HMV - The Greatest Jazz Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

4 CD Jewel Cases in cardboard sleeve.

Individual CDs within the collection have the Cat. No.s:
CD1: 7243 5 35379 2 0
CD2: 7243 5 35380 2 6
CD3: 7243 5 35381 2 5
CD4: 7243 5 35382 2 4

Annotation last modified on 2021-03-10 15:03 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Tiger Rag
recorded in:
New York, New York, United States (on 1936-11-10)
clarinet:
Larry Shields (on 1936-11-10)
drums (drum set):
Tony Sbarbaro (on 1936-11-10)
piano:
J. Russel Robinson (on 1936-11-10)
trombone:
Eddie Edwards (Jazz trombonist) (on 1936-11-10)
trumpet:
Nick LaRocca (on 1936-11-10)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1936-11-10)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
Original Dixieland Jazz Band2:42
2Louisiana
bass saxophone:
Min Leibrook (on 1928-09-21)
clarinet:
Izzy Friedman (on 1928-09-21)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1928-09-21)
piano:
Roy Bargy (pianist) (on 1928-09-21)
trombone:
Bill Rank (on 1928-09-21)
recording of:
Louisiana (on 1928-09-21)
lyricist:
Andy Razaf and Bob Schafer
composer:
J.C. Johnson
Bix Beiderbecke & His Gang2:51
3Stormy Monday Blues
recording of:
Stormy Monday Blues
writer:
Bob Crowder (tenor saxophone), Billy Eckstine and Earl Hines (jazz pianist and bandleader)
publisher:
7 Arts and Warner Bros. (holding: file NO releases)
Earl Hines3:09
4St. Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong2:42
5High Society
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
lyricist:
Walter Melrose
composer:
Porter Steele (in 1901-04)
is based on:
High Society (march composed by Porter Steele in 1901)
Jelly Roll Morton2:53
6Swing 42
recording of:
Swing 42
composer:
Django Reinhardt (French jazz guitarist and composer) and Lawrence Riesner
Django Reinhardt2:27
7Maple Leaf Rag
recording of:
Maple Leaf Rag (catch-all for arrangements) (on 1932-09-15)
composer:
Scott Joplin (composer and pianist) (in 1901)
arrangement of:
Maple Leaf Rag (piano rag)
Sidney Bechet2:58
8In the Mood
recording of:
In the Mood
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller3:37
9Bugle Call Rag
recording of:
Bugle Call Rag
composer:
Billy Meyers (US jazz songwriter), Jack Pettis and Elmer Schoebel
Benny Goodman and His Orchestra3:01
10Basin Street Blues
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Woody Herman3:07
11Minnie the Moocher (The Ho de Ho Song)
Cab Calloway3:29
12Mood Indigo
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
vocals:
Louis Armstrong (on 1961-04-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-04)
recording of:
Mood Indigo (1930 jazz composition and song) (on 1961-04-04)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong & Duke Ellington4:01
13Cheek to Cheek
Count Basie3:21
14Straight, No Chaser
alto saxophone and flute:
Brian A. Grivna
bass:
Paul Kondziela, John Leys and Bob Daugherty (in 1971)
congas:
Candido (Cuban conga and bongo player) (in 1971)
drums (drum set):
Buddy Rich (in 1971)
flute and saxophone:
Joe Calo and Jimmy Mosher
guitar:
David Spinozza (in 1971)
percussion:
Phil Kraus
piano:
Lin Biviano and Bob Peterson (piano)
saxophone:
Don Englert and Pat LaBarbera (American-born Canadian jazz reed player)
trombone:
Tony DiMaggio, Wayne Naus and Bruce Paulson
trumpet:
John DeFlon and Jeff Stout
recording of:
Straight, No Chaser (in 1971)
composer:
Thelonious Monk
publisher:
Thelonious Music
Buddy Rich4:13
15Moonglow
recording of:
Moonglow
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
Artie Shaw3:30
16Coast to Coast
recorded in:
New York, New York, United States (on 1950-01-09)
alto saxophone:
John Coltrane (on 1950-01-09) and Jimmy Heath (on 1950-01-09)
baritone saxophone:
Al Gibson (US jazz saxophonist) (on 1950-01-09)
bongos:
Francisco Pozo (on 1950-01-09)
congas:
Carlos Duchesne (percussionist) (on 1950-01-09)
double bass:
Al McKibbon (double bassist) (on 1950-01-09)
drums (drum set):
Charles “Specs” Wright (on 1950-01-09)
guitar:
Floyd Smith (30s/40s blues guitarist) (on 1950-01-09)
piano:
Johnny Acea (US jazz pianist) (on 1950-01-09)
tenor saxophone:
Paul Gonsalves (on 1950-01-09) and Jesse Powell (US jazz saxophonist) (on 1950-01-09)
trombone:
Matthew Gee (jazz trombonist) (on 1950-01-09), Charles Greenlee (on 1950-01-09) and Sam Hurt (US 1940/50s jazz trombonist) (on 1950-01-09)
trumpet:
Willie Cook (US jazz trumpeter) (on 1950-01-09), Dizzy Gillespie (on 1950-01-09), Don Slaughter (US jazz trumpeter) (on 1950-01-09) and Elmon Wright (US 1940-70s jazz trumpeter) (on 1950-01-09)
lead vocals:
Tiny Irvin (on 1950-01-09)
vocals:
Dizzy Gillespie (on 1950-01-09)
recording of:
Coast to Coast (on 1950-01-09)
writer:
Dizzy Gillespie and Buster Harding
Dizzy Gillespie3:15
2▼CD
#TitleArtistRatingLength
1Muskrat Ramble
clarinet:
Alfie Evans (on 1943-11-11)
double bass:
Harry Patent (double bass player) (on 1943-11-11)
drums (drum set):
Nat Levine (on 1943-11-11)
guitar:
Tony Colucci (guitarist) (on 1943-11-11)
piano:
Mario Janarro (on 1943-11-11)
soprano saxophone:
Sidney Bechet (on 1943-11-11)
tenor saxophone:
Rudolph Adler (on 1943-11-11)
trombone:
Jack Epstein (on 1943-11-11)
trumpet:
Henry Levine (Dixieland / Blues) (on 1943-11-11)
recording of:
Muskrat Ramble (1926 original instrumental version) (on 1943-11-11)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
Sidney Bechet2:51
2King Porter Stomp
recording of:
King Porter Stomp
composer:
Jelly Roll Morton
Benny Goodman3:04
3Little Brown Jug
recording of:
Little Brown Jug (arr. Finegan 1939)
writer:
Joseph Eastburn Winner (composer/publisher) (in 1868)
arranger:
John Wasson and Bill Finegan (in 1939)
arrangement of:
Little Brown Jug
Glenn Miller2:55
4Black and Tan Fantasy
recording of:
Black and Tan Fantasy
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
Duke Ellington5:11
5It’s a Sin to Tell a Lie
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-06-05)
drums (drum set):
Arnold Boling (on 1936-06-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-06-05)
piano:
Fats Waller (on 1936-06-05)
reeds:
Gene Sedric (on 1936-06-05)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-06-05)
vocals:
Fats Waller (on 1936-06-05)
cover recording of:
It’s a Sin to Tell a Lie (on 1936-06-05)
lyricist and composer:
Billy Mayhew (in 1936)
Fats Waller2:57
6How High the Moon
recorded in:
Los Angeles, California, United States (on 1949-09-29)
piano:
Art Tatum (US jazz pianist) (on 1949-09-29)
instrumental recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Art Tatum3:04
7April in Paris
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Coleman Hawkins3:56
8Wonderful Thing
Count Basie2:36
9The Night Is Blue
Red Norvo Sextet7:07
10Cotton Tail
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
vocals:
Louis Armstrong (on 1961-04-04)
recording of:
Cotton Tail (on 1961-04-04)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Louis Armstrong & Duke Ellington3:48
11Salt Peanuts
Bud Powell Trio2:25
12Crazeology
recording of:
Crazeology (on 1947-12-17)
composer:
Benny Harris
Charlie Parker3:08
13I Can't Get Started
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
live recording of:
I Can’t Get Started (in 1956-07)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Chet Baker3:10
14Boplicity
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1949-04-22)
baritone saxophone:
Gerry Mulligan (on 1949-04-22)
double bass:
Nelson Boyd (on 1949-04-22)
drums (drum set):
Kenny Clarke (on 1949-04-22)
French horn:
Sanford J. Siegelstein (on 1949-04-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-04-22)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1949-04-22)
tuba:
Bill Barber (Jazz tuba player) (on 1949-04-22)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
WOR Studios in New York, New York, United States (on 1949-04-22)
recording of:
Boplicity (on 1949-04-22)
composer:
Gil Evans (Canadian–American jazz pianist and composer) and Cleo Henry
publisher:
Sophisticated Music
Miles Davis43:02
15Moonlight in Vermont
double bass [bass]:
Eddie Safranski (on 1952-03-11)
drums (drum set):
Don Lamond (on 1952-03-11)
electric guitar [guitar]:
Johnny Smith (jazz guitarist) (on 1952-03-11)
piano:
Sanford Gold (on 1952-03-11)
tenor saxophone:
Stan Getz (on 1952-03-11)
instrumental recording of:
Moonlight in Vermont (on 1952-03-11)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Stan Getz3:16
16Enchantment
recording engineer:
Rudy van Gelder (on 1956-11-10)
bass:
Doug Watkins (on 1956-11-10)
drums (drum set):
