The Complete Art Hodes Blue Note Sessions

~ Release by Art Hodes (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Maple Leaf Rag
clarinet:
Rod Cless (on 1944-03-18)
double bass:
Bob Haggart (on 1944-03-18)
drums (drum set):
Danny Alvin (on 1944-03-18)
guitar:
Jack Bland (on 1944-03-18)
piano:
Art Hodes (on 1944-03-18)
trombone:
Ray Conniff (on 1944-03-18)
trumpet:
Max Kaminsky (on 1944-03-18)
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-18)
recording of:
Maple Leaf Rag (piano rag) (on 1944-03-18)
composer:
Scott Joplin (composer and pianist) (in 1899)
part of:
Classic 100: Piano (2025) (number: 74)
Art Hodes's Chicagoans2:52
2Maple Leaf Rag (alternate take)
clarinet:
Rod Cless (on 1944-03-18)
double bass:
Bob Haggart (on 1944-03-18)
drums (drum set):
Danny Alvin (on 1944-03-18)
guitar:
Jack Bland (on 1944-03-18)
piano:
Art Hodes (on 1944-03-18)
trombone:
Ray Conniff (on 1944-03-18)
trumpet:
Max Kaminsky (on 1944-03-18)
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-18)
recording of:
Maple Leaf Rag (piano rag) (on 1944-03-18)
composer:
Scott Joplin (composer and pianist) (in 1899)
part of:
Classic 100: Piano (2025) (number: 74)
Art Hodes's Chicagoans2:50
3She’s Crying For Me
clarinet:
Rod Cless (on 1944-03-18)
double bass:
Bob Haggart (on 1944-03-18)
drums (drum set):
Danny Alvin (on 1944-03-18)
guitar:
Jack Bland (on 1944-03-18)
piano:
Art Hodes (on 1944-03-18)
trombone:
Ray Conniff (on 1944-03-18)
trumpet:
Max Kaminsky (on 1944-03-18)
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-18)
recording of:
She’s Crying for Me (on 1944-03-18)
composer:
Santo Pecora
Art Hodes's Chicagoans2:35
4Yellow Dog Blues
clarinet:
Rod Cless (on 1944-03-18)
double bass:
Bob Haggart (on 1944-03-18)
drums (drum set):
Danny Alvin (on 1944-03-18)
guitar:
Jack Bland (on 1944-03-18)
piano:
Art Hodes (on 1944-03-18)
trombone:
Ray Conniff (on 1944-03-18)
trumpet:
Max Kaminsky (on 1944-03-18)
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-18)
instrumental recording of:
Yellow Dog Blues (on 1944-03-18)
lyricist and composer:
William Christopher Handy
Art Hodes's Chicagoans3:23
5Slow ’em Down Blues (alternate take)
clarinet:
Rod Cless (on 1944-03-18)
double bass:
Bob Haggart (on 1944-03-18)
drums (drum set):
Danny Alvin (on 1944-03-18)
guitar:
Jack Bland (on 1944-03-18)
piano:
Art Hodes (on 1944-03-18)
trombone:
Ray Conniff (on 1944-03-18)
trumpet:
Max Kaminsky (on 1944-03-18)
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-18)
recording of:
Slow ’em Down Blues (on 1944-03-18)
composer:
Art Hodes
Art Hodes's Chicagoans3:17
6Slow ’em Down Blues
clarinet:
Rod Cless (on 1944-03-18)
double bass:
Bob Haggart (on 1944-03-18)
drums (drum set):
Danny Alvin (on 1944-03-18)
guitar:
Jack Bland (on 1944-03-18)
piano:
Art Hodes (on 1944-03-18)
trombone:
Ray Conniff (on 1944-03-18)
trumpet:
Max Kaminsky (on 1944-03-18)
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-18)
recording of:
Slow ’em Down Blues (on 1944-03-18)
composer:
Art Hodes
Art Hodes's Chicagoans3:17
7Doctor Jazz (alternate take)
clarinet:
Rod Cless (on 1944-03-22)
double bass:
Sid Jacobs (jazz double bassist) (on 1944-03-22)
drums (drum set):
Danny Alvin (on 1944-03-22)
piano:
Art Hodes (on 1944-03-22)
trombone:
Ray Conniff (on 1944-03-22)
trumpet:
Max Kaminsky (on 1944-03-22)
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-22)
recording of:
Doctor Jazz (on 1944-03-22)
composer:
King Oliver (jazz cornetist)
Art Hodes's Chicagoans3:15
8Doctor Jazz
clarinet:
Rod Cless (on 1944-03-22)
double bass:
Sid Jacobs (jazz double bassist) (on 1944-03-22)
drums (drum set):
Danny Alvin (on 1944-03-22)
piano:
Art Hodes (on 1944-03-22)
trombone:
Ray Conniff (on 1944-03-22)
trumpet:
Max Kaminsky (on 1944-03-22)
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-22)
