Mastermix Jock in a Box, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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▼ CD 1
#TitoloArtistaValutazioneDurata
1Can’t Get You out of My Head
programmazione degli strumenti:
Rob Davis (songwriter/producer was in Mud)
tecnico e tecnico di missaggio:
Tim Orford
produttore:
Rob Davis (songwriter/producer was in Mud) e Cathy Dennis
chitarra elettrica e tastiera :
Rob Davis (songwriter/producer was in Mud)
voce di accompagnamento e voce principale:
Kylie Minogue
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 2001)
è stato produttore per:
19 Productions
video musicali:
Can’t Get You Out of My Head (music video) di Kylie Minogue
parte di:
Billboard Year-End Hot 100 2002 (numero: 45) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 207)
registrazione di:
Can’t Get You Out of My Head
paroliere:
Cathy Dennis
compositore:
Rob Davis (songwriter/producer was in Mud)
editore:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Kylie Minogue3.853:53
2Rock DJ
programmazione degli strumenti:
Andy Duncan (UK drummer and producer)
tecnico aggiunto:
Σάββας Ιωσηφίδης, Steve Price (UK recording engineer/producer/orchestrator/arranger) e Richard Woodcraft
produttore:
Guy Chambers (English songwriter and record producer) e Steve Power
assistente tecnico di missaggio:
David Naughton (UK engineer/producer)
tecnico di missaggio:
Steve Power
editor:
Richard Flack (producer/engineer)
chitarra basso :
Winston Blissett
chitarra elettrica :
Neil Taylor (guitarist)
ottoni :
Dave Bishop (saxophonist), Neil Sidwell e Steve Sidwell (English composer & wind instrumentalist)
tastiera :
Guy Chambers (English songwriter and record producer)
vocoder :
Steve Power
voce di accompagnamento:
Andy Caine, Derek Green, Katie Kissoon, Sylvia Mason-James (British singer), Tessa Niles e Paul "Tubbs" Williams (UK bass player, producer, vocalist)
voce principale:
Robbie Williams
orchestra:
The London Session Orchestra
direttore d'orchestra:
Gavyn Wright (UK violinist, conductor)
arrangiatore:
Guy Chambers (English songwriter and record producer)
orchestratore:
Nick Ingman
campionamenti:
It’s Ecstacy When You Lay Down Next to Me di Barry White
registrazione di:
Rock DJ
autore:
Kelvin Andrews, Guy Chambers (English songwriter and record producer), Ekundayo Paris, Nelson Pigford e Robbie Williams
editore:
Bella Figura Music, EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), Farrell Music Limited, Hit & Run Music (Publishing) Ltd, Kobalt Music Publishing Ltd. (UK), Me-Benish Music LLC, Phoenix Music International Limited, Seven Songs, Virgin Music Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Robbie Williams3.454:20
3I’m Outta Love
edit di:
I’m Outta Love (album version) di Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
registrazione di:
I’m Outta Love (nel 2000)
paroliere:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello e Sam Watters
compositore:
Louis Biancaniello e Sam Watters
editore:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) e Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3:51
4Get the Party Started
tecnico di registrazione e produttore:
Linda Perry (rock singer‐songwriter & producer)
tecnico di registrazione aggiunto:
Bernd Burgdorf
programmazione:
Bernd Burgdorf
programmazione degli strumenti:
Linda Perry (rock singer‐songwriter & producer)
assistente tecnico di missaggio:
Dave Guerrero
tecnico di missaggio:
Dave "Hard Drive" Pensado (mixer)
voce di accompagnamento:
P!nk (American singer/songwriter)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 2001)
registrata presso:
LP Studios (California, USA) in Sherman Oaks, Los Angeles, California, Stati Uniti
mixata presso:
The Enterprise (aka Enterprise Studios) in Burbank, California, Stati Uniti
video musicali:
Get the Party Started di P!nk (American singer/songwriter)
parte di:
Billboard Year-End Hot 100 2002 (numero: 24)
registrazione di:
Get the Party Started (nel 2001)
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony e Stuck in the Throat
P!nk4.553:14
5It Must Be Love
registrazione cover di:
It Must Be Love
paroliere e compositore:
Labi Siffre
editore:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:20
6Too Much Too Young
registrazione di:
Too Much Too Young
paroliere e compositore:
Jerry Dammers
The Special A.K.A.32:07
7How You Remind Me
produttore:
Chad Kroeger, Mike Kroeger, Rick Parashar, Ryan Peake e Ryan "Nik" Vikedal
tecnico di missaggio:
Randy Staub
basso :
Mike Kroeger
batteria [drums] :
Ryan "Nik" Vikedal
chitarra [guitars] :
Chad Kroeger e Ryan Peake
voce:
Ryan Peake
voce principale:
Chad Kroeger
diritti fonografici (℗) detenuti da:
The All Blacks B.V. (company, for copyrights purposes) (nel 2001)
video musicali:
How You Remind Me di Nickelback
parte di:
Billboard Year-End Hot 100 2002 (numero: 1) e BILLIONS CLUB
registrazione di:
How You Remind Me
paroliere:
Chad Kroeger
compositore:
Chad Kroeger, Mike Kroeger, Ryan Peake e Ryan Vikedal
editore:
Arm Your Dillo Publishing Inc., M. Kroeger Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Zero-G Music Inc.
