Mum: The Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Just The Way You Are
Techniker(in):
Ari Levine
Produzent(in):
Needlz (hip hop producer) und The Smeezingtons
assistierende(r) Mix:
Erik Madrid (engineer) und Christian Plata
Mix:
Manny Marroquin
Instrumente:
Ari Levine und Bruno Mars (US singer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2010)
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Levcon Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Just the Way You Are von Bruno Mars (US singer)
Teil von:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 5) und BILLIONS CLUB
recording of:
Just the Way You Are
Verfasser(in):
Khari Cain (hip hop producer), Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine, Bruno Mars (US singer) und Khalil Walton
publisher:
Art for Art's Sake Music, BMG Gold Songs, BMG Onyx Songs, Bughouse, Dry Rain Entertainment, Mars Force Music, Music Famamanem LP, Roc Nation Music, Round Hill Harmonies, Toy Plane Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Upper Deck, Warner Geo‐Met‐Ric Music, WC Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bruno Mars4?:??
2Love Goes Down
Techniker(in) und Mix:
Mark “Top” Rankin (engineer)
Produzent(in):
Ben Drew (UK rapper Ben Drew) und David McEwan
zusätzliche(r) Produzent(in):
Eric Appapoulay
alto saxophone und baritone saxophone:
Jason Yarde (piano, saxophone)
Bassgitarre:
Eric Appapoulay
Bratsche / Viola:
Sonia Slany (violinist) und Bruce White (violist)
Cello:
Ian Burdge (cellist)
Flügelhorn und Trompete:
David Priseman
Geige / Violine:
Louisa Fuller (violinist), Sally Herbert (violinist, composer, and conductor), Everton Newson und Warren Zielinski (violinist)
Gitarre:
Tom Wright-Goss
Posaune:
Harry Brown (U.K. trombonist)
Schlagzeug:
Richard Cassell
Tenorsaxophon:
Zem Audu (Nigerian saxophonist and keyboardist)
Trompete:
Mark Crown (trumpeter)
zusätzlich Cello:
Harry Escott
alto saxophone, baritone saxophone, Flügelhorn, Tenorsaxophon, Posaune und Trompete arranger:
Jason Yarde (piano, saxophone)
Saiteninstrumente arranger:
Harry Escott und Sally Herbert (violinist, composer, and conductor)
recording of:
Love Goes Down
Komponist(in):
Ben Drew (UK rapper Ben Drew)
zusätzliche(r) Komponist(in):
Craig Merrin
Plan B?:??
3I Want You (Hold On To Love)
recording of:
I Want You
Verfasser(in):
CeeLo Green, Fraser T. Smith und Jack Splash
CeeLo Green4?:??
4Kiss Me
Techniker(in):
Russ Long (engineer) und Robert Vosgien
Produzent(in):
Steve Taylor (US CCM singer–songwriter/record producer)
Mix:
Ben Grosse (American producer and engineer)
Bass:
Justin Cary (Bass Player) und J.J. Plasencio
Gast-accordion:
John Mark Painter
Gast-Orgel:
Phil Madeira
Gitarre:
Sean Kelly (Sixpence guitarist)
Schlagzeug:
Dale Baker (Drummer; The Maudlin Fee)
vocals:
Leigh Nash (vocalist of Sixpence None the Richer)
phonographisches Urheberrecht (℗) von:
Squint Entertainment (in 1999)
recording of:
Kiss Me
Texter und Komponist(in):
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs und Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer3.6?:??
5(Sittin' On) The Dock Of The Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.45?:??
6I'll Stand By You
Techniker(in):
Steve Williams (UK recording engineer, aka Syco)
Produzent(in):
Ian Stanley
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Adam Seymour
Schlagzeug:
Jimmy Copley und J.F.T. Hood
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 2000) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recording of:
I’ll Stand by You
Verfasser(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) und Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L und Kobalt Publishing Ltd.
Pretenders3.55?:??
