Rock and Roll Music: Any Old Way You Choose It

~ Release by Chuck Berry (see all versions of this release, 1 available)

Tracklist

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1▼CD: Studio 1954–1957
#TitleArtistRatingLength
1Maybelline
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-05-21)
guitar and lead vocals:
Chuck Berry (on 1955-05-21)
maracas [possibly]:
Leonard Chess (on 1955-05-21) and Jerome Green (on 1955-05-21)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-05-21)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-05-21)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 102)
recording of:
Maybellene (on 1955-05-21)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Salee Music Company
Chuck Berry3.92:22
2Wee Wee Hours
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-05-21)
drums (drum set):
Ebby Hardy (on 1955-05-21)
guitar and lead vocals:
Chuck Berry (on 1955-05-21)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-05-21)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-05-21)
recording of:
Wee Wee Hours (on 1955-05-21)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry33:05
3Thirty Days (to Come Back Home)
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-05-21)
guitar and lead vocals:
Chuck Berry (on 1955-05-21)
maracas [possibly]:
Leonard Chess (on 1955-05-21) and Jerome Green (on 1955-05-21)
membranophone:
Ebby Hardy (on 1955-05-21)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-05-21)
background vocals:
Willie Dixon (on 1955-05-21), Ebby Hardy (on 1955-05-21) and Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-05-21)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (in 1955-09)
recording of:
Thirty Days (on 1955-05-21)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:25
4Together (We Will Always Be)
double bass:
Willie Dixon (in 1955-09)
drums (drum set):
Ebby Hardy (in 1955-09)
guitar and lead vocals:
Chuck Berry (in 1955-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1955-09)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (in 1955-09)
recording of:
Together (We Will Always Be) (in 1955-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry32:37
5You Can’t Catch Me
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-12-20)
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar and lead vocals:
Chuck Berry (on 1955-12-20)
piano [possibly]:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-12-20) and Otis Spann (on 1955-12-20)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-12-20)
recording of:
You Can’t Catch Me (on 1955-12-20)
lyricist and composer:
Chuck Berry
publisher:
Snapper Music
Chuck Berry32:44
6Roly Poly
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-12-20)
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar:
Chuck Berry (on 1955-12-20)
piano [possibly]:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-12-20) and Otis Spann (on 1955-12-20)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-12-20)
recording of:
Roly Poly (on 1955-12-20)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry42:50
7Berry Pickin’ (instrumental)
double bass:
Willie Dixon (on 1955-12-20)
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar:
Chuck Berry (on 1955-12-20)
maracas:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
piano [possibly]:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-12-20) and Otis Spann (on 1955-12-20)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-12-20)
recording of:
Berry Pickin’ (on 1955-12-20)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry42:32
8(The) Down Bound Train
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-12-20)
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar and lead vocals:
Chuck Berry (on 1955-12-20)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-12-20)
recording of:
Down Bound Train (on 1955-12-20)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.352:51
9No Money Down
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-12-20)
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar and lead vocals:
Chuck Berry (on 1955-12-20)
piano [possibly]:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-12-20) and Otis Spann (on 1955-12-20)
vocals:
Chuck Berry (in 1955-12)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-12-20)
recording of:
No Money Down (on 1955-12-20)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry42:59
10I’ve Changed
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar and lead vocals:
Chuck Berry (on 1955-12-20)
piano [possibly]:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-12-20) and Otis Spann (on 1955-12-20)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-12-20)
recording of:
I’ve Changed (on 1955-12-20)
lyricist and composer:
Chuck Berry
Chuck Berry3:06
11Drifting Heart
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-04-19)
tenor saxophone:
Leroy C. Davis (on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-04-19)
recording of:
Drifting Heart (on 1956-04-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry32:49
12Brown Eyed Handsome Man
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-04-19)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-04-19)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 375)
recording of:
Brown Eyed Handsome Man (on 1956-04-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Chuck Berry32:18
13Roll Over Beethoven
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-04-19)
tenor saxophone:
Leroy C. Davis (on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
phonographic copyright (℗) by:
Geffen Records (in 1956)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-04-19)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 97)
recording of:
Roll Over Beethoven (on 1956-04-19)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Chuck Berry4.22:25
14Too Much Monkey Business
recorded in:
Chicago, Illinois, United States (in 1956-02)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (in 1956-02)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Fred Below (in 1956-02) and Melvin Billups (on 1956-04-19)
guitar:
Chuck Berry (in 1956-02, on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1956-02, on 1956-04-19)
tenor saxophone:
Leroy C. Davis (in 1956-02, on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
lead vocals:
Chuck Berry (on 1956-04-19)
vocals:
Chuck Berry (in 1956-02)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-04-19)
recording of:
Too Much Monkey Business (in 1956-02)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
recording of:
Too Much Monkey Business (on 1956-04-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry3.352:56
15Havana Moon
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-10-29)
guitar:
Chuck Berry (on 1956-10-29) and Jimmy Rogers (blues artist) (on 1956-10-29)
lead vocals:
Chuck Berry (on 1956-10-29)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-10-29)
recording of:
Havana Moon (on 1956-10-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Tristan Music Ltd.