recording of:
Doctor Jazz (on 1944-03-22)
composer:
King Oliver (jazz cornetist)
Art Hodes's Chicagoans3:08
9Shoe Shiner’s Drag
clarinet:
Rod Cless (on 1944-03-22)
double bass:
Sid Jacobs (jazz double bassist) (on 1944-03-22)
drums (drum set):
Danny Alvin (on 1944-03-22)
piano:
Art Hodes (on 1944-03-22)
trombone:
Ray Conniff (on 1944-03-22)
trumpet:
Max Kaminsky (on 1944-03-22)
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-22)
recording of:
Shoe Shiner’s Drag (on 1944-03-22)
composer:
Jelly Roll Morton
Art Hodes's Chicagoans3:07
10There’ll Be Some Changes Made (alternate take)
clarinet:
Rod Cless (on 1944-03-22)
double bass:
Sid Jacobs (jazz double bassist) (on 1944-03-22)
drums (drum set):
Danny Alvin (on 1944-03-22)
piano:
Art Hodes (on 1944-03-22)
trombone:
Ray Conniff (on 1944-03-22)
trumpet:
Max Kaminsky (on 1944-03-22)
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-22)
instrumental recording of:
There’ll Be Some Changes Made (on 1944-03-22)
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
Art Hodes's Chicagoans3:21
11There’ll Be Some Changes Made
clarinet:
Rod Cless (on 1944-03-22)
double bass:
Sid Jacobs (jazz double bassist) (on 1944-03-22)
drums (drum set):
Danny Alvin (on 1944-03-22)
piano:
Art Hodes (on 1944-03-22)
trombone:
Ray Conniff (on 1944-03-22)
trumpet:
Max Kaminsky (on 1944-03-22)
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-22)
instrumental recording of:
There’ll Be Some Changes Made (on 1944-03-22)
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
Art Hodes's Chicagoans2:47
12Clark and Randolph
clarinet:
Rod Cless (on 1944-03-22)
double bass:
Sid Jacobs (jazz double bassist) (on 1944-03-22)
drums (drum set):
Danny Alvin (on 1944-03-22)
piano:
Art Hodes (on 1944-03-22)
trombone:
Ray Conniff (on 1944-03-22)
trumpet:
Max Kaminsky (on 1944-03-22)
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-22)
recording of:
Clark and Randolph (on 1944-03-22)
composer:
Art Hodes
Art Hodes's Chicagoans3:26
13M.K. Blues
double bass:
Israel Crosby (on 1944-04-21)
guitar:
Jimmy Shirley (on 1944-04-21)
piano:
Art Hodes (on 1944-04-21)
trumpet:
Max Kaminsky (on 1944-04-21)
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-21)
recording of:
M.K. Blues (on 1944-04-21)
composer:
Max Kaminsky
Art Hodes's Back Room Boys3:27
14M.K. Blues (alternate take)
double bass:
Israel Crosby (on 1944-04-21)
guitar:
Jimmy Shirley (on 1944-04-21)
piano:
Art Hodes (on 1944-04-21)
trumpet:
Max Kaminsky (on 1944-04-21)
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-21)
recording of:
M.K. Blues (on 1944-04-21)
composer:
Max Kaminsky
Art Hodes's Back Room Boys3:17
15Low Down Blues
double bass:
Israel Crosby (on 1944-04-21)
guitar:
Jimmy Shirley (on 1944-04-21)
piano:
Art Hodes (on 1944-04-21)
trombone:
Sandy Williams (American jazz trombonist) (on 1944-04-21)
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-21)
recording of:
Low Down Blues (on 1944-04-21)
composer:
Sandy Williams (American jazz trombonist)
Art Hodes's Back Room Boys3:22
16Jug Head Boogie (alternate take 2)
double bass:
Israel Crosby (on 1944-04-21)
guitar:
Jimmy Shirley (on 1944-04-21)
piano:
Art Hodes (on 1944-04-21)
trombone:
Sandy Williams (American jazz trombonist) (on 1944-04-21)
trumpet:
Max Kaminsky (on 1944-04-21)
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-21)
recording of:
Jug Head Boogie (on 1944-04-21)
composer:
Art Hodes
Art Hodes's Back Room Boys3:31
17Jug Head Boogie
double bass:
Israel Crosby (on 1944-04-21)
guitar:
Jimmy Shirley (on 1944-04-21)
piano:
Art Hodes (on 1944-04-21)
trombone:
Sandy Williams (American jazz trombonist) (on 1944-04-21)
trumpet:
Max Kaminsky (on 1944-04-21)
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-21)
recording of:
Jug Head Boogie (on 1944-04-21)
composer:
Art Hodes
Art Hodes's Back Room Boys3:16
18Jug Head Boogie (alternate take 1)
double bass:
Israel Crosby (on 1944-04-21)
guitar:
Jimmy Shirley (on 1944-04-21)
piano:
Art Hodes (on 1944-04-21)
trombone:
Sandy Williams (American jazz trombonist) (on 1944-04-21)
trumpet:
Max Kaminsky (on 1944-04-21)
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-21)
recording of:
Jug Head Boogie (on 1944-04-21)
composer:
Art Hodes
Art Hodes's Back Room Boys3:13
19S.C.H. Blues
double bass:
Israel Crosby (on 1944-04-21)
guitar:
Jimmy Shirley (on 1944-04-21)
piano:
Art Hodes (on 1944-04-21)
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-21)
recording of:
S.C.H. Blues (on 1944-04-21)
composer:
Art Hodes
Art Hodes's Back Room Boys3:05
20Back Room Blues
double bass:
Israel Crosby (on 1944-04-21)
guitar:
Jimmy Shirley (on 1944-04-21)
piano:
Art Hodes (on 1944-04-21)
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-21)
recording of:
Back Room Blues (on 1944-04-21)
composer:
Art Hodes
Art Hodes's Back Room Boys3:16
2▼CD
#TitleArtistRatingLength
1Sweet Georgia Brown
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1944-06-01)
double bass:
Sid Weiss (on 1944-06-01)
drums (drum set):
Danny Alvin (on 1944-06-01)
guitar:
Jimmy Shirley (on 1944-06-01)
piano:
Art Hodes (on 1944-06-01)
trombone:
Vic Dickenson (on 1944-06-01)
trumpet:
Max Kaminsky (on 1944-06-01)
recorded at:
WOR Studios in New York, New York, United States (on 1944-06-01)
instrumental recording of:
Sweet Georgia Brown (on 1944-06-01)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Art Hodes's Blue Note Jazzmen4:06
2Squeeze Me
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1944-06-01)
double bass:
Sid Weiss (on 1944-06-01)
drums (drum set):
Danny Alvin (on 1944-06-01)
guitar:
Jimmy Shirley (on 1944-06-01)
piano:
Art Hodes (on 1944-06-01)
trombone:
Vic Dickenson (on 1944-06-01)
trumpet:
Max Kaminsky (on 1944-06-01)
recorded at:
WOR Studios in New York, New York, United States (on 1944-06-01)
instrumental recording of:
Squeeze Me (on 1944-06-01)
lyricist:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
composer:
Fats Waller
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Art Hodes's Blue Note Jazzmen3:56
3Squeeze Me (alternate take)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1944-06-01)
double bass:
Sid Weiss (on 1944-06-01)
drums (drum set):
Danny Alvin (on 1944-06-01)
guitar:
Jimmy Shirley (on 1944-06-01)
piano:
Art Hodes (on 1944-06-01)
trombone:
Vic Dickenson (on 1944-06-01)
trumpet:
Max Kaminsky (on 1944-06-01)
recorded at:
WOR Studios in New York, New York, United States (on 1944-06-01)
instrumental recording of:
Squeeze Me (on 1944-06-01)
lyricist:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
composer:
Fats Waller
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Art Hodes's Blue Note Jazzmen4:05
4Sugar Foot Stomp (alternate take)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1944-06-01)
double bass:
Sid Weiss (on 1944-06-01)
drums (drum set):
Danny Alvin (on 1944-06-01)
guitar:
Jimmy Shirley (on 1944-06-01)
piano:
Art Hodes (on 1944-06-01)
trombone:
Vic Dickenson (on 1944-06-01)
trumpet:
Max Kaminsky (on 1944-06-01)
recorded at:
WOR Studios in New York, New York, United States (on 1944-06-01)
recording of:
Sugar Foot Stomp (on 1944-06-01)
composer:
Louis Armstrong and King Oliver (jazz cornetist)
version of:
Dippermouth Blues
Art Hodes's Blue Note Jazzmen3:59
5Sugar Foot Stomp
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1944-06-01)
double bass:
Sid Weiss (on 1944-06-01)
drums (drum set):
Danny Alvin (on 1944-06-01)
guitar:
Jimmy Shirley (on 1944-06-01)
piano:
Art Hodes (on 1944-06-01)
trombone:
Vic Dickenson (on 1944-06-01)
trumpet:
Max Kaminsky (on 1944-06-01)