7To Be With You
assistierende(r) Techniker(in):
Chris Kupper, David Luke (engineer), Scott Ralston, Michael Semanick und Andy Udoff
Techniker(in) und Mix:
Kevin Elson und Tom Size (US audio engineer)
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
Billy Sheehan
Gitarre:
Paul Gilbert (hard rock/heavy metal guitarist; Mr. Big, Racer X, etc.)
Schlagzeug [drums]:
Pat Torpey
Sologesang [vocals]:
Eric Martin (vocalist for Mr. Big)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991), Warner Music International (trademark of Warner Music International the company) (in 1991) und Warner Music H.K. Ltd. (in 1997)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
To Be With You von Mr. Big (American hard rock band)
recording of:
To Be With You
Verfasser(in):
David Grahame und Eric Martin (vocalist for Mr. Big)
publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Dog Turner Music (vom 1991 bis heute), EMI April Music Inc. (vom 1991 bis heute), Eric Martin Songs (vom 1991 bis heute), Tasmanian Compositions (vom 1991 bis heute), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Mr. Big4.4?:??
8Young Love
recording of:
Young Love
Texter und Komponist(in):
Kai Fish und William Rees
publisher:
Zomba Music Publishing (music publisher – add no releases here!)
Mystery Jets?:??
9We Are Family
recording of:
We Are Family
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge?:??
10Walking In Memphis
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Bass und Orgel:
John Leventhal
Gitarre:
Marc Cohn und John Leventhal
Hammond-Orgel:
Chris Palmaro
Keyboard:
Eric Rehl
Schlagzeug:
Dennis McDermott
Gast Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) und Darryl Tookes
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) und Warner Music H.K. Ltd. (in 1997)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 415)
recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn4?:??
11Make It With You
Bassgitarre, Gitarre, Saiteninstrumente, Hintergrundgesang und Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
Schlagzeug:
Michael Botts
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) und Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 13)
recording of:
Make It With You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread5?:??
12I'd Rather Be With You
recording of:
I’d Rather Be With You
Texter und Komponist(in):
Joshua Radin
Joshua Radin?:??
13Black Velvet
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles?:??
14Young Hearts Run Free
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Bassgitarre:
Scotty Edwards (bassist)
Conga:
Eddie Bongo
Gitarre:
Jay Graydon und Ray Parker
Keyboard:
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) und Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Synthesizer:
Monty Stark
Vibraphon:
Vic Feldman
Hintergrundgesang:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells und June D. Williams
Sologesang:
Candi Staton
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 424)
recording of:
Young Hearts Run Free
Texter und Komponist(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. und IQ Music Ltd.
Candi Staton4.2?:??
157 Days
Craig David?:??
16Never Ever
recording of:
Never Ever
Verfasser(in):
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis und Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. und STL Songs Ltd.
All Saints3.65?:??
17(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (am 1967-02-16)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-02-16)
Klavier:
Spooner Oldham (am 1967-02-16)
Schlagzeug:
Gene Chrisman (am 1967-02-16)
Trompete:
Bernie Glow (am 1967-02-16), Melvin Lastie (am 1967-02-16) und Joe Newman (US jazz trumpeter) (am 1967-02-16)
Chorgesang:
Carolyn Franklin (am 1967-02-16), Erma Franklin (am 1967-02-16) und The Sweet Inspirations (am 1967-02-16)
vocals:
Aretha Franklin (am 1967-02-16)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-16)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 10) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 90)
cover recording of:
(You Make Me Feel Like) A Natural Woman (am 1967-02-16)
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.2?:??
18Stay Another Day
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1994)
recording of:
Stay Another Day
Verfasser(in) und Komponist(in):
Dominic Hawken, Rob Kean und Tony Mortimer
publisher:
Polygram Music und Porky Publishing
East 17?:??