Chuck Berry2.353:08
16Rock and Roll Music (demo)
drums (drum set):
Fred Below (on 1956-12-15)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-12-15)
lead vocals:
Chuck Berry (on 1956-12-15)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
recording of:
Rock and Roll Music (on 1956-12-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:41
17Untitled Instrumental
engineer:
Doug Schwartz (mastering engineer)
double bass:
Willie Dixon (on 1956-12-15)
drums (drum set):
Fred Below (on 1956-12-15)
guitar:
Chuck Berry (on 1956-12-15)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-12-15)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
recording of:
Untitled Instrumental (on 1956-12-15)
composer:
Chuck Berry
Chuck Berry2:23
18Deep Feeling (instrumental)
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (on 1956-12-15)
guitar:
Hubert Sumlin (Chicago blues guitarist and singer) (on 1956-12-15)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-12-15)
steel guitar:
Chuck Berry (on 1956-12-15)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
recording of:
Deep Feeling (on 1956-12-15)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry4.52:21
19School Day (Ring! Ring! Goes the Bell)
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (on 1956-12-15)
guitar:
Chuck Berry (on 1956-12-15) and Hubert Sumlin (Chicago blues guitarist and singer) (on 1956-12-15)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-12-15)
lead vocals:
Chuck Berry (on 1956-12-15)
vocals:
Chuck Berry
phonographic copyright (℗) by:
N2K and Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 3)
recording of:
School Day (Ring! Ring! Goes the Bell) (on 1956-12-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Nightlight Music Pty Ltd.
Chuck Berry4.252:42
20Lajaunda (español)
producer:
Leonard & Phil Chess (legendary US production duo)
bongos:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-12-15)
guitar:
Chuck Berry (on 1956-12-15)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-12-15)
vocals:
Chuck Berry (on 1956-12-15)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
recording of:
La jaunda (on 1956-12-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry3:13
21Blue Feeling (instrumental)
producer:
Leonard & Phil Chess (legendary US production duo) (on 1956-12-15)
double bass:
Willie Dixon (on 1956-12-15)
drums (drum set):
Fred Below (on 1956-12-15)
electric guitar:
Chuck Berry (on 1956-12-15)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-12-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
recording of:
Blue Feeling (on 1956-12-15)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry43:02
22Low Feeling (instrumental)
producer:
Leonard & Phil Chess (legendary US production duo) (on 1956-12-15)
double bass:
Willie Dixon (on 1956-12-15)
drums (drum set):
Fred Below (on 1956-12-15)
electric guitar:
Chuck Berry (on 1956-12-15)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-12-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
recording of:
Blue Feeling (on 1956-12-15)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry43:10
23How You’ve Changed
producer:
Leonard & Phil Chess (legendary US production duo) (in 1957-05)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
recording of:
How You’ve Changed (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry32:48
24Rock and Roll Music
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 128)
recording of:
Rock and Roll Music (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.352:33
25Oh Baby Doll
producer:
Leonard & Phil Chess (legendary US production duo) (in 1957-05)
bass and double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar, guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
recording of:
Oh Baby Doll (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry42:38
2613 Question Method
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
recording of:
Thirteen Question Method (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry2:41
27How High the Moon (instrumental)
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
guitar:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
instrumental cover recording of:
How High the Moon (from 1957-05-06 until 1957-05-15)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Chuck Berry3:10
28Oh Maria
bongos:
Freddie Golden (on 1954-08-13)
guitar:
Faith Douglas (on 1954-08-13)
