Smooth Jazz

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1It Never Entered My Mind
producer:
Alfred Lion
bass and double bass:
Percy Heath (on 1954-03-06)
drums (drum set):
Art Blakey (on 1954-03-06)
piano:
Horace Silver (on 1954-03-06)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-03-06)
phonographic copyright (℗) by:
Blue Note
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-03-06)
instrumental cover recording of:
It Never Entered My Mind (on 1954-03-06)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Miles Davis4:04
2Darn That Dream
producer:
Francis Wolff (photographer and record producer)
double bass:
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (on 1964-06-02)
drums (drum set):
Art Taylor (on 1964-06-02)
piano:
Kenny Drew (on 1964-06-02)
tenor saxophone:
Dexter Gordon (on 1964-06-02)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1964-06-02)
instrumental recording of:
Darn That Dream (on 1964-06-02)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
Dexter Gordon7:32
3I Got It Bad and That Ain't Good
Donald Byrd5:54
4Fly Me to the Moon
cover recording of:
Fly Me to the Moon (on 1961-12-21)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nat King Cole & George Shearing3:31
5Along Came Betty
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1958-10-30)
drums (drum set):
Art Blakey (on 1958-10-30)
piano:
Bobby Timmons (on 1958-10-30)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-10-30)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-10-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-10-30)
recording of:
Along Came Betty (on 1958-10-30)
composer:
Benny Golson (American jazz saxophonist and composer)
publisher:
Time Step Music (publisher for Benny Golson)
Art Blakey & The Jazz Messengers6:12
6Dancing in the Dark
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental recording of:
Dancing in the Dark (on 1958-03-09)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
The Cannonball Adderley Quintet4:07
7In a Sentimental Mood
The Duke Ellington Trio2:31
8After Supper
recording of:
After Supper
composer and arranger:
Neal Hefti
publisher:
International Korwin Corp.
The Count Basie Orchestra3:25
9(I Loves You) Porgy
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone3.54:05
10Reflections
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-04-14)
drums (drum set):
Art Blakey (on 1957-04-14)
piano:
Thelonious Monk (on 1957-04-14)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-04-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-14)
recording of:
Reflections (on 1957-04-14)
composer:
Thelonious Monk
Sonny Rollins7:02
11Willow Weep for Me
recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Stanley Turrentine with The Three Sounds8:39
12Lover Man (Oh Where Can You Be)
cover recording of:
Lover Man
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Dinah Washington3:02
13Lazy Afternoon
recording of:
Lazy Afternoon (The Golden Apple, 1954)
orchestrator and composer:
Jerome Moross (American composer and conductor)
lyricist:
John Latouche
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC (ASCAP) and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
Pete La Roca5:33
14'Round Midnight
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Edmond Gregory (American jazz musician) (on 1947-11-21)
double bass:
Robert Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
instrumental recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk3:11
15Blue and Sentimental
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1961-12-16)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1961-12-16)
guitar:
Grant Green (jazz guitarist) (on 1961-12-16)
tenor saxophone:
Ike Quebec (on 1961-12-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-12-16)
recording of:
Blue and Sentimental (on 1961-12-16)
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
Ike Quebec7:27