Nickelback3.653:45
8All the Small Things
tecnico:
Sean O’Dwyer (US producer & engineer)
produttore:
Jerry Finn
tecnico di missaggio:
Tom Lord‐Alge
tastiera :
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
arrangiatore:
blink‐182
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 2000)
video musicali:
All the Small Things (music video) di blink‐182
parte di:
BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (numero: 59) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 365)
registrazione di:
All the Small Things
autore:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge e Mark Hoppus
editore:
Fun With Goats (conclusa), Beat Poet Music, EMI April Music Inc., HMNIM Music e Jolly Old Saint Dick
blink‐1824.452:56
9I’ll Be There for You
produttore esecutivo:
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) e Marta Kauffman
voce:
The Soldiers (singing trio of British Army soldiers)
registrazione di:
I’ll Be There for You (theme from ‘Friends’)
paroliere:
Allee Willis
compositore:
Michael Skloff
compositore aggiunto:
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem e Danny Wilde (The Rembrandts, Great Buildings & The Quick)
The Rembrandts43:09
10Everybody Needs Somebody to Love
produttore:
Bob Tischler
batteria :
Willie "Too Big" Hall
chitarra :
Steve Cropper e Matt Murphy (US blues guitarist)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
sassofono :
Tom “Bones” Malone (US trombonist) e Lou Marini
tastiera :
Murphy Dunne
tromba :
Al Rubin
voce:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) e Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
arrangiatore voce di accompagnamento:
Paul Schaffer (pianist, bandleader, Dave Letterman's sidekick)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione cover di:
Everybody Needs Somebody to Love
autore:
Bert Russell Berns, Solomon Burke e Jerry Wexler
editore:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC e Musical Lights Tokyo
Blues Brothers4.33:25
11Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. e Tune-Kel
Wilson Pickett42:27
12Reach Out I’ll Be There
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (nel 1966)
voce di accompagnamento:
The Andantes (nel 1966), Marlene Barrow (nel 1966), Renaldo Benson (nel 1966), Louvain Demps (nel 1966), Abdul “Duke” Fakir (nel 1966), Jackie Hicks (nel 1966) e Lawrence Payton (nel 1966)
voce principale:
Levi Stubbs (nel 1966)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 78) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 206)
registrazione di:
Reach Out, I’ll Be There (nel 1966)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops42:57
13Back to the Sixties (medley)
registrazione di:
Back to the 60’s
medley di:
Dancing in the Street
medley di:
(I Can’t Get No) Satisfaction
medley di:
You Really Got Me
medley di:
All Day and All of the Night
medley di:
Diddy Wah Diddy
medley di:
Pretty Flamingo
medley di:
Black Is Black
medley di:
Bend Me, Shape Me
medley di:
High in the Sky
medley di:
Mr. Tambourine Man
medley di:
Proud Mary
medley di:
Oh, Pretty Woman (Roy Orbison song)
medley di:
The Letter
medley di:
Baby Let Me Take You Home
medley di:
Baby Come Back (Player song)
medley di:
How Do You Do It
medley di:
I Like It
medley di:
Tossing and Turning
medley di:
Hippy Hippy Shake
medley di:
Mony Mony
medley di:
Let’s Hang On!
medley di:
Sherry
medley di:
Big Girls Don’t Cry
medley di:
Walk Like a Man
medley di:
Rag Doll
medley di:
Dawn (Go Away)
medley di:
Yes I Will
medley di:
Stay
medley di:
Just One Look
medley di:
Here I Go Again
medley di:
I’m Alive
medley di:
There’s a Kind of Hush
medley di:
No Milk Today
medley di:
A Must to Avoid
medley di:
Hold Tight
medley di:
The Legend of Xanadu
medley di:
Sweets for My Sweet
medley di:
Sugar and Spice
medley di:
When You Walk in the Room
medley di:
Needles and Pins
Tight Fit4:09
14Soul Banana (medley)
Jive Bunny & the Mastermixers5:50
15Grease Megamix (medley)
voce principale:
Olivia Newton‐John (British‐Australian singer, actress and activist) e John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ mixer:
Ian Curnow e Phil Harding (engineer, producer and remixer)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (company, do not use as label) (nel 1990, nel 2003)
DJ mix di e mash-up di:
Greased Lightnin’ di John Travolta (American actor and singer), Summer Nights di John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.) e You’re the One That I Want di John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist)
registrazione di:
The Grease Megamix
autore:
Warren Casey, John Farrar e Jim Jacobs
medley di:
You’re the One That I Want (Grease, 1978 film)
medley di:
Greased Lightnin’ (Grease, 1971 musical)
medley di:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:51
16Movin’ Too Fast
esecutore:
Romina Johnson
registrazione di:
Movin’ Too Fast
compositore:
Orlando Johnson, Fabio Raponi e Ingo Peter Schwartz
Artful Dodger34:01
17Re‐Rewind
voce e esecutore:
Craig David
voce ospite:
Craig David
registrazione di:
Re-Rewind
autore:
Tony Briscoe, Craig David e Mark Hill (Mark Hill)
Artful Dodger44:05
18Thank You
tecnico di registrazione:
Goetz
programmazione:
Rollo (Rollo Armstrong of Faithless)
produttore:
Dido (English singer‐songwriter) e Rollo (Rollo Armstrong of Faithless)
tecnico di missaggio:
Phill Brown (UK engineer)
chitarra :
Paul Herman
flauto dolce e voce principale:
Dido (English singer‐songwriter)
percussione :
Mal Hyde-Smith
tastiera e pianoforte :
Mark Bates (member of the band Dusted)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1999)
remaster di:
Thank You di Dido (English singer‐songwriter)
registrazione di:
Thank You (Dido)
autore:
Dido (English singer‐songwriter) e Paul Herman
editore:
Peermusic France, Submarine Music Ltd., Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dido4.153:41
19Turn Off the Lights
registrazione di:
Turn Off the Light
paroliere e compositore:
Nelly Furtado
editore:
Nelstar Publishing
Nelly Furtado4:41
20Jump
assistente tecnico:
Ken Deane
tecnico:
Donn Landee
produttore:
Ted Templeman
basso :
Michael Anthony (US bassist, formerly of Van Halen)
batteria e percussione :
Alex Van Halen
chitarra e tastiera :
Eddie Van Halen
voce principale:
David Lee Roth
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983)
registrata presso:
5150 Studios (Eddie Van Halen's recording studio) in Studio City, Los Angeles, California, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (numero: 15), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 177) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 200)
registrazione di:
Jump
autore:
Michael Anthony (US bassist, formerly of Van Halen), David Lee Roth, Alex Van Halen e Eddie Van Halen
editore:
Diamond Dave Music, Mugambi Publishing e Van Halen Music
Van Halen4.64:03
21Place Your Hands
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1996)
registrazione di:
Place Your Hands
autore:
John Bessant, Dominic Greensmith, Kenwyn House e Gary Stringer (Reef, StringerBessant, Them Is Me lead singer)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Reef43:39
▼ CD 2
#TitoloArtistaValutazioneDurata
1Murder on the Dancefloor
tecnico di registrazione:
Marco Rakascan
assistente tecnico:
Laurence Brazil (production music composer)
tecnico:
James Loughrey
produttore:
Gregg Alexander e Matt Rowe