guitar [possibly]:
Chuck Berry (on 1954-08-13)
lead vocals:
Joe Alexander (associated with Chuck Berry in 1950s) (on 1954-08-13)
recorded at:
Premier Studios in St. Louis, Missouri, United States (on 1954-08-13)
recording of:
Oh Maria (on 1954-08-13)
writer:
Joe Alexander (associated with Chuck Berry in 1950s) and Oscar Washington
Joe Alexander & The Cubans2:42
29I Hope These Words Will Find You Well
bongos:
Freddie Golden (on 1954-08-13)
guitar:
Faith Douglas (on 1954-08-13)
guitar [possibly]:
Chuck Berry (on 1954-08-13)
lead vocals:
Joe Alexander (associated with Chuck Berry in 1950s) (on 1954-08-13)
recorded at:
Premier Studios in St. Louis, Missouri, United States (on 1954-08-13)
recording of:
I Hope These Words Will Find You Well (on 1954-08-13)
writer:
Joe Alexander (associated with Chuck Berry in 1950s) and Oscar Washington
Joe Alexander & The Cubans2:40
30Sweet Little Sixteen (demo)
double bass:
Willie Dixon (in 1957-12)
drums (drum set):
Jasper Thomas (in 1957-12)
guitar and lead vocals:
Chuck Berry (in 1957-12)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1957-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (in 1957-12)
recording of:
Sweet Little Sixteen (in 1957-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry3:11
2▼CD: Studio 1957–1958
#TitleRatingLength
1Sweet Little Sixteen
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar and lead vocals:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
Geffen Records Ltd. (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Sweet Little Sixteen (from 1957-12-09 until 1957-12-30)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
43:02
2Rock at the Philharmonic (instrumental)
producer:
Leonard & Phil Chess (legendary US production duo) (in 1957-12)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Rock at the Philharmonic (from 1957-12-29 until 1957-12-30)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
43:23
3Guitar Boogie (instrumental)
producer:
Leonard & Phil Chess (legendary US production duo) (in 1957-12)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar and guitar:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Guitar Boogie (from 1957-12-29 until 1957-12-30)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
52:20
4Night Beat (instrumental)
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
guitar:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1957-12-29 until 1957-12-30)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Night Beat (from 1957-12-29 until 1957-12-30)
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
52:45
5Time Was (slow version)
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
guitar and lead vocals:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1957-12-29 until 1957-12-30)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
cover recording of:
Time Was (from 1957-12-29 until 1957-12-30)
lyricist:
Gabriel Luna de la Fuente
composer:
Miguel Prado
translator:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
publisher:
Peer International (BMI)
2:02
6Reelin’ and Rockin’
producer:
Leonard & Phil Chess (legendary US production duo) (in 1957-12)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar and lead vocals:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Reelin’ and Rockin’ (from 1957-12-29 until 1957-12-30)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
3.53:16
7Chuckwalk (instrumental)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
guitar:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1957-12-29 until 1957-12-30)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Chuckwalk (from 1957-12-29 until 1957-12-30)
composer:
Chuck Berry
42:28
8Johnny B. Goode
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-01-06)
drums (drum set):
Jasper Thomas (on 1958-01-06)
guitar and lead vocals:
Chuck Berry (on 1958-01-06)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-01-06)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (on 1958-01-06)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
4.252:41
9Around and Around
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Jasper Thomas (on 1958-02-28)
electric bass guitar:
Bob Bushnell (on 1958-02-28)
guitar and lead vocals:
Chuck Berry (on 1958-02-28)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-02-28)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-28)
recording of:
Around and Around (on 1958-02-28)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Good-Tunes-Music AG, Isalee Music Publishing Company and Rock ’n’ Roll Music
3.52:43
10Ingo (instrumental)
producer:
Leonard & Phil Chess (legendary US production duo) (on 1958-02-28)
drums (drum set):
Jasper Thomas (on 1958-02-28)
electric bass guitar:
Bob Bushnell (on 1958-02-28)
electric guitar:
Chuck Berry (on 1958-02-28)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-02-28)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-28)
recording of:
Ingo (on 1958-02-28)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
42:29
11It Don’t Take but a Few Minutes
producer:
Leonard & Phil Chess (legendary US production duo) (on 1958-02-28)
drums (drum set):
Jasper Thomas (on 1958-02-28)
electric bass guitar:
Bob Bushnell (on 1958-02-28)
electric guitar and lead vocals:
Chuck Berry (on 1958-02-28)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-02-28)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-28)
recording of:
It Don’t Take but a Few Minutes (on 1958-02-28)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Peer Music (in 1995)
32:29
12Blues for Hawaiians (instrumental)
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Jasper Thomas (on 1958-02-28)
electric bass guitar:
Bob Bushnell (on 1958-02-28)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-02-28)
steel guitar:
Chuck Berry (on 1958-02-28)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-28)
recording of:
Blues for Hawaiians (on 1958-02-28)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Isalee Music Publishing Company
43:25
13Beautiful Delilah
producer:
Leonard & Phil Chess (legendary US production duo) (on 1958-06-12)
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-06-12)
recording of:
Beautiful Delilah (on 1958-06-12)
lyricist and composer:
Chuck Berry Music Inc.
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
32:10
14Vacation Time
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-06-12)
recording of:
Vacation Time (on 1958-06-12)
lyricist and composer:
Chuck Berry Music Inc.
publisher:
Arc Music (U.S. rock & blues publisher)
2:54
1521
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-06-12)
recording of:
Vacation Time (on 1958-06-12)
lyricist and composer:
Chuck Berry Music Inc.
publisher:
Arc Music (U.S. rock & blues publisher)
2:28
1621 Blues
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-06-12)
recording of:
Vacation Time (on 1958-06-12)
lyricist and composer:
Chuck Berry Music Inc.
publisher:
Arc Music (U.S. rock & blues publisher)
2:12
17Oh Yeah
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-06-12)
recording of:
Oh Yeah (on 1958-06-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:35
18Hey Pedro
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
percussion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-06-12)
recording of:
Hey Pedro (Lazy Pedro) (on 1958-06-12)
lyricist and composer:
Chuck Berry
publisher:
ARC Music (world and ethnic music label) and Arc Music Corp. (U.S. rock & blues publisher)
21:57
19Time Was
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-06-12)
cover recording of:
Time Was (on 1958-06-12)
lyricist:
Gabriel Luna de la Fuente
composer:
Miguel Prado
translator:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
publisher:
Peer International (BMI)
2:29
20House of Blue Lights
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-06-12)
cover recording of:
The House of Blue Lights (on 1958-06-12)
writer:
Don Raye and Freddie Slack
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corp.
2:28
21Carol
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
percussion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-06-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 10)
recording of:
Carol (on 1958-06-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Inc. and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
3.752:50
22Jo Jo Gunne
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-09-26)
drums (drum set):
Jasper Thomas (on 1958-09-26)
guitar and lead vocals:
Chuck Berry (on 1958-09-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-09-26)
recording of:
Jo Jo Gun (on 1958-09-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:47
23Memphis Tennessee
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-09-26)
drums (drum set):
Fred Below (on 1958-09-26) and Jasper Thomas (on 1958-09-26)
