100 Best Liszt

~ Release by Franz Liszt (see all versions of this release, 3 available)

Tracklist

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1▼CD: Piano and Orchestra
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1Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso
piano:
Michel Béroff (French pianist) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1977-06)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso (in 1977-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
5:17
2Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio
piano:
Michel Béroff (French pianist) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1977-06)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio (in 1977-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
4:32
3Piano Concerto no. 1 in E-flat major, S. 124: III. Allegretto vivace
piano:
Michel Béroff (French pianist) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1977-06)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: III. Allegretto vivace – Allegro animato (in 1977-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
3:53
4Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato
piano:
Michel Béroff (French pianist) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1977-06)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato (in 1977-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
4:02
5Piano Concerto no. 2 in A major, S. 125: I. (a) Adagio sostenuto assai
piano:
Michel Béroff (French pianist) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1977-06)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1977-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
5:07
6Piano Concerto no. 2 in A major, S. 125: I. (b) Allegro agitato assai - Un poco più mosso - Tempo del andante
piano:
Michel Béroff (French pianist) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1977-06)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1977-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
1:52
7Piano Concerto no. 2 in A major, S. 125: III. Allegro deciso - Marziale un poco meno allegro
piano:
Michel Béroff (French pianist) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1977-06)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1977-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
5:00
8Piano Concerto no. 2 in A major, S. 125: III. (a) Allegro deciso
piano:
Michel Béroff (French pianist) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1977-06)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1977-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
2:51
9Piano Concerto no. 2 in A major, S. 125: III. (b) Marziale un poco meno allegro - Un poco animato - Un poco meno mosso
piano:
Michel Béroff (French pianist) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1977-06)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1977-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
4:04
10Piano Concerto no. 2 in A major, S. 125: IV. Allegro animato
piano:
Michel Béroff (French pianist) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1977-06)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1977-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
1:45
11Polonaise brillante, 'L'Hilarite' S. 367
piano:
Michel Béroff (French pianist) (in 1979-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1979-06)
conductor:
Kurt Masur (conductor) (in 1979-06)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1979-06)
recording of:
Polonaise brillante, S. 367 (for piano and orchestra, Liszt) (in 1979-06)
orchestrator:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
composer:
Carl Maria von Weber (composer) (in 1819)
part of:
The Music of Liszt (number: S. 367)
orchestration of:
Polacca brillante, op. 72 (for piano)
9:35
12Fantasy on Hungarian Folk Themes (extract), S. 123
piano:
Michel Béroff (French pianist) (in 1978-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1978-12)
conductor:
Kurt Masur (conductor) (in 1978-12)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1978-12)
partial recording of:
Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1846 until 1852)
dedicated to:
Hans von Bülow (German conductor and composer)
premiered at:
[concert] (1853-06-01)
publisher:
Gustav Heinze (in 1864)
part of:
The Music of Liszt (number: S. 123)
is based on:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 14 in F minor, S. 244 no. 14
5:45
13Fantasy on a Theme from Beethoven's 'Ruinen von Athen', S. 122
piano:
Michel Béroff (French pianist) (in 1979-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1979-06)
conductor:
Kurt Masur (conductor) (in 1979-06)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1979-06)
recording of:
Fantasie über Motive aus Beethovens Ruinen von Athen, S. 122 (for piano and orchestra) (in 1979-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1852)
part of:
The Music of Liszt (number: S. 122)
is based on:
Die Ruinen von Athen, op. 113
10:49
14Malédiction, S. 121 (extract)
piano:
Michel Béroff (French pianist) (in 1979-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1979-06)
conductor:
Kurt Masur (conductor) (in 1979-06)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1979-06)
partial recording of:
Malédiction, S. 121
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 121)
6:51
15Totentanz, S. 126 (conclusion)
piano:
Michel Béroff (French pianist) (in 1978-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1978-12)
conductor:
Kurt Masur (conductor) (in 1978-12)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1978-12)
partial recording of:
Totentanz, S. 126/2 (for piano and orchestra, published version)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
dedicated to:
Hans von Bülow (German conductor and composer)
premiered by:
Hans von Bülow (German conductor and composer) (on 1865-04-15)
premiered at:
[concert] (1865-04-15)
is based on:
Dies Irae (plainchant)
revision of:
Totentanz, S. 126/1 (early unpublished version)
8:01
2▼CD: Solo Piano I
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1Piano Sonata in B minor, S. 178: Lento assai - Allegro energico
piano:
Andrea Lucchesini (pianist) (on 1983-10-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1983-10-14)
partial recording of:
Sonata for Piano in B minor, S. 178
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
3:06
2Piano Sonata in B minor, S. 178: No. 2, Grandioso
piano:
Andrea Lucchesini (pianist) (on 1983-10-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1983-10-14)
partial recording of:
Sonata for Piano in B minor, S. 178
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
6:56
3Piano Sonata in B minor, S. 178: No. 3, Recitativo
piano:
Andrea Lucchesini (pianist) (on 1983-10-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1983-10-14)
partial recording of:
Sonata for Piano in B minor, S. 178
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
2:14
4Piano Sonata in B minor, S. 178: Andante sostenuto - Quasi adagio
piano:
Andrea Lucchesini (pianist) (on 1983-10-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1983-10-14)
partial recording of:
Sonata for Piano in B minor, S. 178
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
7:47
5Piano Sonata in B minor, S. 178: No. 5, Allegro energico - Più mosso
piano:
Andrea Lucchesini (pianist) (on 1983-10-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1983-10-14)
partial recording of:
Sonata for Piano in B minor, S. 178
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
6:22
6Piano Sonata in B minor, S. 178: No. 6, Stretta quasi Presto - Presto - Prestissimo
piano:
Andrea Lucchesini (pianist) (on 1983-10-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1983-10-14)
partial recording of:
Sonata for Piano in B minor, S. 178
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
1:02
7Piano Sonata in B minor, S. 178: No. 7, Andante sostenuto - Allegro moderato - Lento assai
piano:
Andrea Lucchesini (pianist) (on 1983-10-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1983-10-14)
partial recording of:
Sonata for Piano in B minor, S. 178
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
3:26
8Paraphrase de concert sur Rigoletto, S. 434
piano:
Craig Sheppard (pianist) (on 1975-01-01)
recording of:
Konzert-Paraphrase über Verdis "Rigoletto", S. 434
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 434)
is based on:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
6:58
9Miserere du Trovatore, S. 433
piano:
Craig Sheppard (pianist) (on 1975-01-01)
recording of:
Miserere du Trovatore, S. 433
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
is based on:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
8:00
10Isoldens Liebestod, S. 447
piano:
Craig Sheppard (pianist) (on 1975-01-01)
recording of:
Isoldens Liebestod, S. 447 (for piano; Liszt)
composer:
Richard Wagner (composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 447)
arrangement of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
5:44
116 Consolations, S. 172: No. 1 in E major
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (on 1970-03-23)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1970-03-23)
recording of:
Consolation in E major, S. 172 no. 1: Andante con moto (on 1970-03-23)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 1: Andante con moto (first, less common version)
1:06
126 Consolations, S. 172: No. 2 in E major
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (on 1970-03-23)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1970-03-23)
recording of:
Consolation in E major, S. 172 no. 2: Un poco più mosso (on 1970-03-23)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 2: Un poco più mosso (first, less common version)
2:48
136 Consolations, S. 172: No. 3 in D-flat major
