Coal

~ Release by Kathy Mattea (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1The L & N Don't Stop Here Anymore
assistant recording engineer:
Charley Hubbs (sound engineer)
recording engineer:
Mick Conley (sound engineer) and Mick Conley (sound engineer) (Hammond organ [B3 overdubs])
producer:
Marty Stuart
mixer:
Mick Conley (sound engineer)
acoustic guitar:
Bill Cooley and Marty Stuart
banjo and fiddle:
Stuart Duncan
double bass:
Byron House (American bass player)
Hammond organ:
Eric Fritsch
mandolin:
Marty Stuart
recorded at:
House of David in Nashville, Tennessee, United States (Hammond organ [B3 overdubs]) and The Playground in Franklin, Tennessee, United States
mixed at:
Cryptic Globe (Nashville, TN, USA) in Nashville, Tennessee, United States
cover recording of:
The L & N Don’t Stop Here Any More
lyricist and composer:
Than Hall
publisher:
Jonathan B. Pickow Trust
4:13
2Blue Diamond Mines
assistant recording engineer:
Charley Hubbs (sound engineer)
recording engineer:
Mick Conley (sound engineer) and Emory Gordy Jr. (background vocals [harmony vocals])
producer:
Marty Stuart
mixer:
Mick Conley (sound engineer)
acoustic guitar:
Bill Cooley and Kathy Mattea (country and bluegrass singer)
banjo and fiddle:
Stuart Duncan
double bass:
Byron House (American bass player)
mandolin:
Marty Stuart
background vocals [harmony vocals]:
Patty Loveless and Marty Stuart
recorded at:
Cave 2 Studio in Dallas, Georgia, United States (background vocals [harmony vocals]) and The Playground in Franklin, Tennessee, United States
mixed at:
Cryptic Globe (Nashville, TN, USA) in Nashville, Tennessee, United States
recording of:
Blue Diamond Mines
lyricist and composer:
Jean Ritchie
publisher:
Peter Pickow
4:59
3Red-Winged Blackbird
assistant recording engineer:
Charley Hubbs (sound engineer)
recording engineer and mixer:
Mick Conley (sound engineer)
producer:
Marty Stuart
acoustic guitar:
Bill Cooley and Marty Stuart
double bass:
Byron House (American bass player)
fiddle:
Stuart Duncan
mandocello:
Marty Stuart
recorded at:
The Playground in Franklin, Tennessee, United States
mixed at:
Cryptic Globe (Nashville, TN, USA) in Nashville, Tennessee, United States
recording of:
Red-Winged Blackbird
lyricist and composer:
Billy Edd Wheeler
2:53
4Lawrence Jones
assistant recording engineer:
Charley Hubbs (sound engineer)
recording engineer and mixer:
Mick Conley (sound engineer)
producer:
Marty Stuart
acoustic guitar:
Bill Cooley, Stuart Duncan and Marty Stuart
double bass:
Byron House (American bass player)
fiddle:
Stuart Duncan
mandolin:
Marty Stuart
recorded at:
The Playground in Franklin, Tennessee, United States
mixed at:
Cryptic Globe (Nashville, TN, USA) in Nashville, Tennessee, United States
recording of:
Lawrence Jones
writer:
Si Kahn
3:04
5Green Rolling Hills
assistant recording engineer:
Charley Hubbs (sound engineer)
recording engineer:
Mick Conley (sound engineer) and Dan Spomer (sound engineer) (background vocals [harmony vocals])
producer:
Marty Stuart
mixer:
Mick Conley (sound engineer)
acoustic guitar:
Bill Cooley, Kathy Mattea (country and bluegrass singer) and Marty Stuart
double bass:
Byron House (American bass player)
mandolin:
Marty Stuart
background vocals [harmony vocals]:
Mollie O’Brien (folksinger) and Tim O’Brien (US bluegrass musician)
recorded at:
Puremusic Studio (Nashville, TN, USA) in Nashville, Tennessee, United States (background vocals [harmony vocals]) and The Playground in Franklin, Tennessee, United States
mixed at:
Cryptic Globe (Nashville, TN, USA) in Nashville, Tennessee, United States
recording of:
Green Rolling Hills of West Virginia
lyricist and composer:
Utah Phillips
3:46
6Coal Tattoo
assistant recording engineer:
Charley Hubbs (sound engineer)
recording engineer and mixer:
Mick Conley (sound engineer)
producer:
Marty Stuart
acoustic guitar:
Bill Cooley
banjo and fiddle:
Stuart Duncan
double bass:
Byron House (American bass player)
mandolin:
Marty Stuart
recorded at:
The Playground in Franklin, Tennessee, United States
mixed at:
Cryptic Globe (Nashville, TN, USA) in Nashville, Tennessee, United States
recording of:
Coal Tattoo
writer:
Billy Edd Wheeler
3:17
7Sally in the Garden
assistant recording engineer:
Charley Hubbs (sound engineer)
recording engineer and mixer:
Mick Conley (sound engineer)
producer:
Marty Stuart
banjo:
Stuart Duncan
recorded at:
The Playground in Franklin, Tennessee, United States
mixed at:
Cryptic Globe (Nashville, TN, USA) in Nashville, Tennessee, United States
recording of:
Sally in the Garden (American old-time tune)
composer:
[traditional] (special purpose artist)
0:44
8You'll Never Leave Harlan Alive
assistant recording engineer:
Charley Hubbs (sound engineer)
recording engineer and mixer:
Mick Conley (sound engineer)
producer:
Marty Stuart
accordion:
Randy Leago (US multi-instrumentalist)
acoustic guitar:
Bill Cooley and Marty Stuart
double bass:
Byron House (American bass player)
mandolin:
Marty Stuart
pedal steel guitar:
Fred Newell
recorded at:
The Playground in Franklin, Tennessee, United States
mixed at:
Cryptic Globe (Nashville, TN, USA) in Nashville, Tennessee, United States
recording of:
You’ll Never Leave Harlan Alive
writer:
Darrell Scott (Country musician)
5:03
9Dark as a Dungeon
assistant recording engineer:
Charley Hubbs (sound engineer)
recording engineer:
Mick Conley (sound engineer) and Mick Conley (sound engineer) (electric guitar [electric guitar overdubs], Hammond organ [B3 overdubs])
producer:
Marty Stuart
mixer:
Mick Conley (sound engineer)
acoustic guitar:
Bill Cooley and Marty Stuart
double bass:
Byron House (American bass player)
electric guitar and mandolin:
Marty Stuart
Hammond organ:
Eric Fritsch
mandocello:
Stuart Duncan
piano:
Randy Leago (US multi-instrumentalist)
recorded at:
House of David in Nashville, Tennessee, United States (electric guitar [electric guitar overdubs], Hammond organ [B3 overdubs]) and The Playground in Franklin, Tennessee, United States
mixed at:
Cryptic Globe (Nashville, TN, USA) in Nashville, Tennessee, United States
recording of:
Dark as a Dungeon
lyricist and composer:
Travis
4:34
10Coming of the Roads
assistant recording engineer:
Charley Hubbs (sound engineer)
recording engineer and mixer:
Mick Conley (sound engineer)
producer:
Marty Stuart
acoustic guitar:
Bill Cooley and Marty Stuart
cello:
John Catchings
double bass:
Byron House (American bass player)
recorded at:
The Playground in Franklin, Tennessee, United States
mixed at:
Cryptic Globe (Nashville, TN, USA) in Nashville, Tennessee, United States
recording of:
The Coming of the Roads
lyricist and composer:
Billy Edd Wheeler
4:38
11Black Lung/Coal
assistant recording engineer:
Charley Hubbs (sound engineer)
recording engineer and mixer:
Mick Conley (sound engineer)
producer:
Marty Stuart
acoustic guitar:
Bill Cooley and Marty Stuart
double bass:
Byron House (American bass player)
fiddle:
Stuart Duncan
mandolin:
Marty Stuart
recorded at:
The Playground in Franklin, Tennessee, United States
mixed at:
Cryptic Globe (Nashville, TN, USA) in Nashville, Tennessee, United States
recording of:
Black Lung
lyricist and composer:
Hazel Dickens
publisher:
Happy Valley Music (BMI affiliated)
6:08