Listen (brief fifth edition)

~ Release by Joseph Kerman & Gary Tomlinson (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Vere Dignum
recording of:
Die verkaufte Braut: II. Furiant (The Bartered Bride: II. Furiant)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
[anonymous]2:14
2In Paradisum
[anonymous]1:23
3Columba Aspexit
choir vocals:
Gothic Voices (UK vocal group specialising in 11th–15th c. repertoire)
soprano vocals:
Emma Kirkby (soprano)
conductor:
Christopher Page (conductor and medieval music scholar)
recording of:
Symphonia armonie celestium revelationem: Columba aspexit
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen3:52
4La Dousa Votz
performer:
Martin Best
recording of:
La dousa votz ai auzida
lyricist and composer:
Bernart de Ventadorn (French poet-composer troubadour, fl. 12th century)
Bernart de Ventadorn2:07
5Alleluia. Difffusa Est Gratia
vocals:
Lionheart (vocal ensemble)
Pérotin3:35
6Quant en moi
recording of:
Quant en moy / Amour et biaute / Amara valde
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut2:18
7Ave Maris Stella
recording of:
Ave maris stella
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:50
8Pange Lingua Mass, Kyrie
recording of:
Missa Pange lingua: I. Kyrie
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Missa Pange lingua
Josquin des Prez3:03
9Pange Lingua Mass, Kyrie
recording of:
Missa Pange lingua: II. Gloria
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Missa Pange lingua
Josquin des Prez2:13
10Pope Marcellus Mass, Qui tollis
recording of:
Missa Papae Marcelli: II. Gloria
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina3:34
11As Vesta Was from Latmos Hill Descending
recording of:
As Vesta Was From Latmos Hill Descending
composer:
Thomas Weelkes (English composer & organist, c. 1576–1623)
part of:
The Triumphs of Oriana (number: 18)
Thomas Weelkes3:11
12Daphne
[anonymous]3:12
13Kemp's Jig
[anonymous]1:42
14O Magnum MysteriumGiovanni Gabrieli3:14
15Tornerai?
partial recording of:
L’ Incoronazione di Poppea: Act 1
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’incoronazione di Poppea, SV 308
Claudio Monteverdi2:26
16Speranza, Tu Mi Vai
recording of:
L' Incoronazione di Poppea: Act 1, Scene 4 Speranza, Tu Mi Vai
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’ Incoronazione di Poppea: Act 1
Claudio Monteverdi1:32
17Thy Hand, Belinda / When I Am LaidHenry Purcell34:01
18With Drooping Wings
Henry Purcell2:21
19Suite (Canzona)
Girolamo Frescobaldi1:16
20Suite (Balletto)
Girolamo Frescobaldi0:47
21Suite (Corrente)
Girolamo Frescobaldi0:57
22Suite (Passacaglia)
Girolamo Frescobaldi2:27
23Violin Concerto in G, Op. 4, No.12 (I)Antonio Vivaldi2:46
24Violin Concerto in G, Op. 4, No.12 (II)
recording of:
Violin Concerto in G major, op. 4 no. 12, RV 298: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1716)
part of:
Violin Concerto in G major, op. 4 no. 12, RV 298
Antonio Vivaldi2:59
25Violin Concerto in G, Op. 4, No.12 (III)Antonio Vivaldi4:03
26The Art of Fugue, Contrapunctus 4
Johann Sebastian Bach1:29
27The Art of Fugue, Contrapunctus 4
Johann Sebastian Bach2:03
28Qur'anic Recitation, Ya Sin
[anonymous]1:59
29Hawai'ian Chant, "Mele Pule"
[anonymous]1:10
30Navajo Song, "K'adnikini'ya'"
[anonymous]1:22
31Hymn, "Hanaq Pachap Kusikuynin"
[anonymous]1:17
32Sudanese Song with Lyre Accompaniment
Doogus Idris1:49
33Elephant-Hunt Song
[anonymous]2:48
2CD
#TitleArtistRatingLength
1Brandenburg Concerto No.5, I
orchestra:
Boston Baroque
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:28
2Brandenburg Concerto No.5, I
orchestra:
Boston Baroque
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach1:50
3Brandenburg Concerto No.5, I
orchestra:
Boston Baroque
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:15
4Brandenburg Concerto No.5, I
orchestra:
Boston Baroque
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:57
5Brandenburg Concerto No.5, I
orchestra:
Boston Baroque
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach0:29
6Orchestral Suite No.3 in D, "Air"
violin [violon concertant]:
Fabio Biondi (conductor/violinist) (in 1990-08)
choir vocals:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble) (in 1990-08)
orchestra:
Le Concert des Nations (in 1990-08)
conductor:
Jordi Savall (viol player, conductor and composer) (in 1990-08)