19You Might Need Somebody
recording engineer und Techniker(in):
Ben ‘Jammin’ Robbins (UK producer, engineer, songwriter, arranger and keyboardist) und Ed Lover
membranophone-Programmierung:
Ed Baden Powell
Produzent(in):
D’Influence
Bassgitarre:
Ed Baden Powell
Horn:
D-I Horny Horns, Steve Marston und Kenny Wellington
Saiteninstrumente:
Stephen Hussey
zusätzlich Keyboard:
Kwame Kwaten
Hintergrundgesang und Sologesang:
Shola Ama
Interpret(in):
D-I Horny Horns
Saiteninstrumente arranger:
Ed Baden Powell
arranger:
D’Influence
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1997)
aufgenommen bei:
R G Jones in Wimbledon, Merton, London (Greater London), England, Vereinigtes Königreich und The D Lab
cover recording of:
You Might Need Somebody
Komponist(in):
Nan O’Byrne (American songwriter and composer) und Tom Snow (US keyboardist/songwriter)
Shola Ama3.65?:??
20The Weakness In Me
Keisha White?:??
2▼CD
Nr.TitelKünstlerBewertungLänge
1Last Request
zusätzliche Programmierung:
Matt Benbrook
assistierende(r) Techniker(in):
Darren Simpson (engineer)
Techniker(in):
Mark Phythian
zusätzliche(r) Techniker(in):
Richard Wilkinson (production music)
Produzent(in):
Matt Benbrook (Saiteninstrumente) und Ken Nelson (UK record producer)
Mix:
Tom Elmhirst (mixing engineer)
Akustikgitarre und Hintergrundgesang:
Donny Little (guitar player)
Bassgitarre:
Mike Hunter (UK producer & engineer)
Gitarre:
Eddie Harrison, Donny Little (guitar player) und Ken Nelson (UK record producer)
Keyboard, Perkussion und Schlagzeug:
Jim Duguid
Saiteninstrumente:
Matt Benbrook
Sologesang:
Paolo Nutini
recording of:
Last Request
Verfasser(in):
Matt Benbrook, Jim Duguid und Paolo Nutini
Paolo Nutini3.35?:??
2If You Leave Me Now
recording engineer:
Armin Steiner (von 1976-03 bis 1976-04: Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (von 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (von 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (von 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
Chicago4.2?:??
31973
James Blunt?:??
4If You Don't Know Me By Now
assistierende(r) Techniker(in):
Clark Germain und Karl Lever
Techniker(in) und Mix:
Daren Klein
Produzent(in):
Stewart Levine (record producer and saxophonist)
zusätzliche(r) Produzent(in):
Mick Hucknall (lead singer of Simply Red)
Bass:
Tony Bowers
Gitarre:
Heitor T. P.
Keyboard:
Tim Kellett und Fritz McIntyre
Perkussion:
Lennie Castro
Saxophon:
Ian Kirkham
Schlagzeug:
Chris Joyce
Trompete:
Tim Kellett
Hintergrundgesang:
Fritz McIntyre und Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
Sologesang:
Mick Hucknall (lead singer of Simply Red)
Interpret(in):
Simply Red (English soul and pop band)
phonographisches Urheberrecht (℗) von:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (in 1989), Warner Music UK Ltd. (not for release label use!) (in 1989) und WEA Records Ltd. (holding company based in the UK) (in 1989)
produced for:
Oliverea Productions Ltd
cover recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.4?:??
5Do You Know The Way To San Jose
recording of:
Do You Know the Way to San Jose
Texter:
Hal David (in 1968)
Komponist(in):
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. und JAC Music Co., Inc.
Dionne Warwick?:??
6Ain't Nobody
alto saxophone:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
Bass:
Bobby Watson (bassist)
flute:
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) und Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
Gitarre:
Tony Maiden
Keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) und David “Hawk” Wolinski
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Tenorsaxophon:
Gary Herbig und Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
Trompete:
Jerry Hey
zusätzlich Synthesizer:
James Newton Howard (American score composer)
vocals:
Chaka Khan und Tony Maiden
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 88) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 403)
recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Chaka Khan4.05?:??
