Jazz von A–Z: Die Michael Naura Jazzanthologie

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

88985484312-01 88985484312-02 88985484312-03 88985484312-04 88985484312-05 88985484312-06 88985484312-07 88985484312-08 88985484312-09 88985484312-10 88985484312-11 88985484312-12 88985484312-13 88985484312-14 88985484312-15 88985484312-16 88985484312-17 88985484312-18 88985484312-19 88985484312-20 88985484312-21 88985484312-22 88985484312-23 88985484312-24 88985484312-25 88985484312-26 88985484312-27 88985484312-28 88985484312-29 88985484312-30

Part of Jazz Anthology by Michael Naura

Part of the Michael Naura Jazz Anthology by "DIE ZEIT"

Belongs to Jazz Anthologie of Michael Naura

Part of the Jazz Anthology by Michael Naura and "DIE ZEIT"

Annotation last modified on 2024-02-05 00:00 UTC.

Tracklist

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▼ CD 1: Jazz von A–F
#TitleArtistRatingLength
1Louis Armstrong
Michael Naura2:49
2I Got Rhythm
recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Louis Armstrong & His Orchestra3:06
3Dave Brubeck
Michael Naura1:43
4Brandenburg Gate
The Dave Brubeck Quartet6:53
5John Coltrane
Michael Naura1:52
6Ah-Leu-Cha
double bass:
Paul Chambers (US jazz bassist) (on 1955-10-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1955-10-26)
piano:
Red Garland (on 1955-10-26)
tenor saxophone:
John Coltrane (on 1955-10-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1955-10-26)
recorded at:
Columbia Studios in New York, New York, United States (on 1955-10-26)
recording of:
Ah-Leu-Cha (on 1955-10-26)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
John Coltrane5:52
7Miles Davis
Michael Naura3:52
8Milestones
recording of:
Milestones (originally titled “Miles”)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, since 1972), Jazz Horn Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Miles Davis5:45
9Duke Ellington
Michael Naura2:58
10The Mooche
recording of:
The Mooche
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
Duke Ellington6:38
11Ella Fitzgerald
Michael Naura1:51
12Lemon Drop
instrumental cover recording of:
Lemon Drop
composer:
George Wallington
Ella Fitzgerald4:50
▼ CD 2: Jazz von G–L
#TitleArtistRatingLength
1Stan Getz
Michael Naura2:45
2Lush Life
Stan Getz2:29
3Lionel Hampton
Michael Naura3:10
4Toledo Blade
recorded in:
Madrid, Comunidad de Madrid (Community of Madrid), Spain (on 1956-06-30)
castanets:
Maria Angelica (on 1956-06-30)
clarinet:
Scouille Brown (on 1956-06-30)
double bass:
Peter Badie (US jazz/R&B bassist) (on 1956-06-30)
drums (drum set):
June Gordner (on 1956-06-30)
guitar:
Billy Mackel (on 1956-06-30)
piano:
Oscar Dennard (on 1956-06-30)
saxophone:
Eddie Chamblee (on 1956-06-30), Curtis Lowe (on 1956-06-30) and Bobby Plater (on 1956-06-30)
trombone:
Walter Morris (on 1956-06-30)
trumpet:
Dave Gonzales (trumpet) (on 1956-06-30)
vibraphone:
Lionel Hampton (on 1956-06-30)
Lionel Hampton & His Quintet4:12
5Abdullah Ibrahim
Michael Naura2:16
6Next Stop Soweto
alto saxophone:
Kippie Moeketsi
bass:
Sipho Gumede
cello:
Abdullah Ibrahim (South African pianist and composer)
instruments:
Gilbert Matthews
tenor saxophone:
Basil Coetzee and Duku Makasi
recorded at:
Gallo Studios in Johannesburg, Gauteng, South Africa (on 1976-05-16)
recording of:
Next Stop Soweto
composer:
Abdullah Ibrahim (South African pianist and composer)
Abdullah Ibrahim4:37
7Keith Jarrett
Michael Naura6:37
8There Is A Road (God's River)
engineer:
Tim Geelan and James Green (producer)
producer:
George Avakian (US 1940-90s record producer)
recording of:
There Is a Road (God's River)
writer and arranger:
Keith Jarrett (pianist)
Keith Jarrett15:35
9Stan Kenton
Michael Naura5:19
10Yesterdays
recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Stan Kenton and His Orchestra5:21
11John Lewis
Michael Naura3:33
12Django
John Lewis5:30
▼ CD 3: Jazz von M–S
#TitleArtistRatingLength
1Thelonius Monk
Michael Naura4:27
2Hackensack
recorded in:
New York, New York, United States (on 1962-11-06)
double bass:
John Ore (on 1962-11-06)
drums (drum set):
Frankie Dunlop (on 1962-11-06)
piano:
Thelonious Monk (on 1962-11-06)
tenor saxophone:
Charlie Rouse (on 1962-11-06)
recording of:
Hackensack (on 1962-11-06)
composer:
Thelonious Monk
Thelonious Monk4:14
3Oliver Nelson
Michael Naura1:15
4125th St. And 7th Ave.
