Cooking with Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Carmen : Couplets « Votre toast, je peux vous le rendre »
bass-baritone vocals [Escamillo]:
Bryn Terfel (bass‐baritone opera singer)
orchestra:
London Symphony Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet3:54
2Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" : Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
sound engineer:
Andrew Wedman (producer and engineer)
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1992-09)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:51
3Carmen : Habanera
mezzo-soprano vocals [Carmen]:
Katherine Jenkins (mezzo-soprano)
orchestra:
The Arcadian Ensemble
conductor:
James Morgan (composer, conductor, producer; co-founder of Morgan Pochin Music Productions)
arranger:
James Morgan (composer, conductor, producer; co-founder of Morgan Pochin Music Productions) and Juliette Pochin
phonographic copyright (℗) by:
Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2004)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet2:48
4Giulio Cesare in Egitto HWV 17 : No.32 Aria "Piangerò la sorte mia"
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2002-11)
orchestra:
Les Musiciens du Louvre (in 2002-11)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2002-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2003)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 2002-11)
live recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra) (in 2002-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
George Frideric Handel6:04
5Nocturnes, Op. 32: No. 1 in B Major
piano:
Adam Harasiewicz (pianist)
recording of:
Nocturne no. 9 in B major, op. 32 no. 1: Andantino sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Nocturnes, op. 32
Frédéric Chopin4:33
6Champagne Polka
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1957-12-04 until 1957-12-06)
conductor:
Willi Boskovsky (violinist and conductor) (from 1957-12-04 until 1957-12-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1957-12-04 until 1957-12-06)
recording of:
Champagner Polka, op. 211 (from 1957-12-04 until 1957-12-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 211)
Johann Strauss II2:06
7Nocturnes, Op. 32: No. 2 in A-Flat Major
piano:
Adam Harasiewicz (pianist)
recording of:
Nocturne no. 10 in A‐flat major, op. 32 no. 2: Lento
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Nocturnes, op. 32
Frédéric Chopin4:47
8Concerto No. 5 in A Major for Violin and Orchestra, K. 219: II. Adagio
violin:
Henryk Szeryng (violinist) (in 1966-04)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-04)
conductor:
Sir Alexander Gibson (conductor) (in 1966-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1966-04)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio (in 1966-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
Wolfgang Amadeus Mozart9:25
9Piano Sonata No.11 In A, K.331 -"Alla Turca" : 1. Tema (Andante grazioso) con variazioni
engineer:
Arthur Lilley (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (in 1980-02)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1981)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso (in 1980-02)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
recording of:
Sonata for Violin and Piano no. 1 in D major, op. 12 no. 1: II. Tema con Variazioni. Andante con moto
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Violin and Piano no. 1 in D major, op. 12 no. 1
Wolfgang Amadeus Mozart13:46
10Vide cor meum (from the film "Hannibal") : Vide cor meum
engineer and mixer:
Pete Schwier (producer, mixing and recording engineer) and Leon Zervos (audio engineer)
producer:
Nick Patrick
acoustic guitar:
Bryan Adams (Canadian singer/songwriter)
cello:
Adrian Bradbury (British cellist)
choir vocals:
The National Youth Choir of Wales
mezzo-soprano vocals:
Katherine Jenkins (mezzo-soprano)
tenor vocals:
Rhys Meirion (welsh tenor)
orchestra:
The Czech Film Orchestra
chorus master:
David Rowland (chorus master)
orchestrator:
James Banbury
phonographic copyright (℗) by:
Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2004)
recording of:
Vide cor meum
orchestrator:
Paul Bateman (conductor)
