Steve Wright’s Sunday Love Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1Your Song
tecnico:
Robin Geoffrey Cable
produttore:
Gus Dudgeon
batteria :
Barry Morgan (English drummer)
chitarra :
Colin Green
chitarra a 12 corde :
Clive Hicks
chitarra acustica :
Frank Clark (Guitar/bassist)
chitarra basso :
Dave Richmond
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
direttore d'orchestra:
Paul Buckmaster
arrangiatore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 54), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 136) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 202)
registrazione di:
Your Song
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (conclusa), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.954:01
2Lay Lady Lay
produttore:
Bob Johnston (US record producer and early rockebilly singer)
chitarra e voce principale:
Bob Dylan (il 1969-02-14)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1969)
registrazione di:
Lay, Lady, Lay (il 1969-02-14)
paroliere e compositore:
Bob Dylan (dal 1968 al 1969)
paroliere aggiunto:
Bob Dylan (nel 1976)
editore:
Sony/ATV Music Publishing (UK) Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Big Sky Music (publisher for Bob Dylan) (dal 1969 a oggi)
sub-editore:
Sonora Musikförlags AB
Bob Dylan4.13:18
3No Matter What
registrata a:
London (Greater London), England, Regno Unito e Los Angeles, California, Stati Uniti
programmazione:
Simon Franglen (English score composer)
programmazione degli strumenti:
Lee McCutcheon
assistente tecnico:
Alex Black (engineer) e Tom (assistant engineeer)
tecnico:
Simon Franglen (English score composer), Steve Rinkoff e Robin Sellars (British recording engineer)
produttore:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman e Nigel Wright (British producer, orchestrator and songwriter)
produttore aggiunto:
Simon Franglen (English score composer) e Lupino
produttore esecutivo:
Andrew Lloyd Webber (English composer and impresario of musical theatre) e Jim Steinman
tecnico di missaggio:
Mick Guzauski e Steve Rinkoff
basso :
Angela Lupino
chitarra :
Fridrik Karlsson
chitarra acustica [acoustic guitars] e chitarra elettrica [electric guitars] :
Michael Thompson (session guitarist)
tastiera [keyboards] :
Simon Franglen (English score composer) e Nigel Wright (British producer, orchestrator and songwriter)
voce:
Keith Duffy (Member of Boyzone), Mikey Graham e Shane Lynch
voce di accompagnamento [backing vocals]:
Tracy Ackerman e Andy Caine
voce principale:
Stephen Gately e Ronan Keating
arrangiatore:
Simon Franglen (English score composer) e Lupino
diritti fonografici (℗) detenuti da:
Polydor Ireland (nel 1998)
registrata presso:
FLM Studios in Hollywood, Los Angeles, California, Stati Uniti, Metropolis Studios (London) in London (Greater London), England, Regno Unito, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e Skratch Studios in Surrey, England, Regno Unito
lavorazione tecnica effettuata presso:
Barking Dog Studios in New York, New York, Stati Uniti
video musicali:
No Matter What di Boyzone
registrazione cover di:
No Matter What
paroliere:
Jim Steinman
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (conclusa), Universal–Songs of PolyGram International, Inc. (conclusa), Lost Boys Music Inc. (BMI affiliated) e The Really Useful Group Limited (not for release label use!)
parte di:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:34
4I Just Wanna Make Love to You
registrazione di:
I Just Wanna Make Love to You
paroliere e compositore:
Willie Dixon
editore:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hoochie Coochie Music
Etta James3:06
5How Deep Is Your Love
produttore:
Bee Gees, Albhy Galuten e Karl Richardson
basso :
Maurice Gibb (nel 1977)
batteria :
Dennis Bryon (Welsh drummer, author) (nel 1977)
chitarra [rhythm guitar] :
Barry Gibb (nel 1977)
chitarra elettrica :
Alan Kendall (nel 1977)
percussione :
Dennis Bryon (Welsh drummer, author) (nel 1977) e Joe Lala (nel 1977)
pianoforte , sintetizzatore e tastiera :
Blue Weaver (nel 1977)
altra voce [harmony vocals] e voce di accompagnamento:
Barry Gibb (nel 1977), Maurice Gibb (nel 1977) e Robin Gibb (nel 1977)
voce principale:
Barry Gibb (nel 1977) e Robin Gibb (nel 1977)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1977), Maurice Gibb (nel 1977) e Robin Gibb (nel 1977)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1977), PolyGram International Ltd. (nel 1977), PolyGram International Music B.V. (not for release label use!) (nel 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 6), Billboard: Greatest of All Time Hot 100 Songs (numero: 27), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 260) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 367)
registrazione di:
How Deep Is Your Love (Bee Gees song) (nel 1977)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Gibb Brothers Music (nel 1977)
sub-editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Bee Gees4.14:01
6Sexual Healing
produttore:
Marvin Gaye
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment Inc. (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 198) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 231)
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye3.754:05
7How ’Bout Us
assistente tecnico:
Michael Ferraro (engineer) e Tom Miller (engineer)
tecnico:
Stu Walder
produttore:
Leo Graham (producer / composer / lyricist)
produttore associato:
James Mack (Composer, arranger, conductor)
batteria :
Morris Jennings, Jr.
