Bill Monroe and Stars of the Bluegrass Hall of Fame

~ Release by Bill Monroe (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1On My Way Back to the Old Home
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist) and Jim McReynolds
banjo:
Blake Williams (banjo player) (on 1985-06-17)
bass:
Clarence "Tater" Tate
double bass:
Clarence "Tater" Tate (on 1985-06-17)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-06-17) and Bobby Hicks (American bluegrass fiddler) (on 1985-06-17)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-06-17) and Jim McReynolds (on 1985-06-17)
mandolin:
Jesse McReynolds (on 1985-06-17) and Bill Monroe (“The Father of Bluegrass”) (on 1985-06-17)
baritone vocals:
Jesse McReynolds (on 1985-06-17)
lead vocals:
Jim McReynolds (on 1985-06-17)
tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-06-17)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1985-06-17) and Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-06-17)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
I'm on My Way Back to the Old Home (on 1985-06-17)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:44
A2Can't You Hear Me Callin'
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
acoustic guitar:
Wayne Lewis (bluegrass guitarist)
banjo and lead vocals:
Ralph Stanley (US bluegrass singer and banjo player)
banjo [backup banjo]:
Blake Williams (banjo player)
bass:
Clarence "Tater" Tate
fiddle:
Glen Duncan (bluegrass multi-instrument musician)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”)
recorded at and remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
Can't You Hear Me Callin'
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:55
A3Lord, Protect My Soul
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist) and Charlie Waller (American bluegrass musician)
banjo:
Blake Williams (banjo player) (on 1985-05-06)
bass:
Clarence "Tater" Tate
double bass:
Clarence "Tater" Tate (on 1985-05-06)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-05-06)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-05-06) and Charlie Waller (American bluegrass musician) (on 1985-05-06)
mandolin:
Jimmy Gaudreau (on 1985-05-06) and Bill Monroe (“The Father of Bluegrass”) (on 1985-05-06)
baritone vocals:
Jimmy Gaudreau (on 1985-05-06)
bass vocals:
Bill Yates (US bluegrass bassist) (on 1985-05-06)
lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-05-06) and Charlie Waller (American bluegrass musician) (on 1985-05-06)
tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-05-06)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-05-06)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
Lord Protect My Soul (on 1985-05-06)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
3:04
A4The Golden West
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist)
banjo:
Blake Williams (banjo player) (on 1985-06-17)
bass:
Clarence "Tater" Tate
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-06-17) and Bobby Hicks (American bluegrass fiddler) (on 1985-06-17)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-06-17)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1985-06-17)
recorded at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States and Sound Emporium Studios in Nashville, Tennessee, United States (on 1985-06-17)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
The Golden West (on 1985-06-17)
composer:
Bill Monroe (“The Father of Bluegrass”)
3:13
A5Travelin' This Lonesome Road
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist) and Mac Wiseman
banjo:
Blake Williams (banjo player) (on 1985-05-06)
bass:
Clarence "Tater" Tate
double bass:
Clarence "Tater" Tate (on 1985-05-06)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-05-06)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-05-06) and Mac Wiseman (on 1985-05-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-05-06)
lead vocals:
Mac Wiseman (on 1985-05-06)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-05-06)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
Travelin' This Lonesome Road (on 1985-05-06)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
3:31
B1I'm Going Back to Old Kentucky
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist) and Del McCoury
banjo:
Blake Williams (banjo player) (on 1985-06-17)
bass:
Clarence "Tater" Tate
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-06-17) and Bobby Hicks (American bluegrass fiddler) (on 1985-06-17)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-06-17) and Del McCoury (on 1985-06-17)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-06-17)
lead vocals:
Del McCoury (on 1985-06-17)
recorded at:
Sound Emporium in Nashville, Tennessee, United States (on 1985-06-17)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
I'm Going Back to Old Kentucky (on 1985-06-17)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
3:10
B2I Hear a Sweet Voice Calling
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist)
banjo:
Sonny Osborne (on 1985-05-02) and Blake Williams (banjo player) (on 1985-05-02)
bass:
Clarence "Tater" Tate
double bass:
Clarence "Tater" Tate (on 1985-05-02)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-05-02)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-05-02)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1985-05-02) and Bobby Osborne (on 1985-05-02)
baritone vocals:
Sonny Osborne (on 1985-05-02)
lead vocals:
Bobby Osborne (on 1985-05-02)
tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-05-02)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-05-02)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
I Hear a Sweet Voice Calling (on 1985-05-02)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
4:27
B3Remember the Cross
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist)
banjo:
Blake Williams (banjo player) (on 1985-05-07)
bass:
Emory Gordy, Jr.
double bass:
Emory Gordy, Jr. (on 1985-05-07)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-05-07)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-05-07)
mandolin, lead vocals and tenor vocals:
John Duffey (on 1985-05-07) and Bill Monroe (“The Father of Bluegrass”) (on 1985-05-07)
resonator guitar [dobro] and baritone vocals:
Mike Auldridge (on 1985-05-07)
bass vocals:
Clarence "Tater" Tate (on 1985-05-07)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-05-07)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
Remember the Cross (on 1985-05-07)
writer:
Bill Monroe (“The Father of Bluegrass”) and Howard Watts (bluegrass bassist, aka Cedric Rainwater)
3:05
B4True Life Blues
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist) and Carl Story (Bluegrass artist)
banjo:
Blake Williams (banjo player) (on 1985-05-02)
bass:
Clarence "Tater" Tate
double bass:
Clarence "Tater" Tate (on 1985-05-02)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-05-02)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-05-02) and Carl Story (Bluegrass artist) (on 1985-05-02)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-05-02)
lead vocals:
Carl Story (Bluegrass artist) (on 1985-05-02)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-05-02)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
True Life Blues (on 1985-05-02)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:16
B5Let the Gates Swing Wide
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist)
banjo:
Blake Williams (banjo player) (on 1985-06-10)
bass:
Emory Gordy, Jr.
double bass:
Emory Gordy, Jr. (on 1985-06-10)
fiddle and baritone vocals:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-06-10)
guitar and lead vocals:
Wayne Lewis (bluegrass guitarist) (on 1985-06-10)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-06-10)
bass vocals:
Clarence "Tater" Tate (on 1985-06-10)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-06-10)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
Let the Gates Swing Wide (on 1985-06-10)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:54

Credits

Release

mastering:Glenn Meadows (mastering engineer)
mastered at:Masterfonics in Nashville, Tennessee, United States
Discogs:https://www.discogs.com/release/3433586 [info]