The Classical Collection 33: Rossini: Great Overtures

~ Veröffentlichung von Gioachino Rossini (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1The Barber of Seville: Overture
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra (Philharmonisches Orchester Plovdiv), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) und Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Anton Nanut (conductor), Rouslan Raychev (Rouslan Raytchev, conductor) und Alfred Scholz
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Il barbiere di Siviglia: Sinfonia
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Der Barbier von Sevilla (german lyrics)
Teil von:
Il barbiere di Siviglia
Teil von:
Le Barbier de Séville (french lyrics)
Teil von:
The Barber of Seville (english lyrics)
47:45
2The Thieving Magpie: Overture
Orchester:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
La gazza ladra: Ouverture (Die diebische Elster: Ouvertüre)
Komponist(in):
Gioachino Rossini (composer) (in 1817)
Librettist:
Giovanni Gherardini
Teil von:
La gazza ladra
Teil von:
The Thieving Magpie (English version by Sams)
10:38
3William Tell: Overture
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) und Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
conductor:
Alfred Scholz
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Guillaume Tell : Ouverture (Wilhelm Tell: Ouvertüre)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Hippolyte Louis-Florent Bis (librettist) und Étienne de Jouy
Teil von:
Guglielmo Tell (italian version by Calisto Bassi)
Teil von:
Guillaume Tell
12:10
4The Italian Girl in Algiers: Overture
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) und Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alfred Scholz
recording of:
L’italiana in Algeri: Sinfonia
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Angelo Anelli
Teil von:
L’italiana in Algeri
7:57
5Semiramide: Overture
Orchester:
London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slavonica (Alfred Scholz pseudonym) und Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alfred Scholz
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Semiramide: Sinfonia (Overture)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Gaetano Rossi (librettist)
Teil von:
Semiramide
12:49
6La Cenerentola: Aria “Nacqui all’affanno e al pianto”
Mezzosoprangesang:
Rita Noël (American operatic mezzo-soprano and trained violist)
Orchester:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym) und Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor) und Alfred Scholz
teilweise recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Jacopo Ferretti
Teil von:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Jacopo Ferretti
Teil von:
La Cenerentola: Atto II
7:08
7La danza: Tarantella
Tenor-Gesang:
Ricardo Casinelli (tenor, Alfred Scholz related)
Orchester:
Stuttgart Opera Orchestra (Alfred Scholz related; not the “Orchester der Württembergischen Staatsoper Stuttgart”)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
Texter:
Carlo Pepoli (Italian librettist, 19th c.)
Komponist(in):
Gioachino Rossini (composer)
Teil von:
Soirées musicales
3:12

Nennungen

Veröffentlichung

Teil von:The Classical Collection (a series by Orbis Publishing Ltd.) (Nummer: 33) (Reihenfolge: 35)