batteria elettronica [syndrums] :
Tommy Radtke
chitarra [guitars] :
Michael Day e Howard Reeder
chitarra basso [bass] :
Michael Reed (US bassist for Champaign) e Paul Richmond (producer - songwriter - bassist)
percussione :
Rocky Maffit
sassofono contralto solista :
Ken Soderbloom
sintetizzatore [synthesizers] :
Dana Walden
tastiera [keyboards] :
Michael Day e Dana Walden
voce:
Michael Day, Rena Jones (vocalist for Champaign), Rocky Maffit e Howard Reeder
voce principale:
Pauli Carman
arrangiatore archi e arrangiatore ottoni [horns] :
James Mack (Composer, arranger, conductor)
arrangiatore:
Champaign, Leo Graham (producer / composer / lyricist) e James Mack (Composer, arranger, conductor)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
è stato produttore per:
B‐Line Productions
registrata presso:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti
registrazione cover di:
How ’bout Us
paroliere e compositore:
Dana Walden
editore:
April Music, Irving Music (BMI) e Irving Music, Inc.
sub-editore:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
How ’bout Us
paroliere e compositore:
Dana Walden
editore:
April Music, Irving Music (BMI) e Irving Music, Inc.
sub-editore:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign34:35
8High
diritti fonografici (℗) detenuti da:
The Wild Card Label Ltd (nel 1997)
video musicali:
High di Lighthouse Family
registrazione di:
High
paroliere:
Paul Tucker
compositore:
Tunde Baiyewu e Paul Tucker
editore:
Polygram Music e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family45:13
9Try a Little Tenderness
registrazione cover di:
Try a Little Tenderness
paroliere:
James Campbell (British songwriter and music publisher) e Reginald Connelly
compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell e Campbell Connelly & Co. Ltd. (il 1932-11-04)
Otis Redding3:46
10Let’s Stay Together
registrata presso:
Royal Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Al Green44:44
11You Make Me Feel Brand New
registrazione di:
You Make Me Feel Brand New
autore:
Thom Bell (keyboards, songwriter, producer) e Linda Creed
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics45:26
12I’m Not in Love
tecnico di registrazione:
10cc (nel 1974)
tecnico e tecnico di missaggio:
Eric Stewart
produttore:
10cc
basso e chitarra :
Graham Gouldman (nel 1974)
effetti [musical effects] , pianoforte elettrico e voce principale:
Eric Stewart (nel 1974)
moog :
Kevin (nel 1974)
pianoforte :
Lol (nel 1974)
synclavier [control desk] :
Graham Gouldman (nel 1974), Kevin (nel 1974), Lol (nel 1974) e Eric Stewart (nel 1974)
altra voce [whisper vocals]:
Kathy Redfern (nel 1974)
voce di accompagnamento:
Graham Gouldman (nel 1974), Kevin (nel 1974) e Lol (nel 1974)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1975), Phonogram, Inc. (nel 1975) e Mercury Records Ltd. (not for release label use!) (nel 1996)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito (nel 1974)
video musicali:
I’m Not in Love di 10cc
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 319)
registrazione di:
I’m Not in Love (nel 1974)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc3.86:01
13No Regrets
registrazione cover di:
No Regrets
paroliere e compositore:
Tom Rush
editore:
BMG Bumblebee (BMI) (A BMI-affiliated publishing entity of BMG Rights Management), Essex International e Tubbs Hill Music
The Walker Brothers5:42
14Me and Mrs. Jones
registrazione di:
Me and Mrs. Jones
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4:37
15When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:50
16Stardust
produttore:
Lee Gillette
pianoforte :
Charles LaVere (il 1956-12-19)
voce principale:
Nat King Cole (il 1956-12-19)
direttore d'orchestra:
Gordon Jenkins (il 1956-12-19)
arrangiatore:
Gordon Jenkins
registrata presso:
Capitol Tower in Hollywood, Los Angeles, California, Stati Uniti (il 1956-12-19)
registrazione di:
Stardust (the jazz standard) (il 1956-12-19)
paroliere:
Mitchell Parish (nel 1929)
compositore:
Hoagy Carmichael (nel 1927)
editore:
Mills Music, Inc. (conclusa), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. e Songs of Peer, Ltd. (ASCAP)
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
American Splendor
Nat King Cole2.653:15
17Mad About the Boy
registrata a:
Chicago, Illinois, Stati Uniti (il 1961-12-04)
pianoforte :
Jack Wilson (jazz pianist) (il 1961-12-04)
tromba :
Joe Newman (US jazz trumpeter) (il 1961-12-04)
trombone :
Billy Byers (il 1961-12-04)
voce:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (il 1961-12-04)
arrangiatore:
Quincy Jones (il 1961-12-04)
registrazione cover di:
Mad About the Boy (nel 1961)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington52:48
18Easy
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1977), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1977), Motown Records (not for label use; use “Motown” instead) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 2009)
registrazione di:
Easy
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores3.754:05
2CD
#TitoloArtistaValutazioneDurata
1You’re the First, the Last, My EverythingBarry White3.753:24
