Blue Byrd

~ Release by Charlie Byrd (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1It Don't Mean a Thing (If It Ain't Got That Swing)
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gene “Joe” Byrd (jazz lyrical bassist)
drums (drum set):
Wayne Phillips (jazz drummer)
guitar:
Charlie Byrd
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States
mixed at:
PER in San Francisco, California, United States
instrumental cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
3:48
2Vou Vivendo
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gene “Joe” Byrd (jazz lyrical bassist)
drums (drum set):
Wayne Phillips (jazz drummer)
guitar:
Charlie Byrd
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States
mixed at:
PER in San Francisco, California, United States
instrumental cover recording of:
Vou vivendo
writer:
Benedito Lacerda (Brazilian composer/flutist/maestro) and Pixinguinha
3:30
3Nice Work If You Can Get It
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gene “Joe” Byrd (jazz lyrical bassist)
drums (drum set):
Wayne Phillips (jazz drummer)
guitar:
Charlie Byrd
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States
mixed at:
PER in San Francisco, California, United States
instrumental cover recording of:
Nice Work If You Can Get It
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
43:11
4Jitterbug Waltz
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gene “Joe” Byrd (jazz lyrical bassist)
drums (drum set):
Wayne Phillips (jazz drummer)
guitar:
Charlie Byrd
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States
mixed at:
PER in San Francisco, California, United States
instrumental cover recording of:
Jitterbug Waltz
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp.
4:37
5Soft Lights & Sweet Music
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gene “Joe” Byrd (jazz lyrical bassist)
drums (drum set):
Wayne Phillips (jazz drummer)
guitar:
Charlie Byrd
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States
mixed at:
PER in San Francisco, California, United States
instrumental cover recording of:
Soft Lights and Sweet Music
lyricist and composer:
Irving Berlin
4:12
6I Ain't Got Nothin' but the Blues
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gene “Joe” Byrd (jazz lyrical bassist)
drums (drum set):
Wayne Phillips (jazz drummer)
guitar:
Charlie Byrd
vocals:
Gene “Joe” Byrd (jazz lyrical bassist)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States
mixed at:
PER in San Francisco, California, United States
instrumental cover recording of:
I Ain’t Got Nothin’ but the Blues
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
publisher:
Ricki Music and Tempo Music Co.
3:23
7This Can't Be Love
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gene “Joe” Byrd (jazz lyrical bassist)
drums (drum set):
Wayne Phillips (jazz drummer)
guitar:
Charlie Byrd
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States
mixed at:
PER in San Francisco, California, United States
instrumental cover recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
3:03
8Carinhoso
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gene “Joe” Byrd (jazz lyrical bassist)
drums (drum set):
Wayne Phillips (jazz drummer)
guitar:
Charlie Byrd
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States
mixed at:
PER in San Francisco, California, United States
instrumental cover recording of:
Carinhoso (original instrumental)
composer:
Pixinguinha
3:47
9Mama, I'll Be Home Someday
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gene “Joe” Byrd (jazz lyrical bassist)
drums (drum set):
Wayne Phillips (jazz drummer)
guitar:
Charlie Byrd
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States
mixed at:
PER in San Francisco, California, United States
recording of:
Mama, I’ll Be Home Someday
composer:
Charlie Byrd
2:11
10Isn't It a Lovely Day
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gene “Joe” Byrd (jazz lyrical bassist)
guitar:
Charlie Byrd
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States
mixed at:
PER in San Francisco, California, United States
instrumental cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3:21
11Saturday Night Fish Fry
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gene “Joe” Byrd (jazz lyrical bassist)
drums (drum set):
Wayne Phillips (jazz drummer)
guitar:
Charlie Byrd
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States
mixed at:
PER in San Francisco, California, United States
instrumental cover recording of:
Saturday Night Fish Fry
writer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Ellis Walsh
publisher:
Cherio Corp. and Ocheri Publishing Corp.
2:31