guitar and lead vocals:
Chuck Berry (on 1958-09-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-09-26)
live recording of:
Memphis, Tennessee (on 1958-09-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
32:14
24Anthony Boy
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-09-26)
drums (drum set):
Jasper Thomas (on 1958-09-26)
guitar and lead vocals:
Chuck Berry (on 1958-09-26)
piano:
Otis Spann (on 1958-09-26)
background vocals:
Willie Dixon (on 1958-09-26), Otis Spann (on 1958-09-26) and Jasper Thomas (on 1958-09-26)
vocals:
Chuck Berry (on 1958-09-26), Willie Dixon (on 1958-09-26), Otis Spann (on 1958-09-26) and Jasper Thomas (on 1958-09-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-09-26)
recording of:
Anthony Boy (on 1958-09-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2.651:54
25Sweet Little Rock and Roller
recorded in:
Chicago, Illinois, United States (on 1958-09-26)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (on 1958-09-26)
drums (drum set):
Fred Below (on 1958-09-26)
guitar and lead vocals:
Chuck Berry (on 1958-09-26)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-09-26)
recording of:
Sweet Little Rock and Roller (on 1958-09-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
42:23
26Long Fast Jam (instrumental)
double bass:
Willie Dixon (in 1958-09)
drums (drum set):
Jasper Thomas (in 1958-09)
guitar:
Chuck Berry (in 1958-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1958-09)
arranger:
Chuck Berry and Johnnie Johnson (US jazz/blues/rock’n’roll pianist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1958-09)
11:34
27Long Slow Jam (instrumental)
double bass:
Willie Dixon (in 1958-09)
drums (drum set):
Jasper Thomas (in 1958-09)
guitar:
Chuck Berry (in 1958-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1958-09)
arranger:
Chuck Berry and Johnnie Johnson (US jazz/blues/rock’n’roll pianist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1958-09)
11:12
3▼CD: Studio 1958–1960
#TitleArtistRatingLength
1Merry Christmas Baby
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-11-19)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-11-19)
guitar and lead vocals:
Chuck Berry (on 1958-11-19)
piano:
Lafayette Leake (on 1958-11-19)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-11-19)
recording of:
Merry Christmas Baby (on 1958-11-19)
writer:
Lou Baxter and Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music, Inc.
Chuck Berry3:14
2Run Rudolph Run
double bass:
Willie Dixon (on 1958-11-19)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-11-19)
guitar:
Chuck Berry (on 1958-11-19)
piano:
Lafayette Leake (on 1958-11-19)
vocals:
Chuck Berry (on 1958-11-19)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-11-19)
recording of:
Run Rudolph Run (on 1958-11-19)
writer:
Marvin Brodie (songwriter, known for “Run Rudolph Run”) and Johnny Marks (American songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Chappell Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) and St. Nicholas Music Inc. (in 1958)
Chuck Berry4.52:45
3Little Queenie
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-11-19)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-11-19)
guitar and lead vocals:
Chuck Berry (on 1958-11-19)
piano:
Lafayette Leake (on 1958-11-19)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-11-19)
recording of:
Little Queenie (on 1958-11-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry4.352:42
4That’s My Desire
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-11-19)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-11-19)
guitar and lead vocals:
Chuck Berry (on 1958-11-19)
piano:
Lafayette Leake (on 1958-11-19)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-11-19)
cover recording of:
That’s My Desire (on 1958-11-19)
lyricist:
Carroll Loveday
composer:
Helmy Kresa
publisher:
Mills Music, Inc.
Chuck Berry2:19
5Do You Love Me
double bass:
Willie Dixon (on 1959-02-17)
guitar and lead vocals:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Chuck Barksdale (on 1959-02-17), Harvey Fuqua (on 1959-02-17), Marvin Gaye (on 1959-02-17), Etta James (on 1959-02-17), James Nolan (Second Tenor, Baritone singer) (on 1959-02-17), Reese Palmer (First Tenor singer) (on 1959-02-17) and Chester Simmons (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Do You Love Me (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Tristan Music Ltd.
