Portrait einer unsterblichen Stimme

~ Release by Fritz Wunderlich (see all versions of this release, 1 available)

Annotation

AMSI AMbient Surround Imaging

Annotation last modified on 2020-03-02 17:00 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Die Entführung aus dem Serail: Hier soll ich dich denn sehen
tenor vocals [Belmonte]:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:41
2Die Zauberflöte: Wie stark ist nicht dein Zauberton
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (from 1965-10-31 until 1965-11-03)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06), Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:19
3Der Waffenschmied: Man wird ja nur einmal geboren
tenor vocals and tenor vocals [Georg]:
Fritz Wunderlich (operatic tenor)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Hans Moltkau
recording of:
Der Waffenschmied: Akt I. „Man wird ja einmal nur geboren” (Georg)
composer and librettist:
Albert Lortzing (German composer)
part of:
Der Waffenschmied: Akt I
Albert Lortzing3:31
4Der Barbier von Sevilla: Strahlt auf mich der Glanz des Goldes
baritone vocals [Bariton] and baritone vocals [Figaro]:
Hermann Prey (baritone)
tenor vocals and tenor vocals [Almaviva]:
Fritz Wunderlich (operatic tenor)
vocals:
Hermann Prey (baritone) and Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Der Barbier von Sevilla: Akt I. „Strahlt auf mich der Blitz des Goldes”
composer:
Gioachino Rossini (composer)
translated version of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte)
part of:
Der Barbier von Sevilla (german lyrics)
Gioachino Rossini7:25
5La Traviata: O Freunde, so leeret in vollen Zügen
baritone vocals [Baron]:
Günter Missenhardt (operatic bass-baritone) (in 1966-09)
bass vocals [Doktor]:
Karl Christian Kohn (operatic bass) (in 1966-09)
bass vocals [Marquis]:
Hans Bruno Ernst (operatic bass) (in 1966-09)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1966-09)
contralto vocals [Flora]:
Claudia Hellmann (contralto) (in 1966-09)
soprano vocals [Violetta]:
Hilde Güden (soprano) (in 1966-09)
tenor vocals [Alfredo]:
Fritz Wunderlich (operatic tenor) (in 1966-09)
tenor vocals [Gaston]:
Friedrich Lenz (tenor) (in 1966-09)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1966-09)
conductor:
Bruno Bartoletti (conductor) (in 1966-09)
recording of:
La Traviata: Akt I. „O Freunde, so leeret in vollen Zügen“ (Alfredo, Chor, Violetta) (in 1966-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
part of:
La Traviata: Akt I.
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi2:19
6La Bohème: Infame Feder! – Ach, Geliebte! Nie kehrst du mir wieder
baritone vocals [Marcello]:
Hermann Prey (baritone) (in 1961-12)
tenor vocals [Rodolfo]:
Fritz Wunderlich (operatic tenor) (in 1961-12)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1961-12)
conductor:
Kurt Eichhorn (conductor) (in 1961-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recording of:
La Bohème: Akt IV. "Infame Feder" / "Welch scheußlicher Pinsel" / "Ach, Geliebte! Nie kehrst du mir wieder!" (in 1961-12)
composer:
Giacomo Puccini (Italian composer)
part of:
La bohème: Akt IV (German translation)
Giacomo Puccini3:29
7Xerxes: Holdes Laubgezweig, du schönes – Schattige Ruh, nie gab Natur sie mir
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1962-10)
conductor:
Rafael Kubelík (conductor) (in 1962-10)
balance engineer:
Harald Baudis (sound engineer) (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
Georg Friedrich Händel3:26
8Matthäus‐Passion BWV 244: Ich will bei meinem Jesu wachen
choir vocals:
Stuttgarter Hymnus-Chorknaben (Stuttgart Hymnus Boys' Choir)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:38
9Ave Maria
choir vocals:
Singgemeinschaft R. Lamy
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Hans Carste (composer and bandleader)
arranger:
Franz Josef Breuer
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach / Charles Gounod3:02
10Caro mio ben
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Hans Carste (composer and bandleader)
arranger:
Franz Josef Breuer
recording of:
Caro mio ben
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani and Tommaso Giordani
publisher:
G. Schirmer Inc.
Giuseppe Giordani3:07
11Ständchen, D 957 Nr. 4: Leise flehen meine Lieder
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (in 1966-07)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
vocals:
Fritz Wunderlich (operatic tenor)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1966-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano) (in 1966-07)
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert3:42
12Die schöne Müllerin, D 795: Das Wandern
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (from 1966-07-02 until 1966-07-05)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-07-02 until 1966-07-05)
vocals:
Fritz Wunderlich (operatic tenor)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1966-07-02 until 1966-07-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1966) and Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1966-07-02 until 1966-07-05)
recording of:
Die schöne Müllerin, D. 795: Nr. 1. Das Wandern (from 1966-07-02 until 1966-07-05)
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Die schöne Müllerin, D. 795
Franz Schubert3:08
13Die Forelle, D 550: In einem Bächlein helle
piano:
Hubert Giesen (pianist) (in 1965-11)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-11)
vocals:
Fritz Wunderlich (operatic tenor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recording of:
Die Forelle, D. 550 (The Trout, D. 550) (in 1965-11)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert2:18
14Heidenröslein, D 257: Sah ein Knab’ ein Röslein stehn
piano:
Hubert Giesen (pianist) (in 1966-07)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
vocals:
Fritz Wunderlich (operatic tenor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1966) and Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Heidenröslein, D. 257 ("Sah ein Knab’ ein Röslein stehn”) (in 1966-07)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (on 1815-08-19)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 257)
Franz Schubert1:46
15Dichterliebe, op. 48: Im wunderschönen Monat Mai
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
vocals:
Fritz Wunderlich (operatic tenor)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: I. Im wunderschönen Monat Mai (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:33
16Dichterliebe, op. 48: Aus meinen Tränen sprießen
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
vocals:
Fritz Wunderlich (operatic tenor)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: II. Aus meinen Tränen sprießen (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
version of:
Aus meinen Thränen sprießen
part of:
Dichterliebe, op. 48
Robert Schumann0:52
17Dichterliebe, op. 48: Wenn ich in deine Augen seh’
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
vocals:
Fritz Wunderlich (operatic tenor)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh’ (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:23
18Ännchen von Tharau
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonie-Orchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1965)
conductor:
Hans Carste (composer and bandleader)
recording of:
Ännchen von Tharau
lyricist:
Simon Dach (Prussian poet)
composer:
Friedrich Silcher (in 1827)
translator:
Johann Gottfried von Herder
Friedrich Silcher3:42
19Wien, Wien nur du allein
choir vocals:
Wiener Staatsopernchor (Wiener Staatsoper Choir)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-06-27 until 1966-06-28)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Wiener Volksoper (from 1966-06-27 until 1966-06-28)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor) (from 1966-06-27 until 1966-06-28)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1966-06-27 until 1966-06-28)
recording of:
Wien, du Stadt meiner Träume (Wien, Wien, nur du allein)
lyricist and composer:
Rudolf Sieczyński (in 1914)
publisher:
Adolf Robitschek Musikverlag
Rudolf Sieczyński3:19
20Eine kleine Frühlingsweise
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonie-Orchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1965)
conductor:
Hans Carste (composer and bandleader)
recording of:
Eine kleine Frühlingsweise
lyricist:
Hans J. Lengsfelder
composer:
Antonín Dvořák (composer)
arranger:
Leopold Weninger
Antonín Dvořák3:15
21Mattinata
choir vocals:
Singgemeinschaft R. Lamy
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Hans Carste (composer and bandleader)
recording of:
Mattinata
lyricist and composer:
Ruggero Leoncavallo (composer)
Ruggero Leoncavallo4:01
22O sole mio
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonie-Orchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Hans Carste (composer and bandleader)
arranger:
Franz Josef Breuer
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
medley including a partial recording of:
’O sole mio
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (Italian composer, known for “’O sole mio”) (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
recording of:
’O sole mio
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (Italian composer, known for “’O sole mio”) (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
Eduardo di Capua3:10
23Still wie die Nacht
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonie-Orchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1965)
conductor:
Hans Carste (composer and bandleader)
recording of:
Still wie die Nacht, op. 326 no. 27
composer:
Carl Bohm (German pianist and composer)
Karl Bohm2:57

Credits

Release

produced in:Germany
printed in:Germany
copyrighted (©) by and phonographic copyright (℗) by:Universal Classics & Jazz – a division of Universal Music GmbH (Germany – “a division of Universal Music GmbH”; use only for copyrights, licensing and/or distribution) (in 2005)
part of:Eloquence (Deutsche Grammophon/Decca/Philips Classics, et al.; classical series established in 1999) (order: 235)
Discogs:https://www.discogs.com/release/12633544 [info]
ASIN:DE: B000A6O640 [info]
other databases:https://www.musik-sammler.de/release/693494/ [info]