2Seven Days
registrazione di:
7 Days
autore:
Craig David, Darren John Hill e Mark Hill (Mark Hill)
Craig David3:53
3Show Me the Meaning of Being Lonely
tecnico:
Bo Reimer
produttore:
Kristian Lundin (nel 1999) e Max Martin (Swedish record producer) (nel 1999)
tecnico di missaggio:
Kristian Lundin e Max Martin (Swedish record producer)
basso elettrico [bass] :
Tomas Lindberg (Swedish bass player)
chitarra :
Jojje Wadenius (guitarist, bassist, keyboardist, singer, composer, producer) e Esbjörn Öhrwall
contrabbasso :
Michael Karlsson (double bassist)
viola :
Åsa Stove Paulsson, Torbjörn Bernhardsson (violist), Elisabeth Arnberg Ranmo, Ulf Forsberg (violinist), Hans Åkeson (violist) e Svein H. Martinsen
violino :
Tomas Andersson (Swedish classical violinist), Annette Mannheimer e Monika Stanikoliska
violoncello :
Åsa Forsberg e Samuli Örnströmer
voce:
Alexander James “A.J.” McLean (US singer, songwriter, actor, dancer & model), Brian “B-Rok” Littrell (from the Backstreet Boys), Nick Carter (US pop singer & Backstreet Boy), Howard “Howie D.” Dorough (from the Backstreet Boys) e Kevin Richardson (from the Backstreet Boys)
orchestra:
SNYKO (Stockholm Chamber Orchestra)
direttore d'orchestra:
Henrik Janson e Ulf Janson
arrangiatore archi :
Henrik Janson e Ulf Janson
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1999)
è stato produttore per:
Cheiron Productions (nel 1999)
registrata in aggiunta presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia
registrata presso e mixata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia
registrazione di:
Show Me the Meaning of Being Lonely
autore:
Herbert Crichlow e Max Martin (Swedish record producer)
editore:
Grantsville Publishing Ltd., GV-MXM, Megasong Publishing A/S, Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Backstreet Boys3.43:54
4Midnight Train to Georgia
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 432) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 470)
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:40
5I Believe I Can FlyR. Kelly24:43
6Wishing on a Star
registrazione di:
Wishing on a Star
paroliere e compositore:
Billie Calvin (Billie Rae Calvin)
editore:
Warner/Chappell North America
Rose Royce4:23
7When You Say Nothing at All
programmazione e produttore:
Stephen Lipson
tecnico e tecnico di missaggio:
Heff Moraes
basso :
Stephen Lipson
batteria :
Andy Duncan (UK drummer and producer)
chitarra :
Dominic Miller (guitarist)
fisarmonica e fischietto :
James McNally
tastiera :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce:
Ronan Keating
voce di accompagnamento:
Tessa Niles e Miriam Stockley
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1999) e Polygram Ireland Ltd. (nel 1999)
registrata presso:
Metropolis (London) in London (Greater London), England, Regno Unito e The Aquarium (Studio) in London (Greater London), England, Regno Unito
mixata presso:
The Aquarium (Studio) in London (Greater London), England, Regno Unito
registrazione di:
When You Say Nothing at All
autore:
Paul Overstreet (country singer and songwriter) e Don Schlitz
registrazione cover di:
When You Say Nothing at All
autore:
Paul Overstreet (country singer and songwriter) e Don Schlitz
Ronan Keating2.754:15
8Love Is All Around
co-produttore:
Graeme Duffin
direttore d'orchestra:
Fiachra Trench
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1994) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1994)
video musicali:
Love Is All Around di Wet Wet Wet
registrazione cover di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
registrazione di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.63:53
9Slow Hand
produttore:
Richard Perry (producer)
produttore associato:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
tecnico di missaggio:
Bill Schnee
batteria :
John Robinson (session drummer)
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) e Tim May (session/jazz guitarist)
chitarra basso :
Nate Watts
organo :
William Smith (organist/keyboardist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce principale:
Anita Pointer
arrangiatore voci:
The Pointer Sisters
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1981), Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (nel 1981) e Planet Records Inc. (nel 1981)
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
registrazione di:
Slow Hand
paroliere:
John Bettis
compositore:
Michael Clark (songwriter, composer)
editore:
Flying Dutchman Music Co., Sweet Harmony Music, Inc. (US publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Pointer Sisters53:47
10Love TKO
produttore:
Cynthia Biggs, Dexter Wansel e Cecil Womack
basso :
James Williams (US Bassist from Camden, NJ and Philadelphia, PA area)
batteria [drums] :
Quinton Joseph
chitarra :
Cecil Womack
tastiera [keyboards] :
Cynthia Biggs e Dexter Wansel
voce di accompagnamento:
Kenneth Crew (soul singer), Jon King (soul singer), James King (soul singer), Teddy Pendergrass, Frank Washington (soul singer) e Cecil Womack
arrangiatore:
Dexter Wansel
registrazione cover di:
Love T.K.O.
