100 Meisterwerke der klassischen Musik

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

contains 5 single jewel cases (with no barcode on back cover).

Annotation last modified on 2018-05-25 14:12 UTC.

Tracklist

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1CD
#TitleArtistRatingLength
1Der Frühling (aus “Die Jahreszeiten”)
instruments and orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
conductor:
Károly Botvay (cellist and conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Vivaldi3:38
2Air (aus Ouvertüre Nr. 3)
timpani:
Ralph Peinkofer (percussionist)
trumpet:
Wolfgang Basch Trumpet Ensemble
violin:
Wolfgang Hock
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Bach34:29
3Türkischer MarschMozart43:41
4Préghiera (“Ave verum” | aus “Mozartiana-Suite”)
orchestra:
Radio Symphonie Orchester Stuttgart (Stuttgart Radio Symphony Orchestra) (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": III. Preghiera: Andante non tanto (in 1987)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) and Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1887)
orchestration of:
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version)
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
Tschaikovsky3:47
5Alla Hornpipe (aus “Wassermusik”)
instruments:
Bläserensemble ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
strings:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
orchestra:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Händel4:05
6Allegretto (Symphonie Nr. 3)
orchestra:
Budapest Philharmonic Orchestra
conductor:
Janos Kovacs (conductor)
Schubert4:34
7Soldatentanz (aus “Wilhelm Tell”)Rossini5:16
8Barcarole (aus “Les saisons”)
piano:
Jenö Jando (pianist)
recording of:
The Seasons, op. 37a: VI. June “Barcarolle” (ended)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
Tschaikovsky5:10
9Hochzeitsmarsch (aus “Ein Sommernachtstraum”)
orchestra:
Budapest Philharmonic Orchestra
conductor:
Adam Fischer (Hungarian conductor) and János Kovács (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Mendelssohn5:00
10Intermezzo (aus “Carmen”)
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Bizet2:43
11Hornkonzert Nr. 3 (3. Satz, Allegro)
French horn:
Bernd Heiser (horn player, an Alfred Scholz pseudonym)
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 3 in E-flat major, K. 447: III. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1787)
part of:
Concerto for Horn no. 3 in E-flat major, K. 447
Mozart43:53
12Caro mio ben
cello:
Károly Botvay (cellist and conductor)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Caro mio ben
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani and Tommaso Giordani
publisher:
G. Schirmer Inc.
Giordani3:11
13Lied ohne Worte in E-Dur, op.19,1
piano:
Jenö Jando (pianist)
recording of:
Lied ohne Worte E-Dur, op. 19b Nr. 1 (Song Without Words in E major, Op. 19b No. 1)
composer:
Felix Mendelssohn (composer) (from 1829 until 1830)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 86)
part of:
Lieder ohne Worte, op. 19b (Songs Without Words, op. 19b)
Mendelssohn3:18
14Tanz der Schwäne (aus “Schwanensee”)
orchestra:
Prague Festival Orchestra and Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Pavel Urbanek (an Alfred Scholz pseudonym) and Hans Vonk (conductor)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato (Popularly known as "Dance of the Little Swans")
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Tschaikovsky1:32
15Frühlings-Symphonie (3. Satz, Scherzo)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra)
conductor:
Sir Neville Marriner (conductor)
Schumann5:45
16Wiegenlied
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Brahms1:49
17Anitras Tanz (aus “Peer Gynt”)
orchestra:
Budapest Philharmonic Orchestra and Hungarian National Philharmonic Orchestra (Hungarian National Philharmonic)
conductor:
János Sándor
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans
part of:
Peer Gynt Suite no. 1, op. 46
Grieg3:39
18Farandole (aus “L’Arlesienne”)
orchestra:
Budapest Philharmonic Orchestra
conductor:
János Sándor
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Bizet3:37
19Klavierkonzert Nr. 23 (2. Satz, Andante)
piano:
Daniel Gerard (classical pianist, Alfred Scholz related) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
Mozart5:56
20Tritsch-Tratsch-Polka
orchestra:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
Tritsch–Tratsch Polka, op. 214
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1858)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
J. Strauss (Sohn)2:38
2CD
#TitleArtistRatingLength
1Les Toréadors (aus “Carmen”)
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic), Orchester der Zagreber Oper (Alfred Scholz related), Orchestre radio symphonique de Paris, Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Jovan Šajnović (conductor, Alfred Scholz related), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Bizet2:17
2Barcarole (“Hoffmanns Erzählungen”)
orchestra:
Budapest Philharmonic Orchestra
conductor:
János Sándor
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Offenbach3:30
3Danse espagnole (“Schwanensee”)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
part of:
Swan Lake, op. 20: Act III (ed. Drigo)
Tschaikowsky2:40
4Mondscheinsonate (1. Satz, Adagio sostenuto)Beethoven25:26
5Mandolinenkonzert (1. Satz, Allegro)
mandolin [Mandoline]:
Lajos Mayer (Mandolin player)
Vivaldi3:13
6Kanon in D-dur
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Pachelbel24:24
7Praeludium in c-moll
lute and lute [Laute]:
Franz Just (lutist)
recording of:
Prelude in C minor, BWV 999 (original for lute)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 999) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 999)
Bach2:09
8Deutscher Tanz Nr. 1
strings:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
concertmaster:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
5 Deutsche Tänze, D. 90: Nr. 1
composer:
Franz Schubert (composer) (on 1813-11-19)
part of:
5 Deutsche Tänze, D. 90
Schubert3:52
9Liebestraum Nr. 3 in As-dur
piano:
Donatella Failoni
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Liszt4:15
10Panorama (aus “Dornröschen”)
orchestra:
Festivalový orchestr Praha (Prague Festival Orchestra) and Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Tschaikowsky3:01
11Slawischer Tanz Nr. 1 in C-dur
orchestra:
Hungarian State Orchestra (Hungarian National Philharmonic)
conductor:
Ádám Fischer (Hungarian conductor)
performer:
Hungarian National Philharmonic Orchestra (Hungarian National Philharmonic)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Dvorak4:13
12Träumerei
piano:
Evelyne Dubourg (pianist)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Schumann3:05
13Rüpeltanz (aus “Ein Sommernachtstraum”)
orchestra:
Budapest Philharmonic Orchestra
conductor:
János Kovács (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 11. Ein Tanz von Rüpeln (Bergamasca). Allegro di molto
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Mendelssohn1:50
14Oboenkonzert in d-moll (2. Satz, Adagio)Bach23:07
15Tambourin (Dardanus-Suite, 4. Satz)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
Rameau2:27
16Chanson triste
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
concertmaster:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Chanson triste, op. 40 no. 2 (catch-all for arrangements)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
arrangement of:
12 pieces, op. 40 no. 2: Chanson triste (for piano)
Tschaikowsky1.53:15
17Alborada (aus “Capriccio Espagnol”)
orchestra:
Oskar Danon (conductor) and Royal Philharmonic Orchestra
recording of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
dedicated to:
Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
part of:
Works of Nikolai Rimsky-Korsakov by opus number (number: op. 34)
Rimsky-Korsakoff1:27
18Klavierkonzert Nr. 2 (2. Satz, Larghetto)
piano:
Adam Harasiewicz (pianist)
orchestra:
Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra)
conductor:
Kazimierz Kord (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Chopin8:27
19Gavotte (“Aus Holbergs Zeit”)
strings:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
Grieg3:11
20An der schönen blauen Donau, Walzer, op. 314
orchestra:
Strauss-Orchestra Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
J. Strauss (Sohn)10:54
3CD
#TitleArtistRatingLength
1Morgenstimmung (aus “Peer Gynt”)
piano:
Daniel Gerrard
orchestra:
Budapest Philharmonic Orchestra
conductor:
János Sándor
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Grieg3:33
2Venezianisches Gondellied
piano:
Jenö Jando (pianist)
recording of:
Lied ohne Worte a-Moll, op. 62 Nr. 5 (Song Without Words in A minor, Op. 62 No. 5, Venetianisches Gondellied)
composer:
Felix Mendelssohn (composer) (from 1842 until 1844)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 151)
part of:
Lieder ohne Worte, op. 62 (Songs Without Words, op. 62, for piano)
recording of:
Lied ohne Worte fis-Moll, op. 30 Nr. 6 (Song Without Words in F-sharp minor, Op. 30 No. 6, Venetianisches Gondellied) (ended)
composer:
Felix Mendelssohn (composer) (from 1833 until 1834)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 110)
part of:
Lieder ohne Worte, op. 30 (Songs Without Words, op. 30)
Mendelssohn2:45
3Pastorale (aus “L’ Arlesienne”)Bizet5:29
4Walkürenritt (aus “Die Walküre”)
orchestra:
Budapest Symphony Orchestra and Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
conductor:
György Lehel (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Wagner55:23
5Elfenmarsch (aus “Ein Sommernachtstraum”)
orchestra:
Budapest Philharmonic Orchestra
performer:
Janos Kovacs (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 2. Elfenreigen. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Mendelssohn1:45
6Symphonie Nr. 5 (1. Satz, Allegro con brio)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Herbert Kegel (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Beethoven47:16
7Abschied (aus “Waldszenen”)
piano:
Evelyne Dubourg (pianist)
recording of:
Waldszenen, op. 82: IX. Abschied. Nicht zu schnell
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Schumann3:25
8Persischer Marsch
orchestra:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
Persischer Marsch, op. 289
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 289)
J. Strauss2:23
9Frühlingslied
orchestra and performer:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Lied ohne Worte A‐Dur, op. 62 Nr. 6 (catch‐all for arrangements)
composer:
Felix Mendelssohn (composer) (from 1842 until 1844)
arrangement of:
Lied ohne Worte A-Dur, op. 62 Nr. 6 (Song Without Words in A major, Op. 62 No. 6, Frühlingslied / Spring Song; original for piano)
Mendelssohn2:45
10Seguidilla (“Carmen”)
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
Bizet1:54
11Romanze, op. 5
strings:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
Tschaikowsky5:37
12Wassermusik (Suite Nr. 1, Allegro)
instruments:
Bläserensemble ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
strings:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
Händel3:05
13Sicilliano
performer:
Collegium Musicum (New Bach Collegium Musicum)
recording of:
Siciliano
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Bach2:22
14Mazurka in h-moll, op. 30,2
piano:
Kemal Gekic (pianist)
recording of:
Mazurka no. 19 in B minor, op. 30 no. 2
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 30
Chopin1:20
15Adagietto (Symphonie Nr. 5)
orchestra:
Budapest Festival Orchestra
conductor:
Iván Fischer (conductor)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Mahler9:47
16An den Frühling
piano:
Jenő Jandó (pianist)
recording of:
Lyriske stykker, hefte III, op. 43: No. 6: Til våren (Lyric Pieces, Book III, op. 43: no. 6: To the Spring)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte III, op. 43 (Lyric pieces, book III, op. 43)
Grieg2:25
17Pas de quatre. Adagio (aus “Dornröschen”)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
Tschaikowsky2:13
18Flötenkonzert (Andante)Buffardin3:37
19Faust (Ballettmusik, Allegro vivo)
orchestra:
Budapest Philharmonic Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
János Sándor and Alfred Scholz
recording of:
Faust : Acte V. Ballet VII. Danse de Phryné: Allegro vivo
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Gounod2:40
20Der Barbier von Sevilla (Ouvertüre)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra (Plovdiv Philharmonic Orchestra), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Anton Nanut (conductor), Rouslan Raychev (Rouslan Raichev, conductor) and Alfred Scholz