tecnico di missaggio:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
archi :
Wired Strings
chitarra :
John Themis
chitarra basso :
Guy Pratt
voce principale:
Sophie Ellis‐Bextor
direttore d'orchestra:
Rosie Wetters
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 2001)
registrata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
mixata presso:
Townhouse Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
video musicali:
Murder on the Dancefloor di Sophie Ellis‐Bextor
parte di:
Best of 2024: Viral Hits (numero: 26)
registrazione di:
Murder on the Dancefloor
autore:
Gregg Alexander e Sophie Ellis‐Bextor
editore:
Keepin’ It Real, How ’Bout You?, Rondor Music (London) Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Sophie Ellis‐Bextor4.153:51
2Don’t Stop Movin’
programmazione e produttore:
Simon Ellis (producer)
programmazione aggiuntiva:
Stephen Lipson, Chuck Norman e Richard Robson
tecnico:
James Reynolds (mixer/writer/music producer)
produttore aggiunto:
Stephen Lipson
tecnico di missaggio:
Heff Moraes
basso :
Ernie McKone
strumenti:
Dave Rainger
tastiera :
Simon Ellis (producer)
voce di soprano aggiuntiva e voce principale aggiuntiva:
Jo O’Meara
voce principale:
Bradley McIntosh
direttore d'orchestra:
Nick Ingman
esecutore:
S Club 7 (formerly "S Club 7")
arrangiatore:
Nick Ingman
diritti fonografici (℗) detenuti da:
S Club Ltd. (nel 2001)
campionamenti:
Billie Jean (album / single version) di Michael Jackson (“King of Pop”)
video musicali:
Don’t Stop Movin’ di S Club 7 (formerly "S Club 7")
registrazione di:
Don’t Stop Movin’
autore:
Tina Barrett, Paul Cattermole, Simon Ellis (producer), Jonathan Lee (singer, S Club 7 & musicals), Bradley McIntosh, Jo O’Meara, Sheppard Solomon, Hannah Spearritt e Rachel Stevens
editore:
19 Music Ltd., BMG Songs, Concord Entertainment Ltd, Irving Music, Inc., Jumbo Boom Boom Publishing, Rondor Music (London) Ltd. e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
S Club 73.153:54
3A Little Less Conversation
assistente tecnico:
Dan Milazzo e Claudius Mittendorfer (engineer, producer, mixer)
tecnico:
Ray Bardani
voce principale:
Elvis Presley (“The King of Rock and Roll”) (dal 1968-03-07 al 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
diritti fonografici (℗) detenuti da:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (nel 2002) e Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1968-03-07 al 1968-06-23)
mixata presso:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
remix di:
A Little Less Conversation di Elvis Presley (“The King of Rock and Roll”)
registrazione cover di:
A Little Less Conversation (dal 1968-03-07 al 1968-06-23)
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
Elvis vs. JXL3.453:35
4The Real Slim Shady
tecnico di registrazione:
Richard “Segal” Huredia (US hip hop mix engineer)
assistente tecnico:
Michelle Forbes e Jim McCrone
produttore:
Dr. Dre (Andre Young, rap producer) e Mel‐Man (US west coast hip-hop producer Melvin Bradford; Aftermath Entertainment)
assistente tecnico di missaggio:
Richard “Segal” Huredia (US hip hop mix engineer)
tecnico di missaggio:
Dr. Dre (Andre Young, rap producer)
basso e chitarra :
Mike Elizondo
tastiera :
Thomas Joseph Coster, Jr.
voce:
Eminem (US rapper)
video musicali:
The Real Slim Shady (director’s cut) di Eminem (US rapper)
registrazione di:
The Real Slim Shady
autore:
Andre Young (Andre Young, rap producer), Thomas Joseph Coster, Jr., Mike Elizondo e Marshall Mathers (Eminem, US rapper)
editore:
Bug Music (music publishing) (conclusa), Elvismambo Music (conclusa), Ensign Music Corporation (conclusa), Five Card Music (conclusa), Strawberry Blonde Music (conclusa), Ain’t Nothin’ Going’ On but F****n’ Music, BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Eight Mile Style, Music of Windswept, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Eminem4.54:48
5Lip Up Fatty
produttore:
Roger Lomas
diritti fonografici (℗) detenuti da:
Magnet Records Ltd.
registrazione di:
Lip Up Fatty
autore:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) e Brian Tuitt
editore:
Magnet Music Ltd. (publisher)
Bad Manners42:49
6Mirror in the Bathroom
produttore:
Bob Sargeant
basso :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
batteria :
Everett Morton
chitarra :
Andy Cox (of The Beat) e Dave Wakeling
sassofono :
Papa Saxa
voce:
Ranking Roger e Dave Wakeling
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 282)
registrazione di:
Mirror in the Bathroom
autore:
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) e Dave Wakeling
editore:
Arista Records Ltd. (not for release label use!), Beat Brothers Ltd. e Zomba Enterprises, Inc.
The Beat4.753:11
7Teenage Dirtbag
tecnico e produttore:
Philip A. Jimenenz e Wheatus
tecnico di missaggio:
David Thoener
piatto (giradischi) :
Pippi Longscratchings
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 2000) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 2000)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 427)
registrazione di:
Teenage Dirtbag
paroliere e compositore:
Brendan B. Brown (Wheatus singer/guitarist)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (nel 2000) e Montauk Mantis Productions (nel 2000)
Wheatus3.44:00
8Wait and Bleed
tecnico di registrazione:
Chuck Johnson (US nu-metal engineer)
tecnico di registrazione aggiunto:
Rob Agnello
co-produttore:
Slipknot (US metal band)
produttore:
Ross Robinson
tecnico di missaggio:
Chuck Johnson (US nu-metal engineer), Joey Jordison e Ross Robinson
batteria :
①: Joey
campionatore [samples/media] :
⑤: Craig (Slipknot sampler)
chitarra :
⑦: Mick e Josh Brainard
chitarra basso :
②: Paul (Slipknot bassist)
percussione [custom percussion] :
③: Chris e ⑥: Shawn
piatto (giradischi) :
⓪: Sid
voce:
⑧: Corey
diritti fonografici (℗) detenuti da:
The All Blacks U.S.A., Inc. (company, for copyrights purposes) (nel 1999)
registrata presso e mixata presso:
Indigo Ranch in Malibu, California, Stati Uniti
registrazione di:
Wait and Bleed
autore:
Shawn Crahan, Chris Fehn, Paul Gray (Slipknot bassist), Craig Jones (Slipknot sampler), Joey Jordison, Corey Taylor, Mick Thomson e Sid Wilson
editore:
EMI April Music, Inc. e Music That Music
Slipknot4.52:30
9Mustang Sally
voce:
Andrew Strong (Irish singer)
voce di accompagnamento:
Angeline Ball, Maria Doyle Kennedy e Bronagh Gallagher (Irish singer and actress)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1991) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1991)
registrazione cover di:
Mustang Sally
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Commitments4.54:02
10Shake Your Tailfeather
batteria :
Willie "Too Big" Hall
chitarra :
Steve Cropper e Matt Murphy (US blues guitarist)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
sassofono :
Tom “Bones” Malone (US trombonist) e Lou Marini
tastiera :
Murphy Dunne
tromba :
Al Rubin
voce di accompagnamento:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) e Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
voce principale:
Ray Charles (soul musician, singer and songwriter)
esecutore:
Blues Brothers (blues/soul revivalist band)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione cover di:
Shake a Tail Feather
autore:
Andre Williams (US RnB vocalist/musician/producer/songwriter), Otha Hayes e Verlie Rice
editore:
Edward Kassner Music Co. Ltd., Spirit One Music e Vapac Music Publishing Inc.
