School Disco.com: Spring Term

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD: 1st Period
Nr.TitelKünstlerBewertungLänge
1Walk This Way
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records) und Russell Simmons
Gast-Gitarre:
Joe Perry (guitarist for Aerosmith)
Gast vocals:
Steven Tyler
phonographisches Urheberrecht (℗) von:
Profile Records, Inc. (distributor / holding / manufacturer) (in 1986) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
recording of:
Walk This Way
Verfasser(in):
Joe Perry (guitarist for Aerosmith) und Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited und Vindaloo Productions, Inc.
Run‐D.M.C.3.653:39
2Place Your Hands
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Place Your Hands
Verfasser(in):
John Bessant, Dominic Greensmith, Kenwyn House und Gary Stringer (Reef, StringerBessant, Them Is Me lead singer)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Reef43:38
3More Than a Feeling
assistierende(r) Techniker(in):
Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Warren Dewey und Tom Scholz
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge (engineer and producer)
Akustikgitarre, Bassgitarre, Gitarre [lead guitar] und Gitarre [rhythm guitar]:
Tom Scholz (von 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (von 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (von 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
früheste Veröffentlichung:
More Than a Feeling von Boston (US rock band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 39), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 500)
recording of:
More Than a Feeling (von 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston3.94:46
4Don’t You (Forget About Me)
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
5Freedom
Produzent(in):
George Michael
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
Musikvideos:
Freedom von Wham! (British pop-duo)
recording of:
Freedom (Wham!)
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK) und Morrison Leahy Music Ltd. (in 1984)
Wham!4.155:20
6Gloria
recording engineer:
Jürgen Koppers (engineer, producer) (von 1981 bis 1982) und John Kovarek (von 1981 bis 1982)
Produzent(in):
Greg Mathieson und Jack White (German producer Horst Nußbaum)
Mix:
Jürgen Koppers (engineer, producer)
Sologesang:
Laura Branigan (von 1981 bis 1982)
arranger:
Greg Mathieson
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
aufgenommen bei:
Rusk Sound Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1981 bis 1982)
Musikvideos:
Gloria (music video) von Laura Branigan
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 448)
recording of:
Gloria (English version) (von 1981 bis 1982)
Texter und Komponist(in):
Giancarlo Bigazzi, Umberto Tozzi und Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) und Sugar Song Publications, Inc.
übersetzte Version von:
Gloria (original Italian version)
Laura Branigan54:51
7Video Killed the Radio Star
Musikvideos:
Video Killed the Radio Star von Buggles und Video Killed the Radio Star von Buggles
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 56)
recording of:
Video Killed the Radio Star
Verfasser(in):
Geoff Downes, Trevor Horn und Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles4.64:14
8Best Years of Our Lives
recording of:
Best Years of Our Lives
zusätzlicher Texter:
Rick Carey und Marvin Prosper
Verfasser(in):
Geoff Deane und David Jaymes
publisher:
Business Art Prod Ltd, Chrysalis Music Ltd. (music publisher, affiliated with PRS), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Modern Romance2:37
999 Red Balloons
Produzent(in):
Jay Faires, Tricia Holloway, Reinhold Heil (von 1982 bis 1983) und Manne Praeker (von 1982 bis 1983)
Sologesang:
Nena (the person, performing solo since 1987) (in 1983)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
aufgenommen bei:
Spliff Studio in Berlin, Deutschland (von 1982 bis 1983)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 64)
recording of:
99 Red Balloons (von 1982 bis 1983)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Übersetzer:
Kevin McAlea (in 1983)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Songs Ltd.
