Le Chant du violon

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Fantaisie sur les airs de Carmen
producer:
Suvi Raj Grubb
violin:
Itzhak Perlman (violinist and conductor) (from 1971-08-09 until 1971-08-10)
orchestra:
Royal Philharmonic Orchestra (from 1971-08-09 until 1971-08-10)
conductor:
Lawrence Foster (conductor) (from 1971-08-09 until 1971-08-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1971-08-09 until 1971-08-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-08-09 until 1971-08-10)
recording of:
Carmen Fantasy, op. 25 (for violin and orchestra) (from 1971-08-09 until 1971-08-10)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Works of Pablo de Sarasate by opus number (number: op. 25)
is based on:
Carmen, WD 31 (opera by Georges Bizet)
Pablo de Sarasate11:37
2Méditation de Thaïs
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1976-06)
assistant producer:
Gréco Casadesus (in 1976-06)
producer:
Christopher Bishop (conductor/producer) (in 1976-06)
solo violin:
Lorin Maazel (conductor) (in 1976-06)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1976-06)
conductor:
Lorin Maazel (conductor) (in 1976-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1976-06)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1976-06)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
recording of:
Meditation from Thaïs (for violin and piano, arr. Marsick)
composer:
Jules Massenet (French Romantic composer)
piano arranger and violin arranger:
Martin-Pierre Marsick (Belgian 19/20th century violinist & composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Jules Massenet45:05
3Concerto pour violon en ré majeur, op. 61 : III. Rondo. Allegro
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1955-01-10)
orchestra:
Pittsburgh Symphony Orchestra (on 1955-01-10)
conductor:
William Steinberg (conductor) (on 1955-01-10)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1955-01-10)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (on 1955-01-10)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven8:42
4Concerto pour violon en ré majeur, op. 35 : II. Canzonetta. Andante
producer:
Andrew Keener (engineer/editor/producer) (in 1985-04)
violin:
Nigel Kennedy (violinist) (from 1985-04-14 until 1985-04-15)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-04-14 until 1985-04-15)
conductor:
Okko Kamu (conductor) (from 1985-04-14 until 1985-04-15)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1985-04-14 until 1985-04-15)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1985-04-14 until 1985-04-15)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante (from 1985-04-14 until 1985-04-15)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky7:08
5Concerto pour violon en ré majeur, op. 77 : III. Allegro giocoso, ma non troppo vivace
producer:
Peter Andry (producer)
violin:
David Oistrakh (violinist) (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
orchestra:
The Cleveland Orchestra (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
conductor:
George Szell (conductor, pianist, composer) (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
balance engineer:
Carson Taylor (engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace) (from 1969-05-13 until 1969-05-16)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms8:35
6Concerto pour violon en mi mineur, op. 64 : I. Allegro appassionato
producer:
Victor Olof
violin:
Yehudi Menuhin (violinist) (on 1958-04-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1958-04-30)
conductor:
Efrem Kurtz (conductor) (on 1958-04-30)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1958-04-30)
recording of:
Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato (Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato) (on 1958-04-30)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn12:24
7Symphonie espagnole : Intermezzo
violin:
Anne‐Sophie Mutter (violinist) (in 1985)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Symphonie espagnole in D minor, op. 21: III. Intermezzo. Allegro non troppo
