Classic Cuts Presents: 90s Night: The Ultimate DJ Collection: 1992

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1The Days of Pearly Spencer
engineer:
Steve Fitzmaurice (Irish mixer, songwriter and producer), Gregg Jackman, Ren Swan and Tim Weidner (engineer)
producer:
Trevor Horn
mixer:
Brian Malouf
cover recording of:
The Days of Pearly Spencer
lyricist and composer:
David McWilliams
Marc Almond44:28
2I’m Gonna Get YouBizarre Inc3.53:20
3The Only Living Boy in New Cross
electric bass guitar and keyboard:
Fruitbat
electric guitar:
Jim Bob (Carter USM singer James Morrison)
vocals:
Fruitbat and Jim Bob (Carter USM singer James Morrison)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
recording of:
The Only Living Boy in New Cross
writer:
Jim Bob (Carter USM singer James Morrison) and Lesley Carter
publisher:
Island Music Ltd.
Carter the Unstoppable Sex Machine3:56
4Friday I’m Love
assistant engineer:
Chris Bandy
engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and Steve Whitfield
producer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and The Cure
assistant mixer:
Andy Baker (recording engineer from the UK with Westside Studios), Shaun De Feo, Bill Parry (Mixer), Danton Supple and Mark Warner (UK guitarist for Quantum Jump)
mixer:
Mark Saunders (UK record producer)
bass guitar:
Simon Gallup
bass guitar [6-string bass]:
Perry Bamonte
drums (drum set) and percussion:
Boris Williams
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
keyboard:
Perry Bamonte and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1992)
recorded at:
The Manor in Oxfordshire, England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
music videos:
Friday I’m in Love by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 73)
recording of:
Friday I’m in Love
lyricist:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure) and Simon Gallup
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Fiction Songs Ltd.
The Cure4.63:37
5It’s My Life
engineer:
Gundars Rullis (choir vocals)
producer and mixer:
Denniz PoP
background vocals:
Paola Toro
choir vocals:
Annelie Berg, Marie Bergman (Swedish singer), Björn Ström, Gladys del Pilar and Ricco (background vocals on "It's My Life")
choir vocals arranger:
Anders Hansson (producer / writer / performer)
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1992, in 1993)
produced for:
SweMix Productions (in 1992)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (choir vocals) and SweMix Studio in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
It’s My Life by Dr. Alban
recording of:
It’s My Life
lyricist:
Dr. Alban
composer:
Denniz PoP
publisher:
SweMix Music, SweMix Songs and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dr. Alban3.84:02
6I Can't Dance
assistant recording engineer:
Mike Bowen (from 1991-03 until 1991-09) and Geoff Callingham (from 1991-03 until 1991-09)
drums (drum set) programming:
Tony Banks (Genesis) (from 1991-03 until 1991-09)
assistant engineer:
Mark Robinson (assistant engineer)
engineer:
Nick Davis (producer, engineer)
producer:
Nick Davis (producer, engineer) and Genesis (English rock band)
bass and guitar:
Mike Rutherford (from 1991-03 until 1991-09)
drums (drum set), percussion and lead vocals:
Phil Collins (of Genesis) (from 1991-03 until 1991-09)
keyboard:
Tony Banks (Genesis) (from 1991-03 until 1991-09)
background vocals:
Tony Banks (Genesis) (from 1991-03 until 1991-09) and Mike Rutherford (from 1991-03 until 1991-09)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1991)
recorded at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom (from 1991-03 until 1991-09)
recording of:
I Can’t Dance (from 1991-03 until 1991-09)
lyricist:
Phil Collins (of Genesis)
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd., Philip Collins Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated) (from 2007 to present)
Genesis3.54:02
7Iron Lion Zion
additional producer:
Errol Brown (Jamaican engineer and dub producer), Ingmar Kiang and Trevor Wyatt
producer:
Bob Marley & The Wailers
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1992)
recording of:
Iron Lion Zion (in 1973-04)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Blue Mountain Music, Bob Marley Music, Fifty Six Hope Road Music Limited and Irish Town Songs
Bob Marley & The Wailers4.23:12
8Hazard
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1992)
edit of:
Hazard by Richard Marx
recording of:
Hazard
lyricist and composer:
Richard Marx
publisher:
Chi‐Boy Music and EMI Songs Ltd.
Richard Marx44:49
9It’s a Fine Day
lead vocals:
Kirsty Hawkshaw
phonographic copyright (℗) by:
PWL International Ltd. (in 1992)
cover recording of:
It’s a Fine Day
lyricist and composer:
Owain A. Barton
publisher:
Complete Music Ltd.
recording of:
It’s a Fine Day
lyricist and composer:
Owain A. Barton
publisher:
Complete Music Ltd.