Chuck Berry2:37
6Almost Grown
producer:
Leonard & Phil Chess (legendary US production duo)
bass and double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17) and Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Chuck Barksdale (on 1959-02-17), Harvey Fuqua (on 1959-02-17), Marvin Gaye (on 1959-02-17), Etta James (on 1959-02-17), The Marquees (on 1959-02-17), The Moonglows (1950s Cleveland R&B group) (on 1959-02-17), James Nolan (Second Tenor, Baritone singer) (on 1959-02-17), Reese Palmer (First Tenor singer) (on 1959-02-17) and Chester Simmons (on 1959-02-17)
lead vocals:
Chuck Berry (on 1959-02-17)
vocals:
Chuck Berry (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 6)
recording of:
Almost Grown (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.652:21
7Back in the USA
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Fred Below (on 1959-02-17)
guitar and lead vocals:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Etta James (on 1959-02-17) and The Marquees (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Back in the U.S.A. (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:29
8Fast B 6 (instrumental)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Fast B 6 (on 1959-02-17)
composer:
Chuck Berry
Chuck Berry2:11
9Blue on Blue (instrumental)
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Blue on Blue (on 1959-02-17)
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3:10
10Betty Jean
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar and lead vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
background vocals:
Billy Davis (r&b producer/songwriter/performer Roquel Davis) (from 1959-07-27 until 1959-07-29), The Ecuadors (studio project with Chuck Berry, single “Say You’ll Be Mine”) (from 1959-07-27 until 1959-07-29), Harvey Fuqua (from 1959-07-27 until 1959-07-29) and Etta James (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Betty Jean (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:32
11County Line
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar and lead vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
background vocals:
Billy Davis (r&b producer/songwriter/performer Roquel Davis) (from 1959-07-27 until 1959-07-29), The Ecuadors (studio project with Chuck Berry, single “Say You’ll Be Mine”) (from 1959-07-27 until 1959-07-29), Harvey Fuqua (from 1959-07-27 until 1959-07-29) and Etta James (on 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Country Line (from 1959-07-27 until 1959-07-29)
miscellaneous support:
Chuck Berry
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:18
12Childhood Sweetheart
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
background vocals:
Billy Davis (r&b producer/songwriter/performer Roquel Davis) (from 1959-07-27 until 1959-07-29), The Ecuadors (studio project with Chuck Berry, single “Say You’ll Be Mine”) (from 1959-07-27 until 1959-07-29), Harvey Fuqua (from 1959-07-27 until 1959-07-29) and Etta James (from 1959-07-27 until 1959-07-29)
lead vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Childhood Sweetheart (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
Chuck Berry2:45
13One O’Clock Jump (instrumental)
producer:
Fred Below
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
tenor saxophone:
Leroy C. Davis (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
instrumental cover recording of:
One O’Clock Jump (from 1959-07-27 until 1959-07-29)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Chuck Berry3:09
14I Just Want to Make Love to You
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar and lead vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
background vocals:
Billy Davis (r&b producer/songwriter/performer Roquel Davis) (from 1959-07-27 until 1959-07-29), The Ecuadors (studio project with Chuck Berry, single “Say You’ll Be Mine”) (from 1959-07-27 until 1959-07-29), Harvey Fuqua (from 1959-07-27 until 1959-07-29) and Etta James (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
I Just Wanna Make Love to You (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
Chuck Berry2:13
15Broken Arrow
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar and lead vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
tenor saxophone:
Leroy C. Davis (from 1959-07-27 until 1959-07-29)
background vocals:
Billy Davis (r&b producer/songwriter/performer Roquel Davis) (from 1959-07-27 until 1959-07-29), The Ecuadors (studio project with Chuck Berry, single “Say You’ll Be Mine”) (from 1959-07-27 until 1959-07-29), Harvey Fuqua (from 1959-07-27 until 1959-07-29) and Etta James (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Broken Arrow (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:29
16Let It Rock
recorded in:
Chicago, Illinois, United States (in 1959-07)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (in 1959-07)
drums (drum set):
Fred Below (in 1959-07, from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (in 1959-07, from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1959-07, from 1959-07-27 until 1959-07-29)
lead vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (in 1959-07)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Let It Rock (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Isalee Music Publishing Company
recording of:
Let It Rock (in 1959-07)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Isalee Music Publishing Company
Chuck Berry3.651:48
17Too Pooped to Pop
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar and lead vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
tenor saxophone:
Leroy C. Davis (from 1959-07-27 until 1959-07-29)
background vocals:
Billy Davis (r&b producer/songwriter/performer Roquel Davis) (from 1959-07-27 until 1959-07-29), The Ecuadors (studio project with Chuck Berry, single “Say You’ll Be Mine”) (from 1959-07-27 until 1959-07-29), Harvey Fuqua (from 1959-07-27 until 1959-07-29) and Etta James (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Too Pooped to Pop (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis)
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:36
18Say You’ll Be Mine
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Billy Davis (r&b producer/songwriter/performer Roquel Davis) (from 1959-07-27 until 1959-07-29), The Ecuadors (studio project with Chuck Berry, single “Say You’ll Be Mine”) (from 1959-07-27 until 1959-07-29), Harvey Fuqua (from 1959-07-27 until 1959-07-29) and Etta James (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Say You’ll Be Mine (from 1959-07-27 until 1959-07-29)
writer:
Chuck Berry
The Ecuadors2:19
19Let Me Sleep Woman
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Billy Davis (r&b producer/songwriter/performer Roquel Davis) (from 1959-07-27 until 1959-07-29), The Ecuadors (studio project with Chuck Berry, single “Say You’ll Be Mine”) (from 1959-07-27 until 1959-07-29), Harvey Fuqua (from 1959-07-27 until 1959-07-29) and Etta James (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Let Me Sleep Woman (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Tristan Music Ltd.