composer:
Édouard Lalo (French composer) (in 1874)
part of:
Symphonie espagnole in D minor, op. 21
Édouard Lalo6:20
8Havanaise pour violon et orchestre en si mineur
producer:
René Challan (French composer)
violin:
Itzhak Perlman (violinist and conductor) (from 1974-07-04 until 1974-07-05)
orchestra:
Orchestre de Paris (from 1974-07-04 until 1974-07-05)
conductor:
Jean Martinon (French conductor and composer) (from 1974-07-04 until 1974-07-05)
balance engineer:
Paul Vavasseur (engineer) (from 1974-07-04 until 1974-07-05)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1974-07-04 until 1974-07-05)
recording of:
Havanaise in E major, op. 83 (for violin and orchestra) (from 1974-07-04 until 1974-07-05)
composer:
Camille Saint‐Saëns (composer) (in 1887)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 83)
Camille Saint‐Saëns10:14
9Concerto pour violon no. 2 en si mineur, op. 7 : Rondo « La campanella »
violin:
Yehudi Menuhin (violinist) (in 1960)
orchestra:
Royal Philharmonic Orchestra (in 1960)
conductor:
Alberto Erede (conductor) (in 1960)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella” (in 1960)
composer:
Niccolò Paganini (Italian composer and violinist) (in 1826)
part of:
Violin Concerto no. 2 in B minor, op. 7, MS 48 (“La campanella”)
Niccolò Paganini6:58
2▼CD
#TitleArtistRatingLength
1Concerto pour 2 violons et cordes en ré mineur, BWV 1043 : I. Allegro
producer:
Michael Purton
harpsichord:
Sally Heath (British pianist)
violin:
Jane Murdoch (violinist) and Jonathan Rees
orchestra:
Scottish Ensemble
conductor:
Jonathan Rees
balance engineer:
Tony Faulkner (recording engineer) and Tony Kime
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach3:50
2Les Quatre Saisons : Concerto en sol mineur, op. 8 no. 2 « L’Été » : I. Allegro non molto
producer:
Andrew Keener (engineer/editor/producer)
violin:
Nigel Kennedy (violinist) (from 1986-11-28 until 1989-03-14)
orchestra:
English Chamber Orchestra (from 1986-11-28 until 1989-03-14)
conductor:
Nigel Kennedy (violinist) (from 1986-11-28 until 1989-03-14)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1986-11-28 until 1989-03-14) and Mike Hatch (engineer/editor) (from 1986-11-28 until 1989-03-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (from 1986-11-28 until 1989-03-14)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto (from 1986-11-28 until 1989-03-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:20
3Les Quatre Saisons : Concerto en sol mineur, op. 8 no. 2 « L’Été » : II. Adagio
producer:
Andrew Keener (engineer/editor/producer)
violin:
Nigel Kennedy (violinist) (from 1986-11-28 until 1989-03-14)
orchestra:
English Chamber Orchestra (from 1986-11-28 until 1989-03-14)
conductor:
Nigel Kennedy (violinist) (from 1986-11-28 until 1989-03-14)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1986-11-28 until 1989-03-14) and Mike Hatch (engineer/editor) (from 1986-11-28 until 1989-03-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (from 1986-11-28 until 1989-03-14)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte (from 1986-11-28 until 1989-03-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:21
4Les Quatre Saisons : Concerto en sol mineur, op. 8 no. 2 « L’Été » : III. Presto
producer:
Andrew Keener (engineer/editor/producer)
violin:
Nigel Kennedy (violinist) (from 1986-11-28 until 1989-03-14)
orchestra:
English Chamber Orchestra (from 1986-11-28 until 1989-03-14)
conductor:
Nigel Kennedy (violinist) (from 1986-11-28 until 1989-03-14)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1986-11-28 until 1989-03-14) and Mike Hatch (engineer/editor) (from 1986-11-28 until 1989-03-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (from 1986-11-28 until 1989-03-14)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1986-11-28 until 1989-03-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:47
5Concerto pour violon no. 3 en sol majeur, K. 216 : Rondeau
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and David Mottley (producer)
