The Ultimate Jukebox Hits of the 70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Individual barcodes (retrieved from release history, no warranty):

CD 1: 090431984529
CD 2: 090431984628
CD 3: 090431984727
CD 4: 090431984826
CD 5: ?

Annotazione modificata l'ultima volta il 2014-09-13 23:18 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1More Than a Feeling
assistente tecnico:
Bruce Hensal, Deni King (engineer) e Doug Rider
tecnico:
Warren Dewey e Tom Scholz
produttore:
John Boylan e Tom Scholz
assistente tecnico di missaggio:
Steve Hodge (engineer and producer)
batteria e percussione :
Sib Hashian (dal 1975 al 1976)
chitarra [lead guitar] , chitarra [rhythm guitar] , chitarra acustica e chitarra basso :
Tom Scholz (dal 1975 al 1976)
voce principale e voce principale [Harmony]:
Brad Delp (dal 1975 al 1976)
arrangiatore:
Brad Delp e Tom Scholz
co-arrangiatore:
Jim Masdea
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
Foxglove Studios in Watertown, Massachusetts, Stati Uniti (nel 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
prima pubblicazione:
More Than a Feeling di Boston (US rock band)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 39), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 212) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 500)
registrazione di:
More Than a Feeling (dal 1975 al 1976)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston3.94:44
2American Woman
assistente tecnico di registrazione:
Ed Schnabl e Russ Vestuto
tecnico di registrazione:
Brian Christian
produttore:
Jack Richardson
arrangiatore:
The Guess Who (Canadian rock band)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1969, nel 1970) e BMG Music (nel 1970)
registrata presso:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Stati Uniti
edit di:
American Woman (original stereo mix) di The Guess Who (Canadian rock band)
registrazione di:
American Woman
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
The Guess Who4.23:51
3Brandy (You're a Fine Girl)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 2), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 11) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 40)
registrazione di:
Brandy (You’re a Fine Girl) (nel 1972)
paroliere e compositore:
Elliot Lurie
Looking Glass4.253:06
4Two Out of Three Ain't Bad
tecnico, produttore e tecnico di missaggio:
Todd Rundgren
batteria :
John Wilcox
chitarra :
Todd Rundgren
chitarra basso :
Kasim Sultan
pianoforte :
Roy Bittan
sintetizzatore :
Roger Powell (US musician, programmer, and columnist, band "Utopia")
voce di accompagnamento:
Rory Dodd e Todd Rundgren
voce principale:
Meat Loaf
arrangiatore archi :
Kenny Ascher
arrangiatore:
Todd Rundgren e Jim Steinman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Two Out of Three Ain’t Bad
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf45:24
5Your Mama Don't Dance
tecnico aggiunto:
John Fiore
registrazione di:
Your Mama Don’t Dance
autore:
Kenny Loggins e Jim Messina
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Loggins & Messina4.52:49
6Me & Bobby McGee
tecnico:
Phil Macy (50s-70s engineer)
produttore:
Paul Rothchild
batteria :
Clark Pierson (il 1970-09-25)
bonghi e congas ospite :
Bobbye Hall (il 1970-09-25)
bonghi ospite e congas ospite :
Bobbye Hall
chitarra :
John Till (rock guitarist) (il 1970-09-25)
chitarra acustica e voce principale:
Janis Joplin (il 1970-09-25)
chitarra basso :
Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25)
organo :
Ken Pearson (il 1970-09-25)
pianoforte :
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25)
tamburello ospite :
Sandra Crouch (il 1970-09-25)
voce di accompagnamento:
Phil Badella (il 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25), John Cooke (il 1970-09-25), Janis Joplin (il 1970-09-25), Vince Mitchell (il 1970-09-25), Ken Pearson (il 1970-09-25), Clark Pierson (il 1970-09-25) e John Till (rock guitarist) (il 1970-09-25)
esecutore:
Full Tilt Boogie (il 1970-09-25)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1970-09-25)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 31) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 148)
registrazione cover di:
Me and Bobby McGee (il 1970-09-25)
paroliere e compositore:
Fred Foster e Kris Kristofferson
editore:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:30
7Wildfire
registrazione di:
Wildfire
autore:
Larry Cansler e Michael Martin Murphey
Michael Martin Murphey53:18
8I Can See Clearly Now
produttore:
Johnny Nash (US reggae/pop singer-songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1972) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 165)
registrazione di:
I Can See Clearly Now (nel 1972)
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash42:46
9Lady Marmalade
produttore:
Allen R. Toussaint
arrangiatore:
Allen R. Toussaint
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 411) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 479)