recorded in:
Los Angeles, California, United States (from 1975-01-07 until 1975-01-10)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Oliver Nelson (saxophone, arranger, composer) (from 1975-01-07 until 1975-01-10)
bass:
Chuck Domanico (American bassist) (from 1975-01-07 until 1975-01-10)
bass trombone:
Maurice Spears (from 1975-01-07 until 1975-01-10)
drums (drum set) and percussion:
Shelly Manne (US jazz drummer) (from 1975-01-07 until 1975-01-10)
flugelhorn and trumpet:
Oscar Brashear (from 1975-01-07 until 1975-01-10) and Bobby Bryant (from 1975-01-07 until 1975-01-10)
French horn:
Vincent DeRosa (from 1975-01-07 until 1975-01-10)
harpsichord, piano and synthesizer:
Mike Wofford (from 1975-01-07 until 1975-01-10)
percussion:
Willie Bobo (from 1975-01-07 until 1975-01-10)
piano:
Lonnie Liston Smith (from 1975-01-07 until 1975-01-10)
reeds:
Bill Perkins (jazz saxophonist) (from 1975-01-07 until 1975-01-10)
tenor saxophone:
Bill Green (woodwind) (from 1975-01-07 until 1975-01-10)
trombone:
Grover Mitchell (trombone) (from 1975-01-07 until 1975-01-10), Richard Nash (US jazz trombonist) (from 1975-01-07 until 1975-01-10) and Chauncey Welsch (from 1975-01-07 until 1975-01-10)
trumpet:
Buddy Childers (American jazz trumpeter & composer) (from 1975-01-07 until 1975-01-10) and Paul Hubinon (from 1975-01-07 until 1975-01-10)
tuba:
Donald Waldrop (from 1975-01-07 until 1975-01-10)
woodwind:
Buddy Collette (from 1975-01-07 until 1975-01-10), Jerome Richardson (from 1975-01-07 until 1975-01-10) and Bud Shank (from 1975-01-07 until 1975-01-10)
conductor:
Oliver Nelson (saxophone, arranger, composer) (from 1975-01-07 until 1975-01-10)
arranger:
Oliver Nelson (saxophone, arranger, composer)
Oliver Nelson46:22
5Anita O'Day
Michael Naura1:55
6Thanks For The Boogie Ride
Anita O’Day3:11
7Charlie Parker
Michael Naura5:03
8Dewey Square
recording of:
Dewey Square
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker3:31
9Django Reinhardt
Michael Naura1:31
10Djangology
Quintette du Hot Club de France2:46
11Sonny Rollins
Michael Naura3:02
12God Bless The Child
recorded in:
New York, New York, United States (on 1962-01-30)
recording engineer:
Ray Hall (engineer) (on 1962-01-30)
engineer:
Ray Hall (engineer) (in 1986-07)
producer:
George Avakian (US 1940-90s record producer) and Bob Prince (Jazz composer, arranger, conductor & producer)
double bass:
Bob Cranshaw (on 1962-01-30)
drums (drum set):
Harry T. Saunders (on 1962-01-30)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962, on 1962-01-30)
tenor saxophone:
Sonny Rollins (in 1962, on 1962-01-30)
recorded at:
RCA Victor Studio B (Cherokee B) in Manhattan, New York, New York, United States (on 1962-01-30)
instrumental cover recording of:
God Bless the Child (on 1962-01-30)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Sonny Rollins7:28
13Bessie Smith
Michael Naura4:14
14Nobody Knows You When You're Down And Out
Bessie Smith2:59
▼ CD 4: Jazz von T–Z
#TitleArtistRatingLength
1Art Tatum
Michael Naura1:57
2Tea For Two
solo piano:
Art Tatum (US jazz pianist) (on 1933-03-21)
instrumental recording of:
Tea for Two (No, No, Nanette) (on 1933-03-21)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Art Tatum3:11
3United Jazz + Rock Ensemble
Michael Naura1:42
4Hey Day
producer:
United Jazz + Rock Ensemble
bass:
Eberhard Weber (from 1977-01-07 until 1977-01-09)
brass:
Ack van Rooyen (from 1977-01-07 until 1977-01-09)
guitar:
Volker Kriegel (from 1977-01-07 until 1977-01-09)
keyboard:
Wolfgang Dauner (from 1977-01-07 until 1977-01-09)
membranophone:
Jon Hiseman (from 1977-01-07 until 1977-01-09)
saxophone:
Charlie Mariano (from 1977-01-07 until 1977-01-09)
trombone:
Albert Mangelsdorff (from 1977-01-07 until 1977-01-09)
trumpet:
Ian Carr (trumpeter) (from 1977-01-07 until 1977-01-09)
woodwind:
Barbara Thompson (from 1977-01-07 until 1977-01-09)
recorded at:
Schützenhaus Stuttgart-Heslach in Stuttgart, Baden-Württemberg, Germany (from 1977-01-07 until 1977-01-09)