recorded at:
WOR Studios in New York, New York, United States (on 1944-06-01)
recording of:
Sugar Foot Stomp (on 1944-06-01)
composer:
Louis Armstrong and King Oliver (jazz cornetist)
version of:
Dippermouth Blues
Art Hodes's Blue Note Jazzmen4:13
6Bugle Call Rag (alternate take 1)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1944-06-01)
double bass:
Sid Weiss (on 1944-06-01)
drums (drum set):
Danny Alvin (on 1944-06-01)
guitar:
Jimmy Shirley (on 1944-06-01)
piano:
Art Hodes (on 1944-06-01)
trombone:
Vic Dickenson (on 1944-06-01)
trumpet:
Max Kaminsky (on 1944-06-01)
recorded at:
WOR Studios in New York, New York, United States (on 1944-06-01)
recording of:
Bugle Call Rag (on 1944-06-01)
composer:
Billy Meyers (US jazz songwriter), Jack Pettis and Elmer Schoebel
Art Hodes's Blue Note Jazzmen3:54
7Bugle Call Rag
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1944-06-01)
double bass:
Sid Weiss (on 1944-06-01)
drums (drum set):
Danny Alvin (on 1944-06-01)
guitar:
Jimmy Shirley (on 1944-06-01)
piano:
Art Hodes (on 1944-06-01)
trombone:
Vic Dickenson (on 1944-06-01)
trumpet:
Max Kaminsky (on 1944-06-01)
recorded at:
WOR Studios in New York, New York, United States (on 1944-06-01)
recording of:
Bugle Call Rag (on 1944-06-01)
composer:
Billy Meyers (US jazz songwriter), Jack Pettis and Elmer Schoebel
Art Hodes's Blue Note Jazzmen3:28
8Bugle Call Rag (alternate take 2)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1944-06-01)
double bass:
Sid Weiss (on 1944-06-01)
drums (drum set):
Danny Alvin (on 1944-06-01)
guitar:
Jimmy Shirley (on 1944-06-01)
piano:
Art Hodes (on 1944-06-01)
trombone:
Vic Dickenson (on 1944-06-01)
trumpet:
Max Kaminsky (on 1944-06-01)
recorded at:
WOR Studios in New York, New York, United States (on 1944-06-01)
recording of:
Bugle Call Rag (on 1944-06-01)
composer:
Billy Meyers (US jazz songwriter), Jack Pettis and Elmer Schoebel
Art Hodes's Blue Note Jazzmen3:36
9Gut Bucket Blues
clarinet:
Mezz Mezzrow (on 1944-12-11)
double bass:
Pops Foster (on 1944-12-11)
drums (drum set):
Danny Alvin (on 1944-12-11)
piano:
Art Hodes (on 1944-12-11)
trumpet:
Max Kaminsky (on 1944-12-11)
recorded at:
WOR Studios in New York, New York, United States (on 1944-12-11)
recording of:
Gut Bucket Blues (on 1944-12-11)
composer:
Louis Armstrong
Art Hodes' Blue Five2:40
10Apex Blues
clarinet:
Mezz Mezzrow (on 1944-12-11)
double bass:
Pops Foster (on 1944-12-11)
drums (drum set):
Danny Alvin (on 1944-12-11)
piano:
Art Hodes (on 1944-12-11)
trumpet:
Max Kaminsky (on 1944-12-11)
recorded at:
WOR Studios in New York, New York, United States (on 1944-12-11)
recording of:
Apex Blues (on 1944-12-11)
composer:
Jimmie Noone
Art Hodes' Blue Five4:02
11Shake That Thing (alternate take)
clarinet:
Mezz Mezzrow (on 1944-12-11)
double bass:
Pops Foster (on 1944-12-11)
drums (drum set):
Danny Alvin (on 1944-12-11)
piano:
Art Hodes (on 1944-12-11)
trumpet:
Max Kaminsky (on 1944-12-11)
recorded at:
WOR Studios in New York, New York, United States (on 1944-12-11)
recording of:
Shake That Thing (on 1944-12-11)
lyricist and composer:
Charlie Jackson
publisher:
Paul Rodriguez Holdings
Art Hodes' Blue Five3:32
12Shake That Thing
clarinet:
Mezz Mezzrow (on 1944-12-11)
double bass:
Pops Foster (on 1944-12-11)
drums (drum set):
Danny Alvin (on 1944-12-11)
piano:
Art Hodes (on 1944-12-11)
trumpet:
Max Kaminsky (on 1944-12-11)
recorded at:
WOR Studios in New York, New York, United States (on 1944-12-11)
recording of:
Shake That Thing (on 1944-12-11)
lyricist and composer:
Charlie Jackson
publisher:
Paul Rodriguez Holdings
Art Hodes' Blue Five4:02
13Indiana
clarinet:
Mezz Mezzrow (on 1944-12-11)
double bass:
Pops Foster (on 1944-12-11)
drums (drum set):
Danny Alvin (on 1944-12-11)
piano:
Art Hodes (on 1944-12-11)
trumpet:
Max Kaminsky (on 1944-12-11)
recorded at:
WOR Studios in New York, New York, United States (on 1944-12-11)
instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1944-12-11)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
Art Hodes' Blue Five3:00
14Nobody’s Sweetheart
clarinet:
Mezz Mezzrow (on 1944-12-11)
double bass:
Pops Foster (on 1944-12-11)
drums (drum set):
Danny Alvin (on 1944-12-11)
piano:
Art Hodes (on 1944-12-11)
trumpet:
Max Kaminsky (on 1944-12-11)
recorded at:
WOR Studios in New York, New York, United States (on 1944-12-11)
instrumental recording of:
Nobody’s Sweetheart (on 1944-12-11)
lyricist:
Ernie Erdman (Songwriter/composer and pianist) and Gus Kahn
composer:
Billy Meyers (US jazz songwriter) and Elmer Schoebel
Art Hodes' Blue Five3:34
15Nobody’s Sweetheart (alternate take)
clarinet:
Mezz Mezzrow (on 1944-12-11)
double bass:
Pops Foster (on 1944-12-11)
drums (drum set):
Danny Alvin (on 1944-12-11)
piano:
Art Hodes (on 1944-12-11)
trumpet:
Max Kaminsky (on 1944-12-11)
recorded at:
WOR Studios in New York, New York, United States (on 1944-12-11)
instrumental recording of:
Nobody’s Sweetheart (on 1944-12-11)
lyricist:
Ernie Erdman (Songwriter/composer and pianist) and Gus Kahn
composer:
Billy Meyers (US jazz songwriter) and Elmer Schoebel
Art Hodes' Blue Five3:40
3▼CD
#TitleArtistRatingLength
1KMH Drag
drums (drum set):
Fred Moore (american jazz drummer and singer) (on 1945-04-06)
piano:
Art Hodes (on 1945-04-06)
trumpet:
Max Kaminsky (on 1945-04-06)
recorded at:
WOR Studios in New York, New York, United States (on 1945-04-06)
recording of:
KMH Drag (on 1945-04-06)
composer:
Art Hodes
Original Art Hodes Trio4:02
2Funny Feathers
drums (drum set):
Fred Moore (american jazz drummer and singer) (on 1945-04-06)
piano:
Art Hodes (on 1945-04-06)
trumpet:
Max Kaminsky (on 1945-04-06)
recorded at:
WOR Studios in New York, New York, United States (on 1945-04-06)
recording of:
Funny Feathers (on 1945-04-06)
writer:
Ruth Naomi Floyd and Victoria Spivey
Original Art Hodes Trio4:00
3Blues ’n Booze
drums (drum set):
Fred Moore (american jazz drummer and singer) (on 1945-04-06)
piano:
Art Hodes (on 1945-04-06)
trumpet:
Max Kaminsky (on 1945-04-06)
vocals:
Fred Moore (american jazz drummer and singer) (on 1945-04-06)
recorded at:
WOR Studios in New York, New York, United States (on 1945-04-06)
Original Art Hodes Trio3:31
4That Eccentric Rag (alternate take)
instruments:
Fred Moore (american jazz drummer and singer) (on 1945-04-06)
piano:
Art Hodes (on 1945-04-06)
trumpet:
Max Kaminsky (on 1945-04-06)
recorded at:
WOR Studios in New York, New York, United States (on 1945-04-06)
recording of:
That Eccentric Rag (on 1945-04-06)
composer:
J. Russel Robinson
Original Art Hodes Trio3:34
5That Eccentric Rag
drums (drum set):
Fred Moore (american jazz drummer and singer) (on 1945-04-06)
piano:
Art Hodes (on 1945-04-06)
trumpet:
Max Kaminsky (on 1945-04-06)
recorded at:
WOR Studios in New York, New York, United States (on 1945-04-06)
recording of:
That Eccentric Rag (on 1945-04-06)
composer:
J. Russel Robinson
Original Art Hodes Trio3:18
6Chicago Gal
clarinet:
Leonard Bujie Centobie (on 1945-05-17)
double bass:
Jack Lesberg (on 1945-05-17)
drums (drum set):
Danny Alvin (on 1945-05-17)
guitar:
Chick Robertson (jazz guitarist) (on 1945-05-17)
piano:
Art Hodes (on 1945-05-17)
trombone:
George Lugg (Jazz trombonist) (on 1945-05-17)
trumpet:
Max Kaminsky (on 1945-05-17)
recorded at:
WOR Studios in New York, New York, United States (on 1945-05-17)
recording of:
Chicago Gal (on 1945-05-17)
composer:
Art Hodes
Art Hodes's Hot Seven3:00
7I Never Knew Just What a Gal Could Do
clarinet:
Leonard Bujie Centobie (on 1945-05-17)
double bass:
Jack Lesberg (on 1945-05-17)
drums (drum set):
Danny Alvin (on 1945-05-17)