registrazione cover di:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (nel 1974)
autore:
Bob Crewe e Kenny Nolan
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation e TannyBoy Music
LaBelle3.33:57
10Spirit in the Sky
produttore:
Erik Jacobsen
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1969), Seven Arts Records, Inc. (not a label) (nel 1969) e Transtone Productions (nel 1970)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 5), Billboard Year-End Hot 100 singles of 1970 (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 333)
registrazione di:
Spirit in the Sky (nel 1969)
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Norman Greenbaum4.054:01
11(Don't Fear) The Reaper
tecnico di registrazione:
Andy Abrams (nel 1976-03) e Shelly Yakus (nel 1976-03)
tecnico:
Andy Abrams e Shelly Yakus
produttore:
Murray Krugman, David Lucas (US producer, composer & engineer) e Sandy Pearlman
tecnico di missaggio:
Andy Abrams (dal 1975 al 1976) e Shelly Yakus (dal 1975 al 1976)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1976-03)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1975 al 1976)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 55)
registrazione di:
(Don’t Fear) The Reaper (nel 1976-03)
paroliere e compositore:
Donald Roeser
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:08
12Miracles
tecnico di registrazione:
Jeffrey Husband e Steve Mantoani
tecnico:
Larry Cox (US engineer/producer)
produttore:
Larry Cox (US engineer/producer) e Jefferson Starship
diritti fonografici (℗) detenuti da:
BMG Music (nel 1975)
registrata presso e mixata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti
edit di:
Miracles di Jefferson Starship
registrazione di:
Miracles (Jefferson Starship song)
paroliere e compositore:
Marty Balin
Jefferson Starship43:33
13Time in a Bottle
produttore:
Terry Cashman e Tommy West
voce:
Jim Croce (il 1971-10-11)
diritti fonografici (℗) detenuti da:
R2M Music (BMI) (nel 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (nel 1973), Lastrada Entertainment Co., Ltd. (nel 1973) e LeFrak-Moelis Records (nel 1973)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1971-10-11)
registrazione di:
Time in a Bottle (il 1971-10-11)
paroliere e compositore:
Jim Croce
editore:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.352:27
14Come & Get Your Love
registrazione di:
Come and Get Your Love
paroliere e compositore:
Lolly Vegas
editore:
EMI Blackwood Music Inc., Lolly Vegas Publishing e Novalene Music
Redbone4.453:32
15In the Summertime
produttore:
Barry Murray (producer, associated with Mungo Jerry)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1970)
prima pubblicazione:
In the Summertime di Mungo Jerry
video musicali:
In the Summertime di Mungo Jerry
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 40) e Billboard Year-End Hot 100 singles of 1970 (numero: 53)
registrazione di:
In the Summertime
paroliere e compositore:
Ray Dorset
editore:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.653:32
16Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:19
17And When I Die
registrazione di:
And When I Die
paroliere e compositore:
Laura Nyro
editore:
EMI Blackwood Music Inc., Tuna Fish Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Blood, Sweat & Tears3:27
18Thank You (Falettinme Be Mice Elf Agin)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 402)
registrazione di:
Thank You (Falettinme Be Mice Elf Agin) (nel 1969)
paroliere e compositore:
Sylvester Stewart
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
Sly & the Family Stone4.654:47
19All the Young Dudes
produttore:
David Bowie (English singer‐songwriter)
voce principale:
Ian Hunter (Mott the Hoople)
arrangiatore:
David Bowie (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1976)
parte di:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 166) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 253)
registrazione cover di:
All the Young Dudes
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Tintoretto Music
sub-editore:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Mott the Hoople4.23:30
20He Ain't Heavy, He's My Brother
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e The Hollies Ltd. (dal 1969 al 1970)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1969-06-25)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 46)
registrazione cover di:
He Ain’t Heavy, He’s My Brother (il 1969-06-25)
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
registrazione dal vivo cover di:
He Ain’t Heavy, He’s My Brother
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
registrazione di:
He Ain’t Heavy, He’s My Brother
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:15
2▼CD
#TitoloArtistaValutazioneDurata
1Best of My Love
produttore:
Al McKay
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 334)
registrazione di:
Best of My Love
autore:
Al McKay e Maurice White (Earth, Wind & Fire)
editore:
EMI Songs Ltd.
