NOW Yearbook ’82

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Young Guns (Go for It!)
producer:
Steve Brown (engineer/music producer) and George Michael
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
recording of:
Young Guns (Go for It!)
lyricist and composer:
George Michael
publisher:
Morrison Leahy Music Ltd.
Wham!3:41
2Goody Two Shoes (single version)
assistant engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers)
engineer:
Alan Douglas (Scottish born engineer)
producer:
Adam Ant (English new wave singer and actor), Chris Hughes (producer, aka “Merrick”) and Marco Pirroni (British musician and producer)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1982)
recording of:
Goody Two Shoes
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited and EMI Music Publishing Ltd. (PRS‐affiliated) (in 1982)
Adam Ant3:19
3The Look of Love – Pt. 1
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 43) and The Downloader’s Music Source Book (number: 73)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC3.93:29
4Hungry Like the Wolf
engineer and producer:
Colin Thurston
performer:
Duran Duran (English rock band) (in 1982)
phonographic copyright (℗) by:
Tritec Music Ltd. (publisher and copyrights holder) (in 1982) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 398)
recording of:
Hungry Like the Wolf
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. and Tritec Music Ltd. (publisher and copyrights holder)
Duran Duran3.353:25
5Instinction (edit)
producer:
Richard James Burgess and Trevor Horn
recording of:
Instinction
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3:34
6Love Plus One
producer:
Bob Sargeant
drums (drum set):
Blair Cunningham
guitar:
Graham Jones (Haircut 100)
instruments:
Leslie Nemes
percussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
saxophone:
Phil Smith (Saxophonist)
vocals:
Nick Heyward
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 90)
recording of:
Love Plus One
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut 10043:38
7Do You Really Want to Hurt Me (remastered 2002)
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:21
8Under Attack
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass guitar:
Rutger Gunnarsson (from 1982-08-01 until 1982-08-03)
drums (drum set) and percussion:
Per Lindvall (from 1982-08-01 until 1982-08-03)
guitar:
Janne Schaffer (from 1982-08-01 until 1982-08-03)
keyboard:
Benny Andersson (ABBA) (from 1982-08-01 until 1982-08-03)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1982)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1982-08-01 until 1982-08-03)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1982-08-26)
part of:
The Downloader’s Music Source Book (number: 63)
recording of:
Under Attack (from 1982-08-01 until 1982-08-03)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Union Songs AB (publisher) and Universal (Sweden)
part of:
Mamma Mia! (1999 musical)
ABBA2.53:47
9The Land of Make Believe
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1981)
recording of:
The Land of Make Believe
miscellaneous support:
Andy Hill (English producer & songwriter)
writer:
Andy Hill (English producer & songwriter) and Peter Sinfield
publisher:
BMG Music Publishing Ltd., Concord Copyrights London Limited, EMI Virgin Music Ltd. (do not use this as a release label!), Paper Music Ltd., Universal Music Publishing MGB Limited, Universal Music–MGB Songs and Universal Music–Z Tunes LLC
Bucks Fizz3.353:49
10Fantasy Island
cover recording of:
Fantasy Island (english version)
writer:
Martin Duiser and Piet Souer (composer)
publisher:
Roba Music GmbH (publisher)
Tight Fit3:27
11Videotheque
recording of:
Videotheque
Dollar3:34
12House of Fun
producer:
Clive Langer and Alan Winstanley (English record producer)
recording of:
House of Fun
lyricist:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:47
13Come on Eileen
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4:00
14Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.82:52
15Go Wild in the Country
recording of:
Go Wild in the Country
writer:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) and Malcolm McLaren
publisher:
EMI Songs Ltd.