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Il barbiere di Siviglia: Sinfonia
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Rossini47:42
4CD
#TitleArtistRatingLength
1Eine kleine Nachtmusik (1. Satz, Allegro)
orchestra:
Franz Liszt Chamber Orchestra (Franz Liszt Chamber Orchestra)
conductor:
Janos Rolla (violinist and conductor) and Sandor Frigyes (conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Mozart5:43
2Largo
instruments and orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Händel33:06
3Von fremden Ländern und Menschen
piano:
Evelyne Dubourg (pianist)
recording of:
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Schumann1:34
4Brandenburgerisches Konzert Nr. 2 (3. Satz, Allegro assai)
engineer:
Teije van Geest (engineer/producer)
producer:
Wolf Erichson (engineer/producer) and Christian Lange (producer / organist)
editor:
Johannes Kernmayer
cello:
Christoph Henkel (cellist)
oboe:
Günther Zorn (oboist)
recorder:
Walter van Hauwe
trumpet:
Wolfgang Basch
violin:
Ernst Mayer‐Schierning (violinist)
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Bach2:42
5Siciliano
violin:
János Rolla (violinist and conductor)
orchestra:
Franz Liszt Kammerorchester (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
János Rolla (violinist and conductor)
recording of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565: II. Largo e spiccato
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565
Vivaldi3:00
6Sonata facile (1. Satz, Allegro)
piano:
Jenö Jando (pianist)
Mozart3:06
7Szene Nr. 10 (aus “Schwanensee”)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
Tschaikowsky2:49
8Habanera (aus “Carmen”)
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Carmen Suite no. 2: II. Habanera
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
Bizet42:10
9Polonaise (aus “Ein Leben für den Zaren”)
orchestra:
Philharmonische Orchester Plovdiv (Plovdiv Philharmonic Orchestra)
conductor:
Rouslan Raychev (Rouslan Raichev, conductor)
Glinka4:18
10Walzer (Streicherserenade)
orchestra:
Berlin Chamber Orchestra and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Serenade for Strings in E major, op. 22, B. 52: II. Tempo di valse
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Dvorak55:58
11Klaviersonate Nr. 8 “Pathétique” (2. Satz, Adagio cantabile)Beethoven5:04
12Marsch (aus “Figaros Hochzeit”)
engineer:
Wieland Haas
producer:
Uwe Walter-Rott
orchestra:
Salzburg Mozarteum Orchestra (in 1988-05)
conductor:
Hans Graf (conductor) (in 1988-05)
recorded at:
Messezentrum Salzburg in Salzburg, Salzburg, Austria (in 1988-05)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro) (in 1988-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
partial recording of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV) (in 1988-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Mozart2:07
13Intermezzo (aus “L’ Arlesienne”)Bizet4:05
14Kaiserquartett (Poco Adagio, Cantabile)Haydn1:28
15Symphonie Nr. 3 “Schottische” (Vivace non troppo)
conductor:
Janos Sandor
performer:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Mendelssohn4:32
16Deutscher Tanz Nr. 3 “Schlittenfahrt”Mozart3:08
17Intermezzo in a-moll, op. 76,7
piano:
Jenő Jandó (pianist)
recording of:
8 Klavierstücke, op. 76: Nr. 7. Intermezzo in A minor: Moderato semplice (ended)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
8 Klavierstücke, op. 76 (8 Piano Pieces, op. 76)
Brahms3:01
18Mazurka (aus “Schwanensee”)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VIII. Mazurka
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Tschaikowsky4:11
19Nocturne (aus “Carmen”)
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: III. Nocturne
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
part of:
Carmen Suite no. 2
Bizet4:12
20Klavierkonzert No. 4 (3. Satz, Rondo. VivaceBeethoven10:16
5CD
#TitleArtistRatingLength
1Klavierkonzert Nr. 1 (1. Satz, Allegro ma non troppo | Auszug)
piano:
Jenő Jando (pianist)
orchestra:
Budapest Philharmonic Orchestra
conductor:
Andras Ligeti (violinist and conductor)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Tschaikowsky4:06
2Ave Maria
solo cello:
Károly Botvay (cellist and conductor)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor and concertmaster:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Schubert4.54:50
