Timon of Athens / Dioclesian

~ Release by Purcell; John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Timon of Athens, Overture
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 1. Overture (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:41
2Timon of Athens, A symphony of Pipes imitating the chirping of Birds, Hark, how the songsters of the grove sing
producer:
Yolanta Skura
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-19) and Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens: A Symphony of Pipes Imitating the Chirping of Birds (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
is based on:
Timon of Athens (semi-opera)
Henry Purcell1:41
3Timon of Athens, Love in their little veins inspires their cheerful notes
producer:
Yolanta Skura
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 3. Solo "Love in their little veins inspires" (Cupid) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:23
4Timon of Athens, But ah! how much are our delights more dear
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-19) and Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 4. Trio "But ah! How much are our delights" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:12
5Timon of Athens, Hence with your trifling deity!
producer:
Yolanta Skura
bass vocals:
Michael George (operatic bass) (from 1987-12-11 until 1987-12-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-12-11 until 1987-12-19) and Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 5. Solo "Hence with your trifling deity" (Bass) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:33
6Timon of Athens, Come all, come all to me, make haste
producer:
Yolanta Skura
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 7. Solo "Come, come all to me" (Cupid) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:12
7Timon of Athens, Who can resist such mighty charms?
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 8. Chorus "Who can resist such mighty charms" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:34
8Timon of Athens, Return, revolting rebels! Where d'ye go?
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 9. Solo "Return, revolting rebels" (Bacchus (Bass)) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:47
9Timon of Athens, The cares of lovers, their alarms, their sighs, their tears
producer:
Yolanta Skura
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 10. Solo "The cares of lovers" (Cupid) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:38
10Timon of Athens, Love quickly is pall'd, tho' with labour, 'tis gain'd
producer:
Yolanta Skura
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 11. Solo "Love quickly is pall'd" (Alto) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:04
11Timon of Athens, Come, let us agree, there are pleasures divine
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 12. Duet "Come, let us agree" (Cupid (Soprano) and Bacchus (Bass)) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:57
12Timon of Athens, Curtain Tune
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 14. Curtain Tune on a Ground (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:26
13Dioclesian, First Music
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: 1. First musick (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
librettist:
Thomas Betterton (English actor and theatre manager; librettist of The Fairy‐Queen)
part of:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell2:13
14Dioclesian, Second Music
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: 2. Second musick (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell1:26
15Dioclesian, Overture
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: 3. Ouverture (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell4:16
16Dioclesian, Act I, First Act Tune: Hornpipe
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 1. First Act Tune (Hornpipe) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 1
Henry Purcell0:42
17Dioclesian, Act II, Great Diocles the Boar has kill'd
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude, Aria and Chorus "Great Diocles the Boar has kill'd" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell2:16
18Dioclesian, Act II, Charon, the peaceful Shade invites - Symphony - Let all mankind the pleasure share
producer:
Yolanta Skura
bass vocals:
Michael George (operatic bass) (from 1987-12-11 until 1987-12-19)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude and Aria "Charon the peaceful Shade invites" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell4:25
19Dioclesian, Act II, Let the soldiers rejoice
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude, Aria and Chorus "Let the soldier's rejoice" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell1:53
20Dioclesian, Act II, Ritornello - To Mars let 'em raise - Ritornello
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
bass vocals:
Michael George (operatic bass) (from 1987-12-11 until 1987-12-19)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Trio and Chorus "To Mars let 'em raise" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell2:33
21Dioclesian, Act II, A Symphony of flutes in the air - Since the toils and the hazards of war ... Let the priests with processions ... All sing Diocles' glory
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-12-11 until 1987-12-19) and Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Aria and Chorus "Since the toils and hazards of war" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell5:11
22Dioclesian, Act II, Dance of Furies
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Dance of the furies (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell3:22
23Dioclesian, Act II, Second Act Tune
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Second act tune (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell0:40
24Dioclesian, Act III, Chaconne (Two in one upon a Ground)
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Two in one upon a Ground, Chaconne for flutes (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
librettist:
Thomas Betterton (English actor and theatre manager; librettist of The Fairy‐Queen)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3
Henry Purcell2:38
2▼CD
#TitleArtistRatingLength
1Dioclesian, Act III, When I first saw the bright Aurelia's eyes
producer:
Yolanta Skura
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Song "When First I Saw Aurelia's Eyes" (Probably substituted for "What shall I do?" (Act 3) in a later production.) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell2:28
2Dioclesian, Act III, The Chair Dance
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3. The Chair Dance (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3
Henry Purcell1:20
3Dioclesian, Act III, What shall I do to show how much I love her?
producer:
Yolanta Skura
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Prelude for Hautboys – Aria "What shall I do?" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3
Henry Purcell5:24
4Dioclesian, Act III, Third Act Tune
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Third act tune (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3
Henry Purcell0:39
5Dioclesian, Act IV, Butterfly Dance
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Dance – Butterfly Dance (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4
Henry Purcell2:11
6Dioclesian, Act IV, Trumpet Tune
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Tune for Trumpets (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4
Henry Purcell0:33
7Dioclesian, Act IV, Sound, Fame, thy brazen trumpet sound!
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Aria "Sound, Fame, thy brazen trumpet sound" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4
Henry Purcell5:20
8Dioclesian, Act IV, Fourth Act Tune
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Fourth act tune (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4
Henry Purcell0:36
9Dioclesian, Act V, Country Dance
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Country Dance (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:55
10Dioclesian, Act V, Prelude - Call the Nymphs and the Fawns from the woods
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: "Call the nymphs" (Cupid – Chorus) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell2:35
11Dioclesian, Act V, Come, come away, no delay
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
bass vocals:
Michael George (operatic bass) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "Come, come away" (Bacchanalian – Silvan) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:04
12Dioclesian, Act V, Prelude - Behold, O mightiest of Gods
producer:
Yolanta Skura
vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Chorus "Behold, O mighty'st of Gods" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell4:00
13Dioclesian, Act V, Ah! the sweet delights of love!
producer:
Yolanta Skura
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-19) and Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "O the Sweet Delights of Love" (Wood-Gods) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:51
14Dioclesian, Act V, Let monarchs fight for power and for fame
producer:
Yolanta Skura
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-19)
vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Chorus "Let monarchs fight" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell2:18
15Dioclesian, Act V, Since from my dear Astrea's sight I was so rudely torn
producer:
Yolanta Skura
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Song "Since from my dear Astrea's sight" (Soprano ("sung in the last act", probably alternate number for "Still I'm wishing")) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell2:45
16Dioclesian, Act V, Make room, make room - Dance of Bachanals
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
bass vocals:
Michael George (operatic bass) (from 1987-12-11 until 1987-12-19)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance of Bacchanals (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell4:07
17Dioclesian, Act V, Still I'm wishing, still desiring
producer:
Yolanta Skura
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Ritornello "Still I'm wishing" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell5:09
18Dioclesian, Act V, Canaries - Tell me why my charming fair
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "Tell me why my charming fair" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell6:11
19Dioclesian, Act V, Dance
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:01
20Dioclesian, Act V, All our days and our nights shall be spent in delights
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-19)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5.: Masque: Aria and Chorus "All our days" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell4:38
21Dioclesian, Act V, Dance - Triumph, triumph victorious Love
producer:
Yolanta Skura
bass vocals:
Michael George (operatic bass) (from 1987-12-11 until 1987-12-19)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-12-11 until 1987-12-19) and Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Trio and Chorus "Triumph, triumph, victorious Love" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell5:02