7Give Me The Night
George Benson?:??
8My Lovin' (You're Never Gonna Get It)
En Vogue2?:??
9Working My Way Back To You
recording of:
Working My Way Back to You
Verfasser(in):
Sandy Linzer und Denny Randell
publisher:
Ardmore and Beechwood Ltd., EMI Music Publishing (do not use as a release label!), Saturday Music, Inc. und Seasons 4 Music
The Spinners?:??
10Crying In The Rain
recording engineer und Mix:
Nick Davis (producer, engineer)
Produzent(in):
Christopher Neil
Bass:
Jørun Bøgeberg
Schlagzeug:
Per Hillestad
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1990) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1990)
Teil von:
The Downloader’s Music Source Book (Nummer: 274)
cover recording of:
Crying in the Rain (Everly Brothers song)
Texter:
Howard Greenfield
Verfasser(in):
Carole King
publisher:
Screen Gems–EMI Music Ltd.
a‐ha3.5?:??
11She Drives Me Crazy
Techniker(in):
David Z. (producer/engineer David Rivkin)
Koproduzent(in):
Fine Young Cannibals und David Z. (producer/engineer David Rivkin)
Bass, drum machine und Keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, Gitarre und Tamburin:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographisches Urheberrecht (℗) von:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) und London Records Ltd. (not release label) (in 1989)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals4?:??
12Don't Go
Hothouse Flowers?:??
13Somewhere In My Heart
Produzent(in):
Michael Jonzun
recording of:
Somewhere in My Heart
Texter und Komponist(in):
Roddy Frame
publisher:
Complete Music Ltd.
Aztec Camera3.6?:??
14Gimme All Your Lovin'
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
E-Bass:
Dusty Hill
E-Gitarre und Sologesang:
Billy Gibbons
Perkussion und Schlagzeug:
Frank Beard (ZZ Top drummer)
vocals:
Dusty Hill
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Gimme All Your Lovin’
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three und Songs of Mosaic
ZZ Top4.05?:??
15Dance With Me
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1973)
recording of:
Dance With Me
Texter:
Johanna Hall
Komponist(in):
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Orleans?:??
16Just The Two Of Us
Produzent(in):
Ralph MacDonald und Grover Washington, Jr.
E-Bass:
Marcus Miller (jazz musician) (von 1980-06 bis 1980-07)
E-Gitarre:
Eric Gale (von 1980-06 bis 1980-07)
Perkussion:
Ralph MacDonald (von 1980-06 bis 1980-07)
Rhodes Piano:
Richard Tee (von 1980-06 bis 1980-07)
Saxophon:
Grover Washington, Jr. (von 1980-06 bis 1980-07)
Schlagzeug:
Steve Gadd (drummer) (von 1980-06 bis 1980-07)
Sologesang:
Bill Withers (von 1980-06 bis 1980-07)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1980), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1980) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
Bearbeitung von:
Just the Two of Us (original studio mix) von Bill Withers & Grover Washington, Jr.
recording of:
Just the Two of Us (Bill Withers song) (von 1980-06 bis 1980-07)
Verfasser(in):
Ralph MacDonald, William Salter und Bill Withers
publisher:
Antisia Music Inc. und Bleunig Music
Grover Washington, Jr. & Bill Withers3.5?:??
17Midnight At The Oasis
Maria Muldaur?:??
18Saturday Night At The Movies
recording of:
Saturday Night at the Movies
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music Ltd.
The Drifters?:??
19Tender Love
Force MD’s?:??
20When A Man Loves A Woman
recording of:
When a Man Loves a Woman
Verfasser(in):
Calvin Lewis und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge?:??
3▼CD
Nr.TitelKünstlerBewertungLänge
1Songbird
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 2004)
aufgenommen bei:
Zellerbach Auditorium in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1976-03-03)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Songbird (am 1976-03-03)
Texter und Komponist(in):
Christine McVie
arranger:
Glyn Johns
publisher:
BMG Publishing und Gentoo Music, Inc.