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (on 1970-03-23)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1970-03-23)
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido (on 1970-03-23)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
4:10
146 Consolations, S. 172: No. 4 in D-flat major
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (on 1970-03-23)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1970-03-23)
recording of:
Consolation in D‐flat major, S. 172 no. 4: Quasi adagio (on 1970-03-23)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in D‐flat major, S. 171a no. 4: Quasi adagio (first, less common version)
2:22
156 Consolations, S. 172: No. 5 in E major
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (on 1970-03-23)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1970-03-23)
recording of:
Consolation in E major, S. 172 no. 5: Andantino (on 1970-03-23)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 5: Andantino (first, less common version)
1:58
166 Consolations, S. 172: No. 6 in E major
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (on 1970-03-23)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1970-03-23)
recording of:
Consolation in E major, S. 172 no. 6: Allegretto sempre cantabile (on 1970-03-23)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 6: Allegretto (first, less common version)
2:33
172 Etudes de concert, S. 145: No. 1 Waldesrauschen
producer:
Eric Macleod (producer)
piano:
Georges Cziffra (pianist) (on 1970-10-07)
balance engineer:
Roger Ducourtieux (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1970-10-07)
recording of:
Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen (on 1970-10-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
3:46
182 Etudes de concert, S. 145: No. 2 Gnomenreigen
piano:
Georges Cziffra (pianist)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1977 until 1978)
recording of:
Zwei Konzertetüden, S. 145, Nr. 2: Gnomenreigen
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
2:48
3▼CD: Solo Piano II
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112 Etudes d'exécution transcendante, S. 139: I. Preludio
piano:
Vladimir Ovchinnikov (pianist) (in 1988-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: I. Preludio in C major (in 1988-08)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
0:59
212 Etudes d'exécution transcendante, S. 139: II. Fusées
piano:
Vladimir Ovchinnikov (pianist) (in 1988-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: II. Étude in A minor. Molto vivace (in 1988-08)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
2:07
312 Etudes d'exécution transcendante, S. 139: III. Paysage
piano:
Vladimir Ovchinnikov (pianist) (in 1988-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: III. “Paysage” in F major. Poco adagio (in 1988-08)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
5:29
412 Etudes d'exécution transcendante, S. 139: IV. Mazeppa
piano:
Vladimir Ovchinnikov (pianist) (in 1988-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: IV. “Mazeppa” in D minor. Allegro (in 1988-08)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
7:30
512 Etudes d'exécution transcendante, S. 139: V. Feux follets
piano:
Vladimir Ovchinnikov (pianist) (in 1988-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: V. “Feux follets” in B‐flat major. Allegretto (in 1988-08)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
4:01
612 Etudes d'exécution transcendante, S. 139: VI. Vision
piano:
Vladimir Ovchinnikov (pianist) (in 1988-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: VI. “Vision” in G minor. Lento (in 1988-08)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
5:29
712 Etudes d'exécution transcendante, S. 139: VII. Eroica
piano:
Vladimir Ovchinnikov (pianist) (in 1988-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: VII. “Eroica” in E‐flat major. Allegro (in 1988-08)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
5:14
812 Etudes d'exécution transcendante, S. 139: VIII. Wilde Jagd
piano:
Vladimir Ovchinnikov (pianist) (in 1988-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: VIII. “Wilde Jagd” in C minor. Presto furioso (in 1988-08)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
4:53
912 Etudes d'exécution transcendante, S. 139: XI. Harmonies du soir
piano:
Vladimir Ovchinnikov (pianist) (in 1988-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: XI. “Harmonies du soir” in D‐flat major. Andantino (in 1988-08)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
8:53
10Valse oubliée No. 1, S. 215 No. 1
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1967-07-25 until 1967-07-26)
producer:
Suvi Raj Grubb (from 1967-07-25 until 1967-07-26)
piano:
John Ogdon (pianist and composer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-25 until 1967-07-26)
recording of:
Valse oubliée no. 1, S. 215 no. 1