Opus III33:34
10I Drove All Night
recording engineer and mixer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Jeff Lynne
guitar and lead vocals:
Roy Orbison (in 1987)
instruments:
Jeff Lynne (from 1987 until 1991)
phonographic copyright (℗) by:
Estate Of Roy Orbison (Rights company of the late Roy Orbison) (in 1991)
produced for:
Trembler Prods. Inc. (Jeff Lynne production company)
recording of:
I Drove All Night (from 1987 until 1991)
writer:
Tom Kelly (songwriter) and Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. and Warner Chappell Music Ltd.
Roy Orbison4.653:46
11Finally
phonographic copyright (℗) by:
A&M Records, Inc. (in 1982)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 447)
recording of:
Finally (CeCe Peniston song)
writer:
Cecilia Peniston, Felipe Delgado, Elbert Linnear and R. K. Jackson
publisher:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Urban Tracks Music and Wax Museum Music
CeCe Peniston4.24:08
12Run to You
producer:
Duncan Hannant and Barry Leng
cover recording of:
Run to You
written in:
Vancouver, British Columbia, Canada (from 1983-01-12 until 1983-01-14)
writer:
Bryan Adams (Canadian singer/songwriter) (from 1983-01-12 until 1983-01-14) and Jim Vallance (from 1983-01-12 until 1983-01-14)
publisher:
Adams Communications Inc. (, in 1984), Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Rondor Music (London) Ltd. (, in 1984), Rondor Music Publishing GmbH, Testatyme Music and Calypso Toonz (in 1984)
Rage3.53:41
13I Love Your Smile
remixer:
Driza Bone
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1991)
remix of:
I Love Your Smile (radio version) by Shanice
recording of:
I Love Your Smile
writer:
Jarvis Baker, Sylvester Jackson, Shanice Lorraine Wilson-Knox and Narada Michael Walden
publisher:
Carlin Music Corporation, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Gratitude Sky Music, Inc., Shanice 4 U Music and WB Music Corp. (1929–2019)
Shanice43:52
14You’re All That Matters to Me
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
recording of:
You’re All That Matters to Me
writer:
Shelly Peiken, Curtis Stigers and Gregg Sutton
publisher:
C. Montrose’s Music, Inc., Hit & Run Music (Publishing) Ltd, Irving Music (BMI), Piccadilly Music Corporation, Rondor Music (London) Ltd. and Sony Music Publishing (worldwide except Japan, ended 1995)
Curtis Stigers34:40
15Everything About YouUgly Kid Joe44:07
16Baker Street
performer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
phonographic copyright (℗) by:
PWL International Ltd. (in 1992)
cover recording of:
Baker Street
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Undercover4:06
17Even Better Than the Real Thing
engineer:
Robbie Adams and Paul Barrett (U2 sound technician / brass player)
producer:
Brian Eno, Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) and Steve Lillywhite
assistant mixer:
Sean Leonard (Irish engineer)
mixer:
Robbie Adams and Steve Lillywhite
bass guitar:
Adam Clayton
drums (drum set) and percussion:
Larry Mullen
guitar:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
keyboard [keyboards]:
The Edge (U2 guitarist David Evans)
vocals:
Bono (singer of U2)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1991)
music videos:
Even Better Than the Real Thing by U2 (Irish rock band)
recording of:
Even Better Than the Real Thing
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) and Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd., Mother Music and Universal Music Publishing BV (Benelux subsidiary of Universal Music Publishing Group)
U23.73:40
18Save the Best for Last
producer:
Keith Thomas (CCM, country, pop producer & songwriter)
additional arranger:
Vanessa Williams (US pop/R&B vocalist/producer)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
recording of:
Save the Best for Last
writer:
Phil Galdston, Jon Lind and Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:41
19Viva Las Vegas
producer:
Bill Ham (manager of ZZ Top)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
cover recording of:
Viva Las Vegas
lyricist:
Doc Pomus
composer:
Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Felder Pomus Entertainment, Intersong GmbH (publisher; do NOT use as release label), Mort Shuman Songs, Pomus Songs Inc., Sharoonie Songs and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
ZZ Top44:06
20I Will Always Love You
engineer:
David Reitzas, Bill Schnee and Peter Yianilos
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Whitney Houston
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
David Reitzas
creative direction:
Rickey Minor (bass player, music director, composer, music producer)
solo saxophone:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
part of:
The Co-Op: Top 10 British Funeral Songs (number: 3), New York Post: 100 Greatest Covers (2007) (number: 59), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 60), Billboard: Greatest of All Time Hot 100 Songs (number: 60) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 94)
cover recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
Whitney Houston4.54:32