16You'd Be So Nice to Come Home To
Bud Powell Trio2:37
2▼CD
#TitleArtistRatingLength
1I'm Old Fashioned
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
instrumental cover recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (on 1957-09-15)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
John Coltrane7:59
2Driftin'
recording engineer:
Rudy van Gelder (on 1962-05-28)
producer:
Alfred Lion
bass:
Butch Warren (on 1962-05-28)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1962-05-28)
flugelhorn:
Freddie Hubbard
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1962-05-28)
tenor saxophone:
Dexter Gordon (on 1962-05-28)
trumpet:
Freddie Hubbard (on 1962-05-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1962-05-28 to present, on 1962-05-28)
recording of:
Driftin’ (on 1962-05-28)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Herbie Hancock6:56
3Basin St. Blues
alto saxophone:
Bill Green (woodwind) (on 1961-04-15) and Benny Carter (on 1961-04-15)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1961-04-15)
bass:
Max Bennett (US jazz bassist and session musician) (on 1961-04-15)
congas and percussion:
Chano Pozo (on 1961-04-15)
drums (drum set):
Stan Lewey (on 1961-04-15)
guitar:
Dennis Budimir (on 1961-04-15) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1961-04-15)
piano:
Jimmy Rowles (on 1961-04-15)
tenor saxophone:
Plas Johnson (on 1961-04-15) and Bill Perkins (jazz saxophonist) (on 1961-04-15)
trombone:
Vern Friley (“Derf”) (on 1961-04-15), Lew McCreary (on 1961-04-15), George Roberts (american bass trombone) (on 1961-04-15) and Frank Rosolino (on 1961-04-15)
trumpet:
Bob Fowler (trumpeter, producer, engineer) (on 1961-04-15), Conrad Gozzo (on 1961-04-15), Al Porcino (on 1961-04-15) and Jack Sheldon (on 1961-04-15)
vocals:
Peggy Lee (jazz vocalist) (on 1961-04-15)
arranger:
Quincy Jones (on 1961-04-15)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-04-15)
cover recording of:
Basin Street Blues (on 1961-04-15)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Peggy Lee43:05
4Footprints
recording engineer:
Rudy van Gelder (on 1966-02-24)
producer:
Alfred Lion
double bass [bass]:
Reggie Workman (on 1966-02-24)
drums (drum set):
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1966-02-24)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1966-02-24)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1966-02-24)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-02-24)
recording of:
Footprints (on 1966-02-24)
composer:
Wayne Shorter (US jazz saxophonist and composer)
publisher:
Miyako Music (Music publishing company for Wayne Shorter's compositions.)
Wayne Shorter7:32
5God Bless the Child
recording engineer:
Rudy van Gelder (on 1961-06-04)
producer:
Alfred Lion
bass:
Ben Tucker (on 1961-06-04)
guitar:
Grant Green (jazz guitarist) (on 1961-06-04)
membranophone:
Ben Dixon (Jazz drummer) (on 1961-06-04)
piano:
Kenny Drew (on 1961-06-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-04)
instrumental recording of:
God Bless the Child (on 1961-06-04)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Grant Green7:24
6Lady Sings the Blues
producer:
Alfred Lion
double bass:
Al McKibbon (double bassist) (on 1955-08-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-08-01)
piano:
Herbie Nichols (jazz pianist and composer) (on 1955-08-01)
recording of:
Lady Sings the Blues (on 1955-08-01)
lyricist:
Billie Holiday
composer:
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
Herbie Nichols4:24
7I Can't Get Started
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
live recording of:
I Can’t Get Started (in 1956-07)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Chet Baker3:10
8All I Do Is Dream of You
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
All I Do Is Dream of You (Singin’ in the Rain) (in 1962-08)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI United Partnership Ltd.
