Easy‐Listening Hits of the ’60s & ’70s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

d2t4 shows the medley out of order

Annotation last modified on 2025-10-19 21:14 UTC.

Tracklist

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1CD
#TitleArtistRatingLength
1You Light Up My Life
producer:
Joseph Brooks (US songwriter/film director)
arranger:
Joseph Brooks (US songwriter/film director)
produced for:
Mike Curb Productions
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 3) and Billboard: Greatest of All Time Hot 100 Songs (number: 12)
recording of:
You Light Up My Life
lyricist and composer:
Joseph Brooks (US songwriter/film director)
publisher:
Curb Songs, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 電通ミュージック・アンド・エンタテインメント PR第3事業部
part of:
The 50th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1977 winner)
Debby Boone53:37
2Never Gonna Fall in Love Again
assistant engineer:
Joey Barbaria
engineer:
Jack Sherdel
producer:
Jimmy Ienner (producer)
lead vocals:
Eric Carmen
arranger:
Eric Carmen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
produced for:
CAM Productions (US)
recorded at:
O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
recording of:
Never Gonna Fall in Love Again
lyricist:
Eric Carmen
publisher:
Camex Music, Inc., Eric Carmen Music, Round Hill Works, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
is based on:
Symphony no. 2 in E minor, op. 27: III. Adagio
Eric Carmen3:45
3Touch Me in the Morning
producer:
Tom Baird (Motown producer) and Michael Masser
arranger:
Tom Baird (Motown producer) and Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1973) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
Touch Me in the Morning
writer:
Michael Masser and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (appears also as: Jobete Msc.) and Jobete Music Co., Inc.
Diana Ross3.53:28
4When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistant engineer:
Dana Latham
producer:
Richard Perry (producer)
bass:
Willie Weeks (US bass player) (in 1976)
drums (drum set):
Jeff Porcaro (in 1976)
electric piano:
Michael Omartian (in 1976)
guitar:
Dean Parks (American session guitarist) (in 1976)
saxophone:
George Palisky, Jr. (in 1976)
synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
synthesizer arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) and Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
writer:
Carole Bayer Sager and Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
When I Need You
writer:
Carole Bayer Sager and Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:08
5Ain’t No Way to Treat a Lady
cover recording of:
Ain't No Way to Treat a Lady
lyricist and composer:
Harriet Schock
Helen Reddy3:25
6Shadows in the Moonlight
recording of:
Shadows in the Moonlight
writer:
Charlie Black (US country songwriter) and Rory Bourke
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd. and Rhythm Ranch Music Co.
Anne Murray3:27
7Just When I Needed You Most
producer:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1979) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Randy VanWarmer4:00
8Do You Know Where You’re Going To (Theme From Mahogany)
Diana Ross3:24
9This Will Be
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 316)
recording of:
This Will Be (an Everlasting Love)
writer:
Chuck Jackson (songwriter/producer) and Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) and Jay’s Enterprises Inc.
Natalie Cole3.52:51
10All I Ever Need Is You
cover recording of:
All I Ever Need Is You
writer:
Jimmy Holiday (American singer, songwriter, producer) and Eddie Reeves (Singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
recording of:
All I Ever Need Is You
writer:
Jimmy Holiday (American singer, songwriter, producer) and Eddie Reeves (Singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sonny & Cher52:38
11Until It’s Time for You to Go
bass:
Norbert Putnam (on 1971-05-17)
drums (drum set):
Kenny Buttrey (on 1971-05-17) and Jerry Carrigan (US drummer) (on 1971-05-17)
guitar:
James Burton (guitarist) (on 1971-05-17) and Chip Young (American session guitarist, bassist, producer in the genre of country) (on 1971-05-17)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1971-05-17)
organ:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1971-05-17) and Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (on 1971-05-17)
percussion:
Larry Londin (on 1971-05-17) and Charlie McCoy (white blues harmonica player, 1960s-present) (on 1971-05-17)
piano:
David Briggs (English organist and composer) (on 1971-05-17) and Joe Moscheo (on 1971-05-17)
vocals:
Ginger Holladay (American singer-songwriter) (on 1971-05-17), The Imperials (gospel/CCM group) (on 1971-05-17), Millie Kirkham (on 1971-05-17), June Page (on 1971-05-17) and Temple Riser (on 1971-05-17)
phonographic copyright (℗) by:
BMG Music (in 1971, in 1972)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1971-05-17)
cover recording of:
Until It’s Time for You to Go (on 1971-05-17)
lyricist and composer:
Buffy Sainte‐Marie
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (ended), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (ended), Howe Sound Music Publishing LLC and Rondor Music (London) Ltd.
Elvis Presley3:57
12Deja Vu
recording of:
Déjà vu
lyricist:
Adrienne Anderson
composer:
Isaac Hayes
publisher:
Cotton Picking Soul Music, Rightsong Music Inc., Universal Music Careers, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dionne Warwick3:54
13Three Times a Lady
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
lead vocals:
Lionel Richie
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 10)
recording of:
Three Times a Lady
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores3.653:37
14I’ll Never Love This Way AgainDionne Warwick3:32
15Love Will Keep Us Together
Captain & Tennille3:26
16Breaking Up Is Hard to DoNeil Sedaka3:17
17One Less Bell to Answer
sound engineer, engineer and producer:
Bones Howe
assistant engineer:
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) and Rik Pekkonen
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Marilyn McCoo Davis (in 1970)
performer:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis and Ron Townson
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
One Less Bell to Answer (in 1970)
lyricist:
Hal David (in 1967)
composer:
Burt Bacharach (in 1967)
publisher:
Blue Seas Music, Inc. (ended), JAC Music Co., Inc. (ended), BMG Rights Management (UK) Ltd. (Hal David), New Hidden Valley Music Co., PW Arrangements and Universal Music Corp. (USA, affiliated with ASCAP)
The 5th Dimension3:32
18Laughter in the RainNeil Sedaka2:50
2CD
#TitleArtistRatingLength
1Make Your Own Kind of Music
recording of:
Make Your Own Kind of Music
lyricist:
Cynthia Weil
composer:
Barry Mann
publisher:
Screen Gems-Columbia (publisher) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Cass Elliot2:21
2Way of Love, The
Cher2:32
3It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:02
4Medley: I Say a Little Prayer / By the Time I Get to Phoenix
medley including a cover recording of:
By the Time I Get to Phoenix (on 1971-07-21)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Charles Koppelman Music, Jonathan Three Music Co. and Martin Bandier Music
medley including a cover recording of:
I Say a Little Prayer (on 1971-07-21)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Glen Campbell feat. Anne Murray3:13
5Up, Up and Away
engineer:
“Bones” Howe
producer:
Johnny Rivers (Singer, songwriter, and guitarist) and Marc Gordon (soul songwriter, producer, and manager)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
brass [horns] arranger and strings arranger:
Marty Paich
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
recorded at:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California, United States
recording of:
Up, Up and Away
lyricist and composer:
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
The 5th Dimension2.52:37
6Wouldn’t It Be Nice
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar:
Jerry Cole (on 1966-01-22)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bass guitar:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22) and Ray Pohlman (on 1966-01-22)
guitar:
Bill Pitman (on 1966-01-22)
mandoguitar:
Barney Kessel (on 1966-01-22)
percussion:
Frank Capp (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
piano [track piano]:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (trumpet player) (on 1966-01-22)
background vocals:
Al Jardine (on 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1966-01-22), Carl Wilson (Beach Boys) (on 1966-01-22) and Dennis Wilson (Beach Boys) (on 1966-01-22)
lead vocals:
Mike Love (Beach Boys) (on 1966-01-22) and Brian Wilson (Beach Boys co‐founder) (on 1966-01-22)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 297)
recording of:
Wouldn’t It Be Nice (on 1966-01-22)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.42:25
7Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Nilsson3.92:44
8This Is My Song
recording of:
This Is My Song
lyricist and composer:
Charlie Chaplin (filmmaker) (in 1966)
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
part of:
A Countess From Hong Kong
Petula Clark53:21
9Jean
Oliver3:20
10You’re My World
recording of:
You’re My World
lyricist:
Gino Paoli (singer, songwriter)
composer:
Umberto Bindi
translator:
Carl Sigman
publisher:
Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Welbeck Music Ltd.
translated version of:
Il mio mondo
Helen Reddy2:45
11When Will I Be Loved
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1960)
recording of:
When Will I Be Loved? (on 1960-02-18)
lyricist and composer:
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers1:59
12The Last Waltz
Engelbert Humperdinck3:01
13(It Looks Like) I’ll Never Fall in Love Again
cover recording of:
I’ll Never Fall in Love Again
lyricist:
Jimmie Currie (songwriter) and Lonnie Donegan
is based on:
Wanderin' (American folk song)
Tom Jones2:56
14The Fool on the Hill
cover recording of:
The Fool on the Hill
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
Sérgio Mendes & Brasil ’663:13
15Don’t Sleep in the Subway
recording of:
Don’t Sleep in the Subway
lyricist:
Jackie Trent (English singer‐songwriter and actress)
composer:
Tony Hatch
publisher:
ATV Music, Duchess Music Corporation (BMI-affiliated) and Welbeck Music Ltd.
Petula Clark42:59
16Wichita Lineman
producer:
Al De Lory
lead vocals:
Glen Campbell (US country singer, guitarist & actor)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968) and Capitol Records Nashville (in 2016)
additionally recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1968-08-14)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1968-05-27)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 192) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 206)
recording of:
Wichita Lineman (on 1968-05-27)
lyricist:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (in 1968)
Glen Campbell3.653:07
17It Must Be Him
recording of:
It Must Be Him (English translation)
lyricist and translator:
Mack David (American lyricist and songwriter)
composer:
Gilbert Bécaud
publisher:
J. Albert & Son Pty. Ltd.
translated version of:
Seul sur son étoile
Vikki Carr2:53
18Can’t Help Falling in LoveElvis Presley3:04
19Making Our Dreams Come True
bass:
Max Bennett (US jazz bassist and session musician)
drums (drum set):
Mike Baird (drummer)
flute:
Clifford Shank and William Collette
guitar:
Ben Benay
horn [horns]:
Dick Hyde, David Luell, William Peterson, Bobby Shew and Phillip Teele
keyboard [keyboards]:
David Foster (Canadian music producer, arranger and composer)
percussion:
Victor Feldman (jazz musician)
solo saxophone:
David Luell
strings:
Sid Sharp and His Magic Strings
lead vocals:
Cyndi Grecco
vocals:
The Ron Hicklin Singers
arranger:
Charles Fox (film/TV composer, also Latin pianist)
recording of:
Making Our Dreams Come True (Theme From Laverne & Shirley)
lyricist:
Norman Gimbel and Ellen Weston
writer:
Laurie Maitland
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Bruin Music Company
Cyndi Grecco52:31
20Delta Dawn
producer:
Tom Catalano
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973)
cover recording of:
Delta Dawn
writer:
Larry Collins and Alex Harvey (American country singer of the early 70s)
publisher:
Big Ax Music, EMI April Music Inc., EMI Catalogue, EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Helen Reddy3:10
21Escape (The Pina Colada Song)
engineer and mixer:
Jim Boyer (producer/engineer)
producer:
Jim Boyer (producer/engineer) and Rupert Holmes
bass [electric bass]:
Frank Gravis
drums (drum set):
Leo Adamian
phonographic copyright (℗) by:
Geffen Records, Infinity Records Inc. and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Plaza Sound Studios in New York, New York, United States
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Escape (The Piña Colada Song)
lyricist and composer:
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes3.554:37
22Two Doors Down
vocals:
Dolly Parton
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recording of:
Two Doors Down
lyricist and composer:
Dolly Parton
publisher:
Velvet Apple Music
Dolly Parton53:06
23Say, Has Anybody Seen My Sweet Gypsy RoseTony Orlando & Dawn52:55
3CD
#TitleArtistRatingLength
1You and Me Against the World
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974)
recording of:
You and Me Against the World
writer:
Kenny Ascher and Paul Williams (US songwriter/soft rock vocalist)
Helen Reddy3:12
2Still
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
Still
lyricist and composer:
Lionel Richie
publisher:
Commodores Entertainment Publishing Corp. (ended), Brenda Richie Publishing, Jobete Music Co., Inc. and Libren Music
Commodores3.53:42
3I Just Fall in Love Again
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
cover recording of:
I Just Fall in Love Again
lyricist:
Harry Lloyd (songwriter) and Gloria Sklerov
composer:
Steve Dorff (composer) and Larry Herbstritt
publisher:
Campbell Connelly & Co. Ltd., Cotton Pickin' Songs, Hobby Horse Music, Peso Music (publisher), Universal Music Careers and Universal Music–MGB Songs
Anne Murray52:50
4All by Myself
assistant engineer:
Joey Barbaria
engineer:
Jack Sherdel
producer:
Jimmy Ienner (producer)
lead vocals:
Eric Carmen (from 1975-08 until 1975-09)
arranger:
Eric Carmen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
recorded at:
O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
recording of:
All by Myself (from 1975-08 until 1975-09)
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:55
5We’re All Alone
producer:
David Anderle
phonographic copyright (℗) by:
A&M Records (in 1977) and A&M Records, Inc. (Los Angeles) (in 1977)
cover recording of:
We’re All Alone
lyricist and composer:
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and Boz Scaggs Music (publisher) (from 1975 to present)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge43:37
6You Are So Beautiful
cover recording of:
You Are So Beautiful
writer:
Bruce Fisher and Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) and Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker2:41
7You Needed Me
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978) and EMI Music Canada (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 63)
recording of:
You Needed Me (in 1978)
lyricist and composer:
Randy Goodrum
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray4.653:39
8Watching Scotty Grow
cover recording of:
Watchin’ Scotty Grow
writer:
Mac Davis (US country singer, songwriter & actor)
Bobby Goldsboro2:38
9Afternoon Delight
vocals:
Jon Carroll (of Starland Vocal Band, on vocals, keyboard, guitar), Margot Chapman (singer with Starland Vocal Band), Bill Danoff and Taffy Nivert
phonographic copyright (℗) by:
Cherry Lane Music Publishing Company Inc. (in 1976)
recording of:
Afternoon Delight
lyricist and composer:
Bill Danoff
publisher:
Cherry Lane Music Publishing Company Inc. and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Starland Vocal Band3.53:14
10It Was Almost Like a Song
Ronnie Milsap3:39
11I’m EasyKeith Carradine3:04
12I Will Always Love You
engineer:
Tom Pick
producer:
Bob Ferguson
banjo:
Bobby Thompson (guitar & banjo player) (on 1973-06-13) and Buck Trent (on 1973-06-13)
bass:
Bobby Dyson (on 1973-06-13)
drums (drum set):
Ralph Gallant (on 1973-06-13)
fiddle:
Johnny Gimble (on 1973-06-13) and Mack Magaha (Bluegrass Fiddler) (on 1973-06-13)
guitar:
Jimmy Colvard (American session guitarist) (on 1973-06-13), Dave Kirby (US country singer/songwriter) (on 1973-06-13) and Dolly Parton (on 1973-06-13)
piano:
Hargus "Pig" Robbins (on 1973-06-13)
steel guitar:
Stu Basore (on 1973-06-13)
background vocals:
Joe Babcock (on 1973-06-13), Dolores Edgin (on 1973-06-13), June Page (on 1973-06-13) and Hurshel Wiginton (on 1973-06-13)
vocals:
Dolly Parton (on 1973-06-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1973-06-13)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 34)
recording of:
I Will Always Love You (on 1973-06-13)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton3.83:06
13Love Theme From Romeo and Juliet
engineer:
Gaetano Ria
producer:
Jose M. Benitez and Henry Mancini (US composer, conductor & arranger)
piano and solo piano:
Henry Mancini (US composer, conductor & arranger)
solo French horn:
Vincent DeRosa
orchestra:
The Henry Mancini Orchestra
conductor:
Henry Mancini (US composer, conductor & arranger)
arranger:
Henry Mancini (US composer, conductor & arranger)
partial recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
recording of:
Sunflower
composer:
Henry Mancini (US composer, conductor & arranger) (in 1970)
instrumental cover recording of:
What Is a Youth (Love Theme from Romeo and Juliet, 1968 film)
lyricist:
Eugene Walter
composer:
Nino Rota (Italian composer)
publisher:
Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Henry Mancini & His Orchestra2:33
14Feels So Good
Chuck Mangione3:32
15Brian’s Song
Michel LeGrand & his Orchestra2:48
16Music Box Dancer
Frank Mills3:17
17Moon River
recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
Henry Mancini & His Orchestra2:44
18Song From M*A*S*H
instrumental cover recording of:
Suicide Is Painless
lyricist:
Mike Altman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Al De Lory2:30
4CD
#TitleArtistRatingLength
1Good Morning Starshine
recording of:
Good Morning Starshine (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Catalogue Partnership
part of:
Hair (1967 musical)
Oliver3:39
2Where Have All the Flowers Gone
cover recording of:
Where Have All the Flowers Gone
additional lyricist:
Joe Hickerson (in 1960-05)
lyricist and composer:
Pete Seeger (in 1955-10)
publisher:
Sanga Music, Inc. and The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 1961)
recording of:
Where Have All the Flowers Gone
additional lyricist:
Joe Hickerson (in 1960-05)
lyricist and composer:
Pete Seeger (in 1955-10)
publisher:
Sanga Music, Inc. and The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 1961)
The Kingston Trio43:04
3Willow Weep for Me
Chad & Jeremy2:35
4Tell It All Brother
recording of:
Tell It All Brother
lyricist:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
composer:
Alex Harvey (American country singer of the early 70s)
Kenny Rogers & The First Edition3:22
5Let It Be Me
performer:
Glen Campbell (US country singer, guitarist & actor) (on 1968-04-11) and Bobbie Gentry (on 1968-04-11)
cover recording of:
Let It Be Me (on 1968-04-11)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Je t’appartiens
Bobbie Gentry and Glen Campbell2:06
6The Last Farewell
recording of:
The Last Farewell (1971 song)
lyricist:
Ron Webster (silversmith)
composer:
Roger Whittaker
Roger Whittaker3:41
7Stop! In the Name of Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (from 1965-01-05 until 1965-01-11)
background vocals:
The Andantes (from 1965-01-05 until 1965-01-11), Florence Ballard (from 1965-01-05 until 1965-01-11) and Mary Wilson (from 1965-01-05 until 1965-01-11)
lead vocals:
Diana Ross (from 1965-01-05 until 1965-01-11)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1965-01-05 until 1965-01-11)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 13) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 254)
recording of:
Stop! In the Name of Love (from 1965-01-05 until 1965-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Diana Ross & The Supremes4.152:54
8Show and Tell
recording of:
Show & Tell
lyricist and composer:
Jerry Fuller
publisher:
Fullness Music Co.
Al Wilson3:27
9I Heard It Through the Grapevine
producer:
Norman Whitfield
recorded at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States (on 1967-06-17)
recording of:
I Heard It Through the Grapevine (on 1967-06-17)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Gladys Knight & the Pips3.352:45
10I’m Gonna Make You Love Me
producer:
Nickolas Ashford and Frank Wilson (Motown singer/songwriter)
lead vocals:
Eddie Kendricks and Diana Ross
spoken vocals:
Otis Williams (US baritone singer, member of The Temptations & The Distants)
arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1968), Motown Record Corporation (company credits only; do NOT use as release label) (in 1968) and PolyGram (in 1968)
recorded at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
cover recording of:
I’m Gonna Make You Love Me (until 1968-09-13)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) and Jerry Ross (Philadelphia soul composer/producer)
publisher:
Act Three Music, Down Stairs Music, MRC Music Corp., Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross & The Supremes and The Temptations3.53:11
11How Sweet It Is (to Be Loved by You)
producer:
Lamont Dozier, Berry Gordy, Brian Holland (Motown producer & songwriter) and William Stevenson (Motown songwriter)
recording of:
How Sweet It Is (to Be Loved by You) (on 1964-07-10)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye52:58
12My Way
cover recording of:
My Way (Frank Sinatra song)
lyricist:
Paul Anka (Canadian singer, songwriter and actor)
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
Elvis Presley3:46
13Mame
banjo:
Alfred Di Lernia (in 1966-05)
clarinet:
Buster Bailey (clarinetist) (in 1966-05)
double bass:
Buddy Catlett (in 1966-05)
drums (drum set):
Danny Barcelona (in 1966-05)
piano:
Marty Napoleon (in 1966-05)
trombone:
Tyree Glenn (in 1966-05)
trumpet and lead vocals:
Louis Armstrong (in 1966-05)
recording of:
Mame (in 1966-05)
lyricist and composer:
Jerry Herman
part of:
Mame (full musical)
Louis Armstrong2:21
14Happy (Love Theme From “Lady Sings the Blues”)
Bobby Darin4:01
15New World Coming
Cass Elliot2:10
16I’ll Have to Say I Love You in a Song
acoustic guitar [lead acoustic guitar]:
Maury Muehleisen
bass:
Joe Macho
drums (drum set):
Gary Chester (studio drummer and educator)
electric piano:
Tommy West
guitar [rhythm guitar]:
Jim Croce
percussion:
George Devens
background vocals:
Marty Nelson and Tommy West
vocals:
Jim Croce (on 1973-06-07)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographic copyright (℗) by:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973) and Lastrada Entertainment Co., Ltd. (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1973-06-07)
recording of:
I’ll Have to Say I Love You in a Song (on 1973-06-07)
lyricist and composer:
Jim Croce
publisher:
Blendingwell Music, Inc., DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:32
17The Times of Your Life
recording of:
Times of Your Life
composer:
Roger Nichols (musician/songwriter)
Paul Anka3:14
18Medley: Try to Remember / The Way We Were
Gladys Knight & the Pips4:34
19Autumn of My Life
Bobby Goldsboro3:31
20All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
Richard Chamberlain2:30
21MemoriesElvis Presley3:12