violin:
David Oistrakh (violinist) (from 1971-03-22 until 1971-03-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-03-22 until 1971-03-23)
conductor:
David Oistrakh (violinist) (from 1971-03-22 until 1971-03-23)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1971-03-22 until 1971-03-23)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: III. Rondeau. Allegro – Andante – Allegretto (from 1971-03-22 until 1971-03-23)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
Wolfgang Amadeus Mozart6:46
6Le Lac des cygnes : Pas de deux
violin:
Yehudi Menuhin (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Efrem Kurtz (conductor)
recording of:
Swan Lake, op. 20: Act I, no. 5: Pas de deux
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act I
Pyotr Ilyich Tchaikovsky5:28
7Airs bohémiens
violin:
Michael Rabin (violinist)
orchestra:
The Hollywood Bowl Symphony Orchestra (50s-60s incarnation of the orchestra)
conductor:
Felix Slatkin
recording of:
Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra)
composer:
Pablo de Sarasate (violinist and composer) (in 1878)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano)
Pablo de Sarasate9:24
8La Ronde des lutins
piano:
Vag Papian (pianist and conductor) (from 2001-04-28 until 2001-04-30)
violin:
Maxim Vengerov (violinist) (from 2001-04-28 until 2001-04-30) and Virtuosi (Israel based violin ensemble) (from 2001-04-28 until 2001-04-30)
orchestra:
Virtuosi (Israel based violin ensemble)
arranger:
Mikhail Parhamovsky (Soviet-born violinist)
recording of:
Scherzo fantastique, op. 25 "La Ronde des lutins" (from 2001-04-28 until 2001-04-30)
composer:
Antonio Bazzini (Italian violinist and composer) (in 1852)
part of:
Works of Antonio Bazzini by opus number (number: op. 25)
Antonio Bazzini5:29
9Poupée valsante
piano:
Leon Pommers
violin:
Nathan Milstein (violinist)
recording of:
Poupée valsante (arr. Kreisler for violin and piano)
composer:
Ede Poldini (Hungarian composer)
piano arranger and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
La poupée valsante
Ede Poldini2:37
10Le Vol du bourdon
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
The Flight of the Bumble-Bee (for violin and orchestra, Kennedy & Lenehan) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Nikolai Rimsky-Korsakov1:19
11Sonate pour violon et piano : blues
piano:
Frank Braley (pianist) (from 2001-04-09 until 2001-04-11)
violin:
Renaud Capuçon (violinist) (from 2001-04-09 until 2001-04-11)
recording of:
Sonate pour violon et piano no. 2, M. 77 : II. Blues. Moderato (Sonata for Violin and Piano no. 2: II. Blues. Moderato) (from 2001-04-09 until 2001-04-11)
composer:
Maurice Ravel (French composer) (from 1923 until 1927)
part of:
Sonate pour violon et piano no. 2, M. 77 (Sonata for Violin and Piano no. 2)
Maurice Ravel4:59
12Berceuse
violin:
Augustin Dumay (violinist) (from 1984-06-19 until 1984-06-21)
orchestra:
Orchestre philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (from 1984-06-19 until 1984-06-21)
conductor:
Manuel Rosenthal (French conductor & composer) (from 1984-06-19 until 1984-06-21)
recorded at:
Centre des Congrès – Auditorium de Monte-Carlo in Monte-Carlo (Monte Carlo), Monaco (from 1984-06-19 until 1984-06-21)
recording of:
Berceuse for Violin and Orchestra, op. 16 (from 1984-06-19 until 1984-06-21)
orchestrator and composer:
Gabriel Fauré (French composer)
orchestration of:
Berceuse for Violin (or Cello) and Piano in D major, op. 16
recording of:
Berceuse for Violin (or Cello) and Piano in D major, op. 16
composer:
Gabriel Fauré (French composer) (from 1878 until 1879)
part of:
Works of Gabriel Fauré by opus number (number: op. 16)
Gabriel Fauré3:39
13Schön Rosmarin
producer:
John Fraser (UK producer)
piano:
Samuel Sanders (pianist) (from 1985-12-09 until 1985-12-12)
violin:
Itzhak Perlman (violinist and conductor) (from 1985-12-09 until 1985-12-12)
balance engineer:
John Kurlander (engineer) (from 1985-12-09 until 1985-12-12)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1985-12-09 until 1985-12-12)