Bow Wow Wow32:59
16It Ain’t What You Do It’s the Way That You Do It
producer:
Fun Boy Three and Dave Jordan (UK producer/remixer)
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
writer:
Sy Oliver and Trummy Young
Fun Boy Three feat. Bananarama3.652:48
17Pass the Dutchie (original 7" version)
producer:
Peter Collins (producer)
bass guitar:
Patrick
drums (drum set):
Junior
guitar:
Kelvin
keyboard:
Michael (Keyboard player for Musical Youth)
vocals:
Dennis
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 25)
cover recording of:
Pass the Kouchie
writer:
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) and Fitzroy “Bunny” Simpson
part of:
My Kind of People
Musical Youth43:23
18Zoom (radio edit)
recording of:
Zoom
writer:
Bobby Eli and Len Barry
Fat Larry’s Band44:16
19Heartbreaker
engineer:
Karl Richardson
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
acoustic guitar and background vocals:
Barry Gibb (in 1982)
bass guitar:
George “Chocolate” Perry (bassist aka "Chocolate") (in 1982)
drums (drum set):
Steve Gadd (drummer) (in 1982)
electric guitar:
George Terry (guitar player with Clapton in 70's) (in 1982)
lead vocals:
Dionne Warwick (in 1982)
conductor:
Albhy Galuten (in 1982)
strings arranger:
Albhy Galuten and Barry Gibb
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
produced for:
Karlbhy Productions
additionally recorded at:
Mediasound Studios in New York, New York, United States (in 1982)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States (in 1982)
recording of:
Heartbreaker (Dionne Warwick song) (in 1982)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. and Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick44:17
20Truly (album version)
recording engineer:
Calvin Harris
engineer:
Jim Cassell
assistant producer:
Brenda Harvey–Richie
producer:
James Anthony Carmichael and Lionel Richie
mixer:
Calvin Harris, Michael Johnson (Motown related), Fred Law and Stephan Smith (US 70s/80s soul/funk engineer)
acoustic guitar:
Tim May (session/jazz guitarist)
bass:
Joe Chemay
cello:
Jesse Ehrlich, Paula Hochhalter, Armand Kaproff and Dennis Karmazyn
double bass:
Árni Egilsson and Buell Neidlinger
drums (drum set):
Paul Leim
flute:
Louise DiTullio
French horn:
Arthur Maebe (US horn player), Richard Perissi and Henry Sigismonti
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
harp:
Gayle Levant (American studio musician, harpist)
Rhodes piano [Fender rhodes]:
William Payne
strings:
Assa Drori, Allan Harshman (violist), Joy Lyle and Paul Shure
viola:
Alan DeVeritch, Allan Harshman (violist), Virginia Majewski (violist) and Gareth Nuttycombe (violist)
violin:
Bonnie Douglas, Assa Drori, Endre Granat (Hungarian violinist), Joy Lyle, Donald Palmer (US violinist and concertmaster), Henry Roth (violinist), Sheldon Sandu (violinist), Jack Shulman, Paul Shure, Mari Tsumura (aka Mari Tsumura‐Botnick) and Charles Veal Jr. (violinist, conductor and arranger)
background vocals:
Lionel Richie
arranger:
James Anthony Carmichael and Gene Page
vocals arranger:
Lionel Richie
concertmaster:
Harry Bluestone
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Motown / Hitsville U.S.A Recording Studios in West Hollywood, California, United States
instrumental versions:
Truly (instrumental) by Lionel Richie
recording of:
Truly
lyricist and composer:
Lionel Richie
Lionel Richie3.43:20
21Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.754:00
22State of Independence (7" version)
cover recording of:
State of Independence
lyricist:
Jon Anderson (Yes/Jon & Vangelis)
composer:
Jon Anderson (Yes/Jon & Vangelis) and Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music (do not use as release label! this is a music publisher), Warner Chappell North America, Spheric B.V. (from 1981 to present), Toughknot Ltd. (from 1981 to present) and WB Music Corp. (1929–2019) (from 1981 to present)
part of:
Spiritual High
Donna Summer24:26
2CD
#TitleArtistRatingLength
1Ebony and Ivory
assistant recording engineer:
Mike Stavrou (producer/engineer) (from 1981-02-28 until 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (from 1981-02-28 until 1981-10)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistant mixer:
Jon Jacobs (UK producer/engineer) (on 1982-01-19)
mixer:
Geoff Emerick (British recording engineer) (on 1982-01-19)
drums (drum set) and electric piano:
Stevie Wonder (from 1981-02-28 until 1981-10)
electric bass guitar, guitar, piano and vocoder:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10)
percussion, synthesizer and background vocals and lead vocals:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10) and Stevie Wonder (from 1981-02-28 until 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Paul McCartney (The Beatles)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (on 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1981-03-30) and Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1982-01-19)
recording of:
Ebony and Ivory (from 1981-02-28 until 1981-10)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
parody version of:
Curdled Milk and Boot Polish
Paul McCartney3.23:43
2Fame (radio edit)
recording of:
Fame
lyricist:
Dean Pitchford
composer:
Michael Gore (composer)
publisher:
EMI Affiliated Catalog Inc.
part of:
The 53rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1980 winner)
Irene Cara53:48
3A Night to RememberShalamar3.53:30
4Inside Out (single mix)
recording of:
Inside Out
lyricist and composer:
Jesse Rae (Scottish singer/songwriter)
Odyssey3:47
5Love Come Down
recording of:
Love Come Down
lyricist and composer:
Kashif (Michael Jones, B.T. Express)
publisher:
MCA Music Ltd.