mixed at:
Tonstudio Zuckerfabrik in Stuttgart, Baden-Württemberg, Germany
live recording of:
Hey Day (from 1977-01-07 until 1977-01-09)
writer:
Ian Carr (trumpeter)
United Jazz + Rock Ensemble7:32
5Vienna Art Orchestra
Michael Naura2:30
6They Can't Take That Away From Me
Vienna Art Orchestra2:46
7Fats Waller
Michael Naura4:07
8Two Sleepy People
Fats Waller3:06
9John McLaughlin
Michael Naura4:00
10Face To Face
John McLaughlin5:57
11Lester Young
Michael Naura2:02
12She's Funny That Way
Lester Young3:21
13Joe Zawinul
Michael Naura2:34
14Cannon Ball
engineer:
Ron Malo
co-producer:
Wayne Shorter (US jazz saxophonist and composer)
producer:
Joe Zawinul (jazz and fusion keyboard player)
congas and percussion:
Alejandro Neciosup Acuna
drums (drum set):
Narada Michael Walden
electric bass guitar:
Jaco Pastorius
grand piano, Rhodes piano, synthesizer [ARP 2600 - Two ARP 2600s] and synthesizer [Oberheim Polyphonic Synthesizers]:
Joe Zawinul (jazz and fusion keyboard player)
Lyricon, soprano saxophone and tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1976)
recorded at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1975 until 1976)
recording of:
Cannon Ball
composer:
Joe Zawinul (jazz and fusion keyboard player)
Joe Zawinul54:39
▼ CD 5: Loius Armstrong: Louis Armstrong Plays W.C. Handy
#TitleArtistRatingLength
1St. Louis Blues
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-13)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-13)
double bass:
Arvell Shaw (on 1954-07-13)
drums (drum set):
Barrett Deems (on 1954-07-13)
piano:
Billy Kyle (on 1954-07-13)
trombone:
Trummy Young (on 1954-07-13)
trumpet:
Louis Armstrong (on 1954-07-13)
vocals:
Louis Armstrong (on 1954-07-13) and Velma Middleton (on 1954-07-13)
cover recording of:
St. Louis Blues (on 1954-07-13)
lyricist and composer:
William Christopher Handy (in 1913)
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong8:52
2Yellow Dog Blues
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-14)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-14)
double bass:
Arvell Shaw (on 1954-07-14)
drums (drum set):
Barrett Deems (on 1954-07-14)
piano:
Billy Kyle (on 1954-07-14)
trombone:
Trummy Young (on 1954-07-14)
trumpet:
Louis Armstrong (on 1954-07-14)
vocals:
Louis Armstrong (on 1954-07-12)
recording of:
Yellow Dog Blues (on 1954-07-14)
lyricist and composer:
William Christopher Handy
Louis Armstrong4:18
3Loveless Love
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Louis Armstrong (on 1954-07-12) and Velma Middleton (on 1954-07-12)
cover recording of:
Loveless Love (on 1954-07-12)
lyricist and composer:
William Christopher Handy
Louis Armstrong4:30
4Aunt Hagar's Blues
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Louis Armstrong (on 1954-07-12)
cover recording of:
Aunt Hagar’s Blues (on 1954-07-12)
lyricist:
James “Tim” Brymn
composer:
William Christopher Handy
Louis Armstrong4:59
5Long Gone (From the Bowlin' Green)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Louis Armstrong (on 1954-07-12) and Velma Middleton (on 1954-07-12)
cover recording of:
Long Gone (From Bowlin' Green) (on 1954-07-12)
lyricist:
Chris Smith (jazz writer)
composer:
William Christopher Handy
Louis Armstrong5:11
6The Memphis Blues (Or Mister Crump)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-13)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-13)
double bass:
Arvell Shaw (on 1954-07-13)
drums (drum set):
Barrett Deems (on 1954-07-13)
piano:
Billy Kyle (on 1954-07-13)
trombone:
Trummy Young (on 1954-07-13)
trumpet:
Louis Armstrong (on 1954-07-13)
vocals:
Louis Armstrong (on 1954-07-13)
cover recording of:
The Memphis Blues (on 1954-07-13)
lyricist:
George A. Norton (in 1913)
composer:
William Christopher Handy (in 1912)
Louis Armstrong3:01
7Beale Street Blues
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Louis Armstrong (on 1954-07-12)
cover recording of:
Beale Street Blues (on 1954-07-12)