guitar:
Chick Robertson (jazz guitarist) (on 1945-05-17)
piano:
Art Hodes (on 1945-05-17)
trombone:
George Lugg (Jazz trombonist) (on 1945-05-17)
trumpet:
Max Kaminsky (on 1945-05-17)
recorded at:
WOR Studios in New York, New York, United States (on 1945-05-17)
recording of:
I Never Knew Just What a Gal Could Do (on 1945-05-17)
composer:
Elmer Schoebel
Art Hodes's Hot Seven2:54
8Mr. Jelly Lord
clarinet:
Leonard Bujie Centobie (on 1945-05-17)
double bass:
Jack Lesberg (on 1945-05-17)
drums (drum set):
Danny Alvin (on 1945-05-17)
guitar:
Chick Robertson (jazz guitarist) (on 1945-05-17)
piano:
Art Hodes (on 1945-05-17)
trombone:
George Lugg (Jazz trombonist) (on 1945-05-17)
trumpet:
Max Kaminsky (on 1945-05-17)
recorded at:
WOR Studios in New York, New York, United States (on 1945-05-17)
recording of:
Mr. Jelly Lord (on 1945-05-17)
composer:
Jelly Roll Morton
Art Hodes's Hot Seven3:18
9At the Jazz Band Ball
clarinet:
Leonard Bujie Centobie (on 1945-05-17)
double bass:
Jack Lesberg (on 1945-05-17)
drums (drum set):
Danny Alvin (on 1945-05-17)
guitar:
Chick Robertson (jazz guitarist) (on 1945-05-17)
piano:
Art Hodes (on 1945-05-17)
trombone:
George Lugg (Jazz trombonist) (on 1945-05-17)
trumpet:
Max Kaminsky (on 1945-05-17)
recorded at:
WOR Studios in New York, New York, United States (on 1945-05-17)
recording of:
At the Jazz Band Ball (on 1945-05-17)
composer:
Nick LaRocca and Larry Shields
Art Hodes's Hot Seven2:52
10Wolverine Blues
clarinet:
Leonard Bujie Centobie (on 1945-05-22)
double bass:
Jack Lesberg (on 1945-05-22)
drums (drum set):
Danny Alvin (on 1945-05-22)
guitar:
Chick Robertson (jazz guitarist) (on 1945-05-22)
piano:
Art Hodes (on 1945-05-22)
trombone:
George Lugg (Jazz trombonist) (on 1945-05-22)
trumpet:
Max Kaminsky (on 1945-05-22)
recorded at:
WOR Studios in New York, New York, United States (on 1945-05-22)
recording of:
Wolverine Blues (on 1945-05-22)
lyricist:
Benjamin F Spikes (Benjamin Franklin "Reb" Spikes) and John Spikes
composer:
Jelly Roll Morton
Art Hodes's Hot Seven3:20
11Milenberg Joys
clarinet:
Leonard Bujie Centobie (on 1945-05-22)
double bass:
Jack Lesberg (on 1945-05-22)
drums (drum set):
Danny Alvin (on 1945-05-22)
guitar:
Chick Robertson (jazz guitarist) (on 1945-05-22)
piano:
Art Hodes (on 1945-05-22)
trombone:
George Lugg (Jazz trombonist) (on 1945-05-22)
trumpet:
Max Kaminsky (on 1945-05-22)
recorded at:
WOR Studios in New York, New York, United States (on 1945-05-22)
recording of:
Milenberg Joys (on 1945-05-22)
writer:
Walter Melrose
composer:
Ferdinand Morton, Paul Mares and Leon Roppolo
Art Hodes's Hot Seven2:39
12Walk On Down
clarinet:
Leonard Bujie Centobie (on 1945-05-22)
double bass:
Jack Lesberg (on 1945-05-22)
drums (drum set):
Danny Alvin (on 1945-05-22)
guitar:
Chick Robertson (jazz guitarist) (on 1945-05-22)
piano:
Art Hodes (on 1945-05-22)
trombone:
George Lugg (Jazz trombonist) (on 1945-05-22)
trumpet:
Max Kaminsky (on 1945-05-22)
recorded at:
WOR Studios in New York, New York, United States (on 1945-05-22)
recording of:
Walk On Down (on 1945-05-22)
composer:
Art Hodes
Art Hodes's Hot Seven3:12
13Willie the Weeper
clarinet:
Leonard Bujie Centobie (on 1945-05-22)
double bass:
Jack Lesberg (on 1945-05-22)
drums (drum set):
Danny Alvin (on 1945-05-22)
guitar:
Chick Robertson (jazz guitarist) (on 1945-05-22)
piano:
Art Hodes (on 1945-05-22)
trombone:
George Lugg (Jazz trombonist) (on 1945-05-22)
trumpet:
Max Kaminsky (on 1945-05-22)
recorded at:
WOR Studios in New York, New York, United States (on 1945-05-22)
recording of:
Willie the Weeper (on 1945-05-22)
writer:
Marty Bloom, Walter Melrose and Grant Rymal
Art Hodes's Hot Seven2:56
14Willie the Weeper (alternate take)
clarinet:
Leonard Bujie Centobie (on 1945-05-22)
double bass:
Jack Lesberg (on 1945-05-22)