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Valses oubliées, S. 215
2:35
11Liebesträume, S. 541: No. 3 in A-Flat Major (Poco allegro con affetto)
piano:
Kun Woo Paik (pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
5:34
12Nuages gris, S. 199
piano:
André Watts (pianist) (in 1985-11)
recorded at:
American Academy and Institute of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Trübe Wolken (Nuages gris), S. 199, R. 78 (in 1985-11)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1881)
part of:
The Music of Liszt (number: S. 199)
2:45
13En rêve, S. 207: Nocturne in B Major (Andantino)
piano:
André Watts (pianist) (in 1985-11)
recorded at:
American Academy and Institute of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
En rêve - Nocturne, S. 207 (in 1985-11)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1885)
part of:
The Music of Liszt (number: S. 207)
2:20
146 Grandes études de Paganini, S. 141: No. 3 La Campanella
piano:
Jeanne‐Marie Darré (in 1974)
recording of:
Grandes études de Paganini, S. 141: No. 3. La campanella in G‐sharp minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella”
4:46
156 Grandes études de Paganini, S. 141: No. 4 Vivo
piano:
Jeanne‐Marie Darré (in 1974)
recording of:
Grandes études de Paganini, S. 141: No. 4. Arpeggio in E major
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 4 in E major
2:06
166 Grandes études de Paganini, S. 141: No. 5 Allegretto
piano:
Jeanne‐Marie Darré (in 1974)
recording of:
Grandes études de Paganini, S. 141: No. 5. La Chasse in E major
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 5 in E major “La Chasse”
2:43
176 Grandes études de Paganini, S. 141: No. 6 Quasi presto
piano:
Jeanne‐Marie Darré (in 1974)
recording of:
Grandes études de Paganini, S. 141: No. 6. Variations in A minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 6 in A minor
5:05
4▼CD: Solo Piano III
#TitleRatingLength
1Années de pèlerinage, Première année, Suisse, S. 160: Au lac de Wallenstadt
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (from 1961-11-27 until 1961-12-05)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-11-27 until 1961-12-05)
recording of:
Au lac de Wallenstadt, S. 160 no. 2 (from 1961-11-27 until 1961-12-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1848 until 1854)
part of:
Années de pèlerinage
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Le Lac de Wallenstadt, S. 156/2a bis (intermediate version)
2:43
2Années de pèlerinage, Première année, Suisse, S. 160: Pastorale
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (from 1961-11-27 until 1961-12-05)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-11-27 until 1961-12-05)
recording of:
Pastorale, S. 160 no. 3 (from 1961-11-27 until 1961-12-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Album d'un voyageur, S. 156: II. Fleurs mélodiques des Alpes: 7c. Allegro pastorale
1:38
3Années de pèlerinage I, S. 160, Suisse": IV. Au bord d'une source"
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (from 1961-11-27 until 1961-12-05)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-11-27 until 1961-12-05)
recording of:
Au bord d'une source, S. 160 no. 4 (version from Années de pèlerinage) (from 1961-11-27 until 1961-12-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Album d'un voyageur, S. 156: I. Impressions et poésies: 2b. Au bord d'une source (Version from Album d'un voyageur)
3:14
4Années de pèlerinage, Première année, Suisse, S. 160: Orage
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (from 1961-11-27 until 1961-12-05)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-11-27 until 1961-12-05)
recording of:
Orage, S. 160 no. 5 (from 1961-11-27 until 1961-12-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Première année : Suisse, S. 160
3:57
5Années de pèlerinage, Première année, Suisse, S. 160: Eglogue
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (from 1961-11-27 until 1961-12-05)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-11-27 until 1961-12-05)
recording of:
Eglogue, S. 160 no. 7 (from 1961-11-27 until 1961-12-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage
part of:
Années de pèlerinage : Première année : Suisse, S. 160
3:39
6Années de pèlerinage, Deuxième année, Italie, S. 161: Il penseroso
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (from 1961-11-27 until 1961-12-05)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-11-27 until 1961-12-05)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Il penseroso, S. 161 no. 2 (from 1961-11-27 until 1961-12-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1849)
revised by:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1858)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Il penseroso, S. 157b
3:34
7Années de pèlerinage, Deuxième année, Italie, S. 161: Canzonetta del Salvator Rosa