composer:
Patrick Cassidy (Irish composer)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Patrick Cassidy24:02
11Rigoletto: La donna è mobile
engineer:
Lars C Bruun
producer, mixer and editor:
James Morgan (composer, conductor, producer; co-founder of Morgan Pochin Music Productions) and Juliette Pochin
orchestra:
Danish National Chamber Orchestra
conductor:
James Morgan (composer, conductor, producer; co-founder of Morgan Pochin Music Productions)
instrumental recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi1:41
12A Midsummer Night's Dream, Op. 61 Incidental Music : No. 5 Intermezzo
engineer:
Cyril Windebank (in 1957-02) and Kenneth Wilkinson (engineer) (in 1957-02)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (in 1957-02)
conductor:
Peter Maag (conductor) (in 1957-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1957-02)
recording of:
Ein Sommernachtstraum, op. 61: 5. Intermezzo. Allegro appassionato (in 1957-02)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn3:31
13Préludes - Book 1 : 10. La cathédrale engloutie
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1965-09-11)
conductor:
Leopold Stokowski (conductor) (on 1965-09-11)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-09-11)
recording of:
La Cathédrale engloutie (orch. Stokowski) (on 1965-09-11)
orchestrator:
Leopold Stokowski (conductor)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
orchestration of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme
Claude Debussy6:36
14Aida: “Qui Radames verrà!” … “O patria mia“
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:56
15Rinaldo, HWV 7a : Aria: Lascia ch'io pianga
producer:
Chris Sayers (producer)
mezzo-soprano vocals and mezzo-soprano vocals [Almirena]:
Cecilia Bartoli (mezzo‐soprano) (from 1999-11-19 until 1999-11-27)
orchestra:
Academy of Ancient Music (from 1999-11-19 until 1999-11-27)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1999-11-19 until 1999-11-27)
performer:
Cecilia Bartoli (mezzo‐soprano)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1999-11-19 until 1999-11-27)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) (from 1999-11-19 until 1999-11-27)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel4.54:49
16Piano Quartet No. 2 in E Flat, K. 493 : 2. Larghetto
cello:
Bernard Greenhouse (cellist) (in 1983-01)
piano:
Menahem Pressler (pianist) (in 1983-01)
piano trio:
Beaux Arts Trio
viola:
Bruno Giuranna (violist) (in 1983-01)
violin:
Isidore Cohen (violinist) (in 1983-01)
recorded at:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1983-01)
recording of:
Quartet for Piano no. 2 in E-flat major, K. 493: II. Larghetto (in 1983-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Quartet for Piano no. 2 in E-flat major, K. 493
Wolfgang Amadeus Mozart9:07
17Liebeslieder, Op. 114
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1957-12-04 until 1957-12-06)
conductor:
Willy Boskovsky (violinist and conductor) (from 1957-12-04 until 1957-12-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1957-12-04 until 1957-12-06)
live recording of:
Liebeslieder, op. 114 (Love Songs, Op. 114) (from 1957-12-04 until 1957-12-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 114)
recording of:
Liebeslieder, op. 114 (Love Songs, Op. 114) (from 1957-12-04 until 1957-12-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 114)
Johann Strauss II6:42
18Cavalleria rusticana: Intermezzo sinfonico
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor) (in 1990)
recording of:
Cavalleria rusticana: Intermezzo (in 1990)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni4:16
19'O sole mio
tenor vocals:
Russell Watson (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Nicholas Dodd (conductor)
recording of:
’O sole mio
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (Italian composer, known for “’O sole mio”) (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
Alfredo Mazzucchi3:33
20Lieder ohne Worte, Op.85 : No. 4. Andante sostenuto in D "Elegy"
recording engineer:
Joachim Niss
executive producer:
Günther Breest (producer for classical music)
producer:
Cord Garben (pianist and conductor)
piano:
Daniel Barenboim (pianist and conductor) (in 1973-12)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1973-12)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1973-12)
recording of:
Lied ohne Worte D-Dur, op. 85 Nr. 4 „Elegie” (Song Without Words in D major, Op. 85 No. 4) (in 1973-12)
composer:
Felix Mendelssohn (composer) (from 1834 until 1845)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 192)
part of:
Lieder ohne Worte, op. 85 (Songs Without Words, op. 85)
Felix Mendelssohn2:51
21Die Zauberflöte, K.620 : "Der Hölle Rache kocht in meinem Herze"
producer:
Michael Haas (classical music producer)
soprano vocals [Königin der Nacht]:
Sumi Jo (soprano)
spoken vocals [Monostatos]:
Heinz Zednik (tenor)
spoken vocals [Pamina]:
Ruth Ziesak (soprano)
spoken vocals [Sarastro]:
Kurt Moll (operatic bass)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-05 until 1990-12)
conductor:
Sir Georg Solti (conductor) (from 1990-05 until 1990-12)
balance engineer:
John Pellowe (audio engineer) (from 1990-05 until 1990-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1990-05 until 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1990-05 until 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:09
22Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1
piano:
Claudio Arrau (pianist) (in 1978-03)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1978, in 1997)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1978-03)
recording of:
Nocturne no. 1 in B‐flat minor, op. 9 no. 1: Larghetto (in 1978-03)
composer:
Frédéric Chopin (composer) (from 1830 until 1832)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin5:44
23Nocturne No. 2 in E Flat, Op. 9 No. 2
piano:
Claudio Arrau (pianist) (in 1978-03)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1978, in 1997)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1978-03)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (in 1978-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3) and Classic 100: Piano (2004) (number: 18)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin4:45
24Le nozze di Figaro, K.492 : "Voi che sapete"
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [Cherubino]:
Anne Sofie von Otter (mezzo-soprano) (in 1995-01)
orchestra:
The English Concert (in 1995-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1995-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1995-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:40
25William Tell: Overture
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini11:56
26Clarinet Concerto in A Major, K. 622: II. Adagio
recording engineer:
Onno Scholtze (sound engineer) (in 1988-09)
producer:
Mike Bremner (producer/engineer)
clarinet:
Karl Leister (German clarinetist) (in 1988-09)
orchestra:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:43
27Turandot : "Nessun dorma!"
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini53:01
28Piano Concerto No. 1 in C Major, Op. 15 : 1. Allegro con brio
piano:
Stephen Kovacevich (classical pianist, aka Stephen Bishop)
orchestra:
BBC Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven17:47
29Piano Concerto No. 1 in C Major, Op. 15: II. Largo
piano:
Stephen Kovacevich (classical pianist, aka Stephen Bishop)
orchestra:
BBC Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven10:24
30String Quartet No.10 in E flat major, Op.51 - B.92 : 3. Romanze. Andante con moto
producer:
Franz Christian Wulff
cello:
Jan Širc (cellist, Czech String Trio) (in 1975-01)
string quartet:
Prague String Quartet (in 1975-01)
viola:
Lubomír Malý (in 1975-01)
violin:
Břetislav Novotný (Czech violinist) (in 1975-01) and Karel Přibyl (violinist) (in 1975-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Narodní dům (Žižkov) in Praha (Prague), Czechia (in 1975-01)
recording of:
String Quartet no. 10 in E-flat major, op. 51, B. 92: III. Romanza: andante con moto (in 1975-01)
composer:
Antonín Dvořák (composer) (from 1878-12-25 until 1879-03-28)
part of:
String Quartet no. 10 in E-flat major, op. 51, B. 92
Antonín Dvořák6:40
31Gianni Schicchi : "O, mio babbino caro"
soprano vocals and soprano vocals [Lauretta]:
Kiri Te Kanawa (soprano)
orchestra:
London Symphony Orchestra
conductor:
Stephen Barlow (British conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:32
32Pagliacci : "Recitar!" - "Vesti la giubba"
tenor vocals and tenor vocals [Canio]:
Luciano Pavarotti (tenor)
orchestra:
Wiener Volksopernorchester
conductor:
Leone Magiera (conductor, pianist)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:35
33Symphony No. 85 in B-Flat Major, Hob. I:85, "La Reine": II. Romance: Allegretto
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Symphony no. 85 in B-flat major, Hob. I:85 "La Reine": II. Romance. Allegretto
composer:
Joseph Haydn (composer)
part of:
Symphony no. 85 in B‐flat major, Hob. I:85 “La Reine”
Franz Joseph Haydn7:24
34Schön Rosmarin
recorded in:
New York, New York, United States (in 1961-09)
piano:
Brooks Smith (piano) (in 1961-09)
violin:
Ruggiero Ricci (violinist) (in 1961-09)
recording of:
Schön Rosmarin (for violin and piano) (in 1961-09)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler1:53
35Sonata in f minor (Andante moderato) K466
piano:
Yuja Wang (pianist)
recording of:
Sonata in F minor, K 466, L 118: Andante moderato
composer:
Domenico Scarlatti (composer)
part of:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 118) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 466)
Domenico Scarlatti5:45
36Les contes d'Hoffmann, Act 2: "Belle nuit, ô nuit d'amour" (Barcarolle)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
James Mallinson (producer)
choir vocals:
Chœur de Radio France (from 1986-05 until 1986-06)
mezzo-soprano vocals [Nicklausse]:
Claudia Eder (German mezzo-soprano) (from 1986-05 until 1986-06)
soprano vocals [Giulietta]:
Edita Gruberová (soprano) (from 1986-05 until 1986-06)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (from 1986-05 until 1986-06)
conductor:
Seiji Ozawa (conductor and composer) (from 1986-05 until 1986-06)
chorus master:
Jacques Jouineau (chorus master) (from 1986-05 until 1986-06)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Studio 104, Radio France in Paris, Île-de-France, France (from 1986-05 until 1986-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (from 1986-05 until 1986-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:46
37Piano Trio in B-Flat Major, Op. 97, "Archduke": III. Andante cantabile, ma però con moto - Poco più adagio
piano:
Sviatoslav Richter (pianist)
string quartet:
Borodin Quartet
recording of:
Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 "Archduke": III. Andante cantabile ma però con moto
composer:
Ludwig van Beethoven (German composer) (from 1810 until 1811)
part of:
Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 “Archduke”
Ludwig van Beethoven13:05
38Rigoletto : "Questa o quella" (Ballata)
tenor vocals [Duca]:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:48
39Don Giovanni, ossia Il dissoluto punito, K.527 : "Dalla sua pace"
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor)
orchestra:
Chamber Orchestra of Europe
conductor:
Claudio Abbado (conductor)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:22
40Alt-Wiener Tanzweisen (Old Viennese Melodies): I. Liebesleid (Love's Sorrow)
producer:
Wolfgang Stengel
piano:
Clifford Benson (piano accompanist) (in 1980-06)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1980-06)
balance engineer:
Wolfgang Mitlehner (in 1980-06)
recorded at:
Jerusalem Music Centre in Jerusalem (in 1980-06)
recording of:
Liebesleid (for violin and piano) (in 1980-06)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:56
41Miniatures, Op. 75a: Romanza
orchestra:
Budapest Festival Orchestra
conductor:
Iván Fischer (conductor)
recording of:
Miniatures, op. 75a, B. 149: III. Romanza. Allegro (for 2 violins and viola)
composer:
Antonín Dvořák (composer) (in 1887-01)
part of:
Miniatures, op. 75a, B. 149 (for 2 violins and viola)
Antonín Dvořák2:47
42La gazza ladra : Overture
orchestra:
Los Angeles Philharmonic
conductor:
Gustavo Dudamel (conductor and violinist)
recording of:
La gazza ladra: Ouverture (The Thieving Magpie: Overture)
composer:
Gioachino Rossini (composer) (in 1817)
librettist:
Giovanni Gherardini
part of:
La gazza ladra
part of:
The Thieving Magpie (English version by Sams)
Gioachino Rossini9:45