drums (drum set):
Danny Alvin (on 1945-05-22)
guitar:
Chick Robertson (jazz guitarist) (on 1945-05-22)
piano:
Art Hodes (on 1945-05-22)
trombone:
George Lugg (Jazz trombonist) (on 1945-05-22)
trumpet:
Max Kaminsky (on 1945-05-22)
recorded at:
WOR Studios in New York, New York, United States (on 1945-05-22)
recording of:
Willie the Weeper (on 1945-05-22)
writer:
Marty Bloom, Walter Melrose and Grant Rymal
Art Hodes's Hot Seven2:57
15Bujie
clarinet:
Leonard Bujie Centobie (on 1945-05-22)
double bass:
Jack Lesberg (on 1945-05-22)
drums (drum set):
Danny Alvin (on 1945-05-22)
guitar:
Chick Robertson (jazz guitarist) (on 1945-05-22)
piano:
Art Hodes (on 1945-05-22)
trumpet:
Max Kaminsky (on 1945-05-22)
recorded at:
WOR Studios in New York, New York, United States (on 1945-05-22)
recording of:
Bujie (on 1945-05-22)
composer:
Bujie Centobie
Art Hodes's Hot Seven3:09
4▼CD
#TitleArtistRatingLength
1None of My Jelly Roll (take 1)
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (Canadian jazz bassist) (on 1945-09-14)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
instrumental recording of:
I Ain’t Gonna Give Nobody None o’ This Jelly Roll (on 1945-09-14)
lyricist and composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) and Spencer Williams (US jazz composer, pianist & singer)
Art Hodes's Back Room Boys3:00
2Blues for Jelly (alternate take 1)
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (Canadian jazz bassist) (on 1945-09-14)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
recording of:
Blues for Jelly (on 1945-09-14)
composer:
Omer Simeon
Art Hodes's Back Room Boys3:33
3Blues for Jelly (alternate take 2)
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (Canadian jazz bassist) (on 1945-09-14)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
recording of:
Blues for Jelly (on 1945-09-14)
composer:
Omer Simeon
Art Hodes's Back Room Boys3:25
4Blues for Jelly
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (Canadian jazz bassist) (on 1945-09-14)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
recording of:
Blues for Jelly (on 1945-09-14)
composer:
Omer Simeon
Art Hodes's Back Room Boys3:29
5Beale Street Blues
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (Canadian jazz bassist) (on 1945-09-14)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
instrumental recording of:
Beale Street Blues (on 1945-09-14)
lyricist and composer:
William Christopher Handy
publisher:
Handy Bros. Music
Art Hodes's Back Room Boys4:11
6Jack Daily Blues
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (Canadian jazz bassist) (on 1945-09-14)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
recording of:
Jack Daily Blues (on 1945-09-14)
composer:
Art Hodes
Art Hodes's Back Room Boys4:49
7None of My Jelly Roll (take 2)
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (Canadian jazz bassist) (on 1945-09-14)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
instrumental recording of:
I Ain’t Gonna Give Nobody None o’ This Jelly Roll (on 1945-09-14)
lyricist and composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) and Spencer Williams (US jazz composer, pianist & singer)
Art Hodes's Back Room Boys3:20
8Save It Pretty Mama
clarinet:
Sidney Bechet (on 1945-10-12)
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
instrumental recording of:
Save It, Pretty Mama (on 1945-10-12)
writer:
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) and Don Redman
Art Hodes' Hot Five3:11
9Way Down Yonder in New Orleans
clarinet:
Sidney Bechet (on 1945-10-12)
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
instrumental recording of:
’Way Down Yonder in New Orleans (on 1945-10-12)
lyricist:
Henry Creamer (Lyricist)
composer:
Turner Layton
publisher:
Shapiro, Bernstein & Co., Inc.