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (from 1961-11-27 until 1961-12-05)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-11-27 until 1961-12-05)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Canzonetta del Salvator Rosa, S. 161 no. 3 (from 1961-11-27 until 1961-12-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Canzonetta del Salvator Rosa, S. 157c
3:11
8Années de pèlerinage, Deuxième année, Italie, S. 161: Sonetto 47 del Petrarca
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (from 1961-11-27 until 1961-12-05)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-11-27 until 1961-12-05)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 47 del Petrarca, S. 161 no. 4 (from 1961-11-27 until 1961-12-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Tre sonetti di Petrarca, S. 158: No. 1. Sonetto XLVII. Benedetto sia il giorno (for solo piano)
5:45
9Années de pèlerinage, Deuxième année, Italie, S. 161: Sonetto 123 del Petrarca
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (from 1961-11-27 until 1961-12-05)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-11-27 until 1961-12-05)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 123 del Petrarca, S. 161 no. 6 (from 1961-11-27 until 1961-12-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Tre sonetti di Petrarca, S. 158: No. 3. Sonetto CXXIII. I' vidi in terra angelici costumi (for solo piano)
6:15
10Venezia e Napoli, S. 162: II. Canzone
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (on 1969-09-18)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1969-09-18)
recording of:
Venezia e Napoli, S. 162: no. 2. Canzone (on 1969-09-18)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Venezia e Napoli, supplément, S. 162
3:50
11Années de pèlerinage III, S. 163: IV. Les Jeux d'eaux à la Villa d'Este
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (from 1961-12-05 until 1961-12-08)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-12-05 until 1961-12-08)
recording of:
Les Jeux d’eaux à la Villa d’Este, S. 163 no. 4 (from 1961-12-05 until 1961-12-08)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1877)
part of:
Années de pèlerinage : Troisième année, S. 163
7:31
12Années de pèlerinage, Troisième année, S. 163: Sursum corda
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (from 1961-12-05 until 1961-12-08)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-12-05 until 1961-12-08)
recording of:
Sursum corda, S. 163 no. 7 (from 1961-12-05 until 1961-12-08)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1877)
part of:
Années de pèlerinage : Troisième année, S. 163
revision of:
Postludium, S. 162f
3:05
133 Etudes de concert, S. 144: no. 3 Un sospiro
piano:
François‐René Duchâble (French pianist) (from 1996-10-01 until 1996-10-03)
recorded at:
La Chartreuse (Villeneuve-lès-Avignon) in Villeneuve-lès-Avignon, Gard, Occitanie (Occitania), France (from 1996-10-01 until 1996-10-03)
recording of:
Trois études de concert, S. 144: III. "Un sospiro" in D-flat major
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
5:23
143 Etudes de concert, S. 144: no. 2 La leggierezza
piano:
Bernard d'Ascoli (pianist) (in 1982-02)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1982-02)
recording of:
Trois études de concert, S. 144: II. "La leggierezza" in F minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
4:57
15Harmonies poétiques et religieuses, S. 173: V. Pater noster
engineer:
Daniel Michel (recording engineer)
producer:
Étienne Collard
piano:
Aldo Ciccolini (pianist)
edited at:
Salle Wagram in Paris, Île-de-France, France (on 1990-04-09)
recording of:
Harmonies poétiques et religieuses, S. 173: No. 5. Pater noster
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Harmonies poétiques et religieuses, S. 173
3:00
16Harmonies poétiques et religieuses, S. 173: VIII. Miserere, d'après Palestrina
engineer:
Daniel Michel (recording engineer)
producer:
Étienne Collard
piano:
Aldo Ciccolini (pianist)
edited at:
Salle Wagram in Paris, Île-de-France, France (on 1990-04-09)
recording of:
Harmonies poétiques et religieuses, S. 173: No. 8. Miserere d'après Palestrina
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Harmonies poétiques et religieuses, S. 173
3:52
17Coro di festa e Marcia funebre de Don Carlos, S. 435
piano:
François‐René Duchâble (French pianist) (in 1994)
recording of:
Coro di festa e marcia funebre de Don Carlos, S. 435
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 435)
is based on:
Don Carlo: Atto IV (V)
5:53
18Soirées musicales de Rossini, S. 424: IX. La Danza (Tarantella Napoletana)
piano:
François‐René Duchâble (French pianist) (in 1994)
recording of:
Soirées musicales, S. 424: No. 9. La danza (Tarantella) (for solo piano, Liszt)
composer:
Gioachino Rossini (composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
part of:
Soirées musicales, S. 424 (for solo piano, Liszt)
3:43