übersetzte Version von:
99 Luftballons
Nena3.83:51
10Lonely Boy
assistierende(r) Techniker(in):
Dennis Kirk und Greg Ladanyi
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1976-03 bis 1976-10)
cowbell, Klavier und Tamburin:
Andrew Gold (von 1976-03 bis 1976-10)
Gitarre:
Dan Dugmore (von 1976-03 bis 1976-10)
Gitarre [Lead Guitar]:
Waddy (von 1976-03 bis 1976-10)
Glocken [Sleigh] und Schlagzeug:
Michael Botts (von 1976-03 bis 1976-10)
Händeklatschen:
Peter Asher (von 1976-03 bis 1976-10) und Andrew Gold (von 1976-03 bis 1976-10)
Hybrid-Piano und Synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (von 1976-03 bis 1976-10)
Hintergrundgesang:
Linda Ronstadt (von 1976-03 bis 1976-10)
vocals:
Andrew Gold (von 1976-03 bis 1976-10)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-03 bis 1976-10)
recording of:
Lonely Boy (von 1976-03 bis 1976-10)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:21
11The Lovecats
Produzent(in):
Steve Nye (producer, engineer and pianist), Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Phil Thornalley
Mix:
Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Phil Thornalley
Bassgitarre:
Phil Thornalley
Gitarre und Keyboard und Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Schlagzeug:
Andy Anderson (drummer for The Cure)
Vibraphon:
Lol Tolhurst
phonographisches Urheberrecht (℗) von:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 448)
recording of:
The Lovecats
Texter und Komponist(in):
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co.
The Cure3.93:39
12Breakin’ There’s No Stopping Us
recording of:
Breakin’… There’s No Stopping Us
Komponist(in):
Ollie E. Brown (US drummer, session musician & record producer) und Jerry Knight
Ollie & Jerry4:35
13Simon Says
Koproduzent(in):
Elliot Chirput
Produzent(in):
Jeff Katz (music producer) und Jerry Kasenetz
Bassgitarre:
Steve Mortkowitz
Gitarre:
Frank Jeckell und Pat (Scaramuche Quackenbush) Karwan
membranophone:
Floyd Marcus
Orgel:
Mark Gutkowski
phonographisches Urheberrecht (℗) von:
Buddah Records (revived/renamed in 1998 as Buddha Records) (in 1967)
recording of:
Simon Says (in 1967)
Texter und Komponist(in):
Elliot Chiprut
publisher:
Carlin Music Corporation, Kaskat Music Inc., Super Bubble Music Corp. und Warner/Chappell Music Australia Pty. Ltd.
1910 Fruitgum Company22:15
14Boxerbeat
recording of:
Boxerbeat
Verfasser(in):
David Collard, Rob Marche und Dig Wayne
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
JoBoxers33:05
15Young at Heart
Produzent(in):
Bob Andrews (keyboardist and producer) und Colin Fairley
cover recording of:
Young at Heart (Bananarama song)
Verfasser(in):
Sara Dallin, Siobhan Fahey, Robert Hodgens und Keren Woodward
The Bluebells2.53:25
16Lady Marmalade
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 411) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle3.33:57
17Build Me Up Buttercup
Musikvideos:
Build Me Up Buttercup von The Foundations (British soul band, active from 1967 to 1970)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 43) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 252)
recording of:
Build Me Up Buttercup
Verfasser(in):
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) und Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. und Welbeck Music (publisher)
The Foundations3.52:59
18Hi Ho Silver Lining
Produzent(in):
Mickie Most (English record producer) (am 1967-01-19)
Bassgitarre:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (am 1967-01-19)
E-Gitarre und Sologesang:
Jeff Beck (English rock guitarist) (am 1967-01-19)
Schlagzeug:
Clem Cattini (am 1967-01-19)
Hintergrundgesang:
Rod Stewart (am 1967-01-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-19)
recording of:
Hi Ho Silver Lining (am 1967-01-19)
Verfasser(in):
Scott English und Larry Weiss (American singer-songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:54
19Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.43:29
20Zoom
recording of:
Zoom
Verfasser(in):
Bobby Eli und Len Barry
Fat Larry’s Band44:19
2▼CD: 2nd Period
Nr.TitelKünstlerBewertungLänge
1Rock the Casbah
Techniker(in):
Bob Clearmountain
Produzent(in):
Guy Stevens
Mix:
Glyn Johns
Bassgitarre:
Paul Simonon
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
