Annotation

Limited edition box set sold at Star Wars Celebration Japan 2025 from 2025-04-18 to 2025-04-20.

Discs 12 to 23 are premiere CD releases (some tracks on 13 have previously been released on CD).

Annotation last modified on 2025-03-28 07:58 UTC.

Tracklist

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1CD: Star Wars: The Phantom Menace
#TitleArtistRatingLength
1Star Wars Main Title and the Arrival at Naboo
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Main Title (Star Wars) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
recording of:
The Arrival at Naboo (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams3.42:55
2Duel of the Fates
choir vocals:
London Voices (from 1999-02-05 until 1999-02-18)
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-18)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Duel of the Fates (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-18)
composer:
John Williams (American score composer)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars: The Phantom Menace - Suite for Orchestra
John Williams44:14
3Anakin’s Theme
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Anakin’s Theme (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars: The Phantom Menace - Suite for Orchestra
John Williams2.753:09
4Jar Jar’s Introduction and the Swim to Otoh Gunga
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Jar Jar’s Introduction / The Swim to Otoh Gunga (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams2.655:08
5The Sith Spacecraft and the Droid Battle
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
The Sith Spacecraft / The Droid Battle (Star Wars, Episode I: The Phantom Menace)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams3.152:37
6The Trip to the Naboo Temple and the Audience With Boss Nass
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
The Trip to the Naboo Temple / The Audience With Boss Nass (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams34:07
7The Arrival at Tatooine and the Flag Parade
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
The Arrival at Tatooine (Star Wars, Episode 1: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
recording of:
The Flag Parade (Star Wars, Episode 1: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars: The Phantom Menace - Suite for Orchestra
John Williams3.154:04
8He Is the Chosen One
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
He Is the Chosen One (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams33:53
9Anakin Defeats Sebulba
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Anakin Defeats Sebulba (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams34:24
10Passage Through the Planet Core
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Passage Through the Planet Core (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams2.254:40
11Watto’s Deal and Kids at Play
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Watto’s Deal / Kids at Play (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams34:57
12Panaka and the Queen’s Protectors
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Panaka and the Queen’s Protectors (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams33:24
13Queen Amidala and the Naboo Palace
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Queen Amidala / The Naboo Palace (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams2.754:52
14The Droid Invasion and the Appearance of Darth Maul
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
The Droid Invasion / The Appearance of Darth Maul (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams3.45:14
15Qui-Gon’s Noble End
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Qui-Gon’s Noble End (Star Wars, Episode I: The Phantom Menace)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams33:48
16The High Council Meeting and Qui-Gon’s Funeral
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
The High Council Meeting / Qui-Gon’s Funeral (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams3.253:09
17Augie’s Great Municipal Band and End Credits
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Augie’s Great Municipal Band / End Credits (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
End Titles (Star Wars, Episode IV: A New Hope)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams3.259:38
2CD: Star Wars: Attack of the Clones
#TitleArtistRatingLength
1Star Wars Main Title and Ambush on Coruscant
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Ambush on Coruscant (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
recording of:
Main Title (Star Wars) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams3.153:49
2Across the Stars (Love Theme From "Star Wars: Attack of the Clones")
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Across the Stars (Star Wars, Episode II: Attack of the Clones; love theme) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams3.655:33
3Zam the Assassin and the Chase Through Coruscant
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Zam the Assassin / The Chase Through Coruscant (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams3.2511:08
4Yoda and the Younglings
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Yoda and the Younglings (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams33:58
5Departing Coruscant
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Departing Coruscant (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams2.51:46
6Anakin and Padmé
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Anakin and Padmé (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams2.253:57
7Jango's Escape
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Jango’s Escape (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams2.953:48
8The Meadow Picnic
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
The Meadow Picnic (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams2.754:15
9Bounty Hunter's Pursuit
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Bounty Hunter's Pursuit (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams33:22
10Return to Tatooine
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Return to Tatooine (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams2.756:56
11The Tusken Camp and the Homestead
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
The Tusken Camp / The Homestead (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams2.255:56
12Love Pledge and the Arena
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Love Pledge / The Arena (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams3.48:30
13Confrontation With Count Dooku and Finale
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Confrontation With Count Dooku / Finale (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
quotes music from:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme)
quotes music from:
Across the Stars (Star Wars, Episode II: Attack of the Clones; love theme)
quotes music from:
End Titles (Star Wars, Episode IV: A New Hope)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams3.2510:45
3CD: Star Wars: Revenge of the Sith
#TitleArtistRatingLength
1Star Wars and the Revenge of the Sith
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
recording of:
The Revenge of the Sith
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams3.47:31
2Anakin's Dream
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Anakin’s Dream (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams3.154:46
3Battle of the Heroes
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Battle of the Heroes (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams3.53:42
4Anakin's Betrayal
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Anakin’s Betrayal (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams3.654:04
5General Grievous
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
General Grievous (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams2.94:07
6Palpatine's Teachings
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Palpatine’s Teachings (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams2.355:25
7Grievous and the Droids
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Grievous and the Droids (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams33:28
8Padmé's Ruminations
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Padmé’s Ruminations (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams2.253:17
9Anakin vs. Obi-Wan
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Anakin vs. Obi-Wan
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams3.53:57
10Anakin's Dark Deeds
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Anakin’s Dark Deeds (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams34:05
11Enter Lord Vader
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Enter Lord Vader (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams3.74:14
12The Immolation Scene
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Immolation Scene (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams3.52:42
13Grievous Speaks to Lord Sidious
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Grievous Speaks to Lord Sidious (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams2.752:49