Louis Hayes (on 1956-11-10)
piano:
Horace Silver (on 1956-11-10)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-11-10)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-11-10)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-10)
recording of:
Enchantment (on 1956-11-10)
composer:
Horace Silver
The Horace Silver Quintet6:20
3▼CD
#TitleArtistRatingLength
1Lazy Bird (alternate take)
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Lazy Bird (original instrumental composition) (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
John Coltrane7:13
2Chance It
Miles Davis3:05
3You Go to My Head
recorded in:
New York, New York, United States (on 1950-05-17)
double bass [bass]:
Tommy Potter (on 1950-05-17)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1950-05-17)
piano:
Al Haig (on 1950-05-17)
tenor saxophone:
Stan Getz (on 1950-05-17)
instrumental recording of:
You Go to My Head (on 1950-05-17)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Stan Getz3:02
4Turtle Walk
DJ-mixer:
MURO (Japanese hip hop DJ/producer)
Lou Donaldson4:49
5Maiden Voyage
recording of:
Maiden Voyage
composer:
Herbert J. Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Co.
Herbie Hancock6:12
6Indiana
Bud Powell2:47
752nd Street Theme
recording of:
52nd Street Theme
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
Sonny Rollins4:34
8Sam's Tune
Art Blakey5:52
9Cheesecake
recording of:
Cheese Cake
composer:
Dexter Gordon
Dexter Gordon6:33
10It Had to Be You
Artie Shaw2:37
11Flying Home
recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald)
lyricist:
Sid Robin (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (instrumental version)
Lionel Hampton2:58
12Love for Sale
live recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Buddy Rich4:39
13Autumn Leaves
recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Cannonball Adderley & Miles Davis11:00
14Finger Poppin'
The Horace Silver Quintet4:48
15Somethin' Cute
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1966-09-29)
bass:
Paul Chambers (US jazz bassist) (on 1966-09-29)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1966-09-29)
piano:
Cedar Walton (on 1966-09-29)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1966-09-29)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1966-09-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-29)
Lee Morgan5:39
16The Worm
Jimmy McGriff2:58
4▼CD
#TitleArtistRatingLength
1Soul Lament
recording engineer:
Rudy van Gelder (on 1963-01-07)
producer:
Alfred Lion
electric guitar:
Kenny Burrell (on 1963-01-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
recording of:
Soul Lament (on 1963-01-07)
composer:
Kenny Burrell
Kenny Burrell2:44
2Sunday Mornin'
recording engineer:
Rudy van Gelder (on 1961-06-04)
double bass:
Ben Tucker (on 1961-06-04)
drums (drum set):
Ben Dixon (Jazz drummer) (on 1961-06-04)
guitar:
Grant Green (jazz guitarist) (on 1961-06-04)
piano:
Kenny Drew (on 1961-06-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-04)
Grant Green4:03
3Fingerpickin'
Wes Montgomery2:33
4You Stepped Out of a Dream
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-04-14)
drums (drum set):
Art Blakey (on 1957-04-14)
piano:
Horace Silver (on 1957-04-14)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-04-14)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-04-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-14)
instrumental cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (on 1957-04-14)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
Sonny Rollins6:24
5Long Ago and Far Away
alto saxophone:
Art Pepper (on 1957-04-01)
double bass [bass]:
Ben Tucker (on 1957-04-01)
drums (drum set):
Chuck Flores (on 1957-04-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (on 1957-04-01)
recorded at:
Audio Arts in Los Angeles, California, United States (on 1957-04-01)
instrumental recording of:
Long Ago (and Far Away) (on 1957-04-01)
lyricist:
Ira Gershwin
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and T.B. Harms Co. (in 1944)
part of:
The 17th Academy Award for Best Original Song (number: 2)
included in:
Cover Girl (1944)
Art Pepper4:11
6Work Song
recording of:
Work Song (original instrumental)
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