lyricist and composer:
William Christopher Handy
publisher:
Handy Bros. Music
Louis Armstrong4:57
8Ole Miss Blues
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
engineer:
George Avakian (US 1940-90s record producer) and Mark Wilder (US recording/mastering engineer)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet:
Louis Armstrong (on 1954-07-12)
vocals:
Louis Armstrong (on 1954-07-12)
cover recording of:
Ole Miss (on 1954-07-12)
composer:
William Christopher Handy
cover recording of:
Ole Miss Blues (on 1954-07-12)
writer:
William Christopher Handy and Walter Hirsch
Louis Armstrong3:27
9Chantez Les Bas (Sing 'em Low)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-14)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-14)
double bass:
Arvell Shaw (on 1954-07-14)
drums (drum set):
Barrett Deems (on 1954-07-14)
piano:
Billy Kyle (on 1954-07-14)
trombone:
Trummy Young (on 1954-07-14)
trumpet:
Louis Armstrong (on 1954-07-14)
vocals:
Louis Armstrong (on 1954-07-14)
cover recording of:
Chantez-les bas (Sing 'em Low) (on 1954-07-14)
lyricist and composer:
William Christopher Handy
Louis Armstrong4:50
10Hesitating Blues
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Louis Armstrong (on 1954-07-12) and Velma Middleton (on 1954-07-12)
cover recording of:
The Hesitating Blues (on 1954-07-12)
lyricist and composer:
William Christopher Handy
Louis Armstrong5:21
11Atlanta Blues (Make Me One Pallet on Your Floor)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-13)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-13)
double bass:
Arvell Shaw (on 1954-07-13)
drums (drum set):
Barrett Deems (on 1954-07-13)
piano:
Billy Kyle (on 1954-07-13)
trombone:
Trummy Young (on 1954-07-13)
trumpet:
Louis Armstrong (on 1954-07-13)
vocals:
Louis Armstrong (on 1954-07-13)
cover recording of:
Atlanta Blues (Make Me One Pallet on Your Floor) (on 1954-07-13)
writer:
Dave Elman and William Christopher Handy
is based on:
Make Me a Pallet on Your Floor
Louis Armstrong4:34
12George Avakian's Interview With W.C. Handy
Louis Armstrong2:46
13Loveless Love (rehearsal sequence)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Velma Middleton (on 1954-07-12)
recording of:
Loveless Love (on 1954-07-12)
lyricist and composer:
William Christopher Handy
Louis Armstrong5:57
14Hesitating Blues (rehearsal sequence)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Velma Middleton (on 1954-07-12)
cover recording of:
The Hesitating Blues
lyricist and composer:
William Christopher Handy
Louis Armstrong5:41
15Alligator Story
Louis Armstrong0:48
16Long Gone (From the Bowlin' Green) (rehearsal sequence)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Velma Middleton (on 1954-07-12)
Louis Armstrong7:53
▼ CD 6: Dave Brubeck: Time Out
#TitleArtistRatingLength
1Blue Rondo a la Turk
recorded in:
New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording of:
Blue Rondo à la Turk (from 1959-08-18 until 1959-08-19)
composer:
Dave Brubeck
publisher:
Budde Music France, Derry Music Company, Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
The Dave Brubeck Quartet36:46
2Strange Meadow Lark
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Strange Meadow Lark (on 1959-07-01)
composer:
Dave Brubeck and Iola Brubeck
publisher:
Derry Music Company
The Dave Brubeck Quartet37:24
3Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, Volume I)
The Dave Brubeck Quartet4.355:27
4Three to Get Ready
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Three to Get Ready (on 1959-06-25)
composer:
Dave Brubeck
The Dave Brubeck Quartet35:26
5Kathy's Waltz
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI Columbia, EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Kathy's Waltz (on 1959-06-25)
composer:
Dave Brubeck
The Dave Brubeck Quartet34:51
6Everybody's Jumpin'
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI Columbia, EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Everybody's Jumpin' (on 1959-06-25)
