The Complete Recorded Works, Volume 2: A Handful of Keys

~ Release by Fats Waller (see all versions of this release, 1 available)

Annotation

individual CDs are numbered JSP928A, JSP928B, JSP928C, JSP928D.

Annotation last modified on 2019-06-03 15:34 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Handful of Keys
recorded in:
New York, New York, United States (on 1929-03-01)
solo piano:
Fats Waller (on 1929-03-01)
recording of:
Handful of Keys (on 1929-03-01)
composer:
Fats Waller
Fats Waller2:54
2The Minor Drag
alto saxophone and clarinet:
Arville Harris (on 1929-03-01)
banjo:
Eddie Condon (on 1929-03-01)
piano:
Fats Waller (on 1929-03-01)
trombone:
Charlie Irvis (on 1929-03-01)
trumpet:
Charlie Gaines (US jazz trumpeter) (on 1929-03-01)
recording of:
Minor Drag (early jazz) (on 1929-03-01)
composer:
Fats Waller
Fats Waller and His Buddies2:43
3Harlem Fuss
banjo:
Eddie Condon (on 1929-03-01)
piano:
Fats Waller (on 1929-03-01)
reeds:
Arville Harris (on 1929-03-01)
trombone:
Charlie Irvis (on 1929-03-01)
trumpet:
Charlie Gaines (US jazz trumpeter) (on 1929-03-01)
performer:
Fats Waller and His Buddies (on 1929-03-01)
Fats Waller and His Buddies3:25
4Numb Fumblin’
piano:
Fats Waller (on 1929-03-01)
Fats Waller2:58
5Ain’t Misbehavin’
recorded in:
Camden, New Jersey, United States (on 1929-08-02)
piano:
Fats Waller (on 1929-08-02)
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States
instrumental recording of:
Ain’t Misbehavin’ (on 1929-08-02)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Fats Waller3:05
6Sweet Savannah Sue
piano:
Fats Waller (on 1929-08-02)
recording of:
Sweet Savannah Sue (on 1929-08-02)
lyricist:
Andy Razaf
composer:
Harry Brooks (jazz pianist & songwriter), Andy Razaf and Fats Waller
Fats Waller3:06
7I’ve Got a Feeling I’m Falling
recorded in:
Camden, New Jersey, United States (on 1929-08-02)
piano:
Fats Waller (on 1929-08-02)
recording of:
I’ve Got a Feeling I’m Falling (on 1929-08-02)
lyricist:
Billy Rose (lyricist and Broadway producer)
composer:
Harry Link (US vaudeville actor & songwriter) and Fats Waller
Fats Waller2:53
8Love Me or Leave Me
piano:
Fats Waller (on 1929-08-02)
recording of:
Love Me or Leave Me (on 1929-08-02)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Fats Waller2:43
9Gladyse
piano:
Fats Waller (on 1929-08-02)
Fats Waller2:58
10Valentine Stomp
piano:
Fats Waller (on 1929-08-02)
Fats Waller3:26
11Waiting at the End of the Road
pipe organ:
Fats Waller (on 1929-08-29)
recording of:
Waiting at the End of the Road (from “Hallelujah”) (on 1929-08-29)
lyricist and composer:
Irving Berlin
Fats Waller3:15
12Baby, Oh! Where Can You Be
pipe organ:
Fats Waller (on 1929-08-29)
Fats Waller2:53
13Tanglefoot
pipe organ:
Fats Waller (on 1929-08-29)
Fats Waller3:13
14That’s All
pipe organ:
Fats Waller (on 1929-08-29)
Fats Waller3:28
15Waiting at the End of the Road
piano:
Fats Waller (on 1929-08-29)
instrumental recording of:
Waiting at the End of the Road (from “Hallelujah”) (on 1929-08-29)
lyricist and composer:
Irving Berlin
Fats Waller3:29
16Baby, Oh! Where Can You Be
piano:
Fats Waller (on 1929-08-29)
recording of:
Baby, Oh Where Can You Be (on 1929-08-29)
lyricist:
Ted Koehler
composer:
Frank Magine (Songwriter)
Fats Waller3:18
17Goin’ About
piano:
Fats Waller (on 1929-09-11)
Fats Waller3:19
18My Feelin’s Are Hurt
piano:
Fats Waller (on 1929-09-11)
Fats Waller3:07
19That’s How I Feel, Today
recorded in:
New York, New York, United States (on 1929-09-18)
alto saxophone and clarinet:
Benny Carter (on 1929-09-18) and Don Redman (on 1929-09-18)
cornet:
Rex Stewart (on 1929-09-18)
drums (drum set):
George Stafford (on 1929-09-18)
piano:
Fats Waller (on 1929-09-18)
tenor saxophone:
Coleman Hawkins (on 1929-09-18)
trombone:
J.C. Higginbotham (on 1929-09-18)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-09-18)
tuba:
Cyrus St. Clair (on 1929-09-18)
The Little Chocolate Dandies3:05
20Six or Seven Times
alto saxophone:
Benny Carter (on 1929-09-18)
piano:
Fats Waller (on 1929-09-18)
saxophone:
Don Redman (on 1929-09-18)
tenor saxophone:
Coleman Hawkins (on 1929-09-18)
trombone:
J.C. Higginbotham (on 1929-09-18)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-09-18) and Rex Stewart (on 1929-09-18)
vocals:
Don Redman (on 1929-09-18)
The Little Chocolate Dandies3:28
21Smashing Thirds
recorded in:
New York, New York, United States (on 1929-09-24)
piano:
Fats Waller (on 1929-09-24)
Fats Waller3:13
22Lookin’ Good but Feelin’ Bad
alto saxophone:
Otto Hardwick (on 1929-09-30) and Albert Nicholas (on 1929-09-30)
banjo:
Eddie Condon (on 1929-09-30)
double bass:
George "Pops" Foster (on 1929-09-30)
drums (drum set):
Gene Krupa (on 1929-09-30)
piano:
Fats Waller (on 1929-09-30)
tenor saxophone:
Larry Binyon (on 1929-09-30)
trombone:
Jack Teagarden (on 1929-09-30)
trumpet:
Henry “Red” Allen (jazz musician) (on 1929-09-30)
choir vocals:
Four Wanderers (on 1929-09-30)
recording of:
Lookin’ Good but Feelin’ Bad (on 1929-09-30)
lyricist:
Lester Santly
composer:
Fats Waller
Fats Waller and His Buddies2:41
23I Need Someone Like You
alto saxophone:
Otto Hardwick (on 1929-09-30) and Albert Nicholas (on 1929-09-30)
banjo:
Eddie Condon (on 1929-09-30)
double bass:
George "Pops" Foster (on 1929-09-30)
drums (drum set):
Gene Krupa (on 1929-09-30)
piano:
Fats Waller (on 1929-09-30)
tenor saxophone:
Larry Binyon (on 1929-09-30)
trombone and vibraphone:
Jack Teagarden (on 1929-09-30)
trumpet:
Henry “Red” Allen (jazz musician) (on 1929-09-30)
choir vocals:
Four Wanderers (on 1929-09-30)
recording of:
I Need Someone Like You (Fats Waller) (on 1929-09-30)
writer:
Fats Waller
Fats Waller and His Buddies3:38
24Big Business (Part 1)
piano:
Fats Waller (on 1929-10-14)
spoken vocals:
"Jazzlips" (on 1929-10-14), A. Haston (1910s-1920s US saxophonist, singer & banjoist) (on 1929-10-14), Eddie Green (1920's Jazz composer and actor) (on 1929-10-14), Billy Higgins (1920s composer and singer) (on 1929-10-14) and Billy Maxey (on 1929-10-14)
Ed Green & Billy Higgins3:46
25Big Business (Part 2)
piano:
Fats Waller (on 1929-10-14)
spoken vocals:
"Jazzlips" (on 1929-10-14), A. Haston (1910s-1920s US saxophonist, singer & banjoist) (on 1929-10-14), Eddie Green (1920's Jazz composer and actor) (on 1929-10-14), Billy Higgins (1920s composer and singer) (on 1929-10-14) and Billy Maxey (on 1929-10-14)
Ed Green, Billy Higgins & Company3:13
2▼CD
#TitleArtistRatingLength
1Plain Dirt
recorded in:
New York, New York, United States (on 1929-11-05)
alto saxophone:
Benny Carter (on 1929-11-05) and Don Redman (on 1929-11-05)
celesta:
Fats Waller (on 1929-11-05)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-05) and Ted McCord (on 1929-11-05)
drums (drum set):
Kaiser Marshall (on 1929-11-05)
piano:
Leroy Tibbs (on 1929-11-05) and Fats Waller (on 1929-11-05)
trombone:
Claude Jones (on 1929-11-05)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-05), Sidney De Paris (on 1929-11-05) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-05)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-05)
McKinney’s Cotton Pickers2:47
2Gee, Ain’t I Good to You
recorded in:
New York, New York, United States (on 1929-11-05)
alto saxophone:
Benny Carter (on 1929-11-05) and Don Redman (on 1929-11-05)
celesta:
Fats Waller (on 1929-11-05)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-05) and Ted McCord (on 1929-11-05)
drums (drum set):
Kaiser Marshall (on 1929-11-05)
piano:
Leroy Tibbs (on 1929-11-05) and Fats Waller (on 1929-11-05)
trombone:
Claude Jones (on 1929-11-05)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-05), Sidney De Paris (on 1929-11-05) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-05)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-05)
vocals:
Don Redman (on 1929-11-05)
recording of:
Gee, Baby Ain’t I Good to You (on 1929-11-05)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
McKinney’s Cotton Pickers3:30
3I’d Love It
recorded in:
New York, New York, United States (on 1929-11-06)
alto saxophone:
Benny Carter (on 1929-11-06) and Don Redman (on 1929-11-06)
celesta and piano:
Fats Waller (on 1929-11-06)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-06) and Ted McCord (on 1929-11-06)
drums (drum set):
Kaiser Marshall (on 1929-11-06)
trombone:
Claude Jones (on 1929-11-06)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-06), Sidney De Paris (on 1929-11-06) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-06)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-06)
recording of:
I'd Love It (on 1929-11-06)
writer:
Will Hudson and Don Redman
McKinney’s Cotton Pickers3:11
4The Way I Feel, Today
recorded in:
New York, New York, United States (on 1929-11-06)
alto saxophone:
Benny Carter (on 1929-11-06) and Don Redman (on 1929-11-06)
celesta and piano:
Fats Waller (on 1929-11-06)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-06) and Ted McCord (on 1929-11-06)
drums (drum set):
Kaiser Marshall (on 1929-11-06)
trombone:
Claude Jones (on 1929-11-06)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-06), Sidney De Paris (on 1929-11-06) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-06)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-06)
vocals:
Don Redman (on 1929-11-06)
McKinney’s Cotton Pickers2:53
5Miss Hannah
recorded in:
New York, New York, United States (on 1929-11-06)
alto saxophone:
Benny Carter (on 1929-11-06) and Don Redman (on 1929-11-06)
celesta and piano:
Fats Waller (on 1929-11-06)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-06) and Ted McCord (on 1929-11-06)
drums (drum set):
Kaiser Marshall (on 1929-11-06)
trombone:
Claude Jones (on 1929-11-06)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-06), Sidney De Paris (on 1929-11-06) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-06)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-06)
vocals:
Don Redman (on 1929-11-06)
recording of:
Miss Hannah (on 1929-11-06)
writer:
Don Redman
McKinney’s Cotton Pickers3:05
6Peggy
recorded in:
New York, New York, United States (on 1929-11-07)
alto saxophone:
Benny Carter (on 1929-11-07) and Don Redman (on 1929-11-07)
celesta and piano:
Fats Waller (on 1929-11-07)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-07) and Ted McCord (on 1929-11-07)
drums (drum set):
Kaiser Marshall (on 1929-11-07)
trombone:
Claude Jones (on 1929-11-07)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-07), Sidney De Paris (on 1929-11-07) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-07)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-07)
McKinney’s Cotton Pickers3:21
7Wherever There’s a Will, Baby
recorded in:
New York, New York, United States (on 1929-11-07)
alto saxophone:
Benny Carter (on 1929-11-07) and Don Redman (on 1929-11-07)
celesta and piano:
Fats Waller (on 1929-11-07)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-07) and Ted McCord (on 1929-11-07)
drums (drum set):
Kaiser Marshall (on 1929-11-07)
trombone:
Claude Jones (on 1929-11-07)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-07), Sidney De Paris (on 1929-11-07) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-07)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-07)
vocals:
Don Redman (on 1929-11-07)
recording of:
Where There’s a Will, There’s a Way (on 1929-11-07)
writer:
Don Redman
McKinney’s Cotton Pickers3:02
8You Don’t Understand
double bass:
Harry Hull (on 1929-11-18)
guitar:
Teddy Bunn (on 1929-11-18)
piano:
James P. Johnson (on 1929-11-18) and Fats Waller (on 1929-11-18)
tenor saxophone:
Charles Frazier (jazz saxophonist) (on 1929-11-18)
trombone:
Jimmy Archey (on 1929-11-18)
trumpet:
Dave Nelson (US trumpeter Davidson C. Nelson, 1905–1946) (on 1929-11-18) and King Oliver (jazz cornetist) (on 1929-11-18)
Jimmy Johnson Orchestra3:01
9You’ve Got to Be Modernistic
banjo:
Teddy Bunn (on 1929-11-18)
double bass:
Harry Hull (on 1929-11-18)
piano:
James P. Johnson (on 1929-11-18) and Fats Waller (on 1929-11-18)
tenor saxophone:
Charles Frazier (jazz saxophonist) (on 1929-11-18)
trombone:
Jimmy Archey (on 1929-11-18)
trumpet:
Dave Nelson (US trumpeter Davidson C. Nelson, 1905–1946) (on 1929-11-18) and King Oliver (jazz cornetist) (on 1929-11-18)
recording of:
You've Got to Be Modernistic (on 1929-11-18)
composer:
James P. Johnson
Jimmy Johnson Orchestra3:09
10My Fate Is in Your Hands
double bass:
Dick Cherwin (double bass player and bandleader) (on 1929-11-25)
piano:
Fats Waller (on 1929-11-25)
reeds:
Andy Sannella (on 1929-11-25)
violin:
Lou Raderman (on 1929-11-25)
recording of:
My Fate Is in Your Hands (on 1929-11-25)
lyricist:
Andy Razaf
composer:
Fats Waller
Gene Austin & Fats Waller3:09
11My Fate Is in Your Hands
piano:
Fats Waller (on 1929-12-04)
instrumental recording of:
My Fate Is in Your Hands (on 1929-12-04)
lyricist:
Andy Razaf
composer:
Fats Waller
Fats Waller2:46
12Turn on the Heat
piano:
Fats Waller (on 1929-12-04)
Fats Waller2:31
13Lookin’ for Another Sweetie
banjo:
Will Johnson (jazz musician) (on 1929-12-18)
double bass:
George "Pops" Foster (on 1929-12-18)
drums (drum set):
Kaiser Marshall (on 1929-12-18)
piano:
Fats Waller (on 1929-12-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1929-12-18) and Albert Nicholas (on 1929-12-18)
tenor saxophone:
Larry Binyon (on 1929-12-18)
trombone:
J.C. Higginbotham (on 1929-12-18) and Jack Teagarden (on 1929-12-18)
trumpet:
Henry Allen (jazz musician) (on 1929-12-18) and Leonard Davis (American jazz trumpeter) (on 1929-12-18)
vocals:
Orlando Roberson (on 1929-12-18)
recording of:
Lookin’ for Another Sweetie (on 1929-12-18)
writer:
Sterling Grant and Chris Smith (Ragtime composer)
Fats Waller and His Buddies3:09
14Ridin’ but Walkin’
banjo:
Will Johnson (jazz musician) (on 1929-12-18)
double bass:
George "Pops" Foster (on 1929-12-18)
drums (drum set):
Kaiser Marshall (on 1929-12-18)
piano:
Fats Waller (on 1929-12-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1929-12-18) and Albert Nicholas (on 1929-12-18)
tenor saxophone:
Larry Binyon (on 1929-12-18)
trombone:
J.C. Higginbotham (on 1929-12-18) and Jack Teagarden (on 1929-12-18)
trumpet:
Henry Allen (jazz musician) (on 1929-12-18)
vibraphone:
Jack Teagarden (on 1929-12-18)
recording of:
Ridin' but Walkin' (on 1929-12-18)
composer:
Fats Waller
Fats Waller and His Buddies2:34
15Won’t You Get Off It, Please
banjo:
Will Johnson (jazz musician) (on 1929-12-18)
clarinet and reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1929-12-18) and Albert Nicholas (on 1929-12-18)
double bass:
George "Pops" Foster (on 1929-12-18)
drums (drum set):
Kaiser Marshall (on 1929-12-18)
piano:
Fats Waller (on 1929-12-18)
tenor saxophone:
Larry Binyon (on 1929-12-18)
trombone:
J.C. Higginbotham (on 1929-12-18) and Jack Teagarden (on 1929-12-18)
trumpet:
Henry Allen (jazz musician) (on 1929-12-18) and Leonard Davis (American jazz trumpeter) (on 1929-12-18)
performer:
Fats Waller and His Buddies (on 1929-12-18)
Fats Waller and His Buddies3:05
16When I’m Alone
banjo:
Will Johnson (jazz musician) (on 1929-12-18)
double bass:
George "Pops" Foster (on 1929-12-18)
drums (drum set):
Kaiser Marshall (on 1929-12-18)
piano:
Fats Waller (on 1929-12-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1929-12-18) and Albert Nicholas (on 1929-12-18)
tenor saxophone:
Larry Binyon (on 1929-12-18)
trombone:
J.C. Higginbotham (on 1929-12-18) and Jack Teagarden (on 1929-12-18)
trumpet:
Henry Allen (jazz musician) (on 1929-12-18) and Leonard Davis (American jazz trumpeter) (on 1929-12-18)
vocals:
Orlando Roberson (on 1929-12-18)
Fats Waller and His Buddies3:34
17St. Louis Blues
piano:
Benny Paine (jazz pianist and vocalist) (on 1930-03-21) and Fats Waller (on 1930-03-21)
recording of:
St. Louis Blues (on 1930-03-21)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Fats Waller & Bennie Paine3:07
18After You’ve Gone
piano:
Benny Paine (jazz pianist and vocalist) (on 1930-03-21) and Fats Waller (on 1930-03-21)
recording of:
After You’ve Gone (on 1930-03-21)
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Fats Waller & Bennie Paine3:31
19Girls Like You Were Meant for Boys Like Me
alto saxophone and clarinet:
Benny Goodman (clarinetist and bandleader) (on 1930-10-30)
banjo:
Eddie Condon (on 1930-10-30)
other instruments [comb]:
Red McKenzie (on 1930-10-30)
piano:
Fats Waller (on 1930-10-30)
tenor saxophone:
Bud Freeman (on 1930-10-30) and Coleman Hawkins (on 1930-10-30)
Red McKenzie's Mound City Blues Blowers3:03
20Arkansas Blues
alto saxophone and clarinet:
Benny Goodman (clarinetist and bandleader) (on 1930-10-30)
banjo:
Eddie Condon (on 1930-10-30)
piano:
Fats Waller (on 1930-10-30)
vocals:
Red McKenzie (on 1930-10-30)
recording of:
Arkansas Blues (on 1930-10-30)
writer:
Anton Lada (US jazz drummer, composer & bandleader) and Spencer Williams (US jazz composer, pianist & singer)
Red McKenzie's Mound City Blues Blowers2:41
21Egyptian‐Ella
Ted Lewis Orchestra3:26
22I’m Crazy ’Bout My Baby
recorded in:
New York, New York, United States (on 1931-03-05)
alto saxophone and baritone saxophone:
Louis Martin (early jazz saxophonist) (on 1931-03-05)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1931-03-05) and Ted Lewis (on 1931-03-05)
cornet:
Muggsy Spanier (on 1931-03-05)
double bass and tuba [brass bass]:
Harry Barth (early jazz bassist and tuba player) (on 1931-03-05)
drums (drum set):
John Lucas (early jazz drummer) (on 1931-03-05)
guitar:
Tony Gerhardi (early jazz guitarist) (on 1931-03-05)
piano:
Fats Waller (on 1931-03-05)
tenor saxophone:
Hymie Wolfson (early jazz saxophonist) (on 1931-03-05)
trombone:
Sam Blank (early jazz trombonist) (on 1931-03-05) and George Brunies (on 1931-03-05)
trumpet:
Dave Klein (cornet, trumpet) (on 1931-03-05) and Muggsy Spanier (on 1931-03-05)
vocals:
Fats Waller (on 1931-03-05)
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (on 1931-03-05)
lyricist:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
composer:
Fats Waller
Ted Lewis Orchestra3:12
23Dallas Blues
Ted Lewis Orchestra3:21
24Royal Garden Blues
Ted Lewis Orchestra3:03
25I’m Crazy ’Bout My Baby
piano:
Fats Waller (on 1931-03-13)
vocals:
Fats Waller (on 1931-03-13)
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (on 1931-03-13)
lyricist:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
composer:
Fats Waller
Fats Waller3:22
3▼CD
#TitleArtistRatingLength
1Draggin’ My Heart Around
piano:
Fats Waller (on 1931-03-13)
vocals:
Fats Waller (on 1931-03-13)
Fats Waller3:23
2You Rascal, You
bass saxophone:
Adrian Rollini (on 1931-10-14)
clarinet:
Pee Wee Russell (on 1931-10-14)
double bass:
Artie Bernstein (on 1931-10-14)
drums (drum set):
Stan King (Big band-era drummer) (on 1931-10-14)
guitar:
Nappy Lamare (on 1931-10-14)
piano:
Fats Waller (on 1931-10-14)
tenor saxophone:
Joe Catalyne (on 1931-10-14) and Max Farley (on 1931-10-14)
trombone:
Jack Teagarden (on 1931-10-14)
trumpet:
Sterling Bose (on 1931-10-14) and Charlie Teagarden (on 1931-10-14)
vocals:
Jack Teagarden (on 1931-10-14) and Fats Waller (on 1931-10-14)
cover recording of:
I’ll Be Glad When You’re Dead, You Rascal You (on 1931-10-14)
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
recording of:
I’ll Be Glad When You’re Dead, You Rascal You (on 1931-10-14)
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Jack Teagarden and His Orchestra3:17
3That’s What I Like About You
bass saxophone:
Adrian Rollini (on 1931-10-14)
clarinet:
Pee Wee Russell (on 1931-10-14)
double bass:
Artie Bernstein (on 1931-10-14)
drums (drum set):
Stan King (Big band-era drummer) (on 1931-10-14)
guitar:
Nappy Lamare (on 1931-10-14)
piano:
Fats Waller (on 1931-10-14)
tenor saxophone:
Joe Catalyne (on 1931-10-14) and Max Farley (on 1931-10-14)
trombone:
Jack Teagarden (on 1931-10-14)
trumpet:
Sterling Bose (on 1931-10-14) and Charlie Teagarden (on 1931-10-14)
vocals:
Jack Teagarden (on 1931-10-14) and Fats Waller (on 1931-10-14)
performer:
Jack Teagarden and His Orchestra (on 1931-10-14)
recording of:
That’s What I Like About You (on 1931-10-14)
lyricist and composer:
Walter Donaldson
Jack Teagarden and His Orchestra3:28
4Chances Are
bass saxophone:
Adrian Rollini (on 1931-10-14)
clarinet:
Pee Wee Russell (on 1931-10-14)
double bass:
Artie Bernstein (on 1931-10-14)
drums (drum set):
Stan King (Big band-era drummer) (on 1931-10-14)
guitar:
Nappy Lamare (on 1931-10-14)
piano:
Fats Waller (on 1931-10-14)
tenor saxophone:
Joe Catalyne (on 1931-10-14) and Max Farley (on 1931-10-14)
trombone:
Jack Teagarden (on 1931-10-14)
trumpet:
Sterling Bose (on 1931-10-14) and Charlie Teagarden (on 1931-10-14)
vocals:
Jack Teagarden (on 1931-10-14)
Jack Teagarden and His Orchestra3:16
5I Got the Ritz From the One I Love
bass saxophone:
Adrian Rollini (on 1931-10-14)
clarinet:
Pee Wee Russell (on 1931-10-14)
double bass:
Artie Bernstein (on 1931-10-14)
drums (drum set):
Stan King (Big band-era drummer) (on 1931-10-14)
guitar:
Nappy Lamare (on 1931-10-14)
piano:
Fats Waller (on 1931-10-14)
tenor saxophone:
Joe Catalyne (on 1931-10-14) and Max Farley (on 1931-10-14)
trombone:
Jack Teagarden (on 1931-10-14)
trumpet:
Sterling Bose (on 1931-10-14) and Charlie Teagarden (on 1931-10-14)
vocals:
Jack Teagarden (on 1931-10-14)
Jack Teagarden and His Orchestra3:28
6China Boy
Jack Teagarden and His Orchestra3:07
7Lies
Jack Teagarden and His Orchestra with Gene Austin3:12
8I’m Sorry, Dear
Jack Teagarden and His Orchestra with Gene Austin3:04
9Tiger Rag
Jack Teagarden and His Orchestra3:08
10I Would Do Anything for You
recorded in:
New York, New York, United States (on 1932-07-26)
banjo:
Eddie Condon (on 1932-07-26)
clarinet:
Jimmy Lord (jazz clarinetist) (on 1932-07-26)
double bass:
George "Pops" Foster (on 1932-07-26)
drums (drum set):
Zutty Singleton (on 1932-07-26)
guitar:
Jack Bland (on 1932-07-26)
piano:
Fats Waller (on 1932-07-26)
tenor saxophone:
Pee Wee Russell (on 1932-07-26)
trumpet:
Henry “Red” Allen (jazz musician) (on 1932-07-26)
vocals:
Billy Banks (on 1932-07-26)
Billy Banks' Rhythmakers3:07
11Mean Old Bedbug Blues
recorded in:
New York, New York, United States (on 1932-07-26)
banjo:
Eddie Condon (on 1932-07-26)
clarinet:
Jimmy Lord (jazz clarinetist) (on 1932-07-26)
double bass:
George "Pops" Foster (on 1932-07-26)
drums (drum set):
Zutty Singleton (on 1932-07-26)
guitar:
Jack Bland (on 1932-07-26)
piano:
Fats Waller (on 1932-07-26)
tenor saxophone:
Pee Wee Russell (on 1932-07-26)
trumpet:
Henry “Red” Allen (jazz musician) (on 1932-07-26)
vocals:
Billy Banks (on 1932-07-26) and Una Mae Carlisle (on 1932-07-26)
Billy Banks' Rhythmakers3:09
12Yellow Dog Blues
recorded in:
New York, New York, United States (on 1932-07-26)
banjo:
Eddie Condon (on 1932-07-26)
clarinet:
Jimmy Lord (jazz clarinetist) (on 1932-07-26)
double bass:
George "Pops" Foster (on 1932-07-26)
drums (drum set):
Zutty Singleton (on 1932-07-26)
guitar:
Jack Bland (on 1932-07-26)
piano:
Fats Waller (on 1932-07-26)
tenor saxophone:
Pee Wee Russell (on 1932-07-26)
trumpet:
Henry “Red” Allen (jazz musician) (on 1932-07-26)
vocals:
Billy Banks (on 1932-07-26)
Billy Banks' Rhythmakers3:21
13Yes, Suh!
recorded in:
New York, New York, United States (on 1932-07-26)
banjo:
Eddie Condon (on 1932-07-26)
clarinet:
Jimmy Lord (jazz clarinetist) (on 1932-07-26)
double bass:
George "Pops" Foster (on 1932-07-26)
drums (drum set):
Zutty Singleton (on 1932-07-26)
guitar:
Jack Bland (on 1932-07-26)
piano:
Fats Waller (on 1932-07-26)
tenor saxophone:
Pee Wee Russell (on 1932-07-26)
trumpet:
Henry “Red” Allen (jazz musician) (on 1932-07-26)
vocals:
Billy Banks (on 1932-07-26)
Billy Banks' Rhythmakers2:54
14A Shine on Your Shoes‐Louisiana Hayride
recorded in:
New York, New York, United States (on 1932-09-28)
piano:
Fats Waller (on 1932-09-28)
vocals:
Monette Moore (on 1932-09-28)
Monette Moore & Fats Waller3:15
15A Porter’s Love Song to a Chambermaid
recorded in:
New York, New York, United States (on 1934-05-16)
clarinet:
Ben Whitted (on 1934-05-16)
double bass:
Billy Taylor (jazz bassist) (on 1934-05-16)
drums (drum set) and vibraphone:
Harry Dial (on 1934-05-16)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-05-16)
piano:
Fats Waller (on 1934-05-16)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-05-16)
vocals:
Fats Waller (on 1934-05-16)
recording of:
A Porter's Love Song to a Chambermaid (on 1934-05-16)
lyricist:
Andy Razaf
composer:
James P. Johnson
Fats Waller and His Rhythm3:25
16I Wish I Were Twins
recorded in:
New York, New York, United States (on 1934-05-16)
clarinet:
Ben Whitted (on 1934-05-16)
double bass:
Billy Taylor (jazz bassist) (on 1934-05-16)
drums (drum set):
Harry Dial (on 1934-05-16)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-05-16)
piano:
Fats Waller (on 1934-05-16)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-05-16)
vocals:
Fats Waller (on 1934-05-16)
recording of:
I Wish I Were Twins (on 1934-05-16)
lyricist:
Eddie DeLange
composer:
Frank Loesser and Joseph Meyer (US songwriter)
Fats Waller and His Rhythm2:44
17Armful o’ Sweetness
recorded in:
New York, New York, United States (on 1934-05-16)
alto saxophone and clarinet:
Ben Whitted (on 1934-05-16)
double bass:
Billy Taylor (jazz bassist) (on 1934-05-16)
drums (drum set):
Harry Dial (on 1934-05-16)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-05-16)
piano:
Fats Waller (on 1934-05-16)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-05-16)
vocals:
Fats Waller (on 1934-05-16)
recording of:
Armful o’ Sweetness (on 1934-05-16)
lyricist and composer:
Alex Hill (20th century US jazz pianist)
Fats Waller and His Rhythm3:06
18Do Me a Favor
recorded in:
New York, New York, United States (on 1934-05-16)
clarinet:
Ben Whitted (on 1934-05-16)
double bass:
Billy Taylor (jazz bassist) (on 1934-05-16)
drums (drum set):
Harry Dial (on 1934-05-16)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-05-16)
piano:
Fats Waller (on 1934-05-16)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-05-16)
vocals:
Fats Waller (on 1934-05-16)
recording of:
Do Me a Favor (on 1934-05-16)
writer:
Jack Lawrence (US songwriter) and Peter Tinturin
Fats Waller and His Rhythm3:14
19Georgia May
recorded in:
New York, New York, United States (on 1934-08-17)
double bass:
Billy Taylor (jazz bassist) (on 1934-08-17)
drums (drum set):
Harry Dial (on 1934-08-17)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-08-17)
piano:
Fats Waller (on 1934-08-17)
tenor saxophone:
Gene Sedric (on 1934-08-17)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-08-17)
vocals:
Fats Waller (on 1934-08-17)
recording of:
Georgia May (on 1934-08-17)
lyricist:
Andy Razaf (in 1934)
composer:
Paul Denniker (in 1934)
Fats Waller and His Rhythm2:41
20Then I’ll Be Tired of You
recorded in:
New York, New York, United States (on 1934-08-17)
double bass:
Billy Taylor (jazz bassist) (on 1934-08-17)
drums (drum set):
Harry Dial (on 1934-08-17)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-08-17)
piano:
Fats Waller (on 1934-08-17)
tenor saxophone:
Gene Sedric (on 1934-08-17)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-08-17)
vocals:
Fats Waller (on 1934-08-17)
recording of:
Then I’ll Be Tired of You (on 1934-08-17)
lyricist:
Yip Harburg
composer:
Arthur Schwartz
Fats Waller and His Rhythm3:14
21Don’t Let It Bother You
recorded in:
New York, New York, United States (on 1934-08-17)
double bass:
Billy Taylor (jazz bassist) (on 1934-08-17)
drums (drum set):
Harry Dial (on 1934-08-17)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-08-17)
piano:
Fats Waller (on 1934-08-17)
tenor saxophone:
Gene Sedric (on 1934-08-17)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-08-17)
additional spoken vocals:
Harry Dial (on 1934-08-17) and Fats Waller (on 1934-08-17)
vocals:
Fats Waller (on 1934-08-17)
recording of:
Don’t Let It Bother You (on 1934-08-17)
writer:
Mack Gordon and Harry Revel (British-born American composer)
Fats Waller and His Rhythm2:55
22Have a Little Dream on Me
recorded in:
New York, New York, United States (on 1934-08-17)
double bass:
Billy Taylor (jazz bassist) (on 1934-08-17)
drums (drum set):
Harry Dial (on 1934-08-17)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-08-17)
piano:
Fats Waller (on 1934-08-17)
tenor saxophone:
Gene Sedric (on 1934-08-17)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-08-17)
vocals:
Fats Waller (on 1934-08-17)
recording of:
Have a Little Dream on Me (on 1934-08-17)
writer:
Phil Baxter (US songwriter, singer and band leader), Jack Murray (US songwriter) and Billy Rose (lyricist and Broadway producer)
Fats Waller and His Rhythm2:49
23Serenade for a Wealthy Widow
recorded in:
New York, New York, United States (on 1934-09-28)
alto saxophone and clarinet:
Mezz Mezzrow (on 1934-09-28)
double bass:
Billy Taylor (jazz bassist) (on 1934-09-28)
drums (drum set) and vibraphone:
Harry Dial (on 1934-09-28)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-09-28)
piano and spoken vocals:
Fats Waller (on 1934-09-28)
trombone:
Floyd O'Brien (on 1934-09-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-09-28)
instrumental recording of:
Serenade for a Wealthy Widow (on 1934-09-28)
composer:
Reginald Foresythe
Fats Waller and His Rhythm2:42
24How Can You Face Me
recorded in:
New York, New York, United States (on 1934-09-28)
alto saxophone and clarinet:
Mezz Mezzrow (on 1934-09-28)
double bass:
Billy Taylor (jazz bassist) (on 1934-09-28)
drums (drum set):
Harry Dial (on 1934-09-28)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-09-28)
piano:
Fats Waller (on 1934-09-28)
trombone:
Floyd O'Brien (on 1934-09-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-09-28)
vocals:
Fats Waller (on 1934-09-28)
recording of:
How Can You Face Me? (on 1934-09-28)
lyricist:
Andy Razaf
composer:
Fats Waller
Fats Waller and His Rhythm2:50
25Sweetie Pie
recorded in:
New York, New York, United States (on 1934-09-28)
alto saxophone and clarinet:
Mezz Mezzrow (on 1934-09-28)
double bass:
Billy Taylor (jazz bassist) (on 1934-09-28)
drums (drum set):
Harry Dial (on 1934-09-28)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-09-28)
piano:
Fats Waller (on 1934-09-28)
trombone:
Floyd O'Brien (on 1934-09-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-09-28)
vocals:
Fats Waller (on 1934-09-28)
recording of:
Sweetie Pie (on 1934-09-28)
lyricist and composer:
John Jacob Loeb
Fats Waller and His Rhythm3:06
4▶CD