Schlagzeug:
Topper Headon
vocals:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
Musikvideos:
Rock the Casbah von The Clash (70s–80s British punk rock band)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 58)
recording of:
Rock the Casbah
Verfasser(in):
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
The Clash4.63:42
2Dead Ringer for Love
Produzent(in):
Jimmy Iovine und Jim Steinman
Bassgitarre:
Steve Buslowe
Gitarre [guitars]:
Davey Johnstone
Horn:
Alan Rubin, Lou Delgatto, Lou Marani und Tom Malone (US trombonist)
Klavier:
Roy Bittan
Perkussion:
Jimmy Maelen (percussion)
Schlagzeug:
Liberty DeVitto (US drummer)
Schlitztrommel [African logs]:
Neleam Ymmij
Hintergrundgesang:
Allan Nicholls (Canadian musician), Rhonda Coullet, Rory Dodd, Ted Neeley und Eric Troyer
vocals:
Cher und Meat Loaf
Interpret(in):
Cher
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Dead Ringer for Love
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1981), Neverland Music Publishing Company (in 1981) und Peg Music Company (in 1981)
Meat Loaf3.84:24
3Teenage Dirtbag
recording engineer und Produzent(in):
Philip A. Jimenez und Wheatus
Mix:
David Thoener
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2000)
recording of:
Teenage Dirtbag
Texter und Komponist(in):
Brendan B. Brown (Wheatus singer/guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (in 2000) und Montauk Mantis Productions (in 2000)
Wheatus2.54:03
4Oliver’s Army
Techniker(in):
Roger Bechirian
Produzent(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Bassgitarre:
Bruce Thomas
Gitarre:
Elvis Costello
Orgel, Klavier und Synthesizer:
Steve Nieve
Schlagzeug:
Pete Thomas (drummer)
vocals:
Elvis Costello
recording of:
Oliver’s Army (von 1978-08 bis 1978-09)
Texter und Komponist(in):
Declan Patrick MacManus
publisher:
BMG Music Publishing Ltd.
Elvis Costello & The Attractions4.352:59
5Goody Two Shoes
assistierende(r) Techniker(in):
George Chambers (engineer a/k/a George “Chappie” Chambers)
Techniker(in):
Alan Douglas (Scottish born engineer)
Produzent(in):
Adam Ant (English new wave singer and actor), Chris Hughes (producer, aka “Merrick”) und Marco Pirroni (British musician and producer)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1982)
recording of:
Goody Two Shoes
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited und EMI Music Publishing Ltd. (PRS‐affiliated) (in 1982)
Adam Ant3:20
6Karma Chameleon
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club3.753:56
7Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:00
8I Think We’re Alone Now
zusätzlich recording engineer:
John Kerns (US engineer)
drum machine [drum]-Programmierung:
John Duarte
Techniker(in):
Bill Smith (US recording engineer)
Produzent(in):
George E. Tobin
Gitarre:
Chuck Yamek
Synthesizer:
John Duarte
Hintergrundgesang und Sologesang:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin und Bill Smith (US recording engineer)
arranger:
John Duarte
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 7)
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:45
9I Love the Nightlife (Disco ’round)
recording of:
I Love the Nightlife
Verfasser(in):
Alicia Bridges und Susan Hutcheson
publisher:
Lowery Music Co. Inc., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Alicia Bridges3:05
10Break My Stride
Schlagzeug-Programmierung:
John Gilston (in 1983)
Produzent(in):
Peter Bunetta, Rick Chudacoff und Bill Elliott (keyboardist/composer)
Analoger Synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) und Matthew Wilder (in 1983)
drum machine [Oberheim DMX], Perkussion und Schlagzeug:
Peter Bunetta (in 1983)
Gitarre:
Dennis Herring (in 1983)
Hintergrundgesang:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) und Matthew Wilder (in 1983)
Sologesang:
Matthew Wilder (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
Pasha Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 39)
recording of:
Break My Stride (in 1983)
Verfasser(in):
Greg Prestopino und Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) und Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:02
11Mama Used to Say
recording of:
Mama Used to Say
Verfasser(in):
Bob Carter (keyboardist for Linx) und Junior Giscombe (Norman Washington Giscombe, Jr.)