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
Sarah Vaughan2:58
9Midnight in the Air
double bass [b]:
Al McKibbon (double bassist) (on 1955-04-15)
drums (drum set) [drums]:
Bill Clark (Drummer) (on 1955-04-15)
guitar [g]:
Toots Thielemans (on 1955-04-15)
piano:
Shearing (British jazz pianist) (on 1955-04-15)
vibraphone [vibes]:
Johnny Rae (US jazz drummer/vibraphonist) (on 1955-04-15)
recording of:
Midnight in the Air
composer:
Leonard Feather and George Shearing (British jazz pianist)
instrumental recording of:
Midnight in the Air
composer:
Leonard Feather and George Shearing (British jazz pianist)
George Shearing42:29
10In a Mellotone
recorded in:
Los Angeles, California, United States (on 1958-08-22)
producer:
Richard Bock (record producer)
bass:
Hal Gaylor (Canadian bassist) (on 1958-08-22)
cello:
Nate Gershman (jazz cellist) (on 1958-08-22)
drums (drum set):
Chico Hamilton (on 1958-08-22)
flute:
Eric Dolphy (on 1958-08-22)
guitar:
John Pisano (on 1958-08-22)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
instrumental recording of:
In a Mellow Tone (on 1958-08-22)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Chico Hamilton4:21
11Rainy Night
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1966-09-29)
bass:
Paul Chambers (US jazz bassist) (on 1966-09-29)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1966-09-29)
piano:
Cedar Walton (on 1966-09-29)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1966-09-29)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1966-09-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-29)
Lee Morgan5:39
12You Go to My Head
recording engineer:
John Kraus (1950s US engineer) (in 1956-08)
alto saxophone:
Art Pepper (in 1956-08)
double bass [bass]:
Leroy Vinnegar (in 1956-08)
drums (drum set):
Shelly Manne (US jazz drummer) (in 1956-08)
piano:
Russ Freeman (pianist) (in 1956-08)
trumpet:
Jack Sheldon (in 1956-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1956-08)
instrumental recording of:
You Go to My Head (in 1956-08)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Art Pepper4:19
13You're Getting to Be a Habit With Me
recording of:
You’re Getting to Be a Habit With Me
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
Mel Tormé3:08
14My One and Only Love
bass:
Miroslav Vitouš (Miroslav Vitous) (on 1968-03-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1968-03-14)
piano:
Chick Corea (jazz pianist) (on 1968-03-14)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1968-03-14)
instrumental cover recording of:
My One and Only Love (on 1968-03-14)
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京 (Musical Lights Tokyo)
version of:
Music from Beyond the Moon (My One and Only Love)
Chick Corea3:38
15On the Sunny Side of the Street
recording engineer:
Rudy van Gelder (on 1960-04-25)
producer:
Alfred Lion
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-04-25)
guitar:
Kenny Burrell (on 1960-04-25)
organ:
Jimmy Smith (US jazz organist) (on 1960-04-25)
tenor saxophone:
Stanley Turrentine (on 1960-04-25)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1960-04-25)
instrumental recording of:
On the Sunny Side of the Street (on 1960-04-25)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
Jimmy Smith5:48
16Maiden Voyage
Bobby Hutcherson5:43
3▼CD
#TitleArtistRatingLength
1We Have All the Time in the World
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”)
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
James Bond themes
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:14
2Someone to Watch Over Me
Coleman Hawkins2:49
3Sweet Lorraine
recorded in:
Los Angeles, California, United States (on 1949-07-13, on 1949-07-25)
piano:
Art Tatum (US jazz pianist) (on 1949-07-13, on 1949-07-25)
instrumental recording of:
Sweet Lorraine (on 1949-07-13)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
instrumental recording of:
Sweet Lorraine (on 1949-07-25)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
Art Tatum2:38
4Call It Stormy Monday
cover recording of:
Call It Stormy Monday (but Tuesday Is Just as Bad)
lyricist and composer:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
publisher:
Wixen Music Publishing, Inc. (ended), Burlington Music Co., Ltd., Songs Of The Knoll, 日音 Synch事業部 (NICHION, INC. Synch Division), Peermusic III, Ltd. (BMI) (until 2018-11-01), Gregmark Music Inc (Gregmark) (from 1959 to present), Lord and Walker Publishing (from 1959 to present) and Raleigh Music Group (RALEIGH MUSIC PUBLISHING LLC) (from 2018-11-01 to present)
sub-publisher:
EMI Music Scandinavia AB (in 1994)
Nancy Wilson2:26
5Una Mas (One More Time)
Kenny Dorham7:21
6Falling in Love With Love
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-06-23)
drums (drum set):
Art Taylor (on 1957-06-23)
piano:
Sonny Clark (on 1957-06-23)
saxophone:
Curtis Porter (on 1957-06-23)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1957-06-23)
trumpet:
Bill Hardman (US jazz trumpeter) (on 1957-06-23)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-06-23)
instrumental recording of:
Falling in Love With Love (on 1957-06-23)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, volume I)
Hank Mobley5:28
7The Things We Did Last Summer
The Lou Donaldson Quartet3:19
8Cool Struttin'
recording of:
Cool Struttin’ (on 1958-01-05)
composer:
Sonny Clark
Sonny Clark9:23
9My Funny Valentine
piano:
André Previn (pianist, conductor, composer, arranger)
vocals:
Dinah Shore
performer:
André Previn (pianist, conductor, composer, arranger)
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Dinah Shore & André Previn3:34
10Baubles, Bangles & Beads
engineer and producer:
Richard Bock (record producer)
bass:
Monk Montgomery
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
guitar:
Wes Montgomery (in 1958-04)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
phonographic copyright (℗) by:
キングレコード株式会社 (King Record Co., Ltd., record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
Baubles, Bangles and Beads (from “Kismet”) (on 1958-04-22)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
Wes Montgomery3:29
11Thinking of You
Milt Jackson4:22
12You're My Everything
recording engineer:
Rudy van Gelder (on 1962-10-10)
producer:
Michael Cuscuna and Alfred Lion
alto saxophone and flute:
James Spaulding (jazz) (on 1962-10-10)
double bass [bass]:
Reggie Workman (on 1962-10-10)
drums (drum set):
Clifford Jarvis (on 1962-10-10)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1962-10-10)
trumpet:
Freddie Hubbard (on 1962-10-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-10-10)
instrumental cover recording of:
You’re My Everything (on 1962-10-10)
lyricist:
Mort Dixon and Joe Young (US lyricist)
composer:
Harry Warren (US composer and lyricist)
Freddie Hubbard6:35
13Summertime
Lou Rawls3:32
14Day Dream
recording engineer:
Neal Ceppos (from 1984-04-05 until 1984-04-23) and Frank Laico (from 1984-04-05 until 1984-04-23)
producer:
Kenny Burrell, Helen Keane and Grover Washington, Jr.
mixer:
Neal Ceppos and Frank Laico
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1984-04-05 until 1984-04-23)
drums (drum set):
Jack DeJohnette (from 1984-04-05 until 1984-04-23)
guitar:
Kenny Burrell (from 1984-04-05 until 1984-04-23)
percussion:
Ralph MacDonald (from 1984-04-05 until 1984-04-23)
saxophone:
Grover Washington, Jr. (from 1984-04-05 until 1984-04-23)
recorded at:
Mastermind Sound Studios in New York, New York, United States (from 1984-04-05 until 1984-04-23)
recording of:
Day Dream (from 1984-04-05 until 1984-04-23)
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
Kenny Burrell & Grover Washington, Jr.44:59
15You Happened My Way
recording engineer:
Rudy van Gelder (on 1959-01-31)
producer:
Alfred Lion
double bass:
Gene Taylor (US jazz bassist) (on 1959-01-31)
drums (drum set):
Louis Hayes (on 1959-01-31)
piano:
Horace Silver (on 1959-01-31)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-01-31)
recording of:
You Happened My Way (on 1959-01-31)
composer:
Horace Silver
The Horace Silver Quintet45:28
16After the Rain
alto saxophone and flute:
James Spaulding (jazz) (on 1966-12-07)
double bass:
Ron Carter (US jazz double-bassist) (on 1966-12-07)
drums (drum set):
Mickey Roker (Drummer) (on 1966-12-07)
piano:
Duke Pearson (on 1966-12-07)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1966-12-07)
trumpet:
Freddie Hubbard (on 1966-12-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-12-07)
Duke Pearson4:42

Credits

Release

ASIN:UK: B00008IUVW [info]