Art Hodes' Hot Five3:09
10Memphis Blues
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
instrumental recording of:
The Memphis Blues (on 1945-10-12)
lyricist:
George A. Norton (in 1913)
composer:
William Christopher Handy (in 1912)
Art Hodes' Hot Five2:57
11Shine
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
instrumental recording of:
Shine (on 1945-10-12)
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (in 1910)
Art Hodes' Hot Five2:58
12St. James Infirmary
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
recording of:
St. James Infirmary (Joe Primrose’s arrangement) (on 1945-10-12)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
Art Hodes' Hot Five3:22
13Darktown Strutter’s Ball
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
instrumental recording of:
Darktown Strutters’ Ball (on 1945-10-12)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. and Leo Feist, Inc.
included in:
Memories / Victory March / Memories II / The Darktown Strutter’s Ball (Stormy Weather, 1943)
part of:
For Me and My Gal (1942 movie)
Art Hodes' Hot Five3:01
14Darktown Strutter’s Ball (alternate take)
clarinet:
Sidney Bechet (on 1945-10-12)
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
instrumental recording of:
Darktown Strutters’ Ball (on 1945-10-12)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. and Leo Feist, Inc.
included in:
Memories / Victory March / Memories II / The Darktown Strutter’s Ball (Stormy Weather, 1943)
part of:
For Me and My Gal (1942 movie)
Art Hodes' Hot Five3:09
15Feelin’ At Ease
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
recording of:
Feelin’ At Ease (on 1945-12-16)
composer:
Albert Nicholas
Baby Dodds's Jazz Four3:12
16Careless Love (78 take)
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
instrumental recording of:
Careless Love (on 1945-12-16)
writer:
[traditional] (special purpose artist), William Christopher Handy, Martha Koenig and Spencer Williams (US jazz composer, pianist & singer)
version of:
Careless Love
Baby Dodds's Jazz Four2:27
17High Society (alternate take)
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
instrumental recording of:
High Society (Armand J. Piron/Clarence Williams) (on 1945-12-16)
writer:
Armand J. Piron and Clarence Williams (US jazz pianist, composer, singer and bandleader)
is based on:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
Baby Dodds's Jazz Four3:39
18High Society
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
instrumental recording of:
High Society (Armand J. Piron/Clarence Williams) (on 1945-12-16)
writer:
Armand J. Piron and Clarence Williams (US jazz pianist, composer, singer and bandleader)
is based on:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
Baby Dodds's Jazz Four3:10
19Winnin’ Boy Blues
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
instrumental recording of:
Winin’ Boy Blues (on 1945-12-16)
lyricist and composer:
Jelly Roll Morton
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) and MPL Music Publishing Inc.
Baby Dodds's Jazz Four3:24
20Careless Love (alternate take)
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
instrumental recording of:
Careless Love (on 1945-12-16)
writer:
[traditional] (special purpose artist), William Christopher Handy, Martha Koenig and Spencer Williams (US jazz composer, pianist & singer)
version of:
Careless Love
Baby Dodds's Jazz Four3:18
21Careless Love (LP take)
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
instrumental recording of:
Careless Love (on 1945-12-16)
writer:
[traditional] (special purpose artist), William Christopher Handy, Martha Koenig and Spencer Williams (US jazz composer, pianist & singer)
version of:
Careless Love
Baby Dodds's Jazz Four4:30