Ray Charles3.952:50
11I Got You (I Feel Good)
registrata a:
Miami, Florida, Stati Uniti (il 1965-05-06)
produttore:
James Brown (The Godfather of Soul)
basso :
Bernard Odum (il 1965-05-06)
batteria :
Melvin Parker (il 1965-05-06)
chitarra :
Alphonso "Country" Kellum (il 1965-05-06) e Jimmy Nolen (il 1965-05-06)
organo :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06)
sassofono contralto :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06) e Maceo Parker (US funk/jazz saxophonist) (il 1965-05-06)
sassofono tenore :
Al "Brisco" Clark (il 1965-05-06), St. Clair Pinckney (il 1965-05-06) e Eldee Williams (il 1965-05-06)
tromba :
Joe Dupars (il 1965-05-06), Mike Ridley (il 1965-05-06) e Ron Tooley (American trumpeter) (il 1965-05-06)
trombone :
Levi Rasbury (il 1965-05-06)
voce principale:
James Brown (The Godfather of Soul) (il 1965-05-06)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (nel 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1965) e PolyGram Inc. (1978–1990) (nel 1988)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1965-05-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 359)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good)) (il 1965-05-06)
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown4.72:48
12She’s Electric
tecnico di registrazione:
Owen Morris
produttore:
Noel Gallagher e Owen Morris
batteria e percussione :
Alan White (Oasis drummer)
chitarra basso , chitarra elettrica [lead guitar] , ebow e mellotron :
Noel Gallagher
chitarra elettrica [rhythm guitar] :
Paul Arthurs (Oasis)
pianoforte :
Paul Arthurs (Oasis) e Noel Gallagher
tamburello e voce principale:
Liam Gallagher (English musician, lead singer of Oasis)
registrata presso:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Regno Unito
registrazione di:
She’s Electric
paroliere e compositore:
Noel Gallagher
Oasis3.83:43
13Song 2
tecnico:
John Smith (UK producer/engineer)
produttore:
Stephen Street (famous producer, songwriter)
batteria :
Graham Coxon e Dave Rowntree
chitarra acustica :
Damon Albarn e Graham Coxon
chitarra basso :
Alex James (UK bassist for Blur/Fat Les)
chitarra elettrica , theremin e voce di accompagnamento:
Graham Coxon
organo Hammond , pianoforte , tastiera e voce principale:
Damon Albarn
percussione :
Dave Rowntree
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
diritti fonografici (℗) detenuti da:
EMI Records Ltd (not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1997)
video musicali:
Song 2 (music video) di Blur (UK alternative rock band)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 8), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 15), Indie 88: Top 500 Indie Rock Songs (numero: 57) e BILLIONS CLUB
registrazione di:
Song 2
paroliere:
Damon Albarn
compositore:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) e Dave Rowntree
editore:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (Sony Music Publishing (Japan) Incorporated, song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
sub-editore:
FujiPacific Music (S.E. Asia) Ltd. (Fuji Pacific Music South East Asia Limited), 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch) e 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Blur4.252:04
14Why Does It Always Rain on Me
co-produttore:
Ian Grimble
produttore:
Mike Hedges (UK producer/recording engineer)
tecnico di missaggio:
Nigel Godrich (English record producer)
violoncello :
Sarah Wilson (Cello player for Belle & Sebastian and Status Quo among others)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
registrazione di:
Why Does It Always Rain on Me?
paroliere e compositore:
Fran Healy
editore:
Sony/ATV Songs LLC
Travis3.754:27
15Three Little Birds
assistente tecnico:
Terry Barham e Guy Bidmead
tecnico:
Karl Pitterson
produttore:
Bob Marley & The Wailers
tecnico di missaggio:
Aston Barrett, Chris Blackwell (Island Records) e Karl Pitterson
basso :
Aston “Familyman” Barrett (dal 1977-01 al 1977-04)
batteria :
Carlton Barrett (dal 1977-01 al 1977-04)
chitarra :
Aston “Familyman” Barrett (dal 1977-01 al 1977-04) e Junior Marvin (dal 1977-01 al 1977-04)
chitarra acustica :
Bob Marley (Jamaican reggae artist) (dal 1977-01 al 1977-04)
percussione :
Aston “Familyman” Barrett (dal 1977-01 al 1977-04), Carlton Barrett (dal 1977-01 al 1977-04), Tyrone Downie (dal 1977-01 al 1977-04), Bob Marley (Jamaican reggae artist) (dal 1977-01 al 1977-04) e Alvin “Seeco” Patterson (dal 1977-01 al 1977-04)
tastiera :
Tyrone Downie (dal 1977-01 al 1977-04)
voce:
Bob Marley (Jamaican reggae artist) (dal 1977-01 al 1977-04)
voce di accompagnamento:
Tyrone Downie (dal 1977-01 al 1977-04), Marcia Griffiths (reggae singer from Jamaica) (dal 1977-01 al 1977-04), Rita Marley (dal 1977-01 al 1977-04) e Judy Mowatt (dal 1977-01 al 1977-04)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (Island Records Limited, not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1977), Island Records, Inc. (US) (nel 1977) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2001)
mixata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (dal 1977-03 al 1977-04)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 246) e BILLIONS CLUB
registrazione di:
Three Little Birds (dal 1977-01 al 1977-04)
paroliere e compositore:
Bob Marley (Jamaican reggae artist)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (nel 1977), Fifty Six Hope Road Music Limited (nel 1977) e Odnil Music Ltd. (nel 1977)
Bob Marley & The Wailers4.13:03
16Red Red Wine
produttore:
Ray “Pablo” Falconer e UB40
arrangiatore:
UB40
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982) e DEP International (UB40) (nel 1983)
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Bang Records (Bert Berns label) (nel 1968)
UB403.83:05
17A Little Bit of Luck
registrazione di:
A Little Bit of Luck
autore:
MC Neat e Joel Samuels
DJ Luck & MC Neat5:52
187 Days
registrazione di:
7 Days
autore:
Craig David, Darren John Hill e Mark Hill (Mark Hill)
Craig David4.653:57
19Something Stupid
tecnico di registrazione:
Al Schmitt (voce principale [vocals])
assistente tecnico:
Steve Genewick, Christina Paakkari e Steve Price (UK recording engineer/producer/orchestrator/arranger)
tecnico:
Richard Flack (producer/engineer) e Mike Ross‐Trevor (engineer)
produttore:
Guy Chambers (English songwriter and record producer) e Steve Power
assistente tecnico di missaggio:
Rupert Coulson (sound engineer) e Ricky Graham (engineer)
basso :
David Catlin‐Birch (UK bassist and guitarist)
batteria [drums] :
Ralph Salmins
chitarra [guitars] :
Mitch Dalton
percussione :
Frank Ricotti (percussionist)
tromba [trumpets] :
Simon Gardner (Trumpet player), Steve Sidwell (English composer & wind instrumentalist) e Paul Spong (trumpetist)
voce:
Nicole Kidman (actress) e Robbie Williams
orchestra:
The London Session Orchestra
direttore d'orchestra:
Steve Sidwell (English composer & wind instrumentalist)
arrangiatore:
Steve Sidwell (English composer & wind instrumentalist)
primo violino:
Gavyn Wright (UK violinist, conductor)
video musicali:
Somethin’ Stupid di Robbie Williams and Nicole Kidman (actress)
registrazione cover di:
Somethin’ Stupid
paroliere e compositore:
Carson Parks
editore:
Greenwood Music, Montclare Music e Montclare Music Co Ltd.