14The Birth of the Twins and Padmé's Destiny
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Birth of the Twins / Padmé’s Destiny (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams2.93:37
15A New Hope and End Credits
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
A New Hope / End Credits (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
quotes music from:
End Titles (Star Wars, Episode IV: A New Hope)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams3.2513:06
4CD: Star Wars: A New Hope
#TitleArtistRatingLength
1Main Title
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams55:26
2Imperial Attack
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Imperial Attack (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams6:20
3Princess Leia’s Theme
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas and Tom Null
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16) and Abravanel Hall in Salt Lake City, Utah, United States (from 1983-06-21 until 1983-06-22)
recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2.754:24
4The Desert and the Robot Auction
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Desert / The Robot Auction (Star Wars)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2:54
5Ben’s Death and TIE Fighter Attack
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Ben Kenobi’s Death (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
TIE Fighter Attack (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams3:55
6The Little People Work
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Little People (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:10
7Rescue of the Princess
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Rescue of the Princess (Star Wars)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:49
8Inner City
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Inner City (Star Wars)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:16
9Cantina Band
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Cantina Band (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams3.92:46
10The Land of the Sand People
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Land of the Sand People (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2:58
11Mouse Robot and Blasting Off
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Mouse Robot / Blasting Off (Star Wars)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:05
12The Return Home
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Return Home (Star Wars)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2:52
13The Walls Converge
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Walls Converge (Star Wars)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:38
14The Princess Appears
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Princess Appears (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:09
15The Last Battle
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
compilation of:
The Last Battle, Part 1 by John Williams (American score composer) and The Last Battle, Part 2 by John Williams (American score composer)
recording of:
The Last Battle (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams12:11
16The Throne Room and End Title
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
End Titles (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Throne Room (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Throne Room / Finale (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams5:34
5CD: Star Wars: The Empire Strikes Back
#TitleArtistRatingLength
1Star Wars (Main Theme)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams55:49
2Yoda's Theme
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3.153:29
3The Training of a Jedi Knight
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Training of a Jedi Knight (Star Wars, Episode V: The Empire Strikes Back)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3:09
4The Heroics of Luke and Han
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-19)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-19)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Heroics of Luke and Han (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams5:52
5The Imperial March (Darth Vader's Theme)
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams4.153:01
6Departure of Boba Fett
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-19)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-19)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Departure of Boba Fett (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3:08
7Han Solo and the Princess
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Han Solo and the Princess (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams2.753:29
8Hyperspace
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Hyperspace (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams4:05
9The Battle in the Snow
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Battle in the Snow (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3:44
10The Asteroid Field
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Asteroid Field (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3.254:17
11The City in the Clouds
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
City in the Clouds (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams6:30
12Rebels at Bay
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Rebels at Bay (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams5:23
13Yoda and the Force
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Yoda and the Force (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3.24:04
14The Duel
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Duel (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams4:04
15The Magic Tree
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Magic Tree (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3:35
16Lando's Palace
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Lando’s Palace (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams2.53:54
17Finale
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Finale / End Credits (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams6:23
6CD: Star Wars: Return of the Jedi
#TitleArtistRatingLength
1Main Title (The Story Continues)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams5:12
2Into the Trap
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Into the Trap (Star Wars, Episode VI: Return of the Jedi)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams2:39
3Luke and Leia
recording engineer:
Lionel Newman and Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams24:48
4Parade of the Ewoks
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Parade of the Ewoks (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams23:27
5Han Solo Returns (At the Court of Jabba the Hutt)
recording engineer:
Lionel Newman and Eric A. Tomlinson (British recording engineer)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Han Solo Returns (Star Wars, Episode VI: The Return of the Jedi)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams4:12
6Lapti Nek (Jabba's Palace Band)
instruments and performer:
Jabba’s Palace Band
lead vocals [Sy Snootles]:
Michele Gruska
arranger:
Ernie Fosellius, John Williams (American score composer) and Joseph Williams (vocalist for Toto, son of composer John Williams)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Lapti Nek (Star Wars, Episode VI: Return of the Jedi)
lyricist:
Annie M. Arbogast
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams2:51
7The Forest Battle
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
The Forest Battle (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams2.254:05
8Rebel Briefing
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Rebel Briefing (Star Wars, Episode VI: The Return of the Jedi)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams2:25
9The Emperor
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
The Emperor (Star Wars, Episode VI: The Return of the Jedi)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams2:46
10The Return of the Jedi
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
The Return of the Jedi (Star Wars, Episode VI: Return of the Jedi)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams5:05
11Ewok Celebration and Finale
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Ewok Celebration
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
Finale (Star Wars, Episode VI: Return of the Jedi)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams8:01
7CD: Star Wars: The Force Awakens
8CD: Star Wars: The Last Jedi
9CD: Star Wars: The Rise of Skywalker
10CD: Rogue One: A Star Wars Story
11CD: Solo: A Star Wars Story
12CD: Selections from Star Wars: The Acolyte
13CD: Selections from Star Wars: The Clone Wars
14CD: Selections from Star Wars: The Bad Batch
15CD: Selections from Star Wars: Obi-Wan Kenobi
16CD: Selections from Star Wars: Rebels
17CD: Selections from Star Wars: Andor
18CD: Selections from Star Wars: The Mandalorian
19CD: Selections from Star Wars: The Book of Boba Fett
20CD: Selections from Star Wars: Ahsoka
21CD: Star Wars: Tales of the Jedi
22CD: Star Wars: Tales of the Empire
23CD: Selections from Star Wars: Visions