recording of:
Schön Rosmarin (for violin and piano) (from 1985-12-09 until 1985-12-12)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler1:54
14Salut d’amour
piano:
Sandra Sanders
violin:
Sarah Chang (violinist)
recording of:
Salut d’amour, op. 12 (for violin and piano)
composer:
Edward Elgar (composer) (in 1888)
dedicated to:
Alice Elgar (English author, married to Edward Elgar)
publisher:
Schott & Co. Ltd. (in 1889)
part of:
Works of Edward Elgar by opus number (number: op. 12)
Edward Elgar2:58
15Caprice en mi majeur, op. 1 no. 1
violin:
Frank Peter Zimmermann (violinist) (from 1984-12 until 1985-02)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1985)
recorded at:
Historische Reitstadt in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (from 1984-12 until 1985-02)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 1 in E major: Andante “l’Arpeggio” (from 1984-12 until 1985-02)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini1:47
16Caprice en la mineur, op. 1 no. 24
violin:
Frank Peter Zimmermann (violinist) (from 1984-12-10 until 1984-12-12, on 1985-02-08)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1985)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto (from 1984-12-10 until 1984-12-12)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto (on 1985-02-08)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini5:17
17Danse hongroise no. 1 en sol mineur
violin:
Patrice Fontanarosa (violinist)
orchestra:
Chamber Orchestra of Europe
conductor:
Franco Tempi
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 1 in G minor (Allegro molto) (catch-all for unknown and one-off orchestrations)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms3:14
18Mouvement perpétuel
violin:
Salvatore Accardo (violinist and conductor)
orchestra:
Chamber Orchestra of Europe
conductor:
Franco Tamponi
recording of:
Allegro vivace a movimento perpetuo, op. 11, MS 72 (for violin and orchestra)
composer:
Niccolò Paganini (Italian composer and violinist) (on 1835-04-06)
part of:
Catalogo tematico delle musiche di Niccolò Paganini (number: MS 72)
recording of:
Moto perpetuo, op. 11 (for violin and piano, ed. David)
composer:
Niccolò Paganini (Italian composer and violinist)
piano and violin arranger:
Ferdinand David (German violinist and composer)
arrangement of:
Allegro vivace a movimento perpetuo, op. 11, MS 72 (for violin and orchestra)
Niccolò Paganini4:11
3▼CD
#TitleArtistRatingLength
1Partita no. 3 en mi majeur, BWV 1006 : Preludio
producer:
Andrew Keener (engineer/editor/producer)
editor:
Andrew Keener (engineer/editor/producer) and John H. West (classical engineer/producer)
violin:
Christian Tetzlaff (violinist) (in 1993-11)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1993-03, in 1993-11)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio (in 1993-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:15
2Partita no. 2 en ré mineur, BWV 1004 : Chaconne
producer:
Andrew Keener (engineer/editor/producer)
editor:
Andrew Keener (engineer/editor/producer) and John H. West (classical engineer/producer)
violin:
Christian Tetzlaff (violinist) (in 1993-11)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1993-03, in 1993-11)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (in 1993-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach12:54
3Sonate pour alto et piano en la mineur « Arpeggione » : I. Allegro moderato
piano:
François‐René Duchâble (French pianist)
viola:
Gérard Caussé (violist)
recording of:
Sonata in A minor for Arpeggione and Piano, D. 821: I. Allegro moderato
composer:
Franz Schubert (composer) (in 1824-11)
part of:
Sonata in A minor for Arpeggione and Piano, D. 821
Franz Schubert12:12
4Sonate pour violon et piano en la majeur, K. 526 : III. Presto
piano:
Alexander Lonquich (pianist)
violin:
Frank Peter Zimmermann (violinist)
recording of:
Violin Sonata in A major, K. 526: III. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Violin Sonata in A major, K. 526
Wolfgang Amadeus Mozart7:19