The Emotions4.153:42
2Me & Mrs. Jones
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Billy Paul (American soul singer) (nel 1972)
esecutore:
MFSB (nel 1972)
arrangiatore archi e arrangiatore ottoni [horns] :
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Me and Mrs. Jones (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:47
3Reasons
tecnico:
George Massenburg
co-produttore:
Charles Stepney (musician, producer, arranger and songwriter)
produttore:
Maurice White (Earth, Wind & Fire)
arrangiatore:
Earth, Wind & Fire e Charles Stepney (musician, producer, arranger and songwriter)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1975)
campionamenti da:
That’s the Way of the World di Earth, Wind & Fire (nel 1975-03)
registrazione di:
Reasons
autore:
Philip Bailey, Charles Stepney (musician, producer, arranger and songwriter) e Maurice White (Earth, Wind & Fire)
Earth, Wind & Fire2.75:01
4Back Stabbers
tecnico di registrazione:
Joe Tarsia (engineer) (nel 1972)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
esecutore:
MFSB (nel 1972)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Back Stabbers (nel 1972)
autore:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden e John Whitehead
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:08
5Lean on Me
produttore:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) e Bill Withers
basso elettrico :
Melvin Dunlap (nel 1972)
batteria e percussione :
James Gadson (American drummer) (nel 1972)
chitarra elettrica :
Benorce Blackmon (guitarist, producer, writer) (nel 1972)
piano elettrico Wurlitzer :
Ray Jackson (trombonist, pianist and arranger) (nel 1972)
pianoforte e voce principale:
Bill Withers (nel 1972)
arrangiatore archi :
Ray Jackson (trombonist, pianist and arranger)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 236)
registrazione di:
Lean on Me (nel 1972)
paroliere e compositore:
Bill Withers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.34:19
6Fight the Power, Parts 1 & 2
tecnico:
Malcolm Cecil e Robert Margouleff
produttore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
produttore associato:
Malcolm Cecil e Robert Margouleff
arrangiatore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1975)
registrata presso:
Kendun Recorders in Burbank, California, Stati Uniti
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
registrazione di:
Fight the Power
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
The Isley Brothers35:21
7When Will I See You Again
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Sheila Ferguson (nel 1973), Valerie Holiday (nel 1973) e Fayette Pinkney (nel 1973)
esecutore:
MFSB (nel 1973)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
registrazione di:
When Will I See You Again (nel 1973)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees43:01
8T.S.O.P. (The Sound of Philadelphia)
produttore:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) e Bobby Martin (US soul/R&B producer/arranger)
tecnico di missaggio:
Tom Moulton
voce:
Sheila Ferguson, Valerie Holiday e Fayette Pinkney
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
remix di:
TSOP (The Sound of Philadelphia) (Ferguson, Holiday, Pinkney) di MFSB feat. The Three Degrees
registrazione di:
TSOP (The Sound of Philadelphia) (nel 1973)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mighty Three Music, Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB5:50
9If You Want Me to Stay
registrazione di:
If You Want Me to Stay
paroliere e compositore:
Sylvester Stewart
editore:
Mijac Music
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sly & the Family Stone43:00
10Kiss and Say Goodbye
strumenti:
MFSB
voce di accompagnamento:
Carla Benson, Evette Benton, Barbara Ingram e The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
voce parlata [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
voce principale [singing voice on 1st lead]:
Gerald Alston
registrazione di:
Kiss and Say Goodbye
paroliere e compositore:
Winfred Lovett (Lovett Winfred Lorenzo)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e EMI Songs Ltd.