Evelyn “Champagne” King4.53:18
6Get Down on It (single version)
phonographic copyright (℗) by:
De-Lite Recorded Sound Corp. (not for release) (in 1981)
recording of:
Get Down on It
writer:
Ronald Bell, Kool & the Gang and James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
publisher:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Kool & the Gang53:33
7Why (radio edit)
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
lead vocals:
Carly Simon
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
recording of:
Why
lyricist and composer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music and Sony/ATV Songs LLC
quotes lyrics from:
Why
Carly Simon53:34
8Buffalo Gals (edit)
recording of:
Buffalo Gals
composer:
Anne Dudley (English score composer), Trevor Horn and Malcolm McLaren
publisher:
Buffalo Music, Ltd., By Bug House Music, Unforgettable Music, Ltd., Universal Music Publishing, Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal-Polygram International, Inc.
Malcolm McLaren, The World’s Famous Supreme Team3:42
9Walking on Sunshine
cover recording of:
Walking on Sunshine
lyricist and composer:
Eddy Grant
publisher:
Greenheart Music
Rockers Revenge feat. Donnie Calvin3:43
10Can’t Take My Eyes Off You (radio edit)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Boys Town Gang3:34
11Do You Wanna Funk (radio edit)
Patrick Cowley feat. Sylvester3:30
12Just an Illusion (radio edit)
recording of:
Just an Illusion
writer:
Ashley Ingram, Leee John, Steve Jolley and Tony Swain (songwriter, producer)
publisher:
Broadley Music (International) Ltd. (PRS)
Imagination4.53:56
13Torch (original / 7" single version)
producer:
Mike Thorne (UK producer & keyboardist)
recording of:
Torch
lyricist:
Marc Almond (English pop singer and songwriter)
composer:
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Arto Music Ltd.
Soft Cell4:08
14Mad World
programming:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
producer:
Ross Cullum and Chris Hughes (producer, aka “Merrick”)
bass guitar:
Curt Smith
drums (drum set):
Manny Elias
guitar:
Roland Orzabal (UK musician, songwriter and producer)
keyboard:
Roland Orzabal (UK musician, songwriter and producer), Curt Smith and Ian Stanley
percussion:
Chris Hughes (producer, aka “Merrick”)
vocals:
Curt Smith
conductor:
Chris Hughes (producer, aka “Merrick”)
performer:
Ross Cullum and Phil Palmer (guitarist)
music videos:
Mad World by Tears for Fears
recording of:
Mad World
lyricist and composer:
Roland Orzabal (UK musician, songwriter and producer)
publisher:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing and Virgin Music Ltd.
Tears for Fears4.23:34
15Mirror Man (remasterd 2012)
producer:
The Human League and Martin Rushent
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
music videos:
Mirror Man by The Human League
recording of:
Mirror Man
writer:
Ian Burden, Jo Callis and Philip Oakey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Publishing Australia P/L and PolyGram Music Publishing
The Human League23:50
16Wishing (If I Had a Photograph of You)
recording of:
Wishing (If I Had a Photograph of You)
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Zomba Enterprises, Inc. and Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4:09
17The Damned Don’t Cry
producer:
Midge Ure and Visage (new romantic band from London)
recording of:
The Damned Don’t Cry
composer:
Rusty Egan
Visage4:02
18Promised You a Miracle (2002 digital remaster)
producer:
Keith Forsey (drummer, producer and songwriter) and Peter Walsh (UK producer)
recording of:
Promised You a Miracle
writer:
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) and Michael MacNeil
Simple Minds3:58
19Reap the Wild Wind
recording of:
Reap the Wild Wind
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
Ultravox53:43
20Maid of Orleans (The Waltz of Joan of Arc) (remastered 2019)
engineer:
Howard Gray (UK producer, engineer, and electronic musician) and Brian Tench
producer:
Richard Manwaring (Producer) and Orchestral Manoeuvres in the Dark
phonographic copyright (℗) by:
Dindisc (in 1981), Dinsong Limited (in 1981) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981)
recording of:
Joan of Arc (Maid of Orleans)
lyricist and composer:
Andy McCluskey
publisher:
April Musikverlag GmbH (publisher), Dinsong Ltd. and EMI Virgin Music Ltd. (do not use this as a release label!)