19Grand galop chromatique, S. 219
piano:
Georges Cziffra (pianist) (from 1956-12 until 1957-03)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1956-12 until 1957-03)
recording of:
Grand galop chromatique en mi bémol majeur, S. 219 (from 1956-12 until 1957-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 219)
3:22
5▼CD: Songs
#TitleRatingLength
1Die Drei Zigeuner, S. 320
piano:
Geoffrey Parsons (pianist) (from 1968-10-20 until 1968-10-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-10-20 until 1968-10-27)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1968-10-20 until 1968-10-27)
recording of:
Die drei Zigeuner, S. 320 (for voice and piano) (from 1968-10-20 until 1968-10-27)
lyricist:
Nikolaus Lenau
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1860)
part of:
The Music of Liszt (number: S. 320)
6:26
2Es muss ein Wunderbares sein, S. 314
piano:
Alexis Weissenberg (on 1978-09-01)
baritone vocals:
Hermann Prey (baritone) (on 1978-09-01)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (on 1978-09-01)
recording of:
Es muss ein Wunderbares sein, S. 314 (on 1978-09-01)
lyricist:
Oskar von Redwitz
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 314)
1:56
3Ein Fichtenbaum steht einsam, S. 309bis
piano:
Alexis Weissenberg (on 1978-09-01)
baritone vocals:
Hermann Prey (baritone) (on 1978-09-01)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (on 1978-09-01)
recording of:
Ein Fichtenbaum steht einsam, S. 309 (first setting) (on 1978-09-01)
lyricist:
Heinrich Heine (German poet)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 309)
2:27
4Ihr Auge, S. 310
piano:
Alexis Weissenberg (on 1978-09-01)
baritone vocals:
Hermann Prey (baritone) (on 1978-09-01)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (on 1978-09-01)
recording of:
Ihr Auge, S. 310/2 (second version) (on 1978-09-01)
lyricist:
Ludwig Rellstab
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 310/2)
revision of:
Ihr Auge, S. 310/1 (first version)
0:40
5Die Vätergruft, S. 281
piano:
Alexis Weissenberg (on 1978-09-01)
baritone vocals:
Hermann Prey (baritone) (on 1978-09-01)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (on 1978-09-01)
recording of:
Die Vätergruft, S. 281 (for voice and piano) (on 1978-09-01)
lyricist:
Ludwig Uhland (German poet)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1844)
part of:
The Music of Liszt (number: S. 281)
5:29
6Anfangs wollt'ich fast verzagen, S. 311
piano:
Alexis Weissenberg (on 1978-09-01)
baritone vocals:
Hermann Prey (baritone) (on 1978-09-01)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (on 1978-09-01)
recording of:
Anfangs wollt' ich fast verzagen, S. 311 (on 1978-09-01)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 311)
1:52
7Lasst mich ruhen, S. 317
piano:
Alexis Weissenberg (on 1978-09-01)
baritone vocals:
Hermann Prey (baritone) (on 1978-09-01)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (on 1978-09-01)
recording of:
Lasst mich ruhen, S. 317 (on 1978-09-01)
lyricist:
August Heinrich Hoffmann von Fallersleben (poet and composer)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1858)
part of:
The Music of Liszt (number: S. 317)
2:47
8Morgens steh' ich auf und frage, S. 290
piano:
Alexis Weissenberg (on 1978-09-01)
baritone vocals:
Hermann Prey (baritone) (on 1978-09-01)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (on 1978-09-01)
recording of:
Morgens steh’ ich auf und frage, S. 290 (third version) (on 1978-09-01)
lyricist:
Heinrich Heine (German poet)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1843)
version of:
Morgens steh’ ich auf und frage, S. 290 (second version)
1:59
9Über allen Gipfeln ist Ruh, S. 306
piano:
Alexis Weissenberg (on 1978-09-01)
baritone vocals:
Hermann Prey (baritone) (on 1978-09-01)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (on 1978-09-01)
recording of:
Über allen Gipfeln ist Ruh, S. 306 (unspecified version) (on 1978-09-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
2:58
10Der du von dem Himmel bist, S. 279
piano:
Alexis Weissenberg (on 1978-09-01)
baritone vocals:
Hermann Prey (baritone) (on 1978-09-01)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (on 1978-09-01)
recording of:
Der du von dem Himmel bist, S. 279/1 (for voice and piano, first version) (on 1978-09-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 279/1)
2:50
11Blume und Duft, S. 324
piano:
Alexis Weissenberg (on 1978-09-01)
baritone vocals:
Hermann Prey (baritone) (on 1978-09-01)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (on 1978-09-01)
recording of:
Blume und Duft, S. 324 (on 1978-09-01)
lyricist:
Friedrich Hebbel (German poet and dramatist)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1854)
part of:
The Music of Liszt (number: S. 324)
2:01
12Wer nie sein Brot mit Tränen aß, S. 297
piano:
Alexis Weissenberg (on 1978-09-01)
baritone vocals:
Hermann Prey (baritone) (on 1978-09-01)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (on 1978-09-01)
recording of:
Wer nie sein Brot mit Tränen aß, S. 297/2 (2nd version) (on 1978-09-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1845)
revised by:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1849)
part of:
The Music of Liszt (number: S. 297/2)
revision of:
Wer nie sein Brot mit Tränen aß, S. 297/1 (1st version)
1:51
13Die Fischerstochter, S. 325
piano:
Alexis Weissenberg (on 1978-09-01)
baritone vocals:
Hermann Prey (baritone) (on 1978-09-01)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (on 1978-09-01)
recording of:
Die Fischerstochter, S. 325 (on 1978-09-01)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 325)
5:00
143 Sonetti di Petrarca, S. 270b: I. Benedetto sia 'l giorno
producer:
Christfried Bickenbach
piano:
Alexis Weissenberg (from 1978-11-16 until 1978-11-21)
baritone vocals:
Hermann Prey (baritone) (from 1978-11-16 until 1978-11-21)
balance engineer:
Hartwig Paulsen
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1978-11-16 until 1978-11-21)
recording of:
Benedetto sia il giorno, S. 270b no. 1 (for low voice and piano) (from 1978-11-16 until 1978-11-21)
lyricist:
Francesco Petrarca
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Tre sonetti del Petrarca, S. 270b (for low voice and piano)
revision of:
Benedetto sia il giorno, S. 270a no. 2 (for tenor and piano)
4:58
153 Sonetti di Petrarca, S. 270b: II. Pace non trovo
producer:
Christfried Bickenbach
piano:
Alexis Weissenberg (from 1978-11-16 until 1978-11-21)
baritone vocals:
Hermann Prey (baritone) (from 1978-11-16 until 1978-11-21)
balance engineer:
Hartwig Paulsen
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1978-11-16 until 1978-11-21)
recording of:
Pace non trovo, S. 270b no. 2 (for low voice and piano) (from 1978-11-16 until 1978-11-21)
lyricist:
Francesco Petrarca
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Tre sonetti del Petrarca, S. 270b (for low voice and piano)
revision of:
Pace non trovo, S. 270a no. 1 (for tenor and piano)
4:31
163 Sonetti di Petrarca, S. 270b: III. I' vidi in terra angelici costumi
producer:
Christfried Bickenbach
piano:
Alexis Weissenberg (from 1978-11-16 until 1978-11-21)
baritone vocals:
Hermann Prey (baritone) (from 1978-11-16 until 1978-11-21)
balance engineer:
Hartwig Paulsen
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1978-11-16 until 1978-11-21)
recording of:
I' vidi in terra angelici costumi, S. 270b no. 3 (for low voice and piano) (from 1978-11-16 until 1978-11-21)
lyricist:
Francesco Petrarca
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Tre sonetti del Petrarca, S. 270b (for low voice and piano)
revision of:
I' vidi in terra angelici costumi, S. 270a no. 3 (for tenor and piano)
4:57
17S'il est un charmant gazon, S. 284
piano:
Geoffrey Parsons (pianist) (from 1979-06 until 1980-04)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1979-06 until 1980-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-06 until 1980-04, in 1980-04)
recording of:
S’il est un charmant gazon, S. 284/1 (for voice and piano, first version) (from 1979-06 until 1980-04)
lyricist:
Victor Hugo (French poet and novelist)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1844)
2:31
18O lieb, solang du lieben kannst!, S. 298, Liebesträum No. 3: (Animato)
piano:
James Lockhart (conductor and pianist)
soprano vocals:
Margaret Price (soprano)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (in 1973-08)
recording of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
lyricist:
Ferdinand Freiligrath
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (until 1850)
revision of:
O lieb, so lang du lieben kannst, S. 298/1 (first version)
6:26
19Die Loreley, S. 273: Ich weiss nicht, was soll es bedeuten
piano:
James Lockhart (conductor and pianist)
soprano vocals:
Margaret Price (soprano)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (in 1973-08)
recording of:
Ich weiß nicht, was soll es bedeuten
lyricist:
Heinrich Heine (German poet)
composer:
Reinhardt Repke
7:00
20Die stille Wasserrose, S. 321
piano:
James Lockhart (conductor and pianist)
soprano vocals:
Margaret Price (soprano)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (in 1973-08)
recording of:
Die stille Wasserrose, S. 321
lyricist:
Franz Emanuel August Geibel (poet)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1860)
part of:
The Music of Liszt (number: S. 321)
4:04
21Kling leise mein Lied, S. 301
piano:
James Lockhart (conductor and pianist)
soprano vocals:
Margaret Price (soprano)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (in 1973-08)
recording of:
Kling leise, mein Lied, S. 301/2 (second version)
lyricist:
Johann Nordmann
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 301/2)
revision of:
Kling leise, mein Lied, S. 301/1 (first version)
5:19
6▼CD: Orchestral Works
#TitleRatingLength