The Manhattans3.54:28
11Bad Luck
produttore:
Gamble & Huff
esecutore:
MFSB (nel 1972)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Bad Luck (nel 1972)
autore:
Victor Carstarphen (keyboardist, composer and producer), Gene McFadden e John Whitehead
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes6:26
12Got to Be Real
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
edit di:
Got to Be Real (LP / 12" version) di Cheryl Lynn (1970s disco singer)
registrazione di:
Got to Be Real
autore:
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) e David Paich
editore:
Butterfly Gong Music, Hudmar Publishing Co. Inc. e On Board Music (publisher)
Cheryl Lynn4.53:49
3▼CD
#TitoloArtistaValutazioneDurata
1No Time
assistente tecnico di registrazione:
Ed Schnabl e Russ Vestuto
tecnico di registrazione:
Brian Christian
produttore:
Jack Richardson
arrangiatore:
The Guess Who (Canadian rock band)
registrata presso:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 70)
registrazione di:
No Time (dal 1969-08 al 1969-11)
autore:
Randy Bachman (Canadian guitarist, singer & songwriter) e Burton Cummings
The Guess Who4.43:41
2Rich Girl
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1976), BMG Music (nel 1976) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1976)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 14)
registrazione di:
Rich Girl
paroliere e compositore:
Daryl Hall (nel 1976)
editore:
Unichappell Music, Inc. e Warner Chappell Music (publisher as Warner/Chappell Music)
Hall & Oates4.152:25
3One Toke Over the Line
tecnico:
Steve Barncard
produttore:
Nick Gravenites
voce:
Mike Brewer (of Brewer & Shipley/Mastin & Brewer) e Tom Shipley (singer-songwriter, musician, vocals, guitar, bass, banjo)
registrazione di:
One Toke Over the Line
paroliere e compositore:
Mike Brewer (of Brewer & Shipley/Mastin & Brewer) e Tom Shipley (singer-songwriter, musician, vocals, guitar, bass, banjo)
editore:
Universal Music Careers
Brewer & Shipley53:21
4Brother Louie
esecutore:
Ian Lloyd (of Stories)
diritti fonografici (℗) detenuti da:
Kama Sutra (nel 1973) e Kama Sutra Records (nel 1973)
registrazione cover di:
Brother Louie
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated), Finchley Music e RAK Publishing Ltd.
Stories4.353:56
5My Maria
registrazione di:
My Maria
autore:
Daniel Moore (producer, songwriter and vocalist) e B.W. Stevenson
B.W. Stevenson2:33
6Walk on the Wild Side
produttore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
basso elettrico e contrabbasso :
Herbie Flowers (nel 1972-08)
batteria :
John Halsey (nel 1972-08)
sassofono baritono :
Ronnie Ross (nel 1972-08)
voce di accompagnamento:
The Thunder Thighs (70s UK vocal group) (nel 1972-08)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore archi e arrangiatore ottoni :
Mick Ronson (British guitarist)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1972), BMG Music (nel 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1972-08)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
campionamenti da:
Lexicon Valley #150, “Why Language Can’t Be Tamed” di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 180) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 221)
registrazione di:
Walk on the Wild Side (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Six Continents Music Publishing Inc.
Lou Reed4.254:13
7The Rapper
registrazione di:
The Rapper
paroliere e compositore:
Dominic Ierace
editore:
Don Iris Music, EMI Unart Catalog Inc. e Souler Two Music
The Jaggerz2:42
8Lay Down (Candles in the Rain)
voce e esecutore:
Edwin Hawkins Singers
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 23)
registrazione di:
Lay Down (Candles in the Rain)
paroliere e compositore:
Melanie (US singer‐songwriter Melanie Safka)
Melanie3:50
9Count on Me
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1977) e BMG Music (nel 1978)
registrazione di:
Count on Me (Jefferson Starship song)
paroliere e compositore:
Jesse Barish
editore:
Bright Moments Music, Diamondback Music Co. e Painted Desert Music Corporation
Jefferson Starship23:16
10Amie
Pure Prairie League4:20
4▼CD
#TitoloArtistaValutazioneDurata
1Go All the Way
produttore:
Jimmy Ienner (producer)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2000)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 181)
registrazione di:
Go All the Way
paroliere e compositore:
Eric Carmen
editore:
Round Hill Works, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Raspberries3.83:23
2My Sharona
tecnico di registrazione:
Pete Coleman
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Bruce Gary
chitarra :
Berton Averre e Doug Fieger (in The Knack)
chitarra basso :
Prescott Niles
voce:
Berton Averre
voce principale:
Doug Fieger (in The Knack)
remixer:
Dave Jerden
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 1994, nel 2013)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 18), TV Cream: Real 100 Best Singles Ever (numero: 24) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 201)
registrazione di:
My Sharona
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.154:56
3Hooked on a Feeling
produttore:
Bengt Palmers
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (nel 1973) e EMI Records Group (nel 1973)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 284)
registrazione di:
Hooked on a Feeling
paroliere e compositore:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:54
4Fox on the Run
tecnico:
Peter Coleman (British engineer & producer)
produttore:
Sweet (UK glam rock band)
arrangiatore:
Sweet (UK glam rock band)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973, nel 1974, nel 1975) e Chinebridge Ltd. (The Sweet) (nel 1974)
registrata presso:
Kingsway Studios in Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Fox on the Run
autore:
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) e Mick Tucker (drummer for The Sweet)
editore:
Maxwood Music Ltd., Sweet Publishing Ltd. e Warner Chappell Music (publisher as Warner/Chappell Music)
The Sweet4.553:28
5Heartbreaker
produttore:
Mike Chapman (Australian producer and songwriter) e Peter Coleman
batteria :
Glen Alexander Hamilton
chitarra basso :
Roger Capps
chitarra elettrica [lead guitar] , chitarra slide e tastiera :
Neil Giraldo
chitarra elettrica [rhythm guitar] :
Scott St. Clair Sheets
voce di accompagnamento:
Pat Benatar, Roger Capps e Neil Giraldo
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979)
registrata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti (dal 1979-06 al 1979-07)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 72)
registrazione cover di:
Heartbreaker
autore:
Geoff Gill e Cliff Wade
editore:
DJM Music
Pat Benatar4.23:31
6One Way or Another
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 298)
registrazione di:
One Way or Another (dal 1978-06 al 1978-07)
autore:
Nigel Harrison e Deborah Harry
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. e Rare Blue Music Inc (nel 1978)
Blondie4.153:36
7Plain Jane
Sammy Hagar3:50
8Green-Eyed Lady
tecnico:
Paul Buff
produttore:
Frank Slay Jr.
registrazione di:
Green‐Eyed Lady
autore:
Jerry Corbetta, John Collingwood Phillips e David Riordan
editore:
Claridge Music Publishing Co. (publisher), MPL Music Publishing Inc., UA Music International Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sugarloaf53:40
9Long Cool Woman (In a Black Dress)
tecnico:
John Punter
produttore:
The Hollies e Ron Richards
diritti fonografici (℗) detenuti da:
The Hollies Ltd. (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1971-07-16, dal 1971-07-27 al 1971-07-30)
registrazione di:
Long Cool Woman in a Black Dress (dal 1971-07-16 al 1971-07-30)
autore:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
The Hollies4.23:19
10Magic
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974, nel 1975, nel 2003)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 41)
registrazione di:
Magic
autore:
Billy Lyall e David Paton (of Pilot)
editore:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Robbins Music Corp. Ltd.
Pilot4.753:04
5▼CD
#TitoloArtistaValutazioneDurata
1Two Tickets to Paradise
tecnico di registrazione:
Andy Johns (nel 1977-06)
produttore:
Bruce Botnick
tecnico di missaggio:
Andy Johns
armonica (a bocca) , sassofono e voce principale:
Eddie Money
batteria :
Gary Mallaber
chitarra :
Jimmy Lyon (rock guitarist, worked with Eddie Money)
chitarra basso :
Lonnie Turner
percussione :
Kevin Calhoun (percussionist)
sassofono contralto :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera :
Eddie Money, Alan Pasqua e Freddie Webb (keyboardist)
voce di accompagnamento:
Randy Nichols
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978)
registrata presso:
CBS Studios (San Francisco) in San Francisco, California, Stati Uniti (nel 1977-06) e Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1977-06)
registrazione di:
Two Tickets to Paradise (nel 1977-06)
paroliere e compositore:
Eddie Money
editore:
Cashola Music, Three Wise Boys Music LLC e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.154:00
2I'll Supply the Love
tecnico e tecnico di missaggio:
Tom Knox
produttore:
Toto (US rock group)
batteria e percussione :
Jeffrey Porcaro
chitarra :
Steve Lukather
chitarra basso :
David Hungate
pianoforte :
David Paich
tastiera :
David Paich e Steve Porcaro
voce di accompagnamento:
Bobby Kimball, Steve Lukather e David Paich
voce principale:
Bobby Kimball
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti
registrazione di:
I’ll Supply the Love
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc.
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto3.353:48
3A Man I'll Never Be
assistente tecnico:
Eric Carr (Engineer), Dennis Coscia e Rob Rosati
tecnico:
Dave Butler (audio engineer) e Tom Scholz
tecnico aggiunto:
Dave Butler (audio engineer) (pianoforte)
produttore:
Tom Scholz
tecnico di missaggio:
Wally Traugott (engineer, mastering engineer, cutting engineer, remastering, mixing engineer lacquer-cutting)
basso e percussione :
Fran Sheehan
batteria e percussione :
Sib Hashian
chitarra a 12 corde, chitarra acustica, basso, chitarra elettrica, organo e pianoforte :
Tom Scholz
chitarra, percussione e chitarra slide :
Barry Goudreau
voce:
Brad Delp
arrangiatore:
Tom Scholz
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso:
Northern Studio in Maynard, Massachusetts, Stati Uniti (pianoforte) e Tom Scholz Hideaway Studio in Massachusetts, Stati Uniti
mixata presso:
Tom Scholz Hideaway Studio in Massachusetts, Stati Uniti
registrazione di:
A Man I’ll Never Be
paroliere e compositore:
Tom Scholz
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Pure Songs (nel 1978)
Boston36:39
4You Better Think Twice
Poco3:23
5Get It on
produttore:
Bob Destocki e Frank Rand
tecnico di missaggio:
Roy Segal
voce principale:
Terry Richards
Chase3:00
6Paradise by the Dashboard Light
registrazione di:
Paradise by the Dashboard Light
paroliere e compositore:
Jim Steinman
Meat Loaf5:32
7Turn to Stone
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
basso :
Kelly Groucutt (nel 1977)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1977)
chitarra , sintetizzatore e voce principale:
Jeff Lynne (nel 1977)
tastiera :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1977)
direttore d'orchestra:
Louis Clark (nel 1977)
arrangiatore:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
Jet Records (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977, nel 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1977)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1977)
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 94)
registrazione di:
Turn to Stone (nel 1977)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.73:51
8You're Only Lonely
tecnico di registrazione:
Lee Herschberg
tecnico aggiunto:
Loyd Clifft
produttore:
J.D. Souther
batteria :
Rick Marotta (US drummer/percussionist)
chitarra :
Danny Kortchmar (Danny Kootch), J.D. Souther e Waddy Wachtel
chitarra basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
voce principale:
J.D. Souther
esecutore:
James Taylor (singer-songwriter and guitarist)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1979) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
registrata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
You’re Only Lonely
paroliere e compositore:
J.D. Souther
editore:
EMI Blackwood Music Inc. e Ice Age Music
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
J.D. Souther53:50
9Take It on the Run
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980)
registrazione di:
Take It on the Run
paroliere e compositore:
Gary Richrath
editore:
HoriPro Entertainment Group, Slam Dunk Music (work publisher) e 大洋音楽 (Taiyō Music)
REO Speedwagon53:38
10Devil Went Down to Georgia
parte di:
Grammy Award: Best Country Performance by a Duo or Group nominees (numero: 1980 winner)
registrazione di:
The Devil Went Down to Georgia
autore:
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain e James W. Marshall
editore:
Songs of Universal, Inc. (BMI) e Hat Band Music (nel 1979)
The Charlie Daniels Band3:36

Accreditamenti

Pubblicazione

ASIN:US: B000063RSZ [info]

Gruppo di pubblicazioni

parte di:The Ultimate Jukebox Hits (numero: 70) (ordine: 3)