Blue Öyster Cult

~ Release by Blue Öyster Cult (see all versions of this release, 12 available)

Annotation

℗ «Originally released 1972 SONY BMG MUSIC ENTERTAINMENT»

Countries excluded (iTunes + Deezer + Spotify)

(As of 2020-09-07).

  • South America: 🇫🇰 Falkland Islands (Malvinas) (fk)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • South-Eastern Asia: 🇹🇱 Timor-Leste (tl)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇹🇰 Tokelau (tk)
Annotation last modified on 2020-09-07 03:09 UTC.

Tracklist

1Digital Media
#TitleRatingLength
1Transmaniacon MC
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Transmaniacon MC (in 1971-10)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Donald Roeser and Sandy Pearlman
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
3.253:20
2I’m on the Lamb but I Ain’t No Sheep
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
I'm on the Lamb but I Ain't No Sheep (in 1971-10)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard and Sandy Pearlman
publisher:
Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1972)
33:10
3Then Came the Last Days of May
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar and lead vocals:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Joe Bouchard (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Then Came the Last Days of May (in 1971-10)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1972)
4.43:31
4Stairway to the Stars
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Stairway to the Stars (in 1971-10)
writer:
Albert Bouchard, Donald Roeser and Richard Meltzer
publisher:
Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1972)
3.353:43
5Before the Kiss, a Redcap
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar and lead vocals:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Joe Bouchard (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Before the Kiss, a Redcap (in 1971-10)
writer:
Donald Roeser, Allen Lanier and Sandy Pearlman
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
3.354:58
6Screams
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass and lead vocals:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Screams (in 1971-10)
lyricist and composer:
Joe Bouchard
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
2.653:10
7She’s as Beautiful as a Foot
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
She's as Beautiful as a Foot (in 1971-10)
writer:
Albert Bouchard, Allen Lanier and Richard Meltzer
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
32:56
8Cities on Flame With Rock and Roll
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Albert Bouchard (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10), Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Cities on Flame With Rock and Roll (in 1971-10)
writer:
Albert Bouchard, Buck Dharma and Sandy Pearlman
publisher:
Blue Öyster Cult Music, Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1973)
3.94:03
9Workshop of the Telescopes
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Workshop of the Telescopes (in 1971-10)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Joe Bouchard, Donald Roeser, Allen Lanier and Sandy Pearlman
publisher:
Sony Tunes, Inc. and Sony/ATV Tunes LLC (ASCAP) (in 1972)
44:01
10Redeemed
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Redeemed (in 1971-10)
writer:
Albert Bouchard, Harry Farcas, Allen Lanier and Sandy Pearlman
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
3.53:51