Les incontournables des années 80, vol. 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1P. Machinery
tecnico:
Bobby Kraushaar
produttore:
S. J. Lipson
tecnico di missaggio:
Horn e Lipson
esecutore:
Claudia Brücken, Michael Mertens (German musician & producer), Ralf Dorper e Suzanne Freytag
diritti fonografici (℗) detenuti da:
ZTT (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1985)
registrazione di:
p:Machinery
supporto a vario titolo:
David Sylvian
paroliere:
Ralf Dörper
compositore:
Claudia Brücken, Ralf Dörper, Susanne Freytag e Michael Mertens (German musician & producer)
Propaganda43:51
2Two Tribes
tecnico:
Stuart Bruce e Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
percussione ospite :
Luís Jardim
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) e Anne Dudley (English score composer)
voce principale:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) e Paul Rutherford (member of Frankie Goes to Hollywood)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 27)
registrazione di:
Two Tribes
scritta a:
Liverpool, Merseyside, England, Regno Unito (dal 1982 al 1983)
paroliere e compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.23:23
3Wouldn’t It Be Good
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore corno :
Jerry Hey e Nik Kershaw
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983, nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 88)
registrazione di:
Wouldn’t It Be Good (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
parte di:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:27
4Don’t Get Me Wrong
tecnico:
Bruce Lampcov
produttore:
Bob Clearmountain e Jimmy Iovine
tecnico di missaggio:
Bob Clearmountain
basso :
Chucho Merchán
batteria e percussione :
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
chitarra :
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) e Robbie McIntosh (English guitarist for The Pretenders)
pianoforte e sintetizzatore :
Wix (UK / Paul Wickens)
voce:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) e Warner Music UK Ltd. (not for release label use!) (nel 2007)
registrazione di:
Don’t Get Me Wrong
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hynde House of Hits Music
Pretenders4.23:49
5The Promise You Made
produttore e tecnico di missaggio:
Steve Hillage
batteria e percussione :
Louis Molino
voce principale:
Peter Kingsbery e Anna LaCazio
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1985), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
mixata presso:
Kendun Recorders in Burbank, California, Stati Uniti
registrazione di:
The Promise You Made
paroliere e compositore:
Peter Kingsbery
editore:
31, Edwin Ellis Music (publisher), EMI Music Publishing Taiwan, Intersong (publisher), Nurk Twins Music (publisher), Strictly Confidential France, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell Music (publisher as Warner/Chappell Music)
sub-editore:
Nichion Synch Division (NICHION, INC. Synch Division) e Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Cock Robin4.53:54
6Silent Running
tecnico:
Simon Hurrell
produttore:
Christopher Neil
voce principale:
Paul Carrack
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat
registrazione di:
Silent Running (On Dangerous Ground)
autore:
B.A. Robertson e Mike Rutherford
editore:
B. A. R. Music Limited, Michael Rutherford Limited, Pun Music, Inc. e Warner Bros. Music Limited (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Mike + the Mechanics46:14
7Forever Young
tecnico di registrazione, programmazione e tecnico di missaggio:
Wolfgang Loos (dal 1984-07 al 1984-08)
tecnico di registrazione aggiunto:
Uli Rudolf (dal 1984-07 al 1984-08)
assistente alla programmazione:
Boris Balin e Thomas Beck (technical assistant, likely German)
produttore:
Wolfgang Loos e Colin Pearson (producer and violinist)
basso :
Ken Taylor (dal 1984-07 al 1984-08)
batteria :
Curt Cress (dal 1984-07 al 1984-08)
drum machine :
Bernhard Lloyd (dal 1984-07 al 1984-08)
tastiera :
Bernhard Lloyd (dal 1984-07 al 1984-08) e Frank Mertens (German synthpop keyboardist Frank Sorgatz) (dal 1984-07 al 1984-08)
tastiera aggiunto:
Wolfgang Loos (dal 1984-07 al 1984-08)
voce di accompagnamento:
Gulfstream (dal 1984-07 al 1984-08) e The Rosie Singers (dal 1984-07 al 1984-08)
voce principale:
Marian Gold (dal 1984-07 al 1984-08)
arrangiatore:
Alphaville (German synth pop band) e Wolfgang Loos
diritti fonografici (℗) detenuti da:
WEA MUSIK GMBH (company, not a label) (dal 1984 a oggi) e wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (nel 1984, nel 1994)
registrata presso e mixata presso:
Studio 54 (Berlin recording studio) in Germania (dal 1984-07 al 1984-08)
registrazione di:
Forever Young (dal 1984-07 al 1984-08)
paroliere:
Marian Gold
compositore:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold e Bernhard Lloyd
editore:
Downtown DMP Songs, Fable Music Pty. Ltd. e Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.653:44
8Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
9Time After Time
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1984)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
versioni a cappella:
Time After Time di Forte A Cappella (Centerville High School)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 116) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 494)
registrazione di:
Time After Time
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.254:01
10Get Up Your Lazy Bed
tecnico:
John Buckley (British production music composer)
produttore:
Peter Collins (producer)
tecnico di missaggio:
Phil Harding (engineer, producer and remixer)
batteria e percussione :
Peter Ross
sassofono baritono :
Ronnie Ross
tastiera :
Danny White (keyboardist)
voce:
Basia e Mark Reilly (guitarist, vocalist, producer, songwriter)
arrangiatore voci:
Basia
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1984)
registrazione di:
Get Out of Your Lazy Bed
autore:
Mark Reilly (guitarist, vocalist, producer, songwriter) e Danny White (keyboardist)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Warner Chappell Music France
Matt Bianco2.653:26
11Clouds Across the Moon
registrazione di:
Clouds Across the Moon
autore:
Richard Hewson
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
RAH Band4:34
12This Time I Know It’s for Real
registrazione di:
This Time I Know It's for Real
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman), Donna Summer (soul/disco diva) e Pete Waterman
Donna Summer3.353:37
13You Can Call Me Al
assistente tecnico:
Mark Cobrin
tecnico:
Roy Halee
produttore:
Paul Simon (of Simon & Garfunkel)
basso elettrico [six-string electric bass] e voce di accompagnamento:
Paul Simon (of Simon & Garfunkel)
batteria :
Isaac Mtshali
chitarra :
Chikapa “Ray” Phiri
chitarra basso :
Baghiti Khumalo
chitarra synth :
Adrian Belew
percussione :
Ralph MacDonald
sassofono baritono e sassofono basso :
Ronald E. Cuber
sintetizzatore :
Rob Mounsey
tin whistle [pennywhistle] solista :
Morris Goldberg (saxophonist and flutist)
tromba :
Alan Rubin, John Faddis, Lewis Michael Soloff e Ronald E. Brecker
trombone :
Kim Allan Cissel e David W. Bargeron (US trombonist & tubist)
voce:
Paul Simon (of Simon & Garfunkel)
arrangiatore corno :
Rob Mounsey
arrangiatore aggiunto:
Chikapa “Ray” Phiri
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (dal 1985-05 al 1986-04)
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (nel 1986)
registrazione di:
You Can Call Me Al
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Paul Simon Music (nel 1986)
Paul Simon4.34:40
14A Love Bizarre
produttore:
Prince (“The Artist Formerly Known as…”) e Sheila E.
arrangiatore:
Prince (“The Artist Formerly Known as…”) e Sheila E.
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
registrazione di:
A Love Bizarre
paroliere:
Prince (“The Artist Formerly Known as…”)
compositore:
Prince (“The Artist Formerly Known as…”) e Sheila Escovedo
arrangiatore:
Prince (“The Artist Formerly Known as…”) e Sheila E.
editore:
Sister Fate Music (publisher) (nel 1985)
Sheila E.3:49
15I Keep Forgettin’
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:40
16Jealousy
tecnico di registrazione e tecnico di missaggio:
Ray Bardani
produttore:
Ray Bardani e Michael Colina
batteria :
Buddy Williams (drummer)
chitarra :
Nick Moroch (US guitarist)
chitarra basso :
Francisco Centeno
pianoforte elettrico :
Rob Mounsey
sassofono contralto :
Lawrence Feldman (flutist and saxophonist)
sassofono tenore :
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
tromba :
Randy Brecker e Lew Soloff
voce:
Michael Franks
voce di accompagnamento:
Yvonne Lewis, Ullanda McCullough, Yolanda McCullough e S. Renee Diggs
arrangiatore ottoni :
Rob Mounsey
arrangiatore percussione [rhythm] :
Michael Colina e Michael Franks
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982)
registrata presso e mixata presso:
Minot Sound Studio in White Plains, New York, Stati Uniti
registrazione di:
Jealousy
paroliere e compositore:
Michael Franks
editore:
Mississippi Mud Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e 大洋音楽 (Taiyō Music)
Michael Franks23:33
17Twist in My Sobriety
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) e WEA Records Ltd. (holding company based in the UK) (nel 1988)
registrazione di:
Twist in My Sobriety (nel 1988)
paroliere e compositore:
Tanita Tikaram
editore:
Brogue Music, Warner Basart (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.74:51

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