versione tradotta di:
Forelsket
Robbie Williams feat. Nicole Kidman3.72:53
20That’s Amore
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (il 1953-08-13)
direttore d'orchestra:
Dick Stabile (il 1953-08-13)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-13)
registrazione di:
That’s Amore (il 1953-08-13)
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:09
21Music to Watch Girls By
produttore:
Nick de Caro
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1967)
registrazione cover di:
Music to Watch Girls By (il 1967-02-21)
autore:
Sid Ramin e Tony Velona
editore:
Sidray Enterprises Ltd. e Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams4.52:34
22I’m Still Standing
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
basso elettrico :
Dee Murray
batteria :
Nigel Olsson
chitarra elettrica :
Davey Johnstone
pianoforte , sintetizzatore e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
voce di accompagnamento:
Davey Johnstone, Dee Murray e Nigel Olsson
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1983)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (il 1983-06-26)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
video musicali:
I’m Still Standing di Elton John (English singer, songwriter, pianist, and composer)
registrazione di:
I’m Still Standing
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd. (publisher) e Universal–Songs of PolyGram International, Inc.
Elton John3.83:05
23Venus
produttore:
Stock Aitken Waterman
batteria :
Linn 9000 (Linn 9000)
voce:
Bananarama
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1986)
parte di:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (numero: 2)
registrazione cover di:
Venus (Shocking Blue (I’m Your Venus))
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Bananarama4.153:38
▼ CD 3
#TitoloArtistaValutazioneDurata
1Rose Garden
registrazione cover di:
Rose Garden (nel 1970)
paroliere e compositore:
Joe South
editore:
BMG Music Publishing Ltd. e Sony/ATV Songs LLC
Lynn Anderson4.42:54
2Let Your Love Flow
produttore:
Phil Gernhard (songwriter and producer) (nel 1975-10) e Tony Scotti (nel 1975-10)
batteria :
Dennis St. John (nel 1975-10)
chitarra :
David Bellamy (Bellamy Brothers) (nel 1975-10), Howard Bellamy (Bellamy Brothers) (nel 1975-10), Richard Bennett (American guitarist) (nel 1975-10) e Doug Rhone (American guitarist, songwriter, touring and studio musician) (nel 1975-10)
chitarra basso :
Emory Gordy (nel 1975-10)
percussione :
King Errison (conguero) (nel 1975-10)
sintetizzatore :
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (nel 1975-10)
voce principale:
David Bellamy (Bellamy Brothers) (nel 1975-10) e Howard Bellamy (Bellamy Brothers) (nel 1975-10)
diritti fonografici (℗) detenuti da:
Curb Records (nel 1975) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1976)
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti (nel 1975-10)
registrazione di:
Let Your Love Flow (nel 1975-10)
paroliere e compositore:
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (nel 1975)
The Bellamy Brothers43:17
3Hero
voce principale:
Enrique Iglesias (Spanish pop singer)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 2001)
video musicali:
Hero di Enrique Iglesias (Spanish pop singer)
parte di:
Billboard Year-End Hot 100 2002 (numero: 23)
registrazione di:
Hero
autore:
Paul Barry (songwriter/musician), Enrique Iglesias (Spanish pop singer) e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Metrophonic Music Ltd
Enrique Iglesias4.354:26
4I Don’t Want to Miss a Thing
assistente tecnico:
Alex Dejonge (engineer) e Rob Murphy (Engineer)
tecnico e tecnico di missaggio:
Dave Thoener
produttore:
Matt Serletic
arrangiatore archi :
Suzie Katayama
arrangiatore:
Matt Serletic
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1998)
registrata presso e mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
parte di:
BILLIONS CLUB e The Downloader’s Music Source Book (numero: 228)
registrazione di:
I Don’t Want to Miss a Thing
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Realsongs (conclusa), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 71st Academy Award for Best Original Song (numero: 2)
Aerosmith4.154:58
5You’re Still the One
assistente alla programmazione:
Jay Alvarez e James Somberg
programmazione e editor:
Olle Romo (Swedish music producer, songwriter, and drummer)
programmazione aggiuntiva:
Bjorn Thornsrud
produttore:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) e Mercury Records (The Holding. Use for ©/℗ credits only!) (nel 2022)
registrazione di:
You’re Still the One
autore:
Eilleen Shania Lange e Robert John Lange
editore:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. e PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3.83:34
6We Will Rock You
tecnico:
Mike Stone (producer and engineer, 1960s–80s)
assistente produttore e co-produttore:
Mike Stone (producer and engineer, 1960s–80s)
produttore:
Queen (UK rock group)
battimani e calpestio di piedi [footstomps] :
John Deacon (dal 1977-08 al 1977-09), Brian May (Queen guitarist) (dal 1977-08 al 1977-09), Freddie Mercury (dal 1977-08 al 1977-09) e Roger Taylor (Queen drummer) (dal 1977-08 al 1977-09)
chitarra e chitarra elettrica :
Brian May (Queen guitarist) (dal 1977-08 al 1977-09)
voce di accompagnamento:
Brian May (Queen guitarist) (dal 1977-08 al 1977-09), Freddie Mercury (dal 1977-08 al 1977-09) e Roger Taylor (Queen drummer) (dal 1977-08 al 1977-09)
voce principale:
Freddie Mercury (dal 1977-08 al 1977-09)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (nel 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (nel 1977) e Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1977, nel 2001, nel 2011)
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito (dal 1977-08 al 1977-09)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 338)
registrazione di:
We Will Rock You (dal 1977-08 al 1977-09)
paroliere e compositore:
Brian May (Queen guitarist)
editore:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. e Sony/ATV
parte di:
We Will Rock You (Queen musical)
parte di:
We Will Rock You (German version of the Queen musical)
Queen3.92:05
7Sweet Child o’ Mine
tecnico e produttore:
Mike Clink
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
basso elettrico :
Duff McKagan
batteria :
Steven Adler
chitarra elettrica :
Slash (Guns N’ Roses guitarist) e Izzy Stradlin (US guitarist, singer & songwriter)
voce di accompagnamento:
Duff McKagan e Izzy Stradlin (US guitarist, singer & songwriter)
voce principale:
Axl Rose
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1987) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1987)