The Ecuadors2:27
20Drifting Blues
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-02-12)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (on 1960-02-12)
guitar:
Chuck Berry (on 1960-02-12) and Matt Murphy (US blues guitarist) (on 1960-02-12)
piano:
Lafayette Leake (on 1960-02-12)
lead vocals:
Chuck Berry (on 1960-02-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-02-12)
recording of:
Drifting Blues (on 1960-02-12)
writer:
Charles Brown (blues musician), Johnny Moore (US blues guitarist, Three Blazers) and Eddie Williams (blues musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., EMI United Partnership Ltd. and United Artists
Chuck Berry2:20
21I Got to Find My Baby
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-02-12)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (on 1960-02-12)
guitar:
Chuck Berry (on 1960-02-12) and Matt Murphy (US blues guitarist) (on 1960-02-12)
piano:
Lafayette Leake (on 1960-02-12)
tenor saxophone:
Leroy C. Davis (on 1960-02-12)
lead vocals:
Chuck Berry (on 1960-02-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-02-12)
recording of:
I Got to Find My Baby (on 1960-02-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Isalee Music Publishing Company and Tristan Music Ltd.
Chuck Berry2:17
22Don’t You Lie to Me
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-02-12)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (on 1960-02-12)
guitar:
Chuck Berry (on 1960-02-12) and Matt Murphy (US blues guitarist) (on 1960-02-12)
piano:
Lafayette Leake (on 1960-02-12)
tenor saxophone:
Leroy C. Davis (on 1960-02-12)
lead vocals:
Chuck Berry (on 1960-02-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-02-12)
recording of:
Don’t You Lie to Me (Chuck Berry’s version) (on 1960-02-12)
additional lyricist and additional composer:
Chuck Berry
lyricist and composer:
Hudson Whittaker (in 1940)
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
version of:
Don’t You Lie to Me
Chuck Berry2:09
23Worried Life Blues
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1960-03-29)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-03-29)
guitar:
Chuck Berry (on 1960-03-29) and Matt Murphy (US blues guitarist) (on 1960-03-29)
piano:
Lafayette Leake (on 1960-03-29)
lead vocals:
Chuck Berry (on 1960-03-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-03-29)
recording of:
Worried Life Blues (on 1960-03-29)
writer:
Sleepy John Estes and Maceo Merriweather
publisher:
Duchess Music Corporation (BMI-affiliated), Universal Duchess Music Corp. and Universal/MCA Music Ltd. (not for release label use!)
version of:
Someday Baby Blues
Chuck Berry2:12
24Our Little Rendezvous
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1960-03-29)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-03-29)
guitar:
Chuck Berry (on 1960-03-29) and Matt Murphy (US blues guitarist) (on 1960-03-29)
piano:
Lafayette Leake (on 1960-03-29)
lead vocals:
Chuck Berry (on 1960-03-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-03-29)
recording of:
Our Little Rendezvous (on 1960-03-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:04
25Bye Bye Johnny
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-03-29)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-03-29)
guitar:
Chuck Berry (on 1960-03-29) and Matt Murphy (US blues guitarist) (on 1960-03-29)
piano:
Lafayette Leake (on 1960-03-29)
lead vocals:
Chuck Berry (on 1960-03-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-03-29)
recording of:
Bye Bye Johnny (on 1960-03-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry42:06
26Run Around
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1960-03-29)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-03-29)
guitar:
Chuck Berry (on 1960-03-29) and Matt Murphy (US blues guitarist) (on 1960-03-29)
piano:
Lafayette Leake (on 1960-03-29)
lead vocals:
Chuck Berry (on 1960-03-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-03-29)
recording of:
Run Around (on 1960-03-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry2:33
27Jaguar and Thunderbird
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1960-03-29)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-03-29)
guitar:
Chuck Berry (on 1960-03-29) and Matt Murphy (US blues guitarist) (on 1960-03-29)
piano:
Lafayette Leake (on 1960-03-29)
lead vocals:
Chuck Berry (on 1960-03-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-03-29)
recording of:
Jaguar and Thunderbird (on 1960-03-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Inc.