5Sonate pour violon et piano no. 9 « À Kreutzer » : I. Adagio sostenuto. Presto
piano:
Daniel Barenboim (pianist and conductor) (in 1973-06)
violin:
Pinchas Zukerman (violinist/conductor) (in 1973-06)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1973-06)
recording of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto (in 1973-06)
composer:
Ludwig van Beethoven (German composer) (from 1802 until 1803)
part of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”
Ludwig van Beethoven11:39
6Introduction et rondo capriccioso pour violon et orchestre
recording engineer:
Frédéric Briand (engineer)
producer and editor:
Étienne Collard
violin:
Renaud Capuçon (violinist) (from 2000-11-29 until 2000-12-01)
orchestra:
Deutsche Kammerphilharmonie Bremen (from 2000-11-29 until 2000-12-01)
conductor:
Daniel Harding (conductor) (from 2000-11-29 until 2000-12-01)
recorded at:
Gut Varrel in Stuhr, Niedersachsen (Lower Saxony), Germany (from 2000-11-29 until 2000-12-01)
recording of:
Introduction et Rondo capriccioso en la mineur pour violon et orchestre, op. 28 (Introduction and Rondo capriccioso in A minor for Violin and Orchestra) (from 2000-11-29 until 2000-12-01)
composer:
Camille Saint‐Saëns (composer) (in 1863)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 28)
Camille Saint‐Saëns8:51
7Étude-Caprice en la mineur, op. 18 no. 4
piano:
Leon Pommers
violin:
Michael Rabin (violinist)
recording of:
Étude-Caprice, op. 18 no. 4, in A minor, Tempo di Saltarella, ma non troppo vivo (for violin and piano, arr. Kreisler)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 4)
arrangement of:
Étude-Caprice, op. 18 no. 4, in A minor, Tempo di Saltarella, ma non troppo vivo (original version for 2 violins)
Henryk Wieniawski1:27
8Perpetuum mobile
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-05 until 1972-11-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Perpetuum mobile, op. 5 no. 4 (for violin and piano) (from 1972-11-05 until 1972-11-07)
composer:
Ottokar Nováček (Violinist, composer)
part of:
8 Concert Caprices, op. 5
Ottokar Nováček2:44
9Tzigane
producer:
Victor Olof
piano:
Pierre Barbizet (pianist) (from 1962-05-30 until 1962-06-07)
violin:
Christian Ferras (violinist) (from 1962-05-30 until 1962-06-07)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-05-30 until 1962-06-07)
recording of:
Tzigane (for violin and piano) (from 1962-05-30 until 1962-06-07)
composer:
Maurice Ravel (French composer) (from 1922 until 1924)
dedicated to:
Jelly d’Arányi
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 76)
Maurice Ravel9:10
10Are You in the Mood
double bass:
Patrice Caratini
drums (drum set):
Allan Ganley (English jazz drummer)
electric guitar:
Martin Taylor (jazz guitarist)
guitar:
Marc Fosset (French jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist)
Django Reinhardt & Stéphane Grappelli2:37
11Tea for two (chanson de No No Nanette)
producer:
John Mordler (producer)
bass and double bass:
Pierre Michelot (from 1977-10-28 until 1977-10-29)
drums (drum set):
Ronnie Verrell (from 1977-10-28 until 1977-10-29)
guitar:
Jan Blok (guitar player) (from 1977-10-28 until 1977-10-29) and John Etheridge (from 1977-10-28 until 1977-10-29)
violin:
Stéphane Grappelli (jazz violinist) (from 1977-10-28 until 1977-10-29) and Yehudi Menuhin (violinist) (from 1977-10-28 until 1977-10-29)
conductor:
Max Harris (from 1977-10-28 until 1977-10-29)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Bovema Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (from 1977-10-28 until 1977-10-29)
recording of:
Tea for Two (No, No, Nanette) (from 1977-10-28 until 1977-10-29)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Vincent Youmans3:40
4▼CD
#TitleArtistRatingLength
1Romance pour violon et orchestre no. 1 en sol majeur, op. 40
violin:
Dmitri Sitkovetsky (Dmitry Sitkovetsky, violinist)
orchestra:
Academy of St Martin in the Fields
conductor:
Neville Marriner (conductor)
Ludwig van Beethoven7:41
2The Lark Ascending
violin:
Christopher Warren‐Green (violinist and conductor)