parte di:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 88), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 196) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 212)
registrazione di:
Sweet Child o’ Mine
autore:
Steven Adler, Izzy Stradlin (US guitarist, singer & songwriter), Duff McKagan, Axl Rose e Slash (Guns N’ Roses guitarist)
editore:
Black Frog Music, Guns N’ Roses Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Guns N’ Roses4.555:57
8Common People
programmazione:
Olle Romo (Swedish music producer, songwriter, and drummer)
assistente tecnico:
Pete Lewis (engineer)
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (Island Records Limited, not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1995)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1995-01-18 al 1995-01-24)
mixata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
video musicali:
Common People di Pulp
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 3), Indie 88: Top 500 Indie Rock Songs (numero: 63) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 75)
registrazione di:
Common People (dal 1995-01-18 al 1995-01-24)
paroliere:
Jarvis Cocker
compositore:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) e Russell Senior
eseguita per la prima volta presso:
Reading Festival (1994-08-27) (1994)
editore:
BMG Rights Management (UK) Ltd. (not for release label use!), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (Sony Music Publishing (Japan) Incorporated, song publisher, never a release label), Universal/Island Music Ltd. (Universal/Island Music Limited, for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2018-03-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Pulp4.75:53
9Have a Nice Day
produttore:
Marshall Bird e Steve Bush (engineer/mixer)
registrazione di:
Have a Nice Day
paroliere e compositore:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics3.853:27
10Can’t Take My Eyes Off You
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1967)
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Andy Williams43:13
11Mack the Knife
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
assistente tecnico:
Steve Genewick e Christina Paakkari
tecnico:
Richard Flack (producer/engineer)
produttore:
Guy Chambers (English songwriter and record producer)
assistente tecnico di missaggio:
Rupert Coulson (sound engineer) e Ricky Graham (engineer)
basso :
Chuck Berghofer (Jazz bassist)
batteria [drums] :
Harold Jones (jazz drummer)
chitarra :
George Doering
percussione :
Brian Kilgore
pianoforte :
Jim Cox (US keyboard player, composer)
sassofono baritono :
Greg Huckins
sassofono contralto [alto saxophones] :
Gary Foster (woodwind instrumentalist) e Dan Higgins (saxophonist and woodwind recording artist)
sassofono tenore [tenor saxophones] :
Pete Christlieb e Sal Lozano
tromba [trumpets] :
Wayne Bergeron, Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player) e Gary Grant (brass)
trombone basso :
Craig Ware (trombonist)
trombone tenore [tenor trombones] :
Alex Iles, Andy Martin (jazz trombonist) e Bruce Otto
voce:
Robbie Williams
direttore d'orchestra:
Steve Sidwell (English composer & wind instrumentalist)
arrangiatore:
Steve Sidwell (English composer & wind instrumentalist)
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Robbie Williams3.93:20
12Relight My Fire
tecnico:
Dixoid
produttore:
Andrew Livingstone e Joey Negro (English DJ/producer)
produttore aggiunto:
Mark Beswick (incarico: vocal)
basso :
John Noyce
voce:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e Robbie Williams
voce ospite:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
voce principale:
Gary Barlow
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987-1996) (nel 1993)
è stato produttore per:
Z Productions
registrazione cover di:
Relight My Fire
paroliere e compositore:
Dan Hartman
editore:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Take That feat. Lulu2.54:12
13When the Going Gets Tough
diritti fonografici (℗) detenuti da:
Polygram Ireland Ltd. (nel 1999) e Universal Music Ireland Ltd. (not for release label use) (nel 1999)
video musicali:
When the Going Gets Tough di Boyzone
registrazione cover di:
When the Going Gets Tough, the Tough Get Going (nel 1999)
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), BMG Music Publishing Ltd., Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Boyzone2.53:41
14Sweat (A La La La La Long)
produttore:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) e Roger Lewis (founder and member of Inner Circle)
produttore aggiunto:
Per Adebratt e Tommy Ekman
remixer:
Per Adebratt e Tommy Ekman
arrangiatore:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) e Roger Lewis (founder and member of Inner Circle)
registrazione di:
Sweat (A La La La La Long)
paroliere e compositore:
Ian Lewis (Inner Circle) e Roger Lewis (founder and member of Inner Circle)
Inner Circle3.353:50
15Boom Shack‐A‐Lak
registrazione di:
Boom Shack-A-Lak
autore:
Steven Kapur e Ervin Barrington Woolley
Apache Indian3:52
16Hot Hot Hot
registrazione di:
Hot, Hot, Hot
paroliere e compositore:
Arrow (Montserrat calypso/soca singer Alphonsus Celestine Edmund Cassell)
editore:
AIR Music (London) Ltd., Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Rare Blue Music Inc e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Arrow3:39
17Miami
tecnico di registrazione:
Ken "DURO" Ifill (mix engineer Ken Ifill)
programmazione degli strumenti:
L.E.S. (QB hip hop producer)
produttore:
L.E.S. (QB hip hop producer) e Poke and Tone
assistente tecnico di missaggio:
Robert Burnette
tecnico di missaggio:
Rich Travali
tastiera [keyboards] :
Keith Winfield
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1997)
registrata presso e mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
campionamenti:
And the Beat Goes On di The Whispers (US R&B/dance vocal group)
registrazione di:
Miami
paroliere:
Will Smith (US actor aka The Fresh Prince)
compositore:
Leon Sylvers III, Samuel J. Barnes, William Shelby, Stephen Shockley e Ryan Toby
editore:
DP JJ Publishing Co., Jelly’s Jams LLC, Pladid Music, Portrait (publisher), Slamuwell Productions, Solar Songs Inc. e Treyball Music
Will Smith4.453:20
18Out on the Floor
Dobie Gray2:01
19Be Young, Be Foolish, Be Happy
registrazione cover di:
Be Young, Be Foolish, Be Happy
autore:
J. R. Cobb e Ray Whitley (60s/70s songwriter)
editore:
Low Twi Music Inc (publisher) e Low-Sal Music, Inc.
registrazione di:
Be Young, Be Foolish, Be Happy
autore:
J. R. Cobb e Ray Whitley (60s/70s songwriter)
editore:
Low Twi Music Inc (publisher) e Low-Sal Music, Inc.