autore:
Eddie Gip Noble, Jr., Cecil Womack e Linda Womack
editore:
Warner Chappell Music, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teddy Pendergrass4:57
11Baby, Come to Me
voce ospite:
Patti Austin
registrazione di:
Baby, Come to Me
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) e Rondor Music (London) Ltd.
Patti Austin & James Ingram3:35
12Don’t Know Much
tecnico di registrazione e tecnico di missaggio:
George Massenburg
co-produttore:
Steve Tyrell (American producer and vocalist)
produttore:
Peter Asher
chitarra basso [bass] :
Leland Sklar (bassist, session musician)
voce:
Linda Ronstadt
voce ospite:
Aaron Neville
esecutore:
Aaron Neville e Linda Ronstadt
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
registrazione cover di:
Don’t Know Much
autore:
Barry Mann, Tom Snow (US keyboardist/songwriter) e Cynthia Weil
editore:
ATV Music, Brain Tree Music, MCA Music Ltd. e Snow Music
Linda Ronstadt & Aaron Neville33:32
13Make It With You
archi , chitarra , chitarra basso , voce di accompagnamento e voce principale:
David Gates (singer/songwriter, lead singer of Bread)
batteria :
Michael Botts
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1970) e Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 13)
registrazione di:
Make It With You
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:08
14Misty Blue
registrazione cover di:
Misty Blue
paroliere e compositore:
Bob Montgomery
editore:
Reservoir One America e Talmont Music (publisher) (dal 1966 a oggi)
Dorothy Moore3:31
15Never Too MuchLuther Vandross4:01
16Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
17Reunited
produttore:
Freddie Perren
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978)
edit di:
Reunited di Peaches & Herb
registrazione di:
Reunited
autore:
Dino Fekaris e Freddie Perren
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb53:55
18Tonight I Celebrate My Love
tecnico di registrazione:
Alan R. Hirshberg (nel 1983)
tecnico:
Howard Wolin e Jeremy Smith (producer/engineer)
produttore:
Michael Masser
tecnico di missaggio:
Dick Bogart (Recording and mixing engineer) e Russ Terrano
batteria :
Carlos Vega (nel 1983)
chitarra :
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (nel 1983)
chitarra basso [bass] :
Nathan East (nel 1983)
pianoforte :
Randy Kerber (nel 1983)
voce:
Peabo Bryson (nel 1983) e Roberta Flack (nel 1983)
arrangiatore:
Michael Masser e Gene Page
orchestratore:
Gene Page
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
A&M Records Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983) e Studio Sound in North Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
mixata presso:
Motown Hitsville in West Hollywood, California, Stati Uniti
registrazione di:
Tonight, I Celebrate My Love (nel 1983)
paroliere:
Gerry Goffin
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-editore:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:29
19Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:22
20Always on My Mind
produttore:
Chips Moman
armonica (a bocca) :
Mickey Raphael (il 1981-10-11)
basso :
Mike Leech (il 1981-10-11)
batteria :
Gene Chrisman (il 1981-10-11)
chitarra :
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (il 1981-10-11), Willie Nelson (il 1981-10-11) e Reggie Young (Guitarist and songwriter) (il 1981-10-11)
tastiera :
Bobby Woods (American pianist, keyboard player and songwriter) (il 1981-10-11) e Bobby Emmons (il 1981-10-11)
voce:
Willie Nelson (il 1981-10-11)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981, nel 1982, nel 2003) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1982)
registrata presso:
Moman's Recording Studio in Nashville, Tennessee, Stati Uniti (il 1981-10-11)
registrazione di:
Always on My Mind (il 1981-10-11)
autore:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
Willie Nelson4.63:32

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Pubblicazione

ASIN:UK: B00004YYVM [info]

Gruppo di pubblicazioni

parte di:Steve Wright's Sunday Love Songs (ordine: 1)