Cannonball Adderley & Miles Davis5:18
7Watermelon Man
recording of:
Watermelon Man (with Lyrics)
lyricist:
Jon Hendricks
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
is based on:
Watermelon Man
version of:
Watermelon Man
Herbie Hancock5:31
8I've Got a Woman
Jimmy McGriff4:35
9Suicide City
bass:
Reggie Workman (on 1968-05-03)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1968-05-03)
piano:
Cedar Walton (on 1968-05-03)
tenor saxophone:
Bennie Maupin (on 1968-05-03)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1968-05-03)
arranger:
Cal Massey
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1968-05-03)
Lee Morgan7:27
10Whisper Not
Art Blakey7:16
11Since I Fell for You
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1958-07-15)
guitar:
Kenny Burrell (on 1958-07-15)
organ:
Jimmy Smith (US jazz organist) (on 1958-07-15)
instrumental recording of:
Since I Fell for You (on 1958-07-15)
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Since I Fell for You
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jimmy Smith4:20
12Smile
recording engineer:
Rudy van Gelder (on 1961-05-09)
producer:
Alfred Lion (in 1961)
double bass:
Paul Chambers (US jazz bassist) (on 1961-05-06)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1961-05-06)
piano:
Kenny Drew (on 1961-05-06)
tenor saxophone:
Dexter Gordon (on 1961-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-05-06)
recording of:
Smile (Modern Times; original instrumental version) (on 1961-05-06)
writer:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Dexter Gordon3:23
13I’ve Grown Accustomed to Her Face
recording engineer:
Rudy van Gelder (on 1968-05-17)
producer:
Francis Wolff (photographer and record producer)
piano:
McCoy Tyner (jazz pianist) (on 1968-05-17)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1968-05-17)
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (on 1968-05-17)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
McCoy Tyner4:29
14Minor Bash
Lou Donaldson6:20
15Angel
recorded in:
New York, New York, United States (on 1974-06-13)
engineer:
Gus Mossler and Bob Simpson (US jazz engineer/producer)
producer:
Gil Evans (Canadian–American jazz pianist and composer) and Mike Lipskin
mixer:
Dick Baxter (Mastering engineer at BMG / RCA Studios, New York) (in 1974) and Bob Simpson (US jazz engineer/producer) (in 1974)
alto flute and soprano saxophone:
David Sanborn (on 1974-06-13)
bass:
Michael Moore (Bass player) (on 1974-06-13) and Don Pate (on 1974-06-13)
clarinet:
Howard Johnson (tuba & baritone saxophone) (on 1974-06-13)
congas and membranophone:
Sue Evans (on 1974-06-13)
drums (drum set):
Bruce Ditmas (on 1974-06-13)
electric guitar:
John Abercrombie (American jazz guitarist) (on 1974-06-13) and 川崎燎 (Ryo Kawasaki, guitar) (on 1974-06-13)
electric piano and synthesizer and keyboard [keyboards]:
David Horowitz (jazz pianist, keyboardist, composer) (on 1974-06-13)
flute and saxophone:
Tom “Bones” Malone (US trombonist) (on 1974-06-13)
flute and tenor saxophone:
Billy Harper (on 1974-06-13)
French horn:
Peter Gordon (French hornist) (on 1974-06-13)
guitar:
Keith Loving (guitarist) (on 1974-06-13)
keyboard and piano:
Gil Evans (Canadian–American jazz pianist and composer) (on 1974-06-13)
percussion:
Susan Evans (on 1974-06-13) and Warren Smith,Jr (jazz percussionist) (on 1974-06-13)
saxophone:
Trevor Koehler (on 1974-06-13) and David Sanborn (on 1974-06-13)
synthesizer:
Pete Levin (American jazz keyboardist, composer and horn player) (on 1974-06-13)
trumpet:
Hannibal Marvin Peterson (Hannibal Lokumbe) (on 1974-06-13) and Lew Soloff (on 1974-06-13)
wind instruments:
Tom Malone (US trombonist) (on 1974-06-13)
woodwind:
Billy Harper (on 1974-06-13), Trevor Koehler (on 1974-06-13) and David Sanborn (on 1974-06-13)
orchestra:
The Gil Evans Orchestra (on 1974-06-13)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1974-06-13)
remixer:
Tony May (engineer)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1974-06-13)
cover recording of:
Angel (on 1974-06-13)
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, L.L.C., Warner Chappell Music (publisher as Warner/Chappell Music) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Gil Evans4:12
16Magic in Your Eyes
Earl Klugh4:56