Chuck Berry1:51
28Diploma for Two
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-02-15)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (on 1960-02-15)
guitar and lead vocals:
Chuck Berry (on 1960-02-15)
piano:
Lafayette Leake (on 1960-02-15)
tenor saxophone:
Leroy C. Davis (on 1960-02-15)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-02-15)
recording of:
Diploma for Two (from 1960-02-15 until 1960-04-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry2:31
29Little Star
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-02-15)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (on 1960-02-15)
guitar and lead vocals:
Chuck Berry (on 1960-02-15)
piano:
Lafayette Leake (on 1960-02-15)
tenor saxophone:
Leroy C. Davis (on 1960-02-15)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-02-15)
recording of:
Little Star (from 1960-02-15 until 1960-04-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry2:47
30The Way It Was Before
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-02-15)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (on 1960-02-15)
guitar and lead vocals:
Chuck Berry (on 1960-02-15)
piano:
Lafayette Leake (on 1960-02-15)
tenor saxophone:
Leroy C. Davis (on 1960-02-15)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-02-15)
recording of:
The Way It Was Before (from 1960-02-15 until 1960-04-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry2:54
31Away From You
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-02-15)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (on 1960-02-15)
guitar and lead vocals:
Chuck Berry (on 1960-02-15)
piano:
Lafayette Leake (on 1960-02-15)
tenor saxophone:
Leroy C. Davis (on 1960-02-15)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-02-15)
recording of:
Away From You (from 1960-02-15 until 1960-04-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry2:40
32Down the Road Apiece
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Walter Cole (on 1960-04-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-04-12)
cover recording of:
Down the Road Apiece (on 1960-04-12)
lyricist and composer:
Don Raye
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal Music Corp. (USA, affiliated with ASCAP)
Chuck Berry2:16
33Confessin’ the Blues
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Walter Cole (on 1960-04-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-04-12)
cover recording of:
Confessin’ the Blues (on 1960-04-12)
writer:
Walter Brown (US jazz/blues singer) and Jay McShann
publisher:
Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Chuck Berry2:10
34Sweet Sixteen
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1960-04-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-04-12)
cover recording of:
Sweet Sixteen (on 1960-04-12)
lyricist and composer:
A. Nugetre (US American Songwriter, producer)
publisher:
Progressive Music (publisher)
Chuck Berry2:48
35Thirteen Question Method
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1960-04-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-04-12)
recording of:
Thirteen Question Method (on 1960-04-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry2:15
36Stop and Listen
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1960-04-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-04-12)
recording of:
Stop and Listen (on 1960-04-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry2:26
4▶CD: Studio 1960–1964
5▶CD: Studio 1964–1965
6▶CD: Studio 1966–1967
7▶CD: Studio 1967–1969
8▶CD: Studio 1969–1972
9▶CD: Studio 1972–1974
10▶CD: Studio 1973–1974 (+1964)
11▶CD: Studio 1979 (+ 1960–1966)
12▶CD: On Stage 1956 • 1958 • 1963
13▶CD: On Stage 1963
14▶CD: On Stage 1967
15▶CD: On Stage 1969
16▶CD: On Stage 1972, Plus

Credits

Release

liner notes:Bruce Pegg
Sir Paul McCartney (Paul McCartney, The Beatles)
additional producer:Richard Weize
producer:Morten Reff
Fred Rothwell
mastering:Marcus Heumann
Christian Zwarg
illustration:Reinhard Kleist
artwork:Mychael Gerstenberger
phonographic copyright (℗) by:Bear Family Productions Ltd. (Bear Family Records since 2013) (in 2014)
Discogs:https://www.discogs.com/release/7805382 [info]