Baroque Gold: 50 Great Tracks

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Clarke: Trumpet Voluntary (Arr. for Brass Ensemble)
recorded in:
Ratzeburg, Schleswig-Holstein, Germany (in 1990-11)
engineer:
Simon Eadon (classical music engineer)
producer:
Chris Hazell (in 1990-11)
brass:
Michael Laird Brass Ensemble
organ:
Peter Hurford (organist) (from 1990-11 to present, in 1990-11)
orchestra:
Michael Laird Brass Ensemble (from 1990-11 to present, in 1990-11)
arranger:
Peter Hurford (organist)
balance engineer:
Simon Eadon (classical music engineer) (in 1990-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1991)
recorded at:
Ratzeburger Dom in Ratzeburg, Schleswig-Holstein, Germany (from 1990-11 to present)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”) (in 1990-11)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke2:58
2Concerto for Violin and Strings in E, op. 8 no. 1, RV 269 "La Primavera": 1. Allegro
producer:
Peter Wadland (producer)
guitar:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Christopher Hirons (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:26
3Concerto for Violin and Strings in E, op. 8 no. 1, RV 269 "La Primavera": 2. Largo
producer:
Peter Wadland (producer)
guitar:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Christopher Hirons (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:26
4Concerto for Violin and Strings in E, op. 8 no. 1, RV 269 "La Primavera": 3. Allegro (Danza pastorale)
producer:
Peter Wadland (producer)
guitar:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Christopher Hirons (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:58
5Rinaldo: Act 2: Lascia ch'io pianga
producer:
Chris Sayers (producer)
mezzo-soprano vocals and mezzo-soprano vocals [Almirena]:
Cecilia Bartoli (mezzo‐soprano) (from 1999-11-19 until 1999-11-27)
orchestra:
Academy of Ancient Music (from 1999-11-19 until 1999-11-27)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1999-11-19 until 1999-11-27)
performer:
Cecilia Bartoli (mezzo‐soprano)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1999-11-19 until 1999-11-27)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) (from 1999-11-19 until 1999-11-27)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel4.54:49
6The Well-Tempered Clavier, Book I, BWV 846-869: 1. Prelude and Fugue In C , BWV 846
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
Johann Sebastian Bach4:12
7Music for the Royal Fireworks: Suite HWV 351: 1. Ouverture
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel9:25
8Music for the Royal Fireworks: Suite HWV 351: 2. Bourrée
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Music for the Royal Fireworks, HWV 351: II. Bourrée
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:20
9Music for the Royal Fireworks: Suite HWV 351: 3. La paix
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:22
10Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:15
11Music for the Royal Fireworks: Suite HWV 351: 5. Menuet I-II
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:26
12Toccata and Fugue in D minor, BWV 565: I. Toccata
producer:
Gerd Ploebsch
organ:
Simon Preston (organist, conductor, composer) (in 1988-09)
balance engineer:
Hans‐Peter Schweigmann (in 1988-09)
recorded at:
Kreuzbergkirche in Bonn, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1988-09)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (in 1988-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach2:28
13Toccata and Fugue in D minor, BWV 565: II. Fugue
organ:
Simon Preston (organist, conductor, composer) (in 1988-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Kreuzbergkirche in Bonn, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1988-09)
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge (in 1988-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach5:57
14Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 2. Largo
lute:
Tom Finucane (lutist)
orchestra:
New London Consort
conductor:
Philip Pickett (musician)
recording of:
Concerto for Lute in D major, RV 93: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi5:03
15Samson HWV 57: Act 3: Let the bright seraphim
engineered in:
Watford, Hertfordshire, England, United Kingdom (from 2003-11-15 until 2003-11-24)
producer:
Andrew Cornall (engineer / producer) (from 2003-11-15 until 2003-11-24)
cello:
Richard Tunnicliffe (cello and viol player) (from 2003-11-15 until 2003-11-24)
harpsichord:
Alastair Ross (organist and harpsichordist) (from 2003-11-15 until 2003-11-24)
theorbo:
Elizabeth Kenny (lutenist) (from 2003-11-15 until 2003-11-24)
trumpet:
David Blackadder (trumpet player) (from 2003-11-15 until 2003-11-24)
soprano vocals:
Renée Fleming (soprano) (from 2003-11-15 until 2003-11-24)
orchestra:
Orchestra of the Age of Enlightenment (from 2003-11-15 until 2003-11-24)
conductor:
Harry Bicket (harpsichordist, organist and conductor) (from 2003-11-15 until 2003-11-24)
balance engineer:
Tom Lazarus (from 2003-11-15 until 2003-11-24)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 2003-11-15 until 2003-11-24)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman) (from 2003-11-15 until 2003-11-24)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
George Frideric Handel5:37
16Orfeo ed Euridice (Vienna Version, 1762), Wq. 30: Act II, Scene 2: Ballo. Andante (Danza degli spirit (Live)
orchestra:
Insula Orchestra (orchestra with period instruments)
conductor:
Laurence Equilbey
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck2:12
17Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude
producer:
Paul Myers (classical record producer)
cello:
Lynn Harrell (cellist) (in 1982-10)
balance engineer:
Stanley Goodall (engineer) (in 1982-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-10)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:19
18Dido and Aeneas, Z. 626: Act 3: When I Am Laid In Earth
producer:
Dominic Fyfe
soprano vocals:
Pumeza Matshikiza (in 2015-06)
orchestra:
Aarhus Symfoniorkester (in 2015-06)
conductor:
Tobias Ringborg (violinist and conductor) (in 2015-06)
recorded at:
Musikhuset Aarhus (The Concert Hall Aarhus) in Aarhus, Central Denmark Region, Denmark (in 2015-06)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 2015-06)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:45
19L'Orfeo, SV 318: Prologo: Toccata
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-12) and His Majesties Sagbutts & Cornetts (British early music group) (in 1985-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1985, in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L’Orfeo: Toccata (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:38
20The Fairy Queen, Z. 629:Act 4: Symphony
producer:
Dr. Andreas Holschneider and Klaus L. Neumann
instruments:
English Baroque Soloists (The English Baroque Soloists)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1981-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1981-06)
balance engineer:
Barbara Valentin (engineer) and Heinz Wildhagen (engineer, producer)
recorded at:
Stadthalle in Göttingen, Niedersachsen (Lower Saxony), Germany (in 1981-06)
recording of:
The Fairy Queen, Z. 629: Act IV, no. 30. Symphony (Canzona, Largo, Allegro, Adagio) (in 1981-06)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
recording of:
The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell36:14
21Concerto for Violin and Strings in G minor, op. 8 no. 2, RV 315 "L'estate": 1. Allegro non molto - Allegro
producer:
Peter Wadland (producer)
archlute:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
John Holloway (violinist/conductor) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
solo performer:
John Holloway (violinist/conductor)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:26
22Concerto for Violin and Strings in G minor, op. 8 no. 2, RV 315 "L'estate": 2. Adagio - Presto - Adagio
producer:
Peter Wadland (producer)
archlute:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
John Holloway (violinist/conductor) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
solo performer:
John Holloway (violinist/conductor)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:02
23Concerto for Violin and Strings in G minor, op. 8 no. 2, RV 315 "L'estate": 3. Presto (Tempo impetuoso d'estate)
producer:
Peter Wadland (producer)
archlute:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
John Holloway (violinist/conductor) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
solo performer:
John Holloway (violinist/conductor)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:44