The Tams2:07
20Freedom
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
registrazione di:
Freedom (Wham!)
paroliere e compositore:
George Michael
editore:
Chappell Music (UK) e Morrison Leahy Music Ltd. (nel 1984)
Wham!3.755:06
21Walk of Life
assistente tecnico di registrazione:
Steve Jackson (recording engineer)
tecnico:
Neil Dorfsman
produttore:
Neil Dorfsman e Mark Knopfler
assistente tecnico di missaggio:
David Greenberg (Rockin' Reel Studios engineer) e Bruce Lampcov
batteria :
Omar Hakim
chitarra :
Mark Knopfler
chitarra basso :
John Illsley
tastiera :
Alan Clark (keyboardist) e Guy Fletcher (keyboards +)
voce:
Mark Knopfler
voce di accompagnamento:
Guy Fletcher (keyboards +) e John Illsley
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1985, nel 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1988, nel 2022) e Mercury Records Ltd. (London) (for copyrights use only) (nel 1996)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (dal 1984-10 al 1985-02)
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
Walk of Life
paroliere e compositore:
Mark Knopfler
editore:
Chariscourt Ltd. e Rondor Music (London) Ltd.
Dire Straits4.154:10
▼ CD 4
#TitoloArtistaValutazioneDurata
1Stand by Your Man
produttore:
Billy Sherrill (US songwriter/producer/arranger)
voce principale:
Tammy Wynette
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 473)
registrazione di:
Stand by Your Man (nel 1968)
autore:
Billy Sherrill (US songwriter/producer/arranger) e Tammy Wynette
editore:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. e EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:42
2That Don’t Impress Me Much
registrazione di:
That Don’t Impress Me Much
autore:
Robert John “Mutt” Lange (Robert John Lange) e Shania Twain
editore:
Imagem London Ltd.
Shania Twain3.54:05
3From This Moment On
assistente alla programmazione:
Jay Alvarez e James Somberg
programmazione e editor:
Olle Romo (Swedish music producer, songwriter, and drummer)
programmazione aggiuntiva:
Bjorn Thornsrud
produttore:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
archi :
David Hamilton (US keyboardist, orchestral arranger/conductor, producer and songwriter) e Carl Marsh (US orchestrator, arranger, composer and pianist)
voce:
Bryan White
voce ospite:
Bryan White
esecutore:
Shania Twain
arrangiatore strumenti:
David Hamilton (US keyboardist, orchestral arranger/conductor, producer and songwriter) e Carl Marsh (US orchestrator, arranger, composer and pianist)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
registrazione di:
From This Moment On
autore:
Robert John “Mutt” Lange (Robert John Lange) e Shania Twain
editore:
Loon Echo, Inc., Out-of-Pocket Productions Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Shania Twain44:39
4How Do I Live
produttore:
Mike Curb, Chuck Howard (american A&R executive, record and movie producer) e Wilbur C. Rimes
registrazione di:
How Do I Live
paroliere e compositore:
Diane Warren (US songwriter)
editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Realsongs (dal 1997 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 2)
LeAnn Rimes34:09
5Unbreak My Heart (Frankie Knuckles Classic disco mix)
remixer:
Frankie Knuckles
registrazione di:
Un-Break My Heart
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Realsongs
Toni Braxton4:30
6Finally
registrazione di:
Finally (CeCe Peniston song)
autore:
Cecilia Peniston, Felipe Delgado, Elbert Linnear e R. K. Jackson
editore:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Urban Tracks Music e Wax Museum Music
CeCe Peniston3.53:45
7Walk This Way
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records) e Russell Simmons
chitarra ospite :
Joe Perry (guitarist for Aerosmith)
voce ospite:
Steven Tyler
diritti fonografici (℗) detenuti da:
Profile Records, Inc. (distributor / holding / manufacturer) (nel 1986)
registrazione di:
Walk This Way
autore:
Joe Perry (guitarist for Aerosmith) e Steven Tyler
editore:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd. e Vindaloo Productions, Inc.
