The Classical Album 2001

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Caruso for Voice & Orchestra
guitar:
Robbie McIntosh (English guitarist for The Pretenders)
tenor vocals:
Russell Watson (tenor)
orchestra:
The London Session Orchestra
conductor:
Nick Ingman
recording of:
Caruso (for voice & orchestra)
orchestration of:
Caruso
Lucio Dalla5:41
2Concerto for 2 Violins & Strings in D Minor (‘Double’), BWV 1043
assistant producer:
Simon Kiln
producer:
David Groves (classical music producer at EMI)
editor:
Simon Kiln
violin:
Nigel Kennedy (violinist) (from 2000-01-29 until 2000-01-31) and Daniel Stabrawa (violinist) (from 2000-01-29 until 2000-01-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2000-01-29 until 2000-01-31)
conductor:
Nigel Kennedy (violinist) (from 2000-01-29 until 2000-01-31)
balance engineer:
Jonathan Allen (engineer) (from 2000-01-29 until 2000-01-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2000)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2000-01-29 until 2000-01-31)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (from 2000-01-29 until 2000-01-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach3:18
3Tosca, Opera
vocals:
Andrea Bocelli (tenor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:59
4Tuesday
orchestra:
London Symphony Orchestra
conductor:
Andrea Quinn (British conductor)
Paul McCartney6:54
5Songs My Mother Taught Me (Als Die Alte Mutter), Song for Voice & Piano (Gypsy Melodies), B. 104
soprano vocals:
Lesley Garrett (soprano) (from 1998-06-08 until 1998-07-09)
vocals:
Lesley Garrett (soprano)
orchestra:
BBC Concert Orchestra (from 1998-06-08 until 1998-07-09)
conductor:
Peter Robinson (conductor) (from 1998-06-08 until 1998-07-09)
recording of:
Cigánské melodie, op. 55: IV. Když mne stará matka (Gypsy Songs: Songs My Mother Taught Me, for voice and piano)
lyricist:
Adolf Heyduk
composer:
Antonín Dvořák (composer) (from 1880-01 until 1880-02)
part of:
Cigánské melodie, op. 55 (Gypsy Songs, for voice and piano)
recording of:
Songs My Mother Taught Me
lyricist:
Adolf Heyduk
composer:
Antonín Dvořák (composer)
translator:
Natalia Macfarren
version of:
Cigánské melodie, op. 55: IV. Když mne stará matka (Gypsy Songs: Songs My Mother Taught Me, for voice and piano)
Antonín Dvořák2:25
6The Mission, Film Score
assistant engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
engineer:
Dick Lewzey
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Ennio Morricone (Italian classical and score composer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
Ennio Morricone2:17
7The Eternal Knot (From the Soundtrack for ‘The Eternal Knot’)
recording of:
The Eternal Knot
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
part of:
Adiemus IV: The Eternal Knot
Adiemus3.54:05
8Waltz for Piano No. 6 in D‐flat major, “Minute”
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1976-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-04)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (in 1976-04)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Frédéric Chopin1:56
9Porgy and Bess, Opera
producer:
John Fraser (UK producer)
choir vocals:
The New York Choral Artists (in 1986-06)
soprano vocals:
Dame Kiri Te Kanawa (soprano) (in 1986-06)
orchestra:
New Princess Theater Orchestra (in 1986-06)
conductor:
John McGlinn (American conductor) (in 1986-06)
orchestrator:
George Gershwin (composer)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (in 1986-06)
recording of:
Porgy and Bess: Act III, Scene I. “Summertime” (Bess) (in 1986-06)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene I
George Gershwin2:45
10Londonderry Air (Danny Boy), Folk Song
recording engineer:
Mike Sheady (engineer)
producer:
Trevor Jones (South African score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
orchestra:
The Grimethorpe Colliery RJB Band
conductor:
John Anderson (composer, conductor -> The Grimethorpe Colliery Band)
performer:
Robert Archer (British horn player), Andrew Armstrong (tenor horn), David Arnold (cornet), Mark Arnold (percussion, orchestral), David Barraclough (cornet), Jonathan Beatty (trombone), Paul Bennett (british horn player), Roy Bowater, Colin Brook, Adrian Brooke, Duncan Byers, Malcolm Clegg, Paul Davies (British tuba player), Nigel Fielding, Byron Fulcher (trombonist), Simon Gresswell (tuba), Grimethorpe Colliery Band, Alan Hobbins, Paul Hughes (flugelhorn), Mick Kennedy (cornet), Bill Lyon, Stuart McCready, Paul McDonald (cornet), Stephen Peacock, Shaun Randall, Robin Taylor (Euphonium virtuoso), Julian Warburton (British percussionist), David Whitehouse (trombonist) and Simon Willis (british euphonium player)
phonographic copyright (℗) by:
CMMP Ltd.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Londonderry Air
composer:
[traditional] (special purpose artist)
arranger:
John Pell (classical guitar)
arrangement of:
Londonderry Air (for Harp, arr. Carlos Salzedo)
[unknown]3:12
11Les Pêcheurs De Perles, Opera in 3 Acts
soprano vocals:
Izzy (English soprano singer)
recording of:
Les Pêcheurs de perles : «Au fond du temple saint » (catch-all for arrangements)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
arrangement of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
Georges Bizet3:45
12Carnival of the Animals
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1962-07-21)
harp:
Osian Ellis (Welsh harpist and composer) (on 1962-07-21)
balance engineer:
Neville Boyling (engineer) (on 1962-07-21)
phonographic copyright (℗) by:
Warner Classics (in 1995) and Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1962-07-21)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (on 1962-07-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:57
13Nocturne
instruments:
Secret Garden
vocals:
Gunhild Tvinnereim
conductor:
John Tate (conductor & orchestrator)
recording of:
Nocturne (English version)
lyricist:
Petter Skavlan
composer:
Rolf Løvland
translated version of:
Nocturne (original Norwegian version)
Rolf Løvland3:15
14Annie’s Song
engineer:
Kenneth Wilkinson (engineer)
producer:
Ralph Mace (producer, conductor, keyboardist)
flute:
James Galway (flautist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
phonographic copyright (℗) by:
BMG Music (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-03 until 1978-06) and Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1978-03 until 1978-06)
instrumental cover recording of:
Annie’s Song (John Denver song)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
John Denver3:11
15We’ll Keep a Welcome
baritone vocals and bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
choir vocals:
The Black Mountain Male Chorus and Risca Male Choir (Côr Meibion Risca)
orchestra:
Orchestra of the Welsh National Opera
conductor:
Gareth Jones (Welsh conductor)
recording of:
We’ll Keep a Welcome
lyricist:
James Harper (songwriter) (in 1940) and Lyn Joshua (songwriter) (in 1940)
composer:
Mai Jones (in 1940)
Mai Jones3:15
16Gianni Schicchi, Opera
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (from 1997-08-12 until 1997-08-15)
producer:
David Groves (classical music producer at EMI)
editor:
Caroline Haigh, Simon Kiln and Jørn Pedersen
soprano vocals:
Angela Gheorghiu (Romanian soprano) (in 1999)
soprano vocals [Lauretta]:
Angela Gheorghiu (Romanian soprano) (from 1997-08-12 until 1997-08-15)
vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
London Symphony Orchestra (from 1997-08-12 until 1997-08-15, in 1999)
conductor:
Antonio Pappano (conductor and pianist) (from 1997-08-12 until 1997-08-15, in 1999)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1999) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1999)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-08-12 until 1997-08-15)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1997-08-12 until 1997-08-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:11
17Adagio for Strings (Arr. From 2nd Mvt. Of String Quartet), for String Quartet
programming and producer:
William Orbit (English musician, composer and record producer)
performer:
William Orbit (English musician, composer and record producer)
arranger:
William Orbit (English musician, composer and record producer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1999)
recording of:
Adagio for Strings (catch‐all for arrangements)
composer:
Samuel Barber (American composer) (in 1936)
arrangement of:
Adagio for Strings
Samuel Barber9:39
18Gladiator, Film Score
orchestra:
Musica Paradiso
phonographic copyright (℗) by:
Cherry Lane and Universal/MCA Music Ltd. (not for release label use!)
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
Hans Zimmer & Lisa Gerrard4:20
19Granada
assistant audio engineer:
Alex Marcou
audio engineer:
John Pellowe (audio engineer) and Christopher Raeburn (producer)
executive producer:
Tibor Rudas
producer:
Ahmet Ertegun (US American Songwriter, producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Luciano Pavarotti (tenor) (on 1998-07-10)
orchestra:
Orchestre de Paris (on 1998-07-10)
conductor:
James Levine (US conductor and pianist) (on 1998-07-10)
recorded at:
Champ-de-Mars in Paris, Île-de-France, France (on 1998-07-10)
mixed at and edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
live recording of:
Granada (original Spanish version) (on 1998-07-10)
lyricist and composer:
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. and Peer International Corporation (BMI) (from 1932 to present)
Agustín Lara3:09
2▼CD
#TitleArtistRatingLength
1Carmen: Habanera
producer:
Michel Glotz
editor:
Jennifer Howells
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals:
Maria Callas (soprano)
vocals:
Maria Callas (soprano)
orchestra:
Orchestre du Théâtre National de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (French conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:25
2Devil’s Trill
violin:
Vanessa‐Mae
partial recording of:
Violin Sonata in G minor, B. g5, 'Le trille du diable' (three-movement version)
composer:
Giuseppe Tartini (Italian composer) (in 1740)
part of:
Thematic catalogue of Giuseppe Tartini's works "GT" (number: 2.g05) and Die Violinsonaten Giuseppe Tartinis (Brainard [B.]) (number: B. g5)
recording of:
Violin Sonata in G minor, op. 1 no. 6 "The Devil's Trill" (arr. Vanessa-Mae & Pamela Nicholson)
composer:
Giuseppe Tartini (Italian composer)
arranger:
Pamela Nicholson and Vanessa‐Mae
arrangement of:
Violin Sonata in G minor, B. g5, 'Le trille du diable' (three-movement version)
Giuseppe Tartini33:45
3Misa Criolla: Kyrie
percussion:
Domingo Cura (in 1987-07) and Jorge Padin (in 1987-07)
choir vocals:
Coral Salvé de Laredo (in 1987-07) and Sociedad Coral de Bilbao (Bilbao Choral Society) (in 1987-07)
tenor vocals:
José Carreras (Spanish tenor) (in 1987-07)
orchestra:
Huancara (in 1987-07)
conductor:
José Luis Ocejo
chorus master:
José Luis Ocejo (in 1987-07)
recorded at:
Santuario de la Bien Aparecida in Ampuero, Cantabria, Spain (in 1987-07)
recording of:
Misa criolla: I. Kyrie (in 1987-07)
composer:
Ariel Ramírez (Argentinian composer, pianist and music director) (in 1964)
part of:
Misa criolla
Ariel Ramírez3:50
4Jackie’s Song
producer:
Jean‐Marie Geijsen and Erdo Groot (sound engineer for recordings of classical music)
cello:
Julian Lloyd Webber (cellist) (in 1998-11)
orchestra:
BBC Concert Orchestra (in 1998-11)
conductor:
Barry Wordsworth (conductor) (in 1998-11)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-11)
recording of:
Jackie's Song (in 1998-11)
composer:
Julian Lloyd Webber (cellist) (in 1998)
Julian Lloyd Webber3:45
5Ave Maria
soprano vocals:
Lesley Garrett (soprano)
orchestra:
Britten Sinfonia
conductor:
Ivor Bolton (conductor and harpsichordist)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert45:41
6La Traviata: Libiamo
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Jørn Pedersen
choir vocals:
London Voices (in 1998-02)
soprano vocals [Violetta]:
Angela Gheorghiu (Romanian soprano) (in 1998-02)
tenor vocals [Alfredo]:
Roberto Alagna (tenor) (in 1998-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-02)
conductor:
Claudio Abbado (conductor) (in 1998-02)
chorus master:
Terry Edwards (British choir director) (in 1998-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1998-02)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1998-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:58
7Victory
recording engineer and mixer:
Pete Lewis (engineer)
additional programming:
Rick Featherstone
programming and producer:
Magnus Fiennes
assistant engineer:
Jay Reynolds (hard rock guitarist)
accordion:
Kim Wood
alto saxophone:
Finn Peters
baritone saxophone:
Howard McGill
double bass:
Gay-Yee Westerhoff
guitar:
Mark Wood (guitarist)
percussion:
Michele Drees and Chucho Merchán
string quartet:
BOND (female neo-classical quartet)
trombone:
Joseph de Jesus
trumpet:
Steve Dawson (trumpet / flugel)
orchestra:
The London Session Orchestra
conductor:
Brian Gascoigne
recording of:
Victory
composer:
Tonči Huljić
is based on:
Aureliano in Palmira: Sinfonia
Tonči Huljić4:49
8Tosca: Vissi d’arte
producer:
Celso Valli
violin [first violin]:
Gavin Wright (UK violinist, conductor)
vocals:
Filippa Giordano (classic crossover singer)
orchestra:
The London Session Orchestra
conductor:
Celso Valli
arranger and orchestrator:
Celso Valli
recorded at and mixed at:
Fonoprint in Bologna, Emilia-Romagna, Italy
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:59
9Requiem: In Paradisum
producer:
David Groves (classical music producer at EMI)
organ:
Peter Barley (from 1988-12-16 until 1988-12-19)
violin:
José‐Luis García (violinist & conductor) (from 1988-12-16 until 1988-12-19)
choir vocals:
Choir of King’s College, Cambridge (from 1988-12-16 until 1988-12-19)
orchestra:
English Chamber Orchestra (from 1988-12-16 until 1988-12-19)
conductor:
Stephen Cleobury (organist, conductor) (from 1988-12-16 until 1988-12-19)
balance engineer:
Neville Boyling (engineer) (from 1988-12-16 until 1988-12-19) and David Flower (engineer) (from 1988-12-16 until 1988-12-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Chapel of King’s College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-12-16 until 1988-12-19)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1988-12-16 until 1988-12-19)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:31
10Molly (from Wonderland)
assistant engineer:
Matt Donin (engineer) and Jason Westbrook
engineer:
Austin Ince (engineer)
producer:
Michael Nyman (composer)
alto saxophone:
Simon Haram (saxophonist) (from 1999-03-15 until 1999-03-17)
baritone saxophone, flute and tenor saxophone:
Andy Findon (from 1999-03-15 until 1999-03-17)
bass guitar:
Martin Elliott (British bass guitarist) (from 1999-03-15 until 1999-03-17)
cello:
Sophie Harris (cellist) (from 1999-03-15 until 1999-03-17) and Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) (from 1999-03-15 until 1999-03-17)
double bass:
Paul Morgan (UK doublebass/contrabass) (from 1999-03-15 until 1999-03-17)
French horn:
Dave Lee (UK french horn player) (from 1999-03-15 until 1999-03-17)
soprano saxophone:
Simon Haram (saxophonist) (from 1999-03-15 until 1999-03-17) and David Roach (UK saxophonist) (from 1999-03-15 until 1999-03-17)
trombone:
Nigel Barr (from 1999-03-15 until 1999-03-17)
trumpet:
Steve Sidwell (English composer & wind instrumentalist) (from 1999-03-15 until 1999-03-17)
viola:
Bill Hawkes (from 1999-03-15 until 1999-03-17), Kate Musker (violist) (from 1999-03-15 until 1999-03-17) and Andrew Parker (viola) (from 1999-03-15 until 1999-03-17)
violin:
Fran Andrade (violinist) (from 1999-03-15 until 1999-03-17), Beverley Davison (violinist) (from 1999-03-15 until 1999-03-17), Jonathan Evans‐Jones (violinist) (from 1999-03-15 until 1999-03-17), Miranda Fulleylove (violinist) (from 1999-03-15 until 1999-03-17), Sophie Landon (violinist) (from 1999-03-15 until 1999-03-17), Jonathan Rees (from 1999-03-15 until 1999-03-17), Jackie Shave (from 1999-03-15 until 1999-03-17) and Katherine Shave (from 1999-03-15 until 1999-03-17)
conductor:
Michael Nyman (composer) (from 1999-03-15 until 1999-03-17)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1999-03-15 until 1999-03-17)
mixed at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Molly (Wonderland) (from 1999-03-15 until 1999-03-17)
composer:
Michael Nyman (composer)
part of:
Wonderland
Michael Nyman2:58
11Serse: Ombra mai fu
countertenor vocals [Serse]:
Andreas Scholl (countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Roger Norrington (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel3:06
12Violin Concerto no. 1 in G minor, op. 26: Adagio (opening)
violin:
Yehudi Menuhin (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
partial recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch4:26
13Lugebat David (after ‘Pavane’)
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Lugebat David
is based on:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:01
14Aida: Celeste Aida
engineer:
Stuart Eltham (engineer)
producer:
John Mordler (producer)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (from 1974-07-02 until 1974-07-11)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:27
15Hymn to the Fallen (from Saving Private Ryan)
choir vocals:
Crouch End Festival Chorus
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor)
arranger:
Paul Bateman (conductor)
phonographic copyright (℗) by:
BMG Music, Cherry Lane and Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1999)
cover recording of:
Hymn to the Fallen (Saving Private Ryan)
composer:
John Williams (American score composer)
publisher:
Cherry Lane Music Ltd. and Universal Music Publishing MGB
part of:
Saving Private Ryan (1998 film score)
recording of:
Hymn to the Fallen (Saving Private Ryan)
composer:
John Williams (American score composer)
publisher:
Cherry Lane Music Ltd. and Universal Music Publishing MGB
part of:
Saving Private Ryan (1998 film score)
John Williams6:14
16Laudate Dominum
producer:
Peter Wadland (producer)
choir vocals:
Choir Of Winchester Cathedral (in 1990-11) and Winchester College Quiristers (in 1990-11)
soprano vocals:
Emma Kirkby (soprano) (in 1990-11)
orchestra:
Academy of Ancient Music (in 1990-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-11)
balance engineer:
John Dunkerley (engineer) (in 1990-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1990-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:36
17Cats: Memory
tenor vocals:
The Three Tenors
recording of:
Memory (Cats)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
Andrew Lloyd Webber2:39

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Release

ASIN:UK: B000053F4B [info]