For Our Children: The Concert

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Benefited the Pediatric AIDS Foundation.

Annotation last modified on 2025-08-16 01:30 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Zip‐A‐Dee‐Doo‐Dah
engineer:
Dave Rideaux (engineer), Greg Laney (lead vocals), S. Byron Clarke and Erik Zobler
producer:
George Duke
additional mixer:
Erik Zobler
mixer:
Greg Laney
arranger:
George Duke and Patrice Rushen
recorded at:
Le Gonks West in Los Angeles, California, United States and Mad Hatter Studio (Los Angeles) in Echo Park, Los Angeles, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
engineered at:
Studio Master in Los Angeles, California, United States (lead vocals)
recording of:
Zip‐a‐Dee‐Doo‐Dah (Song of the South)
lyricist:
Ray Gilbert
composer:
Allie Wrubel (US composer and songwriter)
publisher:
J. Albert & Son, Joy Music Inc. and Walt Disney Music Company (music publisher, do not use as release label) (in 1945)
part of:
The 20th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1947 winner)
part of:
Song of the South (1946 live action/animated film)
Paula Abdul3:33
2Krossed‐Out Version of a Nursery Rhyme
engineer, producer and mixer:
Jermaine Dupri (American rapper, record producer, actor & DJ)
arranger:
Jermaine Dupri (American rapper, record producer, actor & DJ)
recorded at:
Groove Makers Studio 1 in Atlanta, Georgia, United States
recording of:
Krossed‐Out Version of a Nursery Rhyme
writer:
Jermaine Dupri (American rapper, record producer, actor & DJ)
Kris Kross3:52
3Beauty and the Beast
engineer:
Dave Rideaux (engineer)
producer:
George Duke
additional mixer:
Erik Zobler
mixer:
Steve Sykes (US engineer)
arranger:
Walter Afanasieff, George Duke and Robby Buchanan (Canadian producer)
recorded at:
Ocean Way in Hollywood, Los Angeles, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Beauty and the Beast (song from Beauty and the Beast)
lyricist:
Howard Ashman (in 1991)
composer:
Alan Menken (in 1991)
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division), Walt Disney Music Company (music publisher, do not use as release label) (in 1991) and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1991)
part of:
The 64th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1991 winner)
part of:
Beauty and the Beast (2017 Disney film soundtrack)
part of:
Beauty and the Beast (stage musical)
part of:
Beauty and the Beast (1991 Disney animated film soundtrack and score)
Céline Dion and Maurice Davis4:00
4Happy to the Sun
recording engineer:
Ed Green (engineer)
producer:
George Duke
mixer:
Erik Zobler
arranger:
Woody Harrelson
recorded at:
Universal Amphitheatre in Universal City, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Happy to the Sun
writer:
John Drinkwater (poet)
composer:
Woody Harrelson
Woody Harrelson2:18
5You Are My Sunshine
engineer:
Dave Rideaux (engineer)
producer:
George Duke
additional mixer:
Erik Zobler
mixer:
Steve Sykes (US engineer)
arranger:
George Duke
recorded at:
Ocean Way in Hollywood, Los Angeles, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
cover recording of:
You Are My Sunshine
anthem of:
Louisiana, United States
writer:
Jimmie Davis (American politician, singer and songwriter) and Charles Mitchell (1940s songwriter and steel guitarist)
publisher:
Peer International (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1940-01-30)
Michael Bolton4:33
6Mockingbird
engineer:
Dave Rideaux (engineer)
producer:
George Duke
additional mixer:
Erik Zobler
mixer:
Steve Sykes (US engineer)
arranger:
George Duke
recorded at:
Ocean Way in Hollywood, Los Angeles, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Mockingbird
writer:
Charlie Foxx and Inez Foxx
publisher:
EMI Unart Catalog Inc.
is based on:
Hush, Little Baby (lullaby, popularized as "Mockingbird")
Shanice3:25
7The Green Grass Grew All Around
engineer:
Ed Green (engineer)
producer:
George Duke
mixer:
Erik Zobler
arranger:
Melissa Etheridge
recorded at:
Universal Amphitheatre in Universal City, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
The Green Grass Grew All Around
lyricist and composer:
Frank Luther (US country singer)
live recording of:
The Green Grass Grew All Around
lyricist and composer:
Frank Luther (US country singer)
Melissa Etheridge4:16
8This Old Man
engineer:
Erik Zobler
producer:
George Duke
additional mixer:
Erik Zobler
mixer:
Steve Sykes (US engineer)
arranger:
George Duke
recorded at:
Le Gonks West in Los Angeles, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
This Old Man
publisher:
Sabine Baring‐Gould (in 1906) and Cecil Sharp (in 1906)
writer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3550)
Salt‐N‐Pepa3:14
9I’ve Been Working on the Railroad
engineer:
Ed Green (engineer)
producer:
George Duke
mixer:
Erik Zobler
arranger:
George Duke and Randy Newman (American singer‐songwriter and score composer)
recorded at:
Universal Amphitheatre in Universal City, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
I’ve Been Working on the Railroad
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 12606)
translated version of:
線路はつづくよどこまでも
Randy Newman3:05
10Mary Had a Little Lamb
engineer:
Dave Rideaux (engineer)
producer:
George Duke
additional mixer:
Erik Zobler
mixer:
Steve Sykes (US engineer)
arranger:
George Duke and Sheila E.
recorded at:
Le Gonks West in Los Angeles, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
Sheila E.3:51
11Haircut
engineer:
Ed Green (engineer)
mixer:
Erik Zobler
arranger:
Troy Dexter, Craig Taubman and Michael Turner (songwriter of "Never Alone (Eeyore's Lullaby)")
recorded at:
Paramount Studios in Hollywood, Los Angeles, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Haircut
writer:
Craig Taubman
Craig 'n Company5:04
12The Wizard of Oz
engineer:
Ed Green (engineer)
producer:
George Duke
mixer:
Erik Zobler
arranger:
Bobby McFerrin
recorded at:
Universal Amphitheatre in Universal City, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
cover recording of:
The Wizard of Oz (1942 Arlen/Harburg musical)
lyricist:
E.Y. Harburg
composer:
Harold Arlen
librettist:
Frank Gabrielson (stage, film, and television writer)
Bobby McFerrin7:59
13Here We Go Loopty‐Loo
engineer:
Dave Rideaux (engineer)
producer:
George Duke
additional mixer:
Erik Zobler
mixer:
Steve Sykes (US engineer)
arranger:
George Duke
recorded at:
Le Gonks West in Los Angeles, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
Gerardo3:24
14I Am a Pizza
engineer:
Ed Green (engineer)
producer:
George Duke
mixer:
Erik Zobler
arranger:
Peter Alsop
recorded at:
Universal Amphitheatre in Universal City, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
I Am a Pizza
writer:
Peter Alsop
Peter Alsop4:08
15Nursery Rhyme Medley
engineer:
Fil Brown and Elliot Wolff
producer:
Elliot Wolff
arranger:
The Party and Elliot Wolff
recorded at:
Saturn Studios in Burbank, California, United States
medley including a recording of:
Chim Chim Cher-ee (Mary Poppins)
lyricist and composer:
Richard M. Sherman and Robert B. Sherman (American songwriter)
publisher:
Campbell Connelly & Co. Ltd., The Walt Disney Co. and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1964)
part of:
The 37th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1964 winner)
part of:
Mary Poppins (stage version)
part of:
Mary Poppins (1964 film version)
recording of:
Nursery Rhyme Medley
writer and arranger:
The Party and Elliot Wolff
The Party3:59
16What a Wonderful World / Sing a Rainbow
mixer:
Erik Zobler
arranger:
Bud Elleson (Soul songwriter and producer)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Sing a Rainbow
lyricist and composer:
Arthur Hamilton
publisher:
Mark VII Ltd., Warner Chappell, Warner Chappell North America and Warner/Chappell Music Australia Pty. Ltd.
cover recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Patti LaBelle4:56
17What a Wonderful World / Sing a Rainbow
engineer:
Ed Green (engineer)
producer:
George Duke
arranger:
George Duke
recorded at:
Universal Amphitheatre in Universal City, California, United States
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Sing a Rainbow
lyricist and composer:
Arthur Hamilton
publisher:
Mark VII Ltd., Warner Chappell, Warner Chappell North America and Warner/Chappell Music Australia Pty. Ltd.
cover recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Patti LaBelle and Cast2:30

Credits

Release

art direction:Gail Harrison (art director)
miscellaneous support:Wayne Holmes (task: band stage manager)
executive producer:Brad Lachman
Dawn Steel
producer:George Duke
Greg Sills (task: supervising producer)
programming:George Duke
mastering:Brian K. Gardner (mastering engineer “Big Bass Brian”)
bass:Larry Kimpel (bassist)
drums (drum set):Rayford Griffin
guitar [lead guitar]:Michael Landau
guitar [rhythm guitar]:Ray Fuller (US blues guitarist Donald Ray Fuller)
keyboard:George Duke
Brian Simpson (jazz pianist)
percussion:Brian Kilgore
saxophone:Everette Harp
background vocals:Ben McCrary (Production music composer)
Quincy McCrary
Brandy Norweed
Eve Reinhardt
Christine Schillinger (choir vocal, vocalist and backing vocalist)
Josh Weiner
design:Charysse Yee (designer)
artwork:Ariella Glaser (task: Pediatric AIDS Foundation logo painted by)
production coordinator:Faith R. Fox
copyrighted (©) by:The Walt Disney Company
phonographic copyright (℗) by:Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution)
mastered at:Bernie Grundman Mastering (Los Angeles) in Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/2047145 [info]