composer:
Dave Brubeck
The Dave Brubeck Quartet34:25
7Pick up Sticks
recorded in:
New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI Columbia, EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording of:
Pick Up Sticks (from 1959-08-18 until 1959-08-19)
composer:
Dave Brubeck
The Dave Brubeck Quartet34:16
▼ CD 7: Miles & Coltrane
#TitleArtistRatingLength
1Ah-Leu-Cha
alto saxophone:
Cannonball Adderley (on 1958-07-03)
double bass:
Paul Chambers (US jazz bassist) (on 1958-07-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-07-03)
piano:
Bill Evans (pianist) (on 1958-07-03)
tenor saxophone:
John Coltrane (on 1958-07-03)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-03)
recorded at:
Newport Jazz Festival (1958) (1958)
recorded at:
Festival Field in Newport, Rhode Island, United States (on 1958-07-03), Newport Jazz Festival in Newport, Rhode Island, United States (on 1958-07-03) and Newport Jazz Festival in Newport, Rhode Island, United States (on 1958-07-03)
live recording of:
Ah-Leu-Cha (on 1958-07-03)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Miles Davis Sextet5:54
2Straight, No Chaser
recorded in:
Newport, Rhode Island, United States (on 1958-07-04)
alto saxophone:
Cannonball Adderley (on 1958-07-04)
bass:
Paul Chambers (US jazz bassist) (on 1958-07-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-07-04)
piano:
Bill Evans (pianist) (on 1958-07-04)
tenor saxophone:
John Coltrane (on 1958-07-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-04)
Miles Davis Sextet8:51
3Fran-Dance (Put Your Little Foot Right Out)
recorded in:
Newport, Rhode Island, United States (on 1958-07-04)
alto saxophone:
Cannonball Adderley (on 1958-07-04)
bass:
Paul Chambers (US jazz bassist) (on 1958-07-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-07-04)
piano:
Bill Evans (pianist) (on 1958-07-04)
tenor saxophone:
John Coltrane (on 1958-07-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-04)
Miles Davis Sextet7:16
4Two Bass Hit
recorded in:
Newport, Rhode Island, United States (on 1958-07-04)
alto saxophone:
Cannonball Adderley (on 1958-07-03, on 1958-07-04)
double bass:
Paul Chambers (US jazz bassist) (on 1958-07-03, on 1958-07-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-07-03, on 1958-07-04)
piano:
Bill Evans (pianist) (on 1958-07-03, on 1958-07-04)
tenor saxophone:
John Coltrane (on 1958-07-03, on 1958-07-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-03, on 1958-07-04)
recorded at:
Newport Jazz Festival (1958) (1958)
recorded at:
Festival Field in Newport, Rhode Island, United States (on 1958-07-03), Newport Jazz Festival in Newport, Rhode Island, United States (on 1958-07-03) and Newport Jazz Festival in Newport, Rhode Island, United States (on 1958-07-03)
live cover recording of:
Two Bass Hit (on 1958-07-03)
composer:
Dizzy Gillespie and John Lewis (pianist, member of Modern Jazz Quartet)
Miles Davis Sextet4:12
5Bye Bye Blackbird
alto saxophone:
Cannonball Adderley (on 1958-07-03)
double bass:
Paul Chambers (US jazz bassist) (on 1958-07-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-07-03)
piano:
Bill Evans (pianist) (on 1958-07-03)
tenor saxophone:
John Coltrane (on 1958-07-03)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-03)
recorded at:
Newport Jazz Festival (1958) (1958)
recorded at:
Festival Field in Newport, Rhode Island, United States (on 1958-07-03) and Newport Jazz Festival in Newport, Rhode Island, United States (on 1958-07-03)
live instrumental cover recording of:
Bye Bye Blackbird (on 1958-07-03)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Miles Davis Sextet9:19
6Little Melonae
recorded in:
New York, New York, United States (on 1955-10-27)
producer:
George Avakian (US 1940-90s record producer)
bass:
Paul Chambers (US jazz bassist) (on 1955-10-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1955-10-27)
piano:
Red Garland (on 1955-10-27)
tenor saxophone:
John Coltrane (on 1955-10-27)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1955-10-27)
remaster of:
Little Melonae by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Little Melonae (on 1955-10-27)
composer:
Jackie McLean (jazz saxophonist)
Miles Davis Quintet7:24
7Budo
producer:
George Avakian (US 1940-90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1955-10-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1955-10-26)
piano:
Red Garland (on 1955-10-26)
tenor saxophone:
John Coltrane (on 1955-10-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1955-10-26)
recorded at:
Columbia Studios in New York, New York, United States (on 1955-10-26)
remaster of:
Budo by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Budo (on 1955-10-26)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bud Powell
is based on:
Hallucinations
Miles Davis Quintet4:15
▼ CD 8: Miles Davis: Sketches of Spain
#TitleArtistRatingLength
1Concierto de Aranjuez: Adagio
bass clarinet:
Danny Bank (reeds) (on 1959-11-15, on 1959-11-20)
clarinet:
Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-11-15, on 1959-11-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-20)
drums (drum set) [drums]:
Jimmy Cobb (US jazz drummer) (on 1959-11-15)
flugelhorn:
Al Block (US jazz flute/saxaphone) and Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20)
flute:
Albert Block (US jazz flute/saxaphone) (on 1959-11-15, on 1959-11-20) and Eddie Caine (saxophone player, not the rapper) (on 1959-11-15, on 1959-11-20)
French horn:
John Barrows (American wind instrumentalist) (on 1959-11-15, on 1959-11-20), Earl Chapin (on 1959-11-15, on 1959-11-20) and Jim Buffington (US jazz, studio and classical hornist) (on 1959-11-15, on 1959-11-20)
harp:
Janet Putnam (harpist) (on 1959-11-15, on 1959-11-20)
oboe:
Romeo Penque and Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1959-11-15, on 1959-11-20)
trombone:
Dick Hixson (trombonist) (on 1959-11-15, on 1959-11-20) and Frank Rehak (US jazz trombonist) (on 1959-11-15, on 1959-11-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20), Bernie Glow (on 1959-11-15, on 1959-11-20), Taft Jordan (on 1959-11-15, on 1959-11-20), Louis Mucci (trumpetist) (on 1959-11-15, on 1959-11-20) and Ernie Royal (on 1959-11-15, on 1959-11-20)
tuba:
Jimmy McAllister (tuba) (on 1959-11-15) and Jimmy McAllister (on 1959-11-20)
conductor:
Gil Evans (on 1959-11-15, on 1959-11-20)
arranger:
Gil Evans
recorded at:
Columbia 30th Street Studios in Manhattan, New York, New York, United States (on 1959-11-15) and Columbia Studios in New York, New York, United States (on 1959-11-20)
remaster of:
Concierto de Aranjuez (1959-11-20, master take, mono) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Concierto de Aranjuez: II. Adagio (on 1959-11-15)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
partial recording of:
Concierto de Aranjuez (on 1959-11-20)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Miles Davis16:23
2Will O' the Wisp
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (US French hornist) (on 1960-03-11)
harp:
Janet Putnam (harpist) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (trombonist) (on 1960-03-11) and Frank Rehak (US jazz trombonist) (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
instrumental recording of:
El amor brujo: X. Canción del fuego fatuo (on 1960-03-11)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Miles Davis23:49
3The Pan Piper
bass clarinet:
Danny Bank (reeds) (on 1960-03-10)
bassoon:
Jack Knitzer (on 1960-03-10)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-10)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-10)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-10) and Harold Feldman (woodwind player) (on 1960-03-10)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-10), Joe Singer (on 1960-03-10) and Tony Miranda (US French hornist) (on 1960-03-10)
harp:
Janet Putnam (harpist) (on 1960-03-10)
oboe:
Romeo Penque (on 1960-03-10)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-10)
