
Enrico Caruso (tenor) (in 1908)
conductor:
Walter B. Rogers (American cornet player and conductor)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (on 1908-02-07)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (in 1908)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:07
3Aida: La fatal pietra ... O Terra Addio
soprano vocals [Aida]:
Johanna Gadski (German soprano singer) (in 1909)
tenor vocals [Radamès]:
Enrico Caruso (tenor) (in 1909)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (from 1909-11-06 until 1909-11-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1909)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1909)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
8:33
4La Bohéme: Addio dolce svegliare
baritone vocals [Marcello]:
Antonio Scotti (Italian baritone) (in 1908)
soprano vocals [Mimì]:
Geraldine Farrar (American soprano) (in 1908)
soprano vocals [Musetta]:
Gina Viafora (mezzo-soprano) (in 1908)
tenor vocals [Rodolfo]:
Enrico Caruso (tenor) (in 1908)
conductor:
Walter B. Rogers (American cornet player and conductor)
recording of:
La bohème: Atto III. “Addio dolce svegliare alla mattina!” (Mimì, Rodolfo, Musetta, Marcello) (on 1908-03-10)
composer:
Giacomo Puccini (Italian composer)
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
partial recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1908)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
3:41
5Madama Butterfly: Amore o grillo
baritone vocals [Sharpless]:
Antonio Scotti (Italian baritone)
tenor vocals [Pinkerton]:
Enrico Caruso (tenor)
recording of:
Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton) (on 1910-03-14)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
3:40
6Madama Butterfly: Non ve l'avevo detto
baritone vocals [Sharpless]:
Antonio Scotti (Italian baritone)
tenor vocals [Pinkerton]:
Enrico Caruso (tenor)
recording of:
Madama Butterfly: Atto III. “Non ve l’avevo detto?” (Sharpless, Pinkerton)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
3:57
7Lucia di Lammermoor: Chi mi frena?
baritone vocals [Enrico]:
Antonio Scotti (Italian baritone)
bass vocals [Raimondo]:
Marcel Journet (French operatic bass)
mezzo-soprano vocals [Alisa]:
Gina Severina (mezzo-soprano)
soprano vocals [Lucia]:
Marcella Sembrich (Polish coloratura soprano, Prakseda Marcelina Kochańska)
tenor vocals [Arturo]:
Francesco Daddi
tenor vocals [Edgardo]:
Enrico Caruso (tenor)
conductor:
Walter B. Rogers (American cornet player and conductor)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (on 1908-02-07)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
4:19
8Martha: Solo profugo reietto
bass vocals:
Marcel Journet (French operatic bass)
tenor vocals:
Enrico Caruso (tenor)
recording of:
Martha: Atto I. "Solo, profugo, reietto!"
composer:
Friedrich von Flotow (composer)
translated version of:
Martha: Akt I. „Ja, seit früher Kindheit Tagen” (Lyonel, Plunkett)
4:18
9Martha: T'ho raggiunta, sciagurata! ... Dormi pur
bass vocals:
Marcel Journet (French operatic bass)
mezzo-soprano vocals:
Josephine Jacoby (mezzo-soprano)
soprano vocals:
Frances Alda (New Zealand-born, Australian-raised operatic soprano)
tenor vocals:
Enrico Caruso (tenor)
recording of:
Martha: Atto II. "T'ho raggiunta, sciagurata!...Dormi pur"
composer:
Friedrich von Flotow (composer)
translated version of:
Martha: Akt II. „Schlafe wohl! Und mag Dich reuen”
4:41
10La Forza del Destino: Invano Alvaro... Le Minaccie, I Fieri Accenti
baritone vocals [Carlo]:
Pasquale Amato (Italian operatic baritone)
tenor vocals [Alvaro]:
Enrico Caruso (tenor)
recording of:
La forza del destino: Atto IV, scena 1. “Invano, Alvaro ti celasti al mondo” … “Col sangue sol cancellasi l'infamia” (Alvaro, Don Carlo) (on 1911-11-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
8:08
11Il Trovatore: Mal reggendo all'aspro assalto
mezzo-soprano vocals [Azucena]:
Louise Homer (American operatic contralto)
tenor vocals [Manrico]:
Enrico Caruso (tenor)
recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
3:46
12Il Trovatore: Miserere ... Ah! che la morte ognora
choir vocals:
The Met Chorus
soprano vocals [Leonora]:
Frances Alda (New Zealand-born, Australian-raised operatic soprano)
tenor vocals [Manrico]:
Enrico Caruso (tenor)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
3:53
13Il Trovatore: Si m'ami ancor
mezzo-soprano vocals [Azucena]:
Louise Homer (American operatic contralto)
tenor vocals [Manrico]:
Enrico Caruso (tenor)
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
4:34
14I Lombardi: Qual volutta trascorrere
bass vocals:
Marcel Journet (French operatic bass)
soprano vocals:
Frances Alda (New Zealand-born, Australian-raised operatic soprano)
tenor vocals:
Enrico Caruso (tenor)
recording of:
I Lombardi: Atto III. N°14 Finale. Terzetto "Qual voluttà trascorrere" (Oronte, Pagano, Giselda)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto III (La conversione)
4:25
15Un Ballo in Maschera: La rivedrà nell' estasi
bass vocals:
Andrés de Segurola (Spanish operatic bass) and Léon Rothier (French musician, predominantly an opera singer in the bass range)
choir vocals:
The Met Chorus
soprano vocals:
Frieda Hempel (German soprano singer)
tenor vocals:
Enrico Caruso (tenor)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
3:59
16Un Ballo in Maschera: È scherzo od è follia
bass vocals:
Andrés de Segurola (Spanish operatic bass) and Léon Rothier (French musician, predominantly an opera singer in the bass range)
choir vocals:
The Met Chorus
mezzo-soprano vocals:
Maria Duchêne (French contralto)
soprano vocals:
Frieda Hempel (German soprano singer)
tenor vocals:
Enrico Caruso (tenor)
conductor:
Gaetano Scognamiglio (conductor)
chorus master:
Giulio Setti (conductor)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (on 1914-04-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
3:54

Credits

Release

part of:Prima Voce (Nimbus) (order: 22)
ASIN:US: B000QR39LO [info]