Bach 333: New Colours of Bach

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2018 Deutsche Grammophon GmbH, Berlin»
℗ «This Compilation»

Annotation last modified on 2023-05-27 08:49 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Prelude and Fugue in C (Ulrich Schnauss rework)
recorded in:
London (Greater London), England, United Kingdom (from 1984 until 2016)
programming:
Ulrich Schnauss
producer:
Michael Haas (classical music producer)
keyboard and synthesizer:
Ulrich Schnauss (from 1984 until 2016)
piano:
András Schiff (pianist) (from 1984 until 2016)
remixer:
Ulrich Schnauss
recording of:
Prelude and Fugue in C major, BWV 545a (from 1984 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 545a)
Johann Sebastian Bach4:33
2Recomposed by Peter Gregson: Cello Suite no. 1 in G major, BWV 1007: 3. Courante
engineer:
Adam Miller (engineer)
producer:
Laurie Anderson (experimental/art rock musician) and Peter Gregson (British cellist and composer)
cello:
Ben Chappell (from 2018-02 until 2018-03), Reinoud Ford (from 2018-02 until 2018-03), Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03), Richard Harwood (from 2018-02 until 2018-03), Katherine Jenkinson (cellist) (from 2018-02 until 2018-03) and Tim Lowe (cellist) (from 2018-02 until 2018-03)
synthesizer:
Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2018-02 until 2018-03)
recording of:
Bach: The Cello Suites - Recomposed by Peter Gregson - Suite No. 1 in G Major, BWV 1007: 3. Courante (from 2018-02 until 2018-03)
composer:
Peter Gregson (British cellist and composer)
part of:
Suite No. 1 in G Major, BWV 1007
Peter Gregson2:28
3Prelude and Fugue in G, BWV 550: 2. Fugue
engineer:
John Dunkerley (engineer)
producer:
Michael Haas (classical music producer)
orchestra:
Amsterdam Loeki Stardust Quartet (in 1987-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-03)
recording of:
Präludium und Fuge G-Dur, BWV 550: II. Fuge (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Präludium und Fuge G-Dur, BWV 550: II. Fuge
Johann Sebastian Bach3:25
4Suite no. 3 in D major, BWV 1068: II. Air
producer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
instruments:
Trondheim Soloists (in 2007-02)
violin:
Anne‐Sophie Mutter (violinist) (in 2007-02)
orchestra:
TrondheimSolistene (Trondheim Soloists)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2007-02)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:48
5French Suite no. 1 in D minor, BWV 812: Menuet II
producer:
Moritz von Oswald
piano:
Francesco Tristano (classical and experimental pianist and composer) (in 2010)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2010)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: V. Menuet II - Menuet I da capo (in 2010)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach1:42
6Re‐Inventions: No. 1. for Descant Recorder (after Invention no. 8 in F major by J.S. Bach)
engineer:
Russell Thomson (sound engineer)
producer:
Stephen Snelleman (producer)
soprano recorder:
Genevieve Lacey (in 2008-08)
orchestra:
Flinders Quartet (in 2008-08)
recorded at:
Iwaki Auditorium in Melbourne, Victoria, Australia (in 2008-08)
recording of:
Inventio Nr. 8 F-Dur, BWV 779 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Inventio Nr. 8 F-Dur, BWV 779
Elena Kats‐Chernin4:25
7Herzlich tut mich verlangen, BWV 727
engineer:
Ko Witteveen (engineer)
producer:
Martha de Francisco (classical producer and engineer)
organ:
Simon Preston (organist, conductor, composer) (in 1991-06)
trumpet:
Håkan Hardenberger (classical trumpeter) (in 1991-06)
recorded at:
Sorø Klosterkirke in Sorø, Region Zealand, Denmark (in 1991-06)
recording of:
Herzlich tut mich verlangen, BWV 727 (catch-all for arrangements) (in 1991-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Herzlich tut mich verlangen, BWV 727
Johann Sebastian Bach2:44
8Badinerie (live)
recorded in:
Leksand, Dalarna (Dalarna county), Sweden (in 2005-08) and Örebro, Örebro (Örebro County), Sweden (in 2005-08)
engineer:
Björn Lehnberg (engineer)
producer:
Benny Andersson (ABBA)
orchestra:
Benny Anderssons orkester (in 2005-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
live recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
Johann Sebastian Bach2:55
9St. Matthew Passion, BWV 244: Pt. 2: No. 39, Erbarme dich
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist) (in 2003-03)
oboe d'amore:
Albrecht Mayer (oboist)
violin:
Nigel Kennedy (violinist) (in 2003-03)
orchestra:
Sinfonia Varsovia (in 2003-03)
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2003-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria "Erbarme dich, mein Gott" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
Johann Sebastian Bach6:16
10Above And Below, B minor (after Bach/Siloti, BWV 855)
producer:
Peter Gregson (British cellist and composer)
cello and synthesizer:
Peter Gregson (British cellist and composer) (in 2018-05)
piano:
Víkingur Ólafsson (pianist) (in 2018-05)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2018-05)
recording of:
Prelude in B minor, BWV 855a (for piano solo, Siloti)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Александр Зилоти (Alexander Siloti)
arrangement of:
Præludium und Fughetta e-Moll, BWV 855.1/855a (Prelude and Fughetta in E minor, BWV 855.1//855a)
Johann Sebastian Bach3:01
11Prelude and Fugue in E minor, BWV 855: I. Prelude (arr. Fourés)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo cello:
Christiane Starke (cellist) (from 2012-06 until 2012-07)
solo viola:
Juan Lucas Aisemberg (from 2012-06 until 2012-07)
violin:
Daniel Hope (violinist) (from 2012-06 until 2012-07)
arranger:
Olivier Fourés
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (from 2012-06 until 2012-07)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855: Prelude (catch-all for arrangements) (from 2012-06 until 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855.2/855: Prelude
Johann Sebastian Bach3:05
124 Duets, BWV 802/805: Duett I in E minor, BWV 802
producer:
Moritz von Oswald
piano:
Francesco Tristano (classical and experimental pianist and composer) (in 2010)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2010)
recording of:
Duetto Nr. 1 e-Moll, BWV 802 (in 2010)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 802)
Johann Sebastian Bach2:09
13Suite for Cello Solo no. 3 in C, BWV 1009: 3. Courante (arr. for guitar by celedonio romero)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1998-01)
arranger:
Celedonio Romero
recorded at:
Mission San Luis Rey de Francia in Oceanside, California, United States (in 1998-01)
recording of:
Suite no. 3 C-Dur, BWV 1009: III. Courante (catch-all for arrangements) (in 1998-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: III. Courante (Cello Suite No. 3 in C major, BWV 1009: III. Courante)
part of:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
Johann Sebastian Bach2:49
14Recomposed by Peter Gregson: Cello Suite no. 5 in C minor, BWV 1011: 5. Gavottes
engineer:
Adam Miller (engineer)
producer:
Laurie Anderson (experimental/art rock musician) and Peter Gregson (British cellist and composer)
cello:
Ben Chappell (from 2018-02 until 2018-03), Reinoud Ford (from 2018-02 until 2018-03), Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03), Richard Harwood (from 2018-02 until 2018-03), Katherine Jenkinson (cellist) (from 2018-02 until 2018-03) and Tim Lowe (cellist) (from 2018-02 until 2018-03)
synthesizer:
Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2018-02 until 2018-03)
recording of:
Bach: The Cello Suites - Recomposed by Peter Gregson - Suite No. 5 in C Minor, BWV 1011: 5. Gavottes (from 2018-02 until 2018-03)
composer:
Peter Gregson (British cellist and composer)
part of:
Suite No. 5 in C Minor, BWV 1011
Johann Sebastian Bach3:09
15Magnificat in D major, BWV 243: No. 9. Esurientes implevit bonis (arr. Tarkman for oboe and ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist) (in 2003-03)
orchestra:
Sinfonia Varsovia (in 2003-03)
conductor:
Albrecht Mayer (oboist)
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2003-03)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements) (in 2003-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Andreas N. Tarkmann (German composer)
arrangement of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
Johann Sebastian Bach2:56
16Widerstehe doch der Sünde, BWV 54 (transcr. by Víkingur Ólafsson)
engineer and producer:
Christopher Tarnow
piano:
Víkingur Ólafsson (pianist) (from 2018-04-01 until 2018-04-04)
piano technician:
Sigurður Kristinsson
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2018)
recorded at:
Harpa in Reykjavík, Höfuðborgarsvæðið (Capital Region), Iceland (from 2018-04-01 until 2018-04-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" (from 2018-04-01 until 2018-04-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach4:29
17Gottes Zeit ist die allerbeste Zeit, BWV 106: I. Sonatina (transcr. for piano four hands by György Kurtàg)
engineer and producer:
Christopher Tarnow
piano:
Halla Oddný Magnúsdóttir (in 2018-04) and Víkingur Ólafsson (pianist) (in 2018-04)
recorded at:
Harpa Concert Hall in Reykjavík, Höfuðborgarsvæðið (Capital Region), Iceland (in 2018-04)
recording of:
Sonatina from Gottes Zeit ist die allerbeste Zeit, BWV 106 (for piano duo, Kurtág)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
György Kurtág (composer)
arrangement of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina
part of:
Transkriptionen von Machaut bis J. S. Bach
Johann Sebastian Bach2:09
18Suite for Cello Solo no. 4 in E-flat, BWV 1010 (transcribed for viola): 3. Courante
engineer and producer:
Ursula Singer
viola:
Nobuko Imai (Japanese violist) (in 1999-01)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-01)
recording of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: III. Courante (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: III. Courante (Cello Suite No. 4 in E-flat major, BWV 1010: III. Courante)