trombone:
Dick Hixson (trombonist) (on 1960-03-10) and Frank Rehak (US jazz trombonist) (on 1960-03-10)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-10), Bernie Glow (on 1960-03-10) and Ernie Royal (on 1960-03-10)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-10)
conductor:
Gil Evans (on 1960-03-10)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-10)
recording of:
The Pan Piper (on 1960-03-10)
composer:
Gil Evans
Miles Davis3:55
4Saeta
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (US French hornist) (on 1960-03-11)
harp:
Janet Putnam (harpist) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-11)
trombone:
Dick Hixson (trombonist) (on 1960-03-11) and Frank Rehak (US jazz trombonist) (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Saeta (on 1960-03-11)
composer:
Gil Evans
Miles Davis5:08
5Solea
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (US French hornist) (on 1960-03-11)
harp:
Janet Putnam (harpist) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-11)
trombone:
Dick Hixson (trombonist) (on 1960-03-11) and Frank Rehak (US jazz trombonist) (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Solea (on 1960-03-11)
composer:
Gil Evans
Miles Davis3.512:21
6Song of Our Country [Issued Take]
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (trombonist) (on 1960-03-11) and Frank Rehak (US jazz trombonist) (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans (on 1960-03-11)
recording of:
Song of Our Country (on 1960-03-11)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
arranger:
Gil Evans
is based on:
Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra)
Miles Davis3:28
7Concierto de Aranjuez [Part One, Alternate Take]
bass clarinet:
Danny Bank (reeds)
double bass [bass]:
Paul Chambers (US jazz bassist)
drums (drum set):
Jimmy Cobb (US jazz drummer)
oboe:
Romeo Penque
percussion:
Elvin Jones (jazz drummer) and José Mangual
trombone:
Dick Hixson (trombonist) and Frank Rehak (US jazz trombonist)
trumpet:
Johnny Coles (US jazz trumpeter), Bernie Glow and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Miles Davis12:06
8Concierto de Aranjuez [Part Two, Alternate Take]
bass clarinet:
Danny Bank (reeds)
double bass [bass]:
Paul Chambers (US jazz bassist)
drums (drum set):
Jimmy Cobb (US jazz drummer)
flugelhorn:
Al Block (US jazz flute/saxaphone) and Miles Davis (jazz trumpeter, bandleader, songwriter)
French horn:
John Barrows (American wind instrumentalist), Earl Chapin and Jim Buffington (US jazz, studio and classical hornist)
oboe:
Romeo Penque
percussion:
Elvin Jones (jazz drummer) and José Mangual
trombone:
Dick Hixson (trombonist) and Frank Rehak (US jazz trombonist)
trumpet:
Taft Jordan and Louis R. Mucci (trumpetist)
recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Miles Davis3:33
▶ CD 9: Duke Ellington: Ellington Uptown
▶ CD 10: Ella Fitzgerald: At Newport Jazz Festival – Live at Carnegie Hall, July 5, 1973
▶ CD 11: Stan Getz: Captain Marvel
▶ CD 12: Lionel Hampton: Jazz Flamenco
▶ CD 13: African Horns
▶ CD 14: Keith Jarrett: Expectations
▶ CD 15: Stan Kenton & His Innovations Orchestra
▶ CD 16: John Lewis: Statesments and Sketches for Development
▶ CD 17: The Thelonious Monk Quartet: Monk’s Dream
▶ CD 18: Oliver Nelson: Skull Session
▶ CD 19: Anita O’Day: Let Me Off Uptown!
▶ CD 20: Charlie Parker: Charlie Parker, Vol. 1 & 2
▶ CD 21: Quintette du Hot Club de France: Swinging Paris
▶ CD 22: Sonny Rollins: The Bridge
▶ CD 23: Bessie Smith: The Complete Columbia Recordings, Vol. 1
▶ CD 24: Art Tatum: Piano Starts Here
▶ CD 25: The United Jazz+Rock Ensemble: Live im Schützenhaus
▶ CD 26: Vienna Art Orchestra: American Rhapsody – A Tribute to George Gershwin
▶ CD 27: ‘Fats‘ Waller and His Rhythm: Ain’t Misbehavin’
▶ CD 28: John McLaughlin with The One Truth Band: Electric Dreams
▶ CD 29: Lester Young: Les Chefs‐d’Oeuvre de Lester Young
▶ CD 30: Weather Report: Weather Report (1971)