Orchestral Manoeuvres in the Dark2.54:11
21Ghosts (single version / remastered 2003)
recording of:
Ghosts
lyricist and composer:
David Sylvian
publisher:
Chadwick-Nomis Ltd and Virgin Music (Publishers) Ltd.
Japan3:56
3CD
#TitleArtistRatingLength
1Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonnano and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 63)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2)
Survivor4.454:06
2Dead Ringer for Love
bass guitar:
Steve Buslowe
drums (drum set):
Liberty DeVitto (US drummer)
guitar [guitars]:
Davey Johnstone
horn:
Alan Rubin, Lou Delgatto, Lou Marani and Tom Malone (US trombonist)
percussion:
Jimmy Maelen (percussion)
piano:
Roy Bittan
slit drum [African logs]:
Neleam Ymmij
background vocals:
Allan Nicholls (Canadian musician), Rhonda Coullet, Rory Dodd, Ted Neeley and Eric Troyer
vocals:
Cher and Meat Loaf
performer:
Cher
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Dead Ringer for Love
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1981), Neverland Music Publishing Company (in 1981) and Peg Music Company (in 1981)
Meat Loaf with Cher3.84:23
3Centerfold
engineer:
Dave Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
part of:
TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 314)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
4Abracadabra (2003 digital remaster)
phonographic copyright (℗) by:
Sailor Music (in 1982)
music videos:
Abracadabra by Steve Miller Band (American rock band)
recording of:
Abracadabra
lyricist and composer:
Steve Miller (leader of Steve Miller Band)
publisher:
Sailor Music
Steve Miller Band4.33:38
5Back on the Chain Gang
engineer:
Steve Churchyard
producer:
Chris Thomas (UK record producer / remixer)
bass guitar:
Tony Butler (English rock bassist with Big Country)
drums (drum set):
Martin Chambers (drummer for The Pretenders)
guitar:
Billy Bremner and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
background vocals:
Tony Butler (English rock bassist with Big Country), Martin Chambers (drummer for The Pretenders) and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
lead vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982) and WEA Records Ltd. (holding company based in the UK) (in 1982)
recorded at:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 486)
recording of:
Back on the Chain Gang
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
dedicated to:
James Honeyman‐Scott
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
Pretenders4.53:51
6I Can’t Go for That (No Can Do)
phonographic copyright (℗) by:
BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1981)
recording of:
I Can’t Go for That (No Can Do)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Daryl Hall & John Oates4.53:45
7Arthur’s Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:51
8Hard to Say I’m Sorry (2009 remaster)
producer:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
Hard to Say I’m Sorry (Chicago song)
writer:
Peter Cetera (in 1982) and David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Double Virgo Music (in 1982) and Foster Frees Music Inc. (in 1982)
Chicago4.653:48
9Waiting for a Girl Like You
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner4:47
10Avalon (2003 digital remaster)
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Alan Spenner (from 1981 until 1982)
drums (drum set):
Andy Newmark (from 1981 until 1982)
guitar:
Neil Hubbard (from 1981 until 1982) and Phil Manzanera (from 1981 until 1982)
keyboard and lead vocals:
Bryan Ferry (from 1981 until 1982)
percussion:
Jimmy Maelen (percussion) (from 1981 until 1982)
saxophone:
Andy Mackay (of Roxy Music) (from 1981 until 1982)
background vocals:
Yannick Etienne (from 1981 until 1982) and Fonzi Thornton (from 1981 until 1982)
performer:
Roxy Music (from 1981 until 1982)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (from 1982 to present, in 1982), Virgin EG Records Ltd. (in 1982) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1999)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1981 until 1982)
recording of:
Avalon (from 1981 until 1982)
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4.154:12
11Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:27
12Fireworks
recording of:
Fireworks
lyricist:
Steven Severin
composer:
John McGeoch, Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin and Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees54:23
13Rock the Casbah
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
music videos:
Rock the Casbah by The Clash (70s–80s British punk rock band)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 58)
recording of:
Rock the Casbah
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
The Clash4.63:41
14Beat Surrender
producer:
Peter Wilson (UK Producer)
trumpet:
Martin Drover and Luke Tunney
background vocals:
Afrodiziac, Claudia Fontaine (vocals, background vocals), Tracie (80s UK pop singer Tracie Young) and Caron Wheeler (English singer, songwriter, and record producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (in 1982-10)
recording of:
Beat Surrender (in 1982-10)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd. and Stylist Music Ltd.