12 Episoden aus Lenau's Faust, S. 110: II. Der Tanz in der Dorfschenke (Mephisto-Waltz no. 1)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (on 1979-12-05)
recording of:
Deux épisodes d’après le Faust de Lenau, S. 110: II. Der Tanz in der Dorfschenke (Erster Mephisto-Walzer) (for orchestra)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
Mephisto Waltz no. 1, S. 514 "Der Tanz in der Dorfschenke" (for piano solo)
part of:
Deux épisodes d’après le Faust de Lenau, S. 110 (for orchestra)
11:04
2Hungarian Rhapsody no. 2 in C-sharp Minor, S. 244 no. 2 (Arr. in C minor for orchestra by Karl Müller-Berghaus)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Willi Boskovsky (violinist and conductor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-10-01 until 1977-10-02)
recording of:
Zweite Ungarische Rhapsodie (for orchestra, arr. Müller-Berghaus)
orchestrator:
Karl Müller-Berghaus
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version)
10:17
3Hungarian Rhapsody for Orchestra no. 3 in D major, S. 359/3
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Willi Boskovsky (violinist and conductor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-10-01 until 1977-10-02)
recording of:
Hungarian Rhapsody for Orchestra no. 3 in D major, S. 359/3
additional orchestrator:
Franz Doppler
orchestrator and composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto – Presto – Andante – Allegro – Presto
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
7:58
4Les Préludes, S. 97 (conclusion)
producer:
John Mordler (producer)
orchestra:
The Philadelphia Orchestra (on 1983-01-08)
conductor:
Riccardo Muti (conductor) (on 1983-01-08)
balance engineer:
John Kurlander (engineer)
recorded at:
Old Metropolitan Opera House in Philadelphia, Pennsylvania, United States (on 1983-01-08)
partial recording of:
Les Préludes, S. 97
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1848, from 1850 until 1855)
part of:
The Music of Liszt (number: S. 97)
5:08
5A Faust Symphony, S. 108: III. Mephistopheles - Andante mistico: Apotheosis
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
David R. Murray
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1994-04-15 until 1994-04-17)
conductor:
Simon Rattle (conductor) (from 1994-04-15 until 1994-04-17)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1994-04-15 until 1994-04-17)
partial recording of:
Eine Faust-Symphonie, S. 108: III. Mephistopheles. Allegro vivace, ironico
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Eine Faust-Symphonie, S. 108 (A Faust Symphony)
5:36
6Prometheus (Symphonic Poem no. 5), S. 99
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (on 1980-10-28)
recording of:
Prometheus, S. 99
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 99)
revision of:
Chöre zu Herders Entfesseltem Prometheus, S. 69: I. Overtüre
13:18
7Orpheus, S. 98
cello:
Jürnjakob Timm (cellist)
violin:
Gerhard Bosse (violinist)
orchestra:
Leipzig Gewandhaus Orchestra
conductor:
Kurt Masur (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1977-12-02 to present)
recording of:
Orpheus, S. 98
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1853 until 1854)
part of:
The Music of Liszt (number: S. 98)
9:40
8Festklänge, S. 101 (extract)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (on 1979-09-28)
edit of:
Festklänge, Symphonic Poem no. 7 by Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra), Kurt Masur (conductor)
partial recording of:
Festklänge, S. 101
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1853)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1853)
premiered at:
[concert] (1854-11-09)
publisher:
Breitkopf & Härtel (in 1856)
part of:
The Music of Liszt (number: S. 101)
4:05
9Von der Wiege bis zum Grabe, S. 107: II. Der Kampf um's Dasein
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
engineered at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (on 1979-01-17)
recording of:
Von der Wiege bis zum Grabe, S. 107: II. Der Kampf ums Dasein (for orchestra)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Von der Wiege bis zum Grabe, S. 107 (for orchestra)
2:47
10Rákóczi-Marsch, S. 117
orchestra:
Philharmonia Hungarica
conductor:
Willi Boskovsky (violinist and conductor)
recorded at:
St. Bonifatius Kirche in Marl, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 1976-09-30)
recording of:
Rákóczi-Marsch, S. 117 (for orchestra)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
8:46

Credits

Release

manufactured in:the E.U. (Europe)
producer:Tony Locantro (task: compilation producer)
illustration:Henri Lehmann (painter) (in 1839)
design:Shaun Mills for WLP Ltd
manufactured by:Optimal Media Production
discography entry:https://www.prestomusic.com/classical/products/7998626--100-best-liszt [info]

Release group

part of:100 Best (EMI Classics) (order: 19)
Allmusic:https://www.allmusic.com/album/mw0002169165 [info]