24Canon and Gigue in D major, P. 37
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Canon and Gigue in D major, P. 37, T. 337
composer:
Johann Pachelbel (composer)
part of:
Thematic Catalogue of the Musical Works of Johann Pachelbel (Pachelbel catalogue by Jean M. Perreault) (number: P. 37), Johann Pachelbel: Organist, Teacher, Composer, A Critical Reexamination of His Life, Works, and Historical Significance (Pachelbel catalogue by Kathryn Janes Welter) (number: PC. 358) and Archive of Johann Pachelbel’s Works (Pachelbel catalogue by Hideo Tsukamoto) (number: T. 337)
Johann Pachelbel5:14
25Adagio for Strings and Organ in G minor
pipe organ:
Maria Teresa Garatti (keyboardist) (in 1960-11)
orchestra:
I Musici (in 1960-11)
recorded at:
Aula la magna de l'ateneo Antoniano in Roma (Rome), Roma, Lazio, Italy (in 1960-11)
recording of:
Adagio for Strings and Organ in G minor (in 1960-11)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni7:00
26Gloria in D major, RV 589: 1. Gloria in excelsis
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1978-07)
soprano vocals:
Emma Kirkby (soprano) (in 1978-07)
orchestra:
Academy of Ancient Music (in 1978-07)
conductor:
Simon Preston (organist, conductor, composer) (in 1978-07)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-07)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1978-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi32:24
27Brandenburg Concerto no. 2 in F, BWV 1047: 1. (Allegro)
recording engineer:
Jonathan Stokes (engineer) (in 1993-01)
producer:
Chris Sayers (producer)
orchestra:
New London Consort (in 1993-01)
conductor:
Philip Pickett (musician) (in 1993-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1993-01)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (in 1993-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:12
28Brandenburg Concerto no. 2 in F, BWV 1047: 2. Andante
recording engineer:
Jonathan Stokes (engineer) (in 1993-01)
producer:
Chris Sayers (producer)
orchestra:
New London Consort (in 1993-01)
conductor:
Philip Pickett (musician) (in 1993-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1993-01)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (in 1993-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:15
29Brandenburg Concerto no. 2 in F, BWV 1047: 3. Allegro assai
recording engineer:
Jonathan Stokes (engineer) (in 1993-01)
producer:
Chris Sayers (producer)
orchestra:
New London Consort (in 1993-01)
conductor:
Philip Pickett (musician) (in 1993-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1993-01)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (in 1993-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:55
30Sonata in G minor for Violin and Continuo, B.g5 "The Devil's Trill": 3. Andante - Allegro
cello:
Catherine Rimer (cellist) (on 2010-09-29)
harpsichord:
Christian Curnyn (conductor) (on 2010-09-29)
theorbo:
Thomas Dunford (lutenist) (on 2010-09-29)
violin:
Nicola Benedetti (violinist) (on 2010-09-29)
conductor:
Christian Curnyn (conductor) (on 2010-09-29)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 2010-09-29)
recording of:
Violin Sonata in G minor, B. g5 'Le trille du diable': III. Andante - Allegro (on 2010-09-29)
composer:
Giuseppe Tartini (Italian composer)
part of:
Violin Sonata in G minor, B. g5, 'Le trille du diable' (three-movement version)
Giuseppe Tartini5:28
31Dorilla in Tempe, RV 709: Act I: Dell'aura al sussurrar
choir vocals:
Arnold Schoenberg Chor
vocals:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Il Giardino Armonico (Italian baroque ensemble)
conductor:
Giovanni Antonini (conductor and flautist)
partial recording of:
Dorilla in Tempe, RV 709
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Antonio Maria Lucchini
premiered at:
Teatro San Angelo (1677-1803) in Venezia (Venice), Venezia, Veneto, Italy (on 1726-11-09)
part of:
Ryom-Verzeichnis (number: RV 709)
Antonio Vivaldi2:03
32Minuet in G major, BWV Anh. 114 / Minuet in G minor, BWV Anh. 115
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Menuet in G minor, BWV Anh. 115
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 5), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 115 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 115)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