recorded at:
Grande Salle (Arsenal de Metz) in Metz, Moselle, Grand Est (Great East), France (in 1990-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:59
7Orchestral Suite No.3 in D, "Gavotte" I and II
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:50
8"La Giustizia"
mezzo-soprano vocals:
Lorraine Hunt Lieberson (American soprano / mezzo)
orchestra:
Philharmonia Baroque Orchestra
Georg Friedrich Händel4:15
9"There Were Shepherds" / "Glory to God"
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
instruments and orchestra:
Academy of Ancient Music (in 1979)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
soprano vocals:
Judith Nelson (soprano) (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel53:24
10Hallelujah Chorus
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
instruments and orchestra:
Academy of Ancient Music (in 1979)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
soprano vocals:
Judith Nelson (soprano)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:49
11Cantata No.4 "Christ Lag In Todesbanden"
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 1993-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:59
12Cantata No.4 "Christ Lag in Todesbanden"
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 1993-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:31
13Cantata No.4 "Christ Lag in Todesbanden"
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 1993-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:08
14Choral Prelude, "Christ Lag in Todesbanden"
organ:
Hans Helmut Tillmanns (German organist)
recording of:
Choralvorspiele für Orgel in a-Moll, BWV 625 "Christ lag in Todesbanden"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 27) and Bach-Werke-Verzeichnis (number: BWV 625)
Johann Sebastian Bach1:21
15Symphony No.40 in G Minor, K. 550 I
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Eugen Jochum (conductor)
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:53
16Symphony No.40 in G Minor, K. 550 I
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Eugen Jochum (conductor)
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart3:17
17Symphony No.40 in G Minor, K. 550 I
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Eugen Jochum (conductor)
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:16
18Symphony No.40 in G Minor, K. 550 I
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Eugen Jochum (conductor)
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:16
19Symphony No.40 in G Minor, K. 550 I
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Eugen Jochum (conductor)
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:13
20Symphony No.40 in G Minor, K. 550 I
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Eugen Jochum (conductor)
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:24
21Symphony No.95 in C Minor, I
Joseph Haydn3:33
22Symphony No.95 in C Minor, I
Joseph Haydn1:09
23Symphony No.95 in C Minor, I
Joseph Haydn1:49
24Symphony No.95 in C Minor, II
Joseph Haydn1:06
25Symphony No.95 in C Minor, II
Joseph Haydn0:59
26Symphony No.95 in C Minor, II
Joseph Haydn0:52
27Symphony No.95 in C Minor, II
Joseph Haydn0:42
28Symphony No.95 in C Minor, II
Joseph Haydn0:37
29Symphony No.95 in C Minor, III
Joseph Haydn2:12
30Symphony No.95 in C Minor, III
Joseph Haydn1:34
31Symphony No.95 in C Minor, III
Joseph Haydn1:11
32Symphony No.95 in C Minor, IV
Joseph Haydn0:58
33Symphony No.95 in C Minor, IV
Joseph Haydn1:07
34Symphony No.95 in C Minor, IV
Joseph Haydn1:10
35Symphony No.95 in C Minor, IV
Joseph Haydn0:29
36Piano Sonata in B Flat, K. 570, IIIWolfgang Amadeus Mozart1:54
37Piano Sonata in B Flat, K. 570, IIIWolfgang Amadeus Mozart0:51
38Piano Sonata in B Flat, K. 570, IIIWolfgang Amadeus Mozart0:54
39"Ho capito" (excerpt)Wolfgang Amadeus Mozart1:32
40"Alfin siam liberati" (excerpt)Wolfgang Amadeus Mozart1:45
41"La ci darem la mano" (excerpt)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone)
soprano vocals [Zerlina]:
Mirella Freni (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:00
3CD
4CD
5CD
6CD

Credits

Release

compiler:Gary Tomlinson (musicologist)
Joseph Kerman
ASIN:US: B074RDGZHX [info]

Release group

part of:Listen (accompanying discs for the books by Kerman and Kerman/Tomlinson) (number: 5) (order: 4)