Run‐D.M.C.3.653:43
8Fools Gold
produttore e tecnico di missaggio:
John Leckie
diritti fonografici (℗) detenuti da:
Silvertone Records Ltd. (company credits only; file NO releases here!) (nel 1989, nel 1990)
video musicali:
Fools Gold (Music video) di The Stone Roses
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 32) e Indie 88: Top 500 Indie Rock Songs (numero: 145)
registrazione di:
Fools Gold
autore:
Ian Brown (UK singer, member of Stone Roses) e John Squire
editore:
Universal Music Publishers MGB Australia Pty Ltd
The Stone Roses4.44:19
9Should I Stay or Should I Go
tecnico:
Bob Clearmountain
produttore:
Guy Stevens
tecnico di missaggio:
Glyn Johns
batteria :
Topper Headon
chitarra :
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
chitarra basso :
Paul Simonon
voce:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
voce ospite:
Joe Ely
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 42), Indie 88: Top 500 Indie Rock Songs (numero: 183) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 228)
registrazione di:
Should I Stay or Should I Go
autore:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
editore:
Nineden Ltd. e Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:10
10Sit Down
registrazione di:
Sit Down
autore:
Tim Booth, Jim Glennie, Larry Gott e Gavan Whelan
James3.84:08
11Hey Baby
diritti fonografici (℗) detenuti da:
Pro Sound GmbH (dal 2000 al 2001) e EMI Austria GmbH (nel 2001)
video musicali:
Hey Baby (taxi version) di DJ Ötzi (Austrian entertainer and schlager singer)
registrazione cover di:
Hey! Baby (nel 2000)
autore:
Bruce Channel e Margaret Cobb
editore:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd., シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.), CBS Unart Catalog, Inc. (nel 1961) e Le Bill Music (nel 1961)
DJ Ötzi23:39
12Country Roads
registrazione cover di:
Take Me Home, Country Roads
autore:
Bill Danoff, John Denver e Taffy Nivert
editore:
BMG Ruby Songs, Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music e Cherry Lane Music Publishing Company Inc. (nel 1971)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Hermes House Band3:22
13Keep On Movin’
tecnico di registrazione:
Adrian Bushby
programmazione aggiuntiva:
Chris Laws (engineer, keyboardist & songwriter)
produttore:
Julian Gallagher (songwriter, producer) e Richard Stannard
produttore aggiunto e tecnico di missaggio aggiunto:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistente tecnico di missaggio:
Daniel Pursey (engineer), Conal Markey e Alvin Sweeney
tecnico di missaggio:
Adrian Bushby, Jake Davies e Matt Howe (producer and engineer)
esecutore:
Abs (Richard Abidin Breen ex-Five), J (Five), Ritchie (British singer/songwriter, member of boy band "Five") e Scott (British singer/performer/songwriter)
diritti fonografici (℗) detenuti da:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (nel 1999)
è stato produttore per:
Biffco Productions
registrata presso:
Windmill Lane Studio (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
mixata in aggiunta presso:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Regno Unito
prodotta in aggiunta presso:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Regno Unito
registrazione di:
Keep On Movin’
autore:
Richard Breen, Jason Paul Brown (Five), Sean Conlon, Julian Gallagher (songwriter, producer) e Richard Stannard
editore:
EMI Music Publishing Limited (PRS‐affiliated), Sony/ATV Music Publishing Ltd e Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group)
Five53:19
14Everybody (Backstreets Back)
tecnico:
Tommie Hicks Jr. e Joe Smith (US recording/mixing engineer)
produttore:
Max Martin (Swedish record producer) e Denniz PoP
altra voce:
Bonnie Brewster, Andrea M. Majied e Susan McCall
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1997)
registrazione di:
Everybody (Backstreet’s Back)
autore:
Max Martin (Swedish record producer) e Denniz PoP
editore:
Maratone AB (conclusa), MXM Music AB (conclusa), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (Sony Music Publishing (Japan) Incorporated, song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys4.254:49
15Wherever, Whenever
tecnico di registrazione:
Gustavo Celis, Alfred Figueroa, Javier Garza e Terry Manning (US recording engineer)
programmazione:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
assistente tecnico:
Oswald Bowe, Chris Carroll (US engineer, Mantra Recording Studio), Alex Dixon, Jorge Gonzalez (engineer), Roger Gonzalez, Tony Mardini, Nicholas Marshall, Ken Theis e Christine Tramontano
tecnico aggiunto:
Freddy Piñero, Jr.
co-produttore:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
produttore:
Shakira (Colombian singer)
tecnico di missaggio:
Javier Garza
basso :
Paul Bushnell (session bassist, producer and music director)
charango, quena e rondador :
Gustavo Patiño
famiglia delle chitarre :
Tim Pierce (US session guitarist) e Brian Ray
famiglia delle chitarre e mandolino :
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
membranofono :
Brendan Buckley
percussione :
Miriam Eli, Emilio Estefan, Jr. e Archie Peña
voce di accompagnamento:
Rita Quintero
voce di accompagnamento e voce principale:
Shakira (Colombian singer)
arrangiatore:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) e Shakira (Colombian singer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 2001)
parte di:
Billboard Year-End Hot 100 2002 (numero: 28)
registrazione di:
Whenever, Wherever
paroliere:
Gloria Estefan e Shakira (Colombian singer)
compositore:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) e Shakira (Colombian singer)
editore:
Aniwi Music, LLC, F.I.P.P. International e Sony/ATV Latin Music Publishing
versione tradotta di:
Suerte
Shakira3.83:18
16Ain’t It Funny
tecnico di registrazione:
Fabian Marasciullo, Glen Marchese e Robert Williams (engineer)
programmazione:
Jose Sanchez e Dan Shea
assistente tecnico:
David Swope
produttore:
Cory Rooney e Dan Shea
produttore aggiunto:
Peter Wade Keusch
tecnico di missaggio:
Jim Annunziato, Dan Hetzel, Richie Jones, Peter Wade Keusch e Tony Maserati (engineer / mixer)
chitarra :
René Toledo
tromba :
Ángel Fernández (Trumpet player)
voce di accompagnamento:
Cory Rooney e Shalene Thomas
voce principale:
Jennifer Lopez (American singer and actress aka J.Lo)
diritti fonografici (℗) detenuti da:
Epic Records (Epic Records, Inc., a division of Sony Music Entertainment; holding company, not a release label) (nel 2001)
registrazione di:
Ain’t It Funny
autore:
Jennifer Lopez (American singer and actress aka J.Lo) e Cory Rooney
editore:
Cori Tiffani Publishing, Nuyorican Publishing e Sony/ATV Songs LLC
Jennifer Lopez3.354:05
17She Bangs
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 2000)
registrazione di:
She Bangs
autore:
Walter Afanasieff, Desmond Child, Daniel Lopez (US spanish language songwriter), Glenn Monroig (cantautor puertorriqueño), Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa) e Julia Sierra
Ricky Martin34:06
18We’re Going to Ibiza!
arrangiatore:
Danski e DJ Delmundo
diritti fonografici (℗) detenuti da:
Violent Music B.V. (nel 1999)
registrazione di:
We’re Going to Ibiza
autore:
Jeffrey Calvert e Max West
arrangiatore:
Danski e DJ Delmundo
editore:
Munnycroft Ltd.
si basa su:
Barbados
Vengaboys2.93:41
19Smooth
assistente tecnico di registrazione:
Steve Fontano
tecnico di registrazione e tecnico di missaggio:
David Thoener
programmazione e editor:
Mark Dobson (engineer)
produttore:
Matt Serletic
assistente tecnico di missaggio:
Andy Haller
esecutore:
Rob Thomas (Matchbox Twenty)
edit di:
Smooth (album version) di Santana (US Latin, blues, & rock band) featuring Rob Thomas (Matchbox Twenty)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 3)
registrazione di:
Smooth
paroliere:
Rob Thomas (Matchbox Twenty)
compositore:
Itaal Shur e Rob Thomas (Matchbox Twenty)
editore:
Bidnis, Inc., EMI April Music Inc., EMI Blackwood Music Inc., Itaal Shur Music e U Rule Music
Santana14:04
20Stop Her on Sight (SOS)
Edwin Starr2:17
21The Snake
produttore:
Marc Gordon (soul songwriter, producer, and manager) e Johnny Rivers
registrazione cover di:
The Snake
paroliere e compositore:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Al Wilson3:29
▶ CD 5