43Lieder ohne Worte, Op.19 : No. 1 in E (Andante con moto) "Sweet Remembrance"
recording engineer:
Hans‐Rudolf Müller (engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Cord Garben (pianist and conductor)
piano:
Daniel Barenboim (pianist and conductor) (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1973-06)
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1973-06)
recording of:
Lied ohne Worte E-Dur, op. 19b Nr. 1 (Song Without Words in E major, Op. 19b No. 1) (in 1973-06)
composer:
Felix Mendelssohn (composer) (from 1829 until 1830)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 86)
part of:
Lieder ohne Worte, op. 19b (Songs Without Words, op. 19b)
Felix Mendelssohn3:06
44Piano Trio No.5 in D, Op.70 No.1 - "Geistertrio" : 2. Largo assai ed espressivo
instruments:
Beaux Arts Trio
recording of:
Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai e espressivo
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”
Ludwig van Beethoven10:26
45Symphony No.9 in D minor, Op.125 - "Choral" : 2. Molto vivace
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (from 1964-05-08 until 1964-05-12)
conductor:
Hans Schmidt‐Isserstedt (from 1964-05-08 until 1964-05-12)
balance engineer:
James Lock (James Locke, engineer) (from 1965-12-08 until 1965-12-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-12-08 until 1965-12-12)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (from 1964-05-08 until 1964-05-12)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven10:13
46String Quartet No. 2 in G, Op. 18 No. 2 : 3. Scherzo (Allegro)
cello:
Franco Rossi (classical cellist)
string quartet:
Quartetto Italiano (Italian Quartet, 1945—1980)
viola:
Piero Farulli (Italian violinist and viola player)
violin:
Paolo Borciani (violinist) and Elisa Pegreffi (violinist)
recording of:
String Quartet no. 2 in G major, op. 18 no. 2: III. Scherzo. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
String Quartet no. 2 in G major, op. 18 no. 2
Ludwig van Beethoven4:24
474 Impromptus Op.142, D.935 : No.3 in B flat: Theme (Andante) with Variations
producer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (from 1974-06-04 until 1974-06-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-06-04 until 1974-06-08)
recording of:
Impromptu in B-flat major, D. 935 no. 3. Theme (Andante) with variations (from 1974-06-04 until 1974-06-08)
composer:
Franz Schubert (composer) (in 1827)
part of:
4 Impromptus, op. 142, D. 935
Franz Schubert11:50
48Concerto No. 4 in E-Flat Major for Horn and Orchestra, K. 495: II. Romanza: Andante
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
horn:
David Jolley (French horn) (in 1987-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1987-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1987-03)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile (in 1987-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart4:53
49Romance in F Minor for Violin and Orchestra, Op. 11
violin:
Pamela Frank (violinist)
orchestra:
Czech Philharmonic Orchestra (Czech Philharmonic, formerly Czech Philharmonic Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Romance in F minor, op. 11, B. 39 (for violin and orchestra)
premiered in:
Praha (Prague), Czechia (on 1877-12-09)
composer:
Antonín Dvořák (composer)
premiered at:
Romance in F minor, op. 11, B. 39 (1877-12-09)
publisher:
N. Simrock (in 1879)
part of:
Works of Antonín Dvořák by opus number (number: op. 11) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 39)
is based on:
String Quartet no. 5 in F minor, op. 9, B. 37: II. Andante con moto quasi allegretto
Antonín Dvořák10:39
50Salut d'amour, Op. 12
producer:
Christopher Raeburn (producer)
piano:
Phillip Moll (pianist) (in 1985-10)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1985-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1985-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1985-10)
recording of:
Salut d’amour, op. 12 (for violin and piano) (in 1985-10)
composer:
Edward Elgar (composer) (in 1888)
dedicated to:
Alice Elgar (English author, married to Edward Elgar)
publisher:
Schott & Co. Ltd. (in 1889)
part of:
Works of Edward Elgar by opus number (number: op. 12)
Edward Elgar2:57