The Jam3:25
15Our HouseMadness3.93:24
16Brave New World
recording of:
Brave New World
writer:
Joel Bogen and Toyah Willcox
Toyah3:34
17See Those Eyes (7" version)
engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
Martin Rushent
recording of:
See Those Eyes
lyricist and composer:
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone and Jim McKinven
Altered Images3:08
18John Wayne is Big Leggy (single version)
recording of:
John Wayne Is Big Leggy
writer:
Paul Caplin, Kate Garner and Jeremy Healy
publisher:
Carlin Music Corporation, Chrysalis Music Ltd. (music publisher, affiliated with PRS) and EMI Music Publishing Ltd. (PRS‐affiliated)
Haysi Fantayzee3:19
19Party Fears Two (2016 - remaster; single edit)
recording of:
Party Fears Two
writer:
Billy MacKenzie (Scottish tenor singer & songwriter) and Alan Rankine
The Associates4:08
20Temptation (7" version)
recording of:
Temptation (New Order)
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
New Order5:22
4CD
#TitleArtistRatingLength
1The Day Before You Came
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1982)
part of:
The Downloader’s Music Source Book (number: 44)
recording of:
The Day Before You Came (in 1982)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Union Songs AB (publisher), Universal (Sweden), EMI Waterford Music (in 1982), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1982) and Universal/Union Songs Musikförlag AB (in 1982)
ABBA3.55:51
2Blue Eyes (remastered 2017)
recording engineer:
Bill Price (UK producer/engineer) (in 1982-02)
producer:
Chris Thomas (UK record producer / remixer)
drums (drum set):
Jeffrey Porcaro (in 1982-02)
electric bass guitar:
Dee Murray (in 1982-02)
electric piano and synthesizer:
James Newton Howard (American score composer) (in 1982-02)
guitar:
Richie Zito (in 1982-02)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1982-02)
brass arranger and strings arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Happenstance Ltd. (record and publishing company) (in 1982)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (in 1982-02)
music videos:
Blue Eyes by Elton John (English singer, songwriter, pianist, and composer)
recording of:
Blue Eyes (in 1982-02)
lyricist:
Gary Osborne
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) and Universal–Songs of PolyGram International, Inc.
Elton John2.753:25
3Save a Prayer
engineer and producer:
Colin Thurston
arranger:
Duran Duran (English rock band)
phonographic copyright (℗) by:
Tritec Music Ltd. (publisher and copyrights holder) (from 1982 to present)
recording of:
Save a Prayer (Duran Duran)
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
Gloucester Place Music Ltd.
Duran Duran4.055:27
4All of My Heart (edit)
producer:
Trevor Horn
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
recording of:
All of My Heart
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., EMI 10 Music Ltd., Neutron Music and Virgin Music (Publishers) Ltd.
part of:
Mantrap (ABC long-form film)
ABC4:50
5Starmaker
recording of:
Starmaker
writer:
Carole Bayer Sager and Bruce Roberts (American singer-songwriter)
publisher:
Alley Music Corp., EMI Sosaha Music, Inc., R2M Music (BMI), Songs of Lastrada (BMI-affiliated), Trio Music Company, フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), The EMP Company (from 1974 to present), The Times Square Music Publications Co. (from 1974 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Kids from "Fame"4:06
6My Camera Never Lies
Bucks Fizz3:33
7Mirror MirrorDollar3:31
8One Step Further
producer:
Andy Hill (English producer & songwriter)
vocals:
Steve Fisher (of Bardo) and Sally Ann Triplett
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!)
part of:
United Kingdom in the Eurovision Song Contest (number: 1982)
recording of:
One Step Further
lyricist and composer:
Simon Jefferies
publisher:
Big Note Music Productions Ltd.