Junior Giscombe3:36
12Word Up
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
Musikvideos:
Word Up! von Cameo (American soul-influenced funk group)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 70) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 81)
recording of:
Word Up!
Verfasser(in):
Larry Blackmon und Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:17
13Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:57
14Blue Monday ’88
Produzent(in):
Quincy Jones und New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order44:03
15Girls on Film
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Gloucester Place Music Ltd.
Version von:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:29
16Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.53:49
17Walking on Sunshine
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.63:40
18Groove Is in the Heart
assistierende(r) Techniker(in):
Derek Lategan und Eddie Sancho
Techniker(in):
Mike Rogers (US producer/engineer, aka Tweekin')
zusätzliche(r) Techniker(in):
Bob Power
Produzent(in):
Deee‐Lite
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Mike Rogers (US producer/engineer, aka Tweekin')
Posaune:
Fred Wesley
Saxophon:
Maceo Parker (US funk/jazz saxophonist)
Hintergrundgesang:
Bootsy Collins (US funk musician & songwriter)
vocals:
Q‐Tip (American rapper)
arranger:
Deee‐Lite
zusätzlich arranger:
Mike Rogers (US producer/engineer, aka Tweekin')
Samples:
Bring Down the Birds von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Get Up von Vernon Burch
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 68), TV Cream: Real 100 Best Singles Ever (Nummer: 83) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 233)
recording of:
Groove Is in the Heart
Verfasser(in):
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) und Kier Kirby
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.13:53
19Popcorn
phonographisches Urheberrecht (℗) von:
Musicor (American record label) (in 1972)
cover recording of:
Popcorn (in 1972)
Komponist(in):
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:32
20Morning Has Broken
Produzent(in):
Paul Samwell-Smith
Bass und Conga:
Larry Steele (British bassist, percussionist, guitarist & vocalist) (in 1971-03)
Bouzouki:
Angelos Hatzipavli (in 1971-03) und Ανδρέας Τουμαζής (Andreas Toumazis) (in 1971-03)
Gitarre:
Alun Davies (in 1971-03) und Cat Stevens (now known as Yusuf Islam) (in 1971-03)
Keyboard und Sologesang:
Cat Stevens (now known as Yusuf Islam) (in 1971-03)
Klavier:
Rick Wakeman (in 1971-03)
Saiteninstrumente:
Del Newman (British conductor, orchestrator, arranger) (in 1971-03)
Schlagzeug:
Harvey Burns (in 1971-03) und Gerry Conway (in 1971-03)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970) und Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1971)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971-03)
recording of:
Morning Has Broken (in 1971-03)
Texter:
Eleanor Farjeon
Komponist(in):
[traditional] (special purpose artist)
publisher:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. und Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
basiert auf:
Bunessan (Scottish hymn tune)
cover recording of:
Morning Has Broken
Texter:
Eleanor Farjeon
Komponist(in):
[traditional] (special purpose artist)
publisher:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. und Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
basiert auf:
Bunessan (Scottish hymn tune)
recording of:
Morning Has Broken (Cat Stevens arrangement)
Texter:
Eleanor Farjeon
Komponist(in):
[traditional] (special purpose artist)
arranger:
Cat Stevens (now known as Yusuf Islam)
Arrangement von:
Morning Has Broken
Cat Stevens4.253:19

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