orchestra:
London Chamber Orchestra
conductor:
Christopher Warren‐Green (violinist and conductor)
recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams15:08
3Passacaille
producer:
Étienne Collard
editor and balance engineer:
Frédéric Briant
cello:
Gautier Capuçon (cellist) (from 2002-10-21 until 2002-10-23)
violin:
Renaud Capuçon (violinist) (from 2002-10-21 until 2002-10-23)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2002-10-21 until 2002-10-23)
recording of:
Passacaglia, op. 20 no. 2 (from 2002-10-21 until 2002-10-23)
composer:
Johan Halvorsen (Norwegian composer) (in 1897)
is based on:
Suite de pièce in G minor, Vol. 1 no. 7, HWV 432: VI. Passacaglia. Allegro commodo
Georg Friedrich Hendel6:15
4Concerto pour violon en sol mineur, BWV 1056 : I. Allegro
violin:
Fabio Biondi (conductor/violinist)
orchestra:
Europa Galante (Italian Baroque orchestra)
conductor:
Fabio Biondi (conductor/violinist)
recording of:
Violin Concerto in G minor, BWV 1056R: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in G minor, BWV 1056R
Johann Sebastian Bach3:34
5Concerto pour violon en sol mineur, BWV 1056 : II. Largo
violin:
Fabio Biondi (conductor/violinist)
orchestra:
Europa Galante (Italian Baroque orchestra)
conductor:
Fabio Biondi (conductor/violinist)
recording of:
Violin Concerto in G minor, BWV 1056R: II. Largo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in G minor, BWV 1056R
Johann Sebastian Bach3:10
6Concerto pour violon en sol mineur, BWV 1056 : III. Presto
violin:
Fabio Biondi (conductor/violinist)
orchestra:
Europa Galante (Italian Baroque orchestra)
conductor:
Fabio Biondi (conductor/violinist)
recording of:
Violin Concerto in G minor, BWV 1056R: III. Presto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in G minor, BWV 1056R
Johann Sebastian Bach3:32
7Litanei
piano:
Frank Braley (pianist)
violin:
Renaud Capuçon (violinist)
Franz Schubert1:45
8Le Trille du diable
violin:
Jean‐Jacques Kantorow (violinist and conductor)
orchestra:
Orchestre national d’Auvergne
conductor:
Jean‐Jacques Kantorow (violinist and conductor)
Giuseppe Tartini12:47
9Märchenerzählungen, op. 113 : III. Rasch
piano:
Leif Ove Andsnes (pianist)
viola:
Lars Anders Tomter (violist)
recording of:
Märchenbilder, op. 113: Nr. 3. Rasch
composer:
Robert Schumann (German classical composer)
part of:
Märchenbilder, op. 113
Robert Schumann2:33
10Sonate pour violon seul en ré majeur, op. 115 : I. Moderato
violin:
Dmitri Sitkovetsky (Dmitry Sitkovetsky, violinist)
recording of:
Sonata for Solo Violin in D major, op. 115: I. Moderato
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1947)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Sikorski Musikverlage, Hamburg
part of:
Sonata for Solo Violin in D major, op. 115
Sergei Prokofiev5:24
11Sonate pour violon et piano en sol mineur : II. Intermède. Fantasque et léger
piano:
Ian Brown (classical pianist) (in 1989-06)
violin:
Marcia Crayford (violinist) (in 1989-06)
performer:
Nash Ensemble
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 1989-06)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : II. Intermède: fantasque et léger (in 1989-06)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:16
12Concerto pour violon en re mineur, op. 47 : Finale. Allegro ma non tanto
producer:
Preben Iwan
violin:
Christian Tetzlaff (violinist) (from 2002-02-06 until 2002-02-13)
orchestra:
DR SymfoniOrkestret (Danish National Symphony Orchestra, this profile only for recordings from 1959 and later) (from 2002-02-06 until 2002-02-13)
conductor:
Thomas Dausgaard (from 2002-02-06 until 2002-02-13)
balance engineer:
Jørn Jacobsen (from 2002-02-06 until 2002-02-13)
recorded at:
Radiohuset: Koncertsalen in Copenhagen, Capital Region of Denmark, Denmark (from 2002-02-06 until 2002-02-13)
recording of:
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto (from 2002-02-06 until 2002-02-13)
composer:
Jean Sibelius (Finnish composer) (from 1903 until 1905)
part of:
Violin Concerto in D minor, op. 47
Jean Sibelius7:10