Johann Sebastian Bach1:49
33Concerto grosso in G minor, op. 6 no. 8 "Fatto per la notte di Natale": 4. Allegro - Pastorale (Largo)
producer:
Peter Wadland (producer)
archlute:
Nigel North (English lute player) (from 1982-06 until 1982-07)
violin:
Christopher Hirons (violinist) (from 1982-06 until 1982-07) and Catherine Mackintosh (violinist) (from 1982-06 until 1982-07)
orchestra:
The Academy of Ancient Music (from 1982-06 until 1982-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-06 until 1982-07)
balance engineer:
John Dunkerley (engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro (from 1982-06 until 1982-07)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo) (from 1982-06 until 1982-07)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Johann Sebastian Bach5:28
34La Sonnerie de Sainte-Geneviève du mont de Paris
cello:
Christophe Coin (cellist)
violin:
Monica Huggett (violinist)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Sonnerie de Ste. Geneviève du Mont-de-Paris
composer:
Marin Marais (French composer) (in 1723)
Marin Marais8:09
35Solomon, HWV 67: Act III: Sinfonia "The Arrival of the Queen of Sheba"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
orchestra:
The English Concert (in 1984-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-03)
balance engineer:
Hans‐Peter Schweigmann (in 1984-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-03)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1984-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel3:10
36Concerto for Violin and Strings in F, op. 8 no. 3, RV 293 "L'autunno": 1. Allegro (Ballo, e canto de' villanelli)
producer:
Peter Wadland (producer)
guitar:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Alison Bury (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:02
37Concerto for Violin and Strings in F, op. 8 no. 3, RV 293 "L'autunno": 2. Adagio molto (Ubriachi dormienti)
producer:
Peter Wadland (producer)
guitar:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Alison Bury (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:19
38Concerto for Violin and Strings in F, op. 8 no. 3, RV 293 "L'autunno": 3. Allegro (La caccia)
producer:
Peter Wadland (producer)
guitar:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Alison Bury (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:10
39Concerto for Harpsichord, Strings and Continuo no. 1 in D minor, BWV 1052: 1. Allegro
producer:
Chris Sayers (producer)
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (from 1995-02-02 until 1995-02-03)
orchestra:
Academy of Ancient Music (from 1995-02-02 until 1995-02-03)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1995-02-02 until 1995-02-03)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-02-02 until 1995-02-03, on 1995-02-04)
recording of:
Keyboard Concerto in D minor, BWV 1052: I. Allegro (from 1995-02-02 until 1995-02-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Harpsichord Concerto No.1 in D minor, BWV 1052a: I. Allegro (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
Johann Sebastian Bach7:27
40Stabat Mater: 1. Stabat Mater
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer) (in 1988-08)
editor:
Matthew Hutchinson (engineer / editor)
countertenor vocals:
James Bowman (UK countertenor) (in 1988-08)
soprano vocals:
Emma Kirkby (soprano) (in 1988-08)
orchestra:
Academy of Ancient Music (in 1988-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1988-08)
balance engineer:
John Dunkerley (engineer) (in 1988-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
recorded at:
St Jude’s Church in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1988-08)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:28
41Suite no. 3 In D major, BWV 1068: 2. Air
producer:
Peter Wadland (producer)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1985-03)
orchestra:
The Academy of Ancient Music (in 1985-03)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1985-03)
balance engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-03)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1985-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:25
42Violin Concerto no. 2 in E, BWV 1042: 1. Allegro
engineer:
Philip Siney (sound engineer) (from 2013-06-07 until 2013-06-13)
cello:
Maarten Jansen (cellist) (from 2013-06-07 until 2013-06-13)
double bass:
Rick Stotijn (Dutch double bassist) (from 2013-06-07 until 2013-06-13)
harpsichord:
Jan Jansen (Dutch clarinetist) (from 2013-06-07 until 2013-06-13)
solo violin:
Janine Jansen (Dutch violinist and violist) (from 2013-06-07 until 2013-06-13)
viola:
Nimrod Guez (from 2013-06-07 until 2013-06-13) and Pauline Sachse (violist) (from 2013-06-07 until 2013-06-13)
violin:
Cindy Albracht (from 2013-06-07 until 2013-06-13), Boris Brovtsyn (violinist) (from 2013-06-07 until 2013-06-13), Tijmen Huisingh (from 2013-06-07 until 2013-06-13), Julia-Maria Kretz (from 2013-06-07 until 2013-06-13), Fredrik Paulsson (Swedish violinist and violist) (from 2013-06-07 until 2013-06-13) and Monika Urbonaite (from 2013-06-07 until 2013-06-13)
recorded at:
Andreaskirche (Berlin-Wannsee) in Steglitz-Zehlendorf, Berlin, Germany (from 2013-06-07 until 2013-06-13)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (Violin Concerto in E major, BWV 1042: I. Allegro) (from 2013-06-07 until 2013-06-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach7:23
43Organ Concerto no. 6 in B-flat, op. 4 no. 6 HWV 294: 1. Andante - Allegro
organ:
Ottavio Dantone (harpsichordist, organist and conductor)
orchestra:
Accademia Bizantina
recording of:
Organ Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante - Allegro
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
arrangement of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: I. Andante – Allegro (original version, for harp)
part of:
Organ Concerto in B-flat major, op. 4 no. 6, HWV 294
George Frideric Handel4:25
44Serse, HWV 40: Act 1: "Ombra mai fu"
recording engineer:
Philip Siney (sound engineer) (from 2009-01-28 until 2009-03-24)
assistant engineer:
Mark Buecker (engineer of classical recordings)
producer:
Arend Prohmann (producer / editor) (in 2009-03)
editor:
Martin Heimgartner
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (from 2009-01-28 until 2009-03-24)
orchestra:
Il Giardino Armonico (Italian baroque ensemble) (from 2009-01-28 until 2009-03-24)
conductor:
Giovanni Antonini (conductor and flautist) (from 2009-01-28 until 2009-03-24)
balance engineer:
Philip Siney (sound engineer) (in 2009-03)
recorded at:
Centro Cultural Miguel Delibes in Valladolid, Valladolid (Province of Valladolid), Castilla y León (Castile and León), Spain (from 2009-01-28 until 2009-03-24)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (from 2009-01-28 until 2009-03-24)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:23
45Wachet auf, ruft uns die Stimme, Cantata BWV 140: I. Chorus. Wachet auf, ruft uns die Stimme
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
oboe:
Richard Earle (oboist) (in 1990-03) and Anthony Robson (oboist) (in 1990-03)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach6:18
46Goldberg Variations, BWV 988: Aria da Capo
harpsichord:
Christophe Rousset (French harpsichordist & conductor)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (LAST movement)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:20
47Concerto for Violin and Strings in F minor, op. 8 no. 4, RV 297 "L'inverno": 1. Allegro non molto
producer:
Peter Wadland (producer)
archlute:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Catherine Mackintosh (violinist) (from 1982-11 until 1982-12)
orchestra:
The Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:22
48Concerto for Violin and Strings in F minor, op. 8 no. 4, RV 297 "L'inverno": 2. Largo
producer:
Peter Wadland (producer)
archlute:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Catherine Mackintosh (violinist) (from 1982-11 until 1982-12)
orchestra:
The Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:59
49Concerto for Violin and Strings in F minor, op. 8 no. 4, RV 297 "L'inverno": 3. Allegro
producer:
Peter Wadland (producer)
archlute:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Catherine Mackintosh (violinist) (from 1982-11 until 1982-12)
orchestra:
The Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:09
50Messiah, HWV 56: Pt. 2: 44. Hallelujah
choir vocals:
Christ Church Cathedral Choir, Oxford
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
chorus master:
Simon Preston (organist, conductor, composer)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:50