Die Himmel Ruhmen

~ Release by Berliner Philharmoniker, Herbert von Karajan (see all versions of this release, 4 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
16 Sacred Songs, op. 48 (arr. F. Mottl): Die Ehre Gottes aus der Natur
choir vocals:
Berliner Händel-Chor (in 1962)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
arranger:
Felix Mottl
recording of:
Song for Voice and Piano, op. 48 no. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre" (in 1962)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
recording of:
Die Himmel rühmen (for choir and orchestra)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer)
arranger:
Uwe Johst
publisher:
Jessica Musikverlag
arrangement of:
Song for Voice and Piano, op. 48 no. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre"
Ludwig van Beethoven2:44
2Transeamus usque Bethlehem
choir vocals:
Berliner Händel-Chor (in 1962)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Transeamus usque Bethlehem (in 1962)
composer:
Josef Ignaz Schnabel
Josef Ignaz Schnabel2:58
3Ave Maria, "Ellens Gesang III", D. 839
choir vocals:
Berliner Händel-Chor (in 1962)
soprano vocals:
Lisa Otto (German operatic soprano, 1919–2013) (in 1962)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements) (in 1962)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert5:16
4German Mass, D. 872: Heilig, heilig, heilig
choir vocals:
Berliner Händel-Chor (in 1962)
vocals:
Berliner Händel-Chor
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Deutsche Messe, D. 872: V. Zum Sanctus: Heilig, Heilig (in 1962)
lyricist:
Johann Philipp Neumann (poet)
composer:
Franz Schubert (composer)
part of:
Deutsche Messe, D. 872
Franz Schubert3:48
5Ave Maria, CG 89a (after J.S. Bach: Prelude in C major, BWV 846)
choir vocals:
Berliner Händel-Chor (in 1962)
soprano vocals:
Lisa Otto (German operatic soprano, 1919–2013) (in 1962)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Ave Maria (Bach/Gounod) (in 1962)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles Gounod3:16
6Ave Maria (Motet)
choir vocals:
Berliner Händel-Chor (in 1962)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Ave Maria (unspecified. WAB 5, WAB 6, or WAB 7) (in 1962)
composer:
Anton Bruckner (Austrian composer)
recording of:
Ave Maria, WAB 6 (for choir a cappella)
composer:
Anton Bruckner (Austrian composer) (in 1861)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 6)
Anton Bruckner4:04
7Agnus Dei (arr. Herbert Baumann)
choir vocals:
Berliner Händel-Chor (in 1962)
tenor vocals:
Donald Grobe (tenor) (in 1962)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Agnus Dei (in 1962)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet3:23
8German Mass, D. 872: Gloria: "Ehre sei Gott in der Höhe"
organ:
Franz Lehrndorfer (organist)
choir vocals:
Mitglieder des Chors des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1961) and Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1961)
orchestra:
Mirglieder des Symphonieorchesters des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1961)
conductor:
Theobald Schrems (in 1961)
recording of:
Deutsche Messe, D. 872: II. Zum Gloria: Ehre, Ehre sei Gott (in 1961)
lyricist:
Johann Philipp Neumann (poet)
composer:
Franz Schubert (composer)
part of:
Deutsche Messe, D. 872
Franz Schubert3:27
9Der Messias (in deutscher sprache): Zweiter Teil: 42. Chor "Halleluja"
producer:
Karl Faust (producer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1964-06)
organ:
Elmar Schloter (organist) (in 1964-06)
solo trumpet:
Maurice André (French trumpeter) (in 1964-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1964-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-06)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-06)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1964-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:13
10Mass in B minor, BWV 232: Gloria
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1961-02 until 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1961-02 until 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1962)
compilation of:
Mass in B minor: IV. Chor: Gloria in excelsis Deo by Münchener Bach‐Chor (Munich Bach Choir), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist) and Mass in B minor: V. Chor: Et in terra pax by Münchener Bach‐Chor (Munich Bach Choir), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1961-02 until 1961-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 1961-02 until 1961-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:52
11Kyrie in B-flat major, D. 45
choir vocals:
Regensburger Domchor (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1961)
orchestra:
Theobald Schrems
conductor:
Theobald Schrems (in 1961)
recording of:
Kyrie in B-flat major, D. 45 (in 1961)
composer:
Franz Schubert (composer) (in 1813-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 45)
Franz Schubert2:14
12Salve Regina in B-flat, D. 386
choir vocals:
Regensburger Domchor (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1961)
conductor:
Theobald Schrems (in 1961)
recording of:
Salve Regina in B-flat major, D. 386 (in 1961)
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 386)
Franz Schubert3:48
13Die Schöpfung, Hob. XXI:2: Pt. 1: No. 13. Chorus. Die Himmel erzählen die Ehre Gottes – Trio. Dem kommenden Tage sagt es der Tag
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone) (from 1966-02-22 until 1969-04-29)
choir vocals:
Wiener Singverein and Singverein der Gesellschaft der Musikfreunde in Wien (from 1966-02-22 until 1969-04-29)
soprano vocals [Gabriel]:
Gundula Janowitz (soprano) (from 1966-02-22 until 1969-04-29)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor) (from 1966-02-22 until 1969-04-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (, from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:03
14Missa in tempore belli "Paukenmesse", Hob. XXII:9 in C: Gloria: Gloria in excelsis Deo
organ:
Bedřich Janáček
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1963)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1963)
conductor:
Rafael Kubelík (conductor) (in 1963)
partial recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": II. Gloria (in 1963)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": II. Gloria
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn2:49
15Ein deutsches Requiem, op. 45: II. Chorus. Denn alles Fleisch es ist wie Gras
choir vocals:
Wiener Singverein (in 1965)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1965)
conductor:
Herbert von Karajan (conductor) (in 1965)
partial recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) (in 1965)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:27