3Für Elise
piano:
Evelyne Dubourg (pianist), Misha Goldstein (pianist) and Leonard Hokanson (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Beethoven32:50
4Danse Bohème (aus “Carmen”)Bizet4:32
5Symphonie Nr. 9 “Aus der neuen Welt” (2. Satz, Largo | Auszug)
orchestra:
Prague Festival Orchestra
conductor:
Pavel Urbanek (an Alfred Scholz pseudonym)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Dvorak3:27
6Tanz der Mohrensklaven (aus “Aida”)
orchestra:
Radio-Symphonie-Orchester-Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Verdi1:39
7Intermezzo (aus “Schwester Angelica”)
orchestra:
Budapest Philharmonic Orchestra
conductor:
András Kórodi (conductor)
recording of:
Suor Angelica: Intermezzo
composer:
Giacomo Puccini (Italian composer)
part of:
Suor Angelica
Puccini3:55
8Leichtes Blut
orchestra:
The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Frank Meyer (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
Leichtes Blut Galop, op. 319 (Light of Heart)
premiered in:
Wien (Vienna), Austria (in 1867-03)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 319)
J. Strauss (Sohn)2:47
9Klavierkonzert Nr. 21 (2. Satz, Andante)
instruments:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Hubert Kraus (conductor) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Mozart35:37
10Danse napolitaine (aus “Schwanensee”)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
part of:
Swan Lake, op. 20: Act III (ed. Drigo)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Tschaikowsky2:05
11Feuerwerksmusik (La paix - Largo alla Siciliana)
instruments:
Bläserensemble ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
orchestra:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Händel3:52
12Brandenburgisches Konzert Nr. 3 (3. Satz, Allegro)
orchestra:
Deutsche Bachsolisten (German Bach Soloists) (in 1978)
conductor:
Helmut Winschermann (oboist/conductor) (in 1978)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Bach3:02
13Klarinettenkonzert (2. Satz, Adagio)
clarinet:
Béla Kovács (clarinetist)
orchestra:
Franz Liszt Kammerorchester (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Janos Rolla (violinist and conductor)
partial recording of:
Concerto for Clarinet in A major, K. 622
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
dedicated to:
Anton Paul Stadler
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 622) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 622)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Mozart37:01
14Fröhlicher LandmannSchumann0:52
15Walzer (aus “Schwanensee”)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act I
part of:
Swan Lake, op. 20: Act I (ed. Drigo)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Tschaikowsky6:55
16Poème, op. 41 Nr. 6
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Poème (orchestral excerpt of the Lento from symphonic poem “At Twilight”)
composer:
Zdeněk Fibich (Czech composer)
arranger:
Ruud Bos (Dutch composer, arranger, pianist and conductor)
part of:
V podvečer, op. 39 (At Twilight, op. 39)
Fibich2:27
17Eljen a Magyar
orchestra:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
Éljen a Magyar, op. 332 (Long live the Magyar!)
premiered in:
Pest (Pest County), Hungary (in 1869)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 332)
J. Strauss (Sohn)2:50
18Arietta
piano:
Jenő Jandó (pianist)
recording of:
Lyriske stykker, hefte I, op. 12: 1. Arietta (ended)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte I, op. 12 (Lyric pieces, book I, op. 12)
Grieg1:10
19Summ-Chor (aus “Madame Butterfly”)
choir vocals:
Sofia National Opera Chorus (in 1987)
orchestra:
Sofia National Opera Orchestra (in 1987)
conductor:
Rouslan Raichev (conductor) (in 1987)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1987)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Puccini3:09
20Rosen aus dem Süden, Walzer, op.388
orchestra:
Orchester der Wiener Volksoper
conductor:
Peter Falk (conductor) and Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
Rosen aus dem Süden, op. 388 (Roses from the South)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 388)
J. Strauss (Sohn)9:22