Johann Sebastian Bach3:11
19Recomposed by Peter Gregson: Cello Suite no. 4 in E‐flat major, BWV 1010: 3. Courante
engineer:
Adam Miller (engineer)
producer:
Laurie Anderson (experimental/art rock musician) and Peter Gregson (British cellist and composer)
cello:
Ben Chappell (from 2018-02 until 2018-03), Reinoud Ford (from 2018-02 until 2018-03), Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03), Richard Harwood (from 2018-02 until 2018-03), Katherine Jenkinson (cellist) (from 2018-02 until 2018-03) and Tim Lowe (cellist) (from 2018-02 until 2018-03)
synthesizer:
Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2018-02 until 2018-03)
recording of:
Bach: The Cello Suites - Recomposed by Peter Gregson - Suite No. 4 in E-Flat Major, BWV 1010: 3. Courante (from 2018-02 until 2018-03)
composer:
Peter Gregson (British cellist and composer)
part of:
Suite No. 4 in E-Flat Major, BWV 1010
Peter Gregson2:04
20Das Wohltemperierte Klavier: Book 2, BWV 870-893: 17. Fugue in A-flat major, BWV 886 (transcr. in B‐flat and arr. by Emanuel Aloys Förster)
engineer and producer:
Da-Hong Seetoo
string quartet:
Emerson String Quartet (in 2007-12)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 2007-12)
recording of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 17 in A-flat major, BWV 886: Fugue (for string quartet, Förster) (in 2007-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
arranger:
Emanuel Aloys Förster
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 17 in A-flat major, BWV 886: Fugue
Johann Sebastian Bach2:19
21Fugue in G minor, BWV 578 “The Little” (arr. by Ronald Romm)
producer:
Hein Dekker (recording producer)
performer:
Canadian Brass (in 1990-08)
recorded at:
Church of St. Mary Magdalene in Toronto, Ontario, Canada (in 1990-08)
recording of:
Fugue in G minor, BWV 578 (catch-all for arrangements) (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Fugue in G minor, BWV 578 ("Little")
Johann Sebastian Bach3:36
22Goldberg Variations, BWV 988: 1. Aria
engineer and producer:
Hywel Wigley (engineer)
harp:
Catrin Finch (harpist) (in 2008-03)
harp arranger:
Catrin Finch (harpist)
recorded at:
Acapela Studio (Cardiff) in Pentyrch, Cardiff, Wales, United Kingdom (in 2008-03)
recording of:
Goldberg-Variationen, BWV 988: Aria (catch-all for arrangements) (in 2008-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1841)
arrangement of:
Goldberg-Variationen, BWV 988: Aria (opening)
part of:
Goldberg-Variationen, BWV 988 (catch-all for arrangements)
Johann Sebastian Bach3:33
23Sonata for Flute or Violin no. 5 in E minor, BWV 1034: III. Andante (transcr. for mandolin and continuo by Avi Avital)
engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
cello:
Ira Givol (in 2011-10)
harpsichord:
Shalev Ad-El (conductor, harpsichordist and organist) (in 2011-10)
mandolin:
Avi Avital (Israeli mandolinist) (in 2011-10)
theorbo:
Ophira Zakai (Israeli lutenist) (in 2011-10)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 2011-10)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2011-10) and Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2011-10)
recording of:
Sonata in E minor, BWV 1034: III. Andante (for mandolin and orchestra, arr. Avi Avital) (in 2011-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Avi Avital (Israeli mandolinist)
arrangement of:
Sonata for Flute and Continuo in E minor, BWV 1034: III. Andante
part of:
Sonata in E minor, BWV 1034 (for mandolin and orchestra, arr. Avi Avital)
Johann Sebastian Bach3:20
24Recomposed by Peter Gregson: Cello Suite no. 1 in G major, BWV 1007: 6. Giguen
engineer:
Adam Miller (engineer)
producer:
Laurie Anderson (experimental/art rock musician) and Peter Gregson (British cellist and composer)
cello:
Ben Chappell (from 2018-02 until 2018-03), Reinoud Ford (from 2018-02 until 2018-03), Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03), Richard Harwood (from 2018-02 until 2018-03), Katherine Jenkinson (cellist) (from 2018-02 until 2018-03) and Tim Lowe (cellist) (from 2018-02 until 2018-03)
synthesizer:
Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2018-02 until 2018-03)
recording of:
Bach: The Cello Suites - Recomposed by Peter Gregson - Suite No. 1 in G Major, BWV 1007: 6. Gigue (from 2018-02 until 2018-03)
composer:
Peter Gregson (British cellist and composer)
part of:
Suite No. 1 in G Major, BWV 1007
Peter Gregson2:01
25The Art of the Fugue, BWV 1080: 1. Contrapunctus I
engineer:
Guillaume Mis (engineer)
producer:
Richard Galliano and Emmanuel Jolivet (producer)
chromatic button accordion:
Richard Galliano (in 2009-09)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2009-09)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (catch-all for arrangements) (in 2009-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1
part of:
Die Kunst der Fuge, BWV 1080 (catch-all for arrangements)
Johann Sebastian Bach4:38