Fleetwood Mac3.9?:??
2Slow
Produzent(in):
Steve Brown (engineer/music producer)
assistierende(r) Mix:
Dan Parry (British mix/recording engineer)
Mix:
Tom Elmhirst (mixing engineer)
vocals:
Rumer
mixed at:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Slow von Rumer
recording of:
Slow
Texter und Komponist(in):
Sarah Joyce
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Rumer3.65?:??
3Skinny Love
Techniker(in) und Mix:
Paul ‘P Dub’ Walton
Produzent(in):
Alex H.N.Gilbert (A&R at UK label 14th Floor Records)
Klavier:
Birdy (UK singer Jasmine van den Bogaerde)
vocals:
Birdy (UK singer Jasmine van den Bogaerde)
aufgenommen bei:
Dean Street Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Skinny Love (music video) von Birdy (UK singer Jasmine van den Bogaerde)
cover recording of:
Skinny Love
Texter und Komponist(in):
Justin Vernon
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
recording of:
Skinny Love
Texter und Komponist(in):
Justin Vernon
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Birdy3.65?:??
4Runaway
recording of:
Runaway
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr und Sharon Corr
publisher:
PolyGram Music Publishing
The Corrs?:??
5The Rose
Produzent(in):
Paul A. Rothchild
zusätzliche(r) Produzent(in):
Bill Gazecki
Sologesang:
Bette Midler (in 1979)
vocals:
Bette Midler (in 1979)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
Paul A. Rothchild
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recording of:
The Rose (in 1979)
Texter und Komponist(in):
Amanda McBroom
publisher:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.2?:??
6I Believe
Katherine Jenkins With Andrea Bocelli?:??
7Wishing On A Star
recording of:
Wishing on a Star
Texter und Komponist(in):
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce5?:??
8Stand By Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.65?:??
9I Don't Want To Talk About It
Everything but the Girl?:??
10One Day I'll Fly Away
recording of:
One Day I’ll Fly Away
Texter:
Will Jennings
Komponist(in):
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. und Leeds Music Ltd.
Randy Crawford?:??
11Walk In Love
recording of:
Walk in Love (1976 song)
Verfasser(in):
David Batteau und John Klemmer
The Manhattan Transfer?:??
12To Love Again
Produzent(in):
Gary Barlow und John Shanks
recording of:
To Love Again
Verfasser(in):
Gary Barlow, Alesha Dixon (English singer, rapper, dancer and author) und John Shanks
Alesha Dixon2?:??
13I Want To Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott "Abada" Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner4?:??
14How Wonderful You Are
recording of:
How Wonderful You Are
Texter und Komponist(in):
Gordon Haskell
publisher:
Corner Shop Music Ltd, Peermusic III, Ltd. (BMI) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Gordon Haskell?:??
15All I Have To Do Is Dream
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 141) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 323)
recording of:
All I Have to Do Is Dream (in 1958)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers4?:??
16Glory Of Love
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer) und John Guess
Produzent(in):
Michael Omartian
Gast Hintergrundgesang:
Kenny Cetera
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und Warner Music International (trademark of Warner Music International the company) (in 1986)
aufgenommen bei und mixed at:
Lion Share Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Glory of Love
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2)
Peter Cetera4.2?:??
17I Got You Babe
vocals:
Sonny Bono (in 1965) und Cher (in 1965)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 444)
recording of:
I Got You Babe (in 1965)
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher4?:??
18I Swear
All‐4‐One?:??
19(Something Inside) So Strong
recording of:
(Something Inside) So Strong
Texter und Komponist(in):
Labi Siffre
publisher:
Empire Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/Empire Music Ltd. und Xavier Music Ltd.
Labi Siffre?:??
20Both Sides, Now
recording of:
Both Sides Now
Texter und Komponist(in):
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins4?:??

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