Bardo3:02
9View from a Bridge
producer:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Pop (a division of Cherry Red Records Ltd.), RAK, EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recording of:
View From a Bridge
writer:
Marty Wilde and Ricky Wilde
Kim Wilde43:30
10Fantastic Day
producer:
Bob Sargeant
recording of:
Fantastic Day
lyricist and composer:
Nick Heyward
Haircut 1002.53:13
11Best Years of Our Lives
recording of:
Best Years of Our Lives
additional lyricist:
Rick Carey and Marvin Prosper
writer:
Geoff Deane and David Jaymes
publisher:
Business Art Prod Ltd, Chrysalis Music Ltd. (music publisher, affiliated with PRS), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Modern Romance2:36
12Island of Lost Souls
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981-12)
drums (drum set):
Clem Burke (in 1981-12)
guest horn:
Rick Davies (US trombonist, member of Grupo Sabor) (in 1981-12), Mac Gollehon (in 1981-12), Ray Maldonado (in 1981-12) and Luis “Perico” Ortiz (in 1981-12)
guitar:
Frank Infante (in 1981-12) and Chris Stein (in 1981-12)
keyboard:
Jimmy Destri (in 1981-12)
lead vocals:
Deborah Harry (in 1981-12)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1982) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1981-12)
recording of:
Island of Lost Souls (in 1981-12)
lyricist:
Deborah Harry
composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1982)
Blondie3.153:48
13The Lion Sleeps Tonight
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
music videos:
The Lion Sleeps Tonight by Tight Fit
cover recording of:
The Lion Sleeps Tonight
lyricist:
George David Weiss (in 1961)
writer:
Luigi Creatore, Hugo Peretti and Albert Stanton (pseudonym for Al Brackman)
composer:
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) and Memory Lane Music Ltd.
is based on:
Mbube
is based on:
Wimoweh
version of:
Wimoweh
part of:
The Lion King (stage musical)
part of:
The Lion King (2019 film soundtrack)
Tight Fit3.653:13
14Oh Julie (7" version)
recording of:
Oh Julie (1982 song)
lyricist and composer:
Shakin’ Stevens
publisher:
SM Limited and Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Shakin’ Stevens42:32
15Just What I Always Wanted
producer:
Tony Mansfield (producer & songwriter)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Just What I Always Wanted
lyricist and composer:
Teddy Johns
Mari Wilson3:25
16A Little Peace
recording of:
A Little Peace
lyricist:
Bernd Meinunger
composer:
Ralph Siegel
translator:
Paul Greedus
translated version of:
Ein bißchen Frieden
Nicole3:02
17I’ve Never Been to Me (original single version)
producer:
Don Costa (US pop music arranger & producer), Berry Gordy and Ron Miller (Motown songwriter Ronald Norman Miller)
arranger:
Don Costa (US pop music arranger & producer)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1977) and Motown Record Company, L.P. (company credits only; do NOT use as release label) (from 1982 to present)
recording of:
I’ve Never Been to Me
writer:
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Stone Diamond Music Corporation
Charlene3:55
18Theme from Harrys Game
engineer:
Richard Dodd (mastering engineer, producer and engineer) and Austin Ince (engineer)
producer:
Richard Dodd (mastering engineer, producer and engineer)
conductor:
James Horner (American score composer) (in 1992)
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1983)
recorded at and mixed at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Theme From Harry’s Game
lyricist and composer:
Ciarán Ó Braonáin and Pól Ó Braonáin
publisher:
Television Music Ltd.
is based on:
[old text from County Galway]
Clannad4.652:29
19I Won’t Let You Down
recording of:
I Won’t Let You Down
writer:
Jim Diamond (Scottish singer/songwriter/guitarist) and Tony Hymas
Ph.D.44:05
20I Second That Emotion
producer:
John Punter
phonographic copyright (℗) by:
Hansa Productions Ltd. (in 1982)
cover recording of:
I Second That Emotion
writer:
Al Cleveland (songwriter 1930-1996) and Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Japan43:46
21Say Hello, Wave Goodbye (7" single version)
engineer:
Don Wershba (engineer)
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
recorded at:
Camden Cell Studios
recording of:
Say Hello, Wave Goodbye
lyricist:
Marc Almond (English pop singer and songwriter)
writer:
Almond (English pop singer and songwriter) and David Ball (UK electronic musician, part of Soft Cell)
composer:
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and WB Music Corp. (1929–2019)
Soft Cell55:24

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Now That’s What I Call Music LLP (British holding company) (in 2022)
Discogs:https://www.discogs.com/release/22029607 [info]
ASIN:UK: B09PT91KC8 [info]

Release group

part of:Now Yearbook (UK Now subseries) (number: 1982) (order: 18)