Sound Track

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Misirlou
producer:
Jim Monsour
bass guitar:
Rick Rillera
drums (drum set):
Jerry Stevens (US surf rock drummer)
guitar [lead guitar]:
Dick Dale (surf guitarist)
guitar [rhythm guitar]:
Nick O’Malley (US surf rock guitarist)
piano:
Bill Barber (Keyboardist, not the tuba player)
saxophone:
Armon Frank and Barry Rillera
recording of:
Misirlou (Dick Dale instrumental arrangement)
composer:
[anonymous] (special purpose artist)
arranger:
Dick Dale (surf guitarist) and Gabriel Paquin-Buki
publisher:
Campbell Connelly & Co.
arrangement of:
Miserlou (Mediterranean folk song)
arrangement of:
Μισιρλού (Misirlou)
Dick Dale and His Del‐Tones4.352:14
2Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:23
3Main Theme (Get Carter)
Roy Budd3:36
4Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Nilsson3.92:45
5Something to Talk About
recording of:
Something to Talk About
lyricist and composer:
Damon Gough
publisher:
Badly Drawn Boy Music Ltd. and Big Life Music Ltd.
Badly Drawn Boy3:38
6Across 110th Street
performer:
Peace (funk/soul, Bobby Womack collaborator, e.g "Across 110th Street")
recording of:
Across 110th Street
writer:
J.J. Johnson (jazz/bop trombonist/session leader) and Bobby Womack
Bobby Womack4.53:50
7Suicide Is Painless
recording of:
Suicide Is Painless
lyricist:
Mike Altman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Johnny Mandel2:52
8Cavatina
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
John Williams3:32
9A Little Less Conversation
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1968-06-20 until 1968-06-24)
remixer:
Dennis Ferrante
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1968-06-20 until 1968-06-24)
remix of:
A Little Less Conversation by Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (from 1968-06-20 until 1968-06-24)
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
recording of:
A Little Less Conversation
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
Elvis Presley1:44
10Viva Las Vegas
engineer:
Oliver DiCicco (in 1980-06)
assistant producer:
Ray Pepperell (in 1980-06)
producer:
Norm (fictitious producer for Dead Kennedys) (in 1980-06)
drums (drum set):
Ted (Bruce Slesinger, Former (original) member of Dead Kennedys) (in 1980-06)
electric bass guitar:
Klaus Flouride (Geoffrey Lyall) (in 1980-06)
electric guitar:
East Bay Ray (Ray Pepperell) (in 1980-06)
vocals:
Jello Biafra (former lead singer of Dead Kennedys) (in 1980-06)
recorded at:
Möbius Music, San Francisco in San Francisco, California, United States (in 1980-06)
cover recording of:
Viva Las Vegas (in 1980-06)
lyricist:
Doc Pomus
composer:
Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Felder Pomus Entertainment, Intersong GmbH (publisher; do NOT use as release label), Mort Shuman Songs, Pomus Songs Inc., Sharoonie Songs and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dead Kennedys3.652:39
11Surfin’ Bird
The Trashmen2:16
12If You Want Me to Stay
recording of:
If You Want Me to Stay
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sly & the Family Stone2:39
13Oye como va
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) and Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Chanchullo
is based on:
Te enseñaré
Santana44:16
14Superfly
engineer:
Roger Anfinsen
producer:
Curtis Mayfield
bass guitar:
Joseph Scott (US funk/soul bassist)
drums (drum set):
Morris Jennings
guitar:
Curtis Mayfield and Craig McMullen
percussion:
Master Henry Gibson (Percussionist with Curtis Mayfield, Stan Getz, Ramsey Lewis)
lead vocals:
Curtis Mayfield
arranger and orchestrator:
Johnny Pate
phonographic copyright (℗) by:
Curtom Records (in 1972)
recording of:
Superfly
lyricist and composer:
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1972 to ????)
Curtis Mayfield4.653:52
15Girls
recording of:
Girls
writer:
Richard Fearless and Tim Holmes (Death in Vegas)
Death in Vegas4:30
16Woo Hoo
producer:
The 5.6.7.8’s
phonographic copyright (℗) by:
Cargo Records (UK label) (in 2004) and Sweet Nothing (in 2004)
cover recording of:
Woo-Hoo
lyricist and composer:
George McGraw
The 5.6.7.8’s3.751:59
2▼CD
#TitleArtistRatingLength
1Opening Theme: One Flew Over the Cuckoos Nest
Jack Nitzsche1:29
2The Sound of Silence
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass guitar:
Bob Bushnell (from 1964-03-10 until 1965-06-15)
drums (drum set):
Bobby Gregg (from 1964-03-10 until 1965-06-15)
guitar:
Vinnie Bell (from 1964-03-10 until 1965-06-15) and Al Gorgoni (from 1964-03-10 until 1965-06-15)
lead vocals:
Art Garfunkel (on 1964-03-10) and Paul Simon (of Simon & Garfunkel) (on 1964-03-10)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 74) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 156)
recording of:
The Sound of Silence (from 1964-03-10 until 1965-06-15)
lyricist:
Paul Simon (of Simon & Garfunkel) (from 1963-11 until 1964-02-19)
composer:
Paul Simon (of Simon & Garfunkel) (from 1963-11 until 1964-02-09)
publisher:
Essex Music of Australia Pty. Ltd., J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (in 1964, in 1992) and Magic Arts Publishing (in 2000)
Simon & Garfunkel4.553:05
3Woke Up This Morning
recording of:
Woke Up This Morning
writer:
Jake Black (member of Alabama 3), Chester Burnett, Simon Edwards (Sir Eddie Real), Piers Marsh and Robert Spragg
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Alabama 34:05
4Didn’t Leave Nobody but the Baby
producer:
T‐Bone Burnett (musician, songwriter and producer)
vocals:
Emmylou Harris, Alison Krauss and Gillian Welch
arranger:
T‐Bone Burnett (musician, songwriter and producer), Alan Lomax (US ethnomusicologist), Sidney Hemphill Carter and Gillian Welch
recording of:
Didn’t Leave Nobody but the Baby
additional lyricist:
T‐Bone Burnett (musician, songwriter and producer) and Gillian Welch
additional writer:
Alan Lomax (US ethnomusicologist)
writer:
[traditional] (special purpose artist)
Gillian Welch, Alison Krauss & Emmylou Harris3.651:56
5The Ipcress File
John Barry3:53
6You’re Gonna Miss Me
recording of:
You’re Gonna Miss Me
lyricist and composer:
Roky Erickson (American psychedelic rock musician)
publisher:
Tapier Music
13th Floor Elevators2:30
7The Pusher
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968)
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States (in 1967)
cover recording of:
The Pusher (in 1967)
lyricist and composer:
Hoyt Axton
publisher:
Lady Jane Music, Warner Chappell Music (publisher as Warner/Chappell Music), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf45:49
8Fuckin’ in the Bushes
recording of:
Fuckin’ in the Bushes
lyricist and composer:
Noel Gallagher
publisher:
Creation Songs Ltd, Oasis Music and Sony/ATV Music Publishing (UK) Ltd.
Oasis3:18
9Pretty in Pink
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs4:40
10Walk This Land
E-Z Rollers3:51
11Theme From Shaft
producer:
Isaac Hayes
bass guitar:
James Alexander (US soul bassist, singer and songwriter)
bongos and congas:
Gary Jones (percussionist)
electric piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
electric piano, organ, piano and vibraphone and lead vocals:
Isaac Hayes
guitar:
Charles Pitts and Michael Toles
membranophone and tambourine:
Willie "Too Big" Hall
phonographic copyright (℗) by:
Stax Records (not for release) (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 303)
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes3.554:37
12Two of Us
cover recording of:
Two of Us
written in:
United Kingdom (from 1968 until 1969-01-31)
writer:
Paul McCartney (The Beatles) (from 1968 until 1969-01-31) and John Lennon (The Beatles) (from 1969-01-02 until 1969-01-31)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
Aimee Mann & Michael Penn43:31
13Falling
recording of:
Falling (Twin Peaks theme song)
lyricist:
David Lynch (filmmaker)
composer:
Angelo Badalamenti (American score composer)
publisher:
Anlon Music Co. (Anlon Music Company), O.K. Paul Music and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
version of:
Theme from Twin Peaks
part of:
Twin Peaks (original soundtrack of the TV series)
Julee Cruise5:19
14Life in Mono
recording of:
Life in Mono
writer:
John Barry (English score composer) and Martin Virgo
Mono3:47
15Mad World (instrumental)
DNS3:02
16Born Slippy
producer and mixer:
Underworld (UK electronic music group)
phonographic copyright (℗) by:
Junior Boy’s Own (in 1996) and Junior Recordings (in 1996)
recording of:
Born Slippy .NUXX (vocal version associated with Trainspotting)
lyricist:
Karl Hyde
writer:
Darren Emerson, Karl Hyde and Rick Smith (electronic producer, member of Underworld)
publisher:
Mute Song (either subsidiary of Mute Song Ltd., or brand that refers to itself), Sherlock Holmes Music Ltd. and Underworld (legal entity for the band)
Underworld3.94:19